New Media Gear 21: Fancierstudio 3000 Watt Digital Video Continuous Softbox Lighting Kit
A few months ago we had need to purchase some equipment for a testimonial project and a series of interviews. First on our list was a basic set of video lights that would provide nice, basic illumination and still be easy to transport, as we would be shooting the interviews at the client sites. As we are just starting to move into the video production business (beyond my own personal productions) and not exactly knowing how far this line of work will take us, I didn’t want to invest thousands of dollars only to have to sell the equipment later for a loss.
I did quite a bit of searching online and came across this kit on Amazon.com. I made a point of reading nearly every review available, both positive and negative to see how this kit might fit our needs. Overall the kit has a 4 star rating over 77 reviews. The one item I kept seeing in the reviews was the fact that this was, indeed, a “cheap” kit. That didn’t mean it didn’t work well, only that you had to be careful when setting up and tearing down and you couldn’t necessarily toss it around. Knobs are plastic, although the screws themselves are metal, the nylon bags holding the diffusion boxes are poorly stitched and things like that. Almost all the review said, though, that if you are looking for a good, entry-level kit, this could be it.
Based on these reviews, I ordered the kit and crossed my fingers that it would work out well. Once it arrived, we did a test setup here in the office so we understood how everything went together before we tried to do this under the time constraints of an actual shoot. It took a little time to learn exactly how to best put the lights together, but now that we have down 6 setups and tear downs, we are pretty good and can set up two lights in about 15 minutes.
Since we had the warnings from the reviews, we have been very careful to treat the kit with a light hand and try to keep the abuse to a minimum. These seems to have served us well, as nothing has broken or been damaged over the course of the last 2 months of transport and shoot.
Everything — stands, light bulbs, fixtures, diffusion boxes and screens — fits back into the original carrying case and allows us to move around quite easily from car to location to car. The kit is small enough that it easily fits in the trunk or back seat of all but the smallest vehicles.
Overall, we have been very satisfied in our purchase and while we may move up to more expensive (and expansive) equipment in the future, it has served us well as we grow. Go into this purchase with the full knowledge that is “cheap” and may require a little gentler care than most, but we have found it quite functional for, albeit limited, needs.
Previously on New Media Gear:
- Headphone Recommendations
- Premium microphone power supply with 9v power
- Canon VIXIA HF R400 HD 53x Image Stabilized Optical Zoom Camcorder and 3.0 Touch LCD
- Blue Microphones Icicle XLR to USB Mic Converter/Mic Preamp
- Peter Lythgoe of Zzipp and Co. Podcast from Weymouth, UK (Part 3 of 3)
- Audio-Technica ATR2100-USB Cardioid Dynamic USB/XLR Microphone
- Peter Lythgoe of Zzipp and Co. Podcast from Weymouth, UK (Part 2 of 3)
- Charles McFall, Co-host “Success Freaks”
- Peter Lythgoe of Zzipp and Co. Podcast from Weymouth, UK (Part 1 of 3)
- Daniel J. Lewis of The Audacity to Podcast and more
- Brian Herbert of the Indy Autographs Podcast and Hoosier State Sports Show
- Dan Hughes of In The Treasure Corner and others
- Zoom H1 Handy Portable Digital Recorder
- Charley Hays
- Chuck Tomasi of Technorama
- Jack “Boom Goes The Dynamite” Heikle
- Mike Phillips from MikePhillips.me and Computers 2K Now podcast
- Clay Dugger of The Righteous Dude’s Dudecast
- Richard Cleveland of Naked Ape Productions
- Douglas E. Welch – Career Opportunities Podcast