Subscribed 37: Podcast Community on Facebook

Subscribed 037: Podcast Community on Facebook

This week’s Subscribed entry is a bit of a departure as it isn’t a podcast, YouTube Channel or blog, but rather a Facebook community dedicate to Podcasting. The Podcast Community has nearly 800 members and a depth of new media information not found in many other places.

The Podcast Community is a place for questions and discussions, not just announcements of upcoming shows and guests. If you have a new media question, this is one of the best places to get it answered. You’ll find a wide variety of advice, guidance and support in this community.

Podcast community

What are some of your favorite Subscriptions? Share them here in the comments!

Previously highlighted on Subscribed:

Subscribed is a Careers in New Media series  highlighting the Podcasts, YouTube Channels and Blogs that I follow on a daily basis. Check out this entry, and past entries, for some great New Media Content — Douglas


New Media Gear 018: Canon VIXIA HF R400 HD 53x Image Stabilized Optical Zoom Camcorder and 3.0 Touch LCD

New Media Gear 018: Canon VIXIA HF R400 HD 53x Image Stabilized Optical Zoom Camcorder and 3.0 Touch LCD

I produce a number of blogs and video series/podcasts, so I had been looking to upgrade my current video cameras to something with a few more features and better ease of use. While my  micro-four-thirds SLR camera did well with video, it was limited to how long it could record as one video clip and also lacked a reversible viewfinder so I could shoot videos without a camera operator.

Recently, I also had several New Media production opportunities come my way and an upgrade to full 1080p video quality was needed. I asked for recommendations from my social media followers and one of the first recommendations was this Canon camera. I found it for purchase locally and after trying it out, I decided to buy.

This camera has several features that I was looking for in a new camera:

  • Reversible viewfinder for single person shooting
  • SD Card video storage with the ability to record 1 hour + presentations as one clip
  • External mic input for lavaliere and shotgun microphones
  • 1080p/60fps recording
  • MP4 recording, as well as AVHCD

This camera has all of these features, along with decent quality in low light situations and ease of use. I have now used it in 2 projects, as well as my weekly podcasts, and I find it to be capable and produce good quality video. Sure, you could spend a lot more money for a much better camera, but for my own needs and finances, this camera has proven to be an excellent choice. You can see some examples of the camera at work on my YouTube Channel.

Canon VIXIA HF R400 HD 53x Image Stabilized Optical Zoom Camcorder and 3.0 Touch LCD

 Product Features from Amazon.com:

  • Genuine Canon HD Video Lens with 53x Advanced Zoom and SuperRange Optical Image Stabilization
  • Canon 3.28 Megapixel Full HD CMOS Image Sensor and new DIGIC DV 4 Image Processor capture videos at 1920 x 1080 resolution and provide exceptional imaging performance
  • Record Full HD video directly to a removable SD memory card (SDHC/SDXC compatible) for fast and easy sharing of your memories.
  • 1080/60p recording in MP4 (35 Mbps) and AVCHD Progressive (28 Mbps) for high quality capture of moving subjects
  • 3.0-inch capacitive touch panel LCD

Previously on New Media Gear:

 

Archive: New Media Tip 20090319 – Improving audio on your New Media projects

From the Carers in New Media archives, this tip still holds a lot of valid information on improving audio in your New Media Projects.

nmi-tip-audio

New Media Gear 016: Peter Lythgoe of Zzipp and Co. Podcast from Weymouth, UK (Part 3 of 3)

New Media Gear 016: Peter Lythgoe of Zzipp and Co. Podcast from Weymouth, UK (Part 3 of 3)

Peter is the producer and host of the Zzipp and Co. Podcast and uses a variety of equipment in producing his shows. He was kind enough to break out his equipment in 3 parts, including hist audio studio equipment, his video interview equipment and the equipment for the video studio he is currently building. Since her has so much equipment to share, I will present his New Media Gear in 3 parts, too. This posts details Peter’s studio equipment.

New Media Equipment:

If you have any questions about Peter’s podcasting equipment, please drop them in the comments or in the Facebook Podcasting Community.

Previously on New Media Gear:

 

New Media Gear 015: Audio-Technica ATR2100-USB Cardioid Dynamic USB/XLR Microphone

New Media Gear 015: Audio-Technica ATR2100-USB Cardioid Dynamic USB/XLR Microphone

I first heard about this microphone from Richard Cleveland over at Naked Ape Productions during one of his Podcast U panel discussions. I mentioned this microphone to my personal friend,  Michael Lawshe, who is an expert in all things audio (and multi-Emmy Award winner) and he happened to drop one by when we met for dinner last night.

First Impressions: Audio-Technica ATR2100-USB Micrphone - 12

First Impressions: Audio-Technica ATR2100-USB Micrphone - 4First Impressions: Audio-Technica ATR2100-USB Micrphone - 6First Impressions: Audio-Technica ATR2100-USB Micrphone - 8

First Impressions: Audio-Technica ATR2100-USB Micrphone - 14First Impressions: Audio-Technica ATR2100-USB Micrphone - 10

The microphone package include the mic itself, a mic clip and small plastic mic stand, an XLR microphone cable and a USB cable. As you might notice from the cables included, the ATR2100-USB, has a special feature which I have not seen in many other microphones. Instead of being a USB-only mic like the Blue Snowball or Rode Podcaster, the ATR2100 includes connections and electronics so it can be used either as a USB microphone connected directly to your computer with out a mixing board or as a standard dynamic microphone connected via XLR to a mixer.

This dual connectivity makes this a great mic for those who are just getting started in podcasting or other audio recording and yet allows them to step up to a mixing board and other equipment while still using the same microphone. Additionally, when recording with USB-only microphones, real time monitoring of your recording can be a problem due to the USB induced processing delay. The ATR2100-USB works around this issue by including a headphone jack directly on the microphone itself, so you can easily monitor in real time even when connected via USB. Other USB microphones have included this much needed feature in the past, such as the Rode Podcaster, and it is great to see other manufacturers alleviating the monitoring issue with their designs. I know for myself that it is very important to be able to monitor myself as I record. It helps me to catch mumbled words, overly fast speech and poor pronunciations which I might not notice otherwise.

As a demonstration, I have recorded this blog post as an audio podcast, too, so you can hear the microphone in a real world situation using both the USB and XLR modes.

Listen to this microphone demonstration

Everything up to here has been recored using the USB connection on the ATR2100. Now I will switch to the XLR connection using my small mixing board.

As with any handheld mic, shock isolation js important. You don’t want to pick up any noise from your hand on the microphone itself. This is often where many less expensive microphones and recorders with built-in mic fail greatly. As you can hear, I am moving the microphone around in my hand and while it is picking up a bit of noise, if you hold the mic firmly you might not notice it at all. The included plastic mic clip and tabletop mic stand is enough for most beginners to get started, although most would probably want to move up to a more robust, metal, stand fairly quickly.

Unfortunately, the headphone level form the microphone was at a very low level for my own personal tastes. I would prefer much more volume when recording and playing back what I have recorded. The mic has a headphone volume control, but it did not seem to the effect the output volume much at all. Instead the volume control seemed to be trying to change the overall volume on my Macintosh.

The recording level was quite good even when placed on a desktop at some distance from my mouth. If you want more input level, of course, you can move closer to the mic although then you would want to use a pop filter cut down on the popping sounds of consonants and plosives like P’s and B’s. In this podcast I have used the mic at a fairly close proximity and included the use of a pop filter.

Based on my short time with the microphone, and recommendations from others, I would consider this a great microphone for its price. Amazon currently lists it for around $40 US. I have been impressed with the overall recording quality even here in this rough demonstration. I haven’t taken any time to really adjust the microphone in any way, but simply plugged it in, adjusted the recording level and made this recording using Apple’s GarageBand software.

If you’d like more information on the ATR2100-USB, you can find links not the web site as part of this blog post. Visit DouglasEWelch.com/newmedia/ to find them.

Audio-Technica ATR2100-USB Cardioid Dynamic USB/XLR Microphone

Product Features from Amazon.com:

  • Handheld dynamic microphone with USB digital output and XLR analog output
  • USB output connects to your computer for digital recording, while the XLR output connects with your sound system conventional microphone input for use in live performance
  • Smooth, extended frequency response ideally suited for podcasting, home studio recording, field recording, voiceover, and on-stage use
  • Built-in headphone jack allows you to directly monitor your microphone output without audible delay
  • Cardioid polar pattern reduces pickup of unwanted sounds from the sides and rear
  • Dynamic Microphone With Usb Digital Output & Xlr Analog Output
  • Usb Output Connects To Computer For Digital Recording, While The Xlr Output Connects With Sound System’S Conventional Microphone Input For Use In Live Performance
  • Built-In Headphone Jack With Volume Control

If you have any questions about Peter’s podcasting equipment, please drop them in the comments or in the Facebook Podcasting Community.

Previously on New Media Gear:

 

New Media Vocabulary: Noise Floor

New media vocab logo

New Media Vocabulary: Noise Floor

While I have linked to some much more technical descriptions of noise floor below, for me (and I assume the average new media producer) the noise floor is the base level of noise in your recording environment. For me, this includes ambient wind noise outside my windows, the hiss of the pilot light on my gas fireplace, fans on my computers and probably a thousand other small noise sources I don’t even notice on a daily basis. All of these combined create my “noise floor”.

The noise floor is the overall hiss or buzz you hear in your recordings and in some worst scenario cases, it can almost overwhelm the “signal” you are trying to record i.e. your voice, your music, etc. The noise floor is also an issue when you find that you have recorded at too low a level and try to raise the overall volume of the recording to an acceptable level. Unfortunately, raising the overall level also amplifies the noise that was recorded beneath your voice or music. In the worst case, this noise will be so overwhelming that you will not be able to use the recording at all. Yet another reason to insure that you are recording at an optimal level when producing your audio or video podcasts.

You always want to try and reduce your ambient noise as much as possible, but without a professionally designed recording studio, there will be limits on how much noise you can prevent, so careful management of recording levels is a must.

For more information on noise floor:

Previously on New Media Vocabulary:

New Media Prescription: Don’t “Complain to the Choir” when producing New Media

We need to talk…

One of the great strengths of New Media — be it blogging, videos, photos, social media — is the ability to connect directly to your audience. You don’t have any middlemen distorting your message or otherwise getting in the way. Unfortunately, this also means you don’t have someone watching over your shoulder to gently nudge you and say, “Perhaps you might want to re-think that.”

One common trap I see for New Media producers is, what I all, “Complaining to the Choir.” Like the age old adage against “preaching to the choir”, it is to be avoided for a number of reasons. First of all, though, what does it mean when you are “Complaining to the Choir?” It means to complain to those people who are actually the opposite of those you want to address.

When things aren’t going well for a new media producers — videos are getting liked, viewed or shared — blog posts are being ignored — revenue isn’t coming in — producers can spend entire posts, videos or podcasts complaining about the issue. They’ll cajole, they’ll berate, they will express their sadness and their fear that they might have to go back to their old way of work. As a fellow producer, I can empathize with them. Being a producer means facing criticism, nasty feedback, Internet trolls and other burdens on a daily basis. That said, I also understand that bringing this negativity into a show or blog can have exactly the opposite effect they wish to have. Focusing on the negative can actually reduce views, downloads and readers ben further , if you do it too often.

As a producer, your best approach is to ignore the negativity and simply move on to your next production. Focusing on the negative will only depress you further.

Here is why “Complaining to the Choir” is such a bad idea:

  • You annoy your biggest supporters

It is a simple fact that those a producer would most like to reach with their message probably aren’t watching, listening or reading anyway. Instead you are complaining to your biggest supporters — and perhaps driving them away, too. Your supporters come to your blog, your video, your podcasts because they love the content you produce. If you produce a show full of complaints and low on content, you are actively disrespecting their support. It is like a preacher complaining to the choir that no one comes to church anymore, even those these people do come to church AND also participate in other ways.

  • You produce yet another show with low viewership, low likes and low shares

When you produce a complaining show, you are expanding the effect you are complaining about and driving your ratings even lower. It is fair to say that a show filled with complaints, directed at the wrong people, is sure to garner less views and popularity than one of your traditional, content rich show. I had that very experience today. I watched the complaining show, but I could not bring myself to click the Like button, as I couldn’t honestly recommend it my followers as a show they should watch. They wouldn’t find it enjoyable and I would feel that I had offered a bad recommendation.

  • Complaints don’t drive success, great content does

While I can understand producers feeling worried and upset over various issues, it is always important to remember that content, not complaints drives your success. Viewers don’t really care if you are struggling. They come for the great content and many will support you by clicking Like or subscribing. If you want to truly have an effect on your issues, produce more great content. It is the only thing that matters. It is the only thing that will attract the support you need and desire.

  • Share your personal life, but perhaps not your producer life

Producing new media can be a lonely world, but beware of sharing your feelings about your show with your audience. They probably don’t care. Sure, you can share your thoughts about other personal issues, life changes, struggles, etc, but when you bring your producer complains to the conversation a subtle line is crossed. People lose sight of you as a person and start to think of you as just another faceless media drone. Viewers love to know more about your personal life, but they don’t really care about the nitty-gritty of being a producer. Most viewers don’t want to know “how the sausage is made” as long as it results in great content.

The next time you are feeling worried or depressed about your New Media productions and their success, seek out a close personal friend or a New Media user group to air your complaints and worries. Don’t take them to your audience. Your complains do nothing to benefit the audience and can only harm your standing with them.

Now, get back to work and produce something GREAT!

New Project: Author Introduction videos for Authors Marketing Agency

As part of my new work focus, I started a new New Media project last week with a trip to the Palm Springs area to record author introductions for the Authors Marketing Agency. These 3 videos are the first results of that project.

I think that authors (and anyone who seeks to build their business or sell their products) needs to be producing videos of all sorts in order to fulfill my mantra of “Showing people what you do and how well you do it.” In today’s world, this is the best way of attracting opportunity TO you instead of constantly having to seek them out.

Videos — and blogs and podcasts and newsletters and more — work for you 24/7, even when you are sleeping. They are your surrogates in the online world — explaining your concepts, detailing your products, sharing your knowledge — even when you can’t be there in person.

Whether you create your online content yourself, or hire someone to help you with it, it is so important that you create and share it. If you would like assistance in marketing your books, please contact the Authors Marketing Agency for assistance.

New Media Gear 012: Peter Lythgoe of Zzipp and Co. Podcast from Weymouth, UK (Part 1 of 3)

New Media Gear 012: Peter Lythgoe of Zzipp and Co. Podcast from Weymouth, UK (Part 1 of 3)

Peter is the producer and host of the Zzipp and Co. Podcast and uses a variety of equipment in producing his shows. He was kind enough to break out his equipment in 3 parts, including hist audio studio equipment, his video interview equipment and the equipment for the video studio he is currently building. Since her has so much equipment to share, I will present his New Media Gear in 3 parts, too. This post will start with Peter’s audio equipment.

New Media Equipment:

  Audacity logo 

Here is an interview I did with Peter about the special needs and specific uses of local podcasting:

If you have any questions about Peter’s podcasting equipment, please drop them in the comments or in the Facebook Podcasting Community.

Previously on New Media Gear:

 

New Media Gear 010: Brian Herbert of the Indy Autographs Podcast and Hoosier State Sports Show

New Media Gear 010: Brian Herbert of the Indy Autographs Podcast and Hoosier State Sports Show

Brian’s podcasts include:

New Media Equipment:

Soundbooth 

If you have any questions about Brian’s podcasting equipment, please drop them in the comments or in the Facebook Podcasting Community.

Previously on New Media Gear:

 

New Media Vocabulary: Plugin

New media vocab logo

New Media Vocabulary: Plugin

“In computing, a plug-in (or plugin) is a set of software components that adds specific abilities to a larger software application. If supported, plug-ins enable customizing the functionality of an application. For example, plug-ins are commonly used in web browsers to play video, scan for viruses, and display new file types. Well-known plug-ins examples include Adobe Flash Player, QuickTime, and Java Applets.” – http://en.wikipedia.org/wiki/Plug-in_(computing)

To expand on the description above, plugins aren’t usually complete programs in themselves, but rather programs that run inside of — and expand the features of — other software. Plugins are very popular because they allow the extension and addition of new features to software without have include the feature directly in the base product. This also allows you to add only those features you most want or need to a product. This reduces complexity of the software and also allows you to limit how much memory the software might take to run. There is no need to load all the features when you use only 2 or 3 of the added functions.

For New Media producers, you will often see plugins as part of audio and video recording/editing software. Most all software provides for a plugin structure which allows other companies to produce niche features that might only be needed by a limited number of users who purchase the overall software.

One important item to remember is that plugins need to updated, just like the software they extend. Keep track of plugin updates to insure that you don’t run into issues with existing bugs or miss new features. Also, be aware that plugins often only work with one specific version of the base software. If you rely on a particular plugin, you may need to postpone upgrading your base software until the plugin manufacturer releases an update to work with that newer version.

Do you have questions, comments or clarifications to this New Media Vocabulary term? Add them to the comments!

Previously on New Media Vocabulary:

Audacity Audio Recording and Editing Software Upgraded to 2.0.3

Audacity logo

Audacity, the free audio recoding and editing software, used by many podcasters and other new media producers, has been upgrade to version 2.0.3. A complete list of fixed bugs and new features is available in the Audacity 2.0.3 Release Notes.

Audacity is available in Windows, Macintosh and Linux versions.

Link: Audacity Web Site

New Media Gear 008: Zoom H1 Handy Portable Digital Recorder

New Media Gear 008: Zoom H1 Handy Portable Digital Recorder

This series started with a conversation on the  Facebook Podcast Community Group. You can ask your questions and find lots of podcasting discussion there.

Zoom H1 Handy Portable Digital Recorder

Capturing great audio for your New Media projects can be even more important that capturing good video The Zoom H1 Portable Digital Recorder makes capturing great audio easy and inexpensive for almost everyone.

Dual microphones bring in high-fidelity in a small package and MiniSD card recording allows you to easily swap in a new card when you need more recording time out in the field. The easy-to-read display with active metering makes it clear when you are recording and how well you have set your levels. Also includes includes external mix input for use with lavaliere and shotgun microphones with 1/8″ audio plug connectors.

If you have any questions about this podcasting equipment, please drop them in the comments.

 

New Media Gear 007: Charley Hays

New Media Gear 007: Charley Hays

Link: Charley Hays on Facebook

This series started with a conversation on the  Facebook Podcast Community Group. You can ask your questions and find lots of podcasting discussion there.

If you have any questions about Jack’s podcasting equipment, please drop them in the comments.

New Media Equipment:

 

 

New Media Gear 006: Chuck Tomasi of Technorama

New Media Gear 006: Chuck Tomasi of Technorama

Technorama logo 100

I have known Chuck for a long time as he is a a fellow member of Friends in Tech our rather informal podcasting consortium. Technorama is one of his long-running shows which he produces weekly with his co-host, Kreg Steppe. Technorama is “a light-hearted look at all things tech, science, sci-fi, and all things geek.” They have a great “studio” audience in their chat room and cover some of the funnier and geekier sides of culture.

Link: Technorama with Chuck Tomasi and Kreg Steppe

This series started with a conversation on the  Facebook Podcast Community Group. You can ask your questions and find lots of podcasting discussion there.

If you have any questions about Jack’s podcasting equipment, please drop them in the comments.

New Media Equipment:

   

 

“How to Live stream?”question and answer session via email

One of my posts from 2010, “What do you need to live video stream your event?” is one of the most popular posts on my web site, according to my stats. This post also leads to a large number of emails from folks with questions about live streaming.

I had a great question and answer session via email with a reader the other day and wanted to sure my answers with all of you. I hope that this is useful to you and answers some of the questions you might have about live streaming.

The reader’s questions are in bold below, with my answers below each question. — Douglas


First, let me say that I am a big proponent of starting to stream in any way possible and then building up the quality of your streams as you go. This allows you get some of the benefits of streaming while still learning and building up your equipment. Perfect is good, but done is better. I recommend jumping in and just “doing” it — even as practice. You will learn so much.

1.  What type of cameras do we need?  We were going to start with 2 (2 different angles), but we don’t know what TYPE of cameras we need.  What do they need to be equipped with?

You can use anything from the built-in webcam on a laptop, an external webcam (check out the Logitech C920 for an HD one), a Firewire-capable camcorder or high-end “TV” cameras. I am not an expert on the high-end stuff, so I will have to leave that to more knowledgeable folks. That said, anything you can get a video signal from can potentially be used for streaming. You may need to run analog cameras through some sort of switcher or analog-digital convertor to connect it to your computer, but if you have a video source, you should be able to stream it, 

2.  We need a switcher, yes?   We’ll be switching from 1 angle to another during the stream.

If you want to have multiple cameras, yes, you will probably need a switcher. That said, on a very low-end scale, you could also have 2 webcams and then switch which input is being used by the streaming site at any time. This is a pretty low-end way of doing it, but it works and would allow you to experiment a bit first.

If you are looking at video mixers, here are two examples from Amazon.com:

 Roland V-4 4-Channel Video Mixer

 

3.  We were told we also need a streaming encoder.  Do we?

A streaming encoder is used for higher-end situations. Basically it is just a locally run piece of software the pre-encodes the signal before sending it along to the streaming site. For most free streaming setups, this encoding is done by the site. You may not need this initially. 

4.  Can a switcher and an encoder be part of the same equipment?

Yes, there are a couple of systems that have been introduced lately that are basically rack mounted streaming “systems” that include switch, encoder, a PC with network/wifi, etc. 

 Here are two systems I have seen recently:

 

5.  We are NOT looking to TAPE the concert for later viewing.  Do we still need a “capture card”?

Most streaming sites will also record and archive your show for later watching, but you can also capture a copy locally yourself. In this case, your local copy will always be of higher quality than the streamed version, due to bandwidth limitations, etc. I think archiving your streams is a great idea as you will always have many more views from the recorded versions that you will from the live stream. Live streams require people to be in a particular place at a particular time and so limit the number of people who can “attend”. Recorded versions can be watched whenever and wherever the person might be, so more people view it. This is not to say you can’t charge for access to these recorded versions. You don’t have to give them away for free. 

6.  How LARGE a computer do we need?  What type of capacity does that computer need to have?

You want the fastest computer you can get, with plenty of memory (4GB-8GB) and several large hard drives (1TB+) Audio and video files can grow very large and you need enough space to hold each show, archived shows and editing space, if you want to edit or convert the files.

7.  How do we get the live feed onto our website?

When using a streaming service like uStream.tv, etc, they provide you an “embed code” that you simply copy and paste to your site or anywhere else you want the stream to appear. It is just a small snippet of HTML that should work nearly anywhere.

8.  How can we sell tickets on their website via Pay-Per-View?

Sorry, that is outside my knowledge area, unfortunately. 

9. We want the best quality — HD — that we can get, although we’re on a very strapped (i.e., small) budget.

Surprisingly, even a consumer camcorder can take quite decent 1080p HD video. The streaming software/equipment/service/bandwidth will always be the limiting factor for the foreseeable future.

I hope this has helped a bit. My knowledge is more at the level of the “beginner” live streamer, so I am not sure what more I can offer. 

New Media Gear 005: Jack “Boom Goes The Dynamite” Heikle

New Media Gear 005: Jack “Boom Goes The Dynamite” Heikle 

Jack heikle

Link: Jack “Boom Goes The Dynamite” Heikle on Facebook

Jack answered my call for Podcast Gear recommendations via the Facebook Podcast Community Group. You can ask your questions and find lots of podcasting discussion there.

If you have any questions about Jack’s podcasting equipment, please drop them in the comments.

New Media Equipment:

  

 

New Media Gear 004: Mike Phillips from MikePhillips.me and Computers 2K Now podcast

New Media Gear 004: Mike Phillips from MikePhillips.me and Computers 2K Now podcast

Mikephillips

Mike is very knowledgeable about microphones and also has quite a lot of experience working with all the different types in many different situations. During the PodcastU Roundtable a few weeks ago, Mike mentioned these two mics as some of the best for beginning and intermediate podcasters and other New Media content producers. You can find out more about Mike from the links below.

Link: MikePhillips.me

Link: Computer 2K Now

Mike answered my call for Podcast Gear recommendations via the Facebook Podcast Community Group. You can ask your questions and find lots of podcasting discussion there.

These microphones are somewhat unique in the that have both USB and XLR connectors. Beginning podcasters can connect them directly to their computers via USB, without a mixing board, but intermediate podcasts can then step up to a mixer and use the XLR connectors of the microphones in their more advanced setups. Very cool and this is the first time I have heard of such microphones. I think this is a great idea to offer users a bit more flexibility in their setups.

If you have any questions about Mike’s podcasting equipment, please drop them in the comments.

New Media Equipment:

 

 

New Media Gear 003: Clay Dugger of The Righteous Dude’s Dudecast

This is the third installment of a new series here on Careers in New Media/New Media Interchange — New Media Gear. I started collecting information for this series by posting a question in the Facebook Podcasting Community Group — “What equipment to you use?” I know that I like to know what others are using — and finding useful — in their New Media work and ways that it might make my work a bit easier. Over the next several weeks I will highlight a podcaster in each post and let your know what equipment they find useful and provide links to where you can pick it up yourself. — Douglas

New Media Gear 003: Clay Dugger of The Righteous Dude’s Dudecast

Find out more about Clay Dugger of The Righteous Dude’s Dudecast

Here is some of the equipment that Clay is using to produce his shows. He passed along this information via the Facebook Podcast Community Group. You can ask your questions and find lots of podcasting discussion there.

If you have any questions about Clay’s podcasting equipment, please drop them in the comments.

New Media Equipment:

 Macbook air Apple ipads

 

2012 Gift Guide: Arriba Cases Gear Transport Bags

Arriba Cases Gear Transport Bags

Most podcasters have a reason to move their gear around on occasion and you want to make sure it is protected while in-transit. Arriba Cases has a wide selection of padded gear bags available for almost any purpose. These bags were originally designed for musicians and their amplifiers, but they would also come in handy for any podcaster moving mixer, microphones, cables and stands from one location to another.

More 2012 Gift Guide Items: Continue reading