Podcast Parity

One of the large issues mentioned when any podcasters get together is the relative difficulty involved in listening to podcasts. While I agree that there are some issues here that stop the average user from subscribing to podcasts, with the advent of the Apple TV I think we are starting to see movement in this area.

Stopping by the Apple Store the other day, I played around with the Apple TV for 30 minutes or so. One of the first things that caught my eye, thought, was the fact that podcasts were listed right up there with Movie, TV Shows and everything else. I think this sort of parity with other entertainment sources is exactly what podcasting needs. We already see this somewhat in the various podcast directories where indie shows are listed side by side with those from NPR, CNN, NBC, etc.

The Apple TV is pointing the way to the future where people won’t know or necessarily care where their entertainment is coming from, only that they found something they enjoy. They might be getting one show from a broadcast network, another from a cable channel, another via their TiVO and others via podcasting. The fact is, in devices like the Apple TV (and others, Phillips has announced that they are planning a similar device) make it easy to consume entertainment, regardless of its source. I think this is great and look forward to more listeners and viewers of my own podcasts as this “podcast parity” trend continues.

Live Event Project – First Draft to Final Approval

Today was a work day at home, splitting the one large recording from last Wednesday’s LIVE event into individual parts, in preparation for building individual podcasts.

Working with my wife, we selected some appropriate music, chose and interesting reader to use as a test and prepared a First Draft podcast to deliver for notes. It is my intention to create a standard intro and outro for these podcasts and then assemble that with the audio from each individual reader.

Imagine my happy dance when the customer came back with NO NOTES on the initial podcast.  This doesn’t happen on many projects, regardless of the work being done, so I am feeling very good. I have already completed another of the sessions and will process the remaining 16 this week. We are heading out to a project in Missouri on July 7, so I want to have the project completed and invoice sent before we go.

I will post here as soon as the audio goes live on the client’s site, so you can finally hear what I have been writing about these last few weeks.

As far the future, there is another event by this customer which could use the same treatment we used for this project…recording, editing and podcast production…so I am going to pitch that project to them a little later this summer.

Another short project update…

My other project, Mortgages Made Simple with Rick Gundzik, just released its 3rd episode and a 4th is almost completed. We have settled into a nice rhythm and I am producing the show remotely — recording via Skype or Gizmo as a “double-ender” and assembling in my office here. It seems to be working well and we will probably be scheduling a live show, via Talkshoe.com, sometime in June July

Douglas E. Welch Events, Speaking and Appearances Calendar

Event: BarCampLA Geek Dinner – June 19 @ 8pm

BarCampLA LogoJoin us for our monthly event. Come and meet the geeks. Talk business, tech, fun, whatever.

I think this is one of the best groups I have been involved with in a long time.

Visit the BarCampLA Wiki to RSVP and get more information.

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Live Recording Re-cap

Careers in Podcasting was created, in part, to give you some real world discussions about podcasting and its money-making potential. So, I wanted to write up my experiences of the LIVE recording I did last night, for pay, so you can, hopefully, learn a bit from my experiences.

Last night’s event was a live reading featuring writers who teach at the UCLA Extension and who also had a book published in the last year. There were 18 readers in all. I was contracted to record the event and then produce 18 individual podcasts which will be used on the UCLA Extension web site and possibly as part of an on-going podcast.

People

First off, everyone I dealt with on this project was first-rate — both the employees of the Extension (Corey and Gabrielle) and Rick, the local AV tech at the Skirball Center. You should thank your lucky stars whenever you get to work with folks like this. They answered email and voicemail promptly and, in the case of Rick, he answered all my questions without ever connecting directly by phone. Questions were asked and answered directly via voice mail.

Setup

Setup was minimal for the event, and probably more than I actually needed, but I like to be prepared. First I wired my lavaliere mics to my iRiver recorder and mounted them directly on the speaker podium. I thought that this would give me a good, close mic, sound. The application of a little electrical and masking tape made everything neat and tidy. Then I connected my Windows Vista laptop directly to the sound board to record the house sound, mainly as a backup. There were a few anxious moments when the laptop was being difficult about recognizing the audio input, but all was worked out long before the event began. Once everything was setup, I had almost 30 minutes to go “meet-and-greet” with my boss and the other attendees (who are now my fellow UCLA Extension Instructors).

A few minutes prior to the event, I went on-stage and started the local recorder (iRiver) and took my place by the soundboard to watch (and manage, if need be) the recording there. I was recording directly into the free Audacity program on the laptop.

Levels

The first issue I ran into was the fact that during a live reading, sound levels are all over the place. While I could “ride” the levels somewhat on the laptop recording, I could only hope that the input levels I had set on the iRiver recording would be sufficient to record the soft readers, while not distorting the loud ones. This made me a little anxious, but there was little I could do about it once the event began.

As it turned out, there were only about 2 readers out of the 18 that had any issues with over-driving the microphones. While there will be a bit of distortion in the final audio, it should be manageable and short. That said, I wish I would have been able to have a perfect, pristine recording, but live events are just that, live, and present a completely different set of challenges than a studio recording or interview.

Completing the project

Now that I have captured all the audio, I will be leveling it, splitting it into individual elements, recording a standard introduction and closing and eventually prepping the first “draft” podcast to submit for notes and changes. Once those changes come back, I will go into “assembly line” mode and crank out the final episodes for delivery.

Conclusions

I am having a great time, so far, with the project and I am looking for additional projects in this vein. I think it will be a great addition to my existing computer consulting work and improve my own podcast productions.

Questions? Comments? I would love to hear from you. Use the comments link below, email cip@welchwrite.com or call our listener/reader line at 818-804-5049.

Podcasting for Writers at UCLA Extension

The UCLA Extension calendar for Summer 2007 is now accepting admissions. Among the offerings is our new class, Podcasting for Writers — a 10-week online course.

If you, or someone you know, would like to join us for this class, here is the complete information.

Rosanne and I are really looking forward to the class.


NEW COURSE
Podcasting for Writers (Online)
X 430.27 Film & Television 3 units $525

Podcasting has given writers direct access to a worldwide audience and freed them from absolute dependency on television networks, radio stations, and publishers to buy and market their work. To the audience, podcasting is “what you want, where you want it, when you want it,” while to the podcast creator and producer, it is the ultimate creative freedom. This course covers the current state of this new medium; the basics of writing for it; and strategies for publicizing your podcast and expanding your readers, viewers, and listeners. Guest speakers available via audio and video podcast interviews, live interactive podcasts, and video conferences introduce you to the variety of ways you can use the medium. The course goal is to develop your own podcast based on individual professional or personal needs, interests, and goals. For technical requirements click here. Enrollment limited to 18 students. Additional technical requirements: Students need a recording device with microphone that is compatible with their computer; built-in microphones on laptops are acceptable. Students must have Apple iTunes software and access to audio recording software, such as Audacity or Apple GarageBand, to perform course exercises. High-speed Internet connection is required.

Course Open Reg# T3254U

No Textbook Required

Online Course
July 5 – September 6
$55 nonrefundable.

Rosanne Welch, writer/producer; WGA member whose credits include five seasons as staff writer, executive story editor, and producer on the CBS series Touched by an Angel. Ms. Welch also has written for Fox Broadcasting’s Beverly Hills, 90210; Picket Fences for CBS and David E. Kelly Productions; and is the author of The Encyclopedia of Women in Aviation and Space.

Douglas E. Welch, writer and computer consultant, whose work has been published in Wired, MacWorld, and Los Angeles Times. Mr. Welch is a member of Friends in Tech, and produced his first show, Career Opportunities, in 2004. He has written and produced over 300 individual episodes and conducts podcasting seminars for schools and businesses.

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My Podcast Process

I am often asked to talk about the steps I go through to create my podcasts, so I began to outline my methods a few weeks ago. I have been podcasting for over 2 years now, so most of this process is internalized, but it is probably a good idea for me to review the process to see if there is any way I can streamline it.

A word of warning, though, since I have been podcasting for so long, some of my methods have been superseded by much better methods. I am simply being slow to change the systems I have been using as they continue to operate well for me. I will mention the alternatives as I detail the process.

Creating the content

My main podcast, Career Opportunities, is a print column first. It appears in ComputorEdge in San Diego, California. This means that each podcast has been written, usually in MS Word, up to 6 weeks before it appear in the magazine and as a podcast. My other podcasts are more freeform and usually are recorded directly from an outline or loose notes.

Since each show is pre-written, I am able to move to the recording stage of my podcast without much more work.

Recording

When I first started recording my podcast I used the tools at hand, which meant Apple’s Garageband. In fact, the theme music you hear at the beginning of every show is made from 2 music loops that ship with Garageband.

I record each podcast directly into Garageband, preserving the music and the outro from the previous show. I lay down the intro, adding a changing piece of contact information and the show title. Then I begin recording the actual column.

I try to record about a paragraph at a time from the written column. If I make a mistake, I immediately stop the recording, trim the offending part and start recording again from that point. I do this to avoid the “Oops” problem, where unedited sections of audio make it into your final product. I occasionally hear this in my friend’s shows, so I use this method to avoid it.

Once the entire show is recorded, I go back to the beginning and begin tightening up the breaks between each recorded section. This usually means bringing the clips closer together so the breaks sound natural, as if I recorded the entire show in one (excellent) take. If only that were the case. (SMILE)

Once the show is complete, I select the Share to iTunes menu choice in GarageBand. This mixes down all the individual tracks and moves and AAC file over to Apple’s iTunes software.

Titling, Tagging and Conversion

Once the show appears in my iTunes Library I add an appropriate title, Artist, Show Title, notes (including URLs and contact info) and the graphic artwork for the show. Once complete, I use iTunes conversion options to convert the file to a standard MP3. In the beginning, I usually converted the show to a 64kbps MP3 file, but as time has passed and my recording quality has increased, I regularly produce this final file at 96kbps or even 128kbps. This results in a larger file but with a short show (around 6 minutes) it doesn’t cause a significant impact on files size or download time.

Once converted, I listen to the show to check for MP3 compression artifacts or other errors. Then I locate the file on the hard drive and name it appropriately for the web. These names take the form of career-op-20061020.mp3, where the numbers indicate the date the show was released. This means that even if a listener is not using iTunes or other MP3 player that can view the ID3 tags in the file, it still indicates that this is a Career-Op episode from a specific date.

This MP3 file is then uploaded to my web site, currently hosted at GoDaddy.com. I use YummyFTP as my Macintosh FTP client. There is a standard file structure on my web site that makes it clear where each file should reside.

Once the files is uploaded, I access the MP3 directly using my web browser to ensure that it plays correctly.

Web pages, Blogs and RSS Feeds

One oddity that arises from my early start in podcasting, and the fact that Career-Op is a written column, is that I post the full text of each show to my web site. Each column gets its own static web page which also direct links to the MP3 file. I create this file using Dreamweaver, based on the page from the previous week. I then test that file, using my web browser.

Next, I create the blog post for the main Career-Op page that announces the new show and links to the static columns page and the MP3 file. I use Blogger.com to create all of my blogs. One artifact from using Blogger is that it cannot create the RSS 2.0 with enclosures file that is required for podcasting. Other blogging software can do this, but I have not yet made the transition to these newer systems. Blogger does create an ATOM formatted feed, which is an RSS derivative.

To work around this issue, I use the services of FeedBurner.com. FeedBurner can take the Blogger-created ATOM feed and process it into a podcast-compatible RSS 2.0 feed, while adding a number of other features including iTunes specific ID3 tags, advertising and more. My subscribers then subscribe directly to this FeedBurner-created feed to receive my podcast automatically.

This is another artifact of my early start in podcasting. Today, while you might wish to use FeedBurner to create your final podcast feed, you should mask this feed behind a re-direct on your web site. For example, your subscribers might use the URL http://welchwrite.com/podcast.xml to subscribe to your podcast, this address might actually be re-directing the users to your FeebBurner feed. In this way, you retain full control of your feed and can easily stop using FeedBurner any time you wish without forcing all your listeners to re-subscribe to the new address.

Now, I post the blog entry to the blog using Blogger, which creates the new blog page and automatically moves to my web site, ready to be accessed by my readers and listeners.

Since FeedBurner is using the Blogger ATOM file to create its enhanced RSS feed, I also visit a special web page which tells FeedBurner that my basic RSS feed has changed and instructs it to update its RSS feed based on this new information. This would happen automatically within 30 minutes, but I prefer to force the update manually so I can check that the podcast downloads correctly.

At this point, my show is now available to the next listener who might request the RSS feed.

This is a very basic outline of my podcasting process and yours is sure to be somewhat different. In the interest of brevity, I have assumed quite a bit of knowledge, so if you have further questions on the process, please add your comments using the link below.

Keep podcasting…or get started today!

The Why, How and What of Podcasting – from BarCampLA 2006

You can listen to my talk at BarCampLA on Sunday, November 12, 2006.

In this session I talk more about the “why” of podcasting and then a little about the how and what.

Listen to the session

Episode 2, in the can…

Mortgages Made Simple LogoRick Gundzik and I recorded Episode 2 of Mortgages Made Simple today, doing it remotely instead of in-person as we did with show #1. Rick lives about 45 miles away in Orange County, so getting together for every show really isn’t feasible, but through the wonders of Gizmo, we connected up and did a traditional “double-ender”.

Double-ender

This is a method where each participant records their own end of the conversation and then one person sends there file to the other for editing and mix-down. This gives you the highest quality recording, even when you can’t be in the same room. Rick recorded with a headset mic directly into Audacity while I recorded with my traditional podcast rig here in the office. He then bundled up his file as an MP3 and uploaded it to his ftp site. From there, I downloaded the files, laid them into Garageband and started editing. While there weren’t a large number of edits in this piece, I did have to compensate for the lag when using Gizmo. This lag causes odd pauses and such, so I had to adjust each track, Rick’s and mine, a bit to make it sound right.

Putting it together 

After that was edits, I added in 2 segments we recorded together last Sunday, added the intro and outro, output as MP3 and uploaded to the site for Rick’s approval. Once he gives me his notes, I will make any changes, then upload the final to be linked in the blog post on Sunday or Monday of next week to release the show.

It’s just a hobby, right?

Last night, as I was obsessing over my podcasting stats with my wife (just a bit), she asked the usual question.

“Are you having fun?”

Of course, I answered yes, otherwise I wouldn’t continue creating podcasts.

“Then why are you so worried about your stats? It isn’t like it’s a business.”

This is a common dichotomy I hear often when discussing podcasting and other ventures that are more hobby than work. People seem incapable of finding a middle ground, If something is a “hobby” then you shouldn’t worry about it all. The entire process should be fun, fun, fun. If, on the other hand, something is work, you shouldn’t have any fun at all. At best, this is an outdated concept. At worse, it is damaging to you and those around you.

There is one major reason why you might stress a bit over something that others would classify as a pure hobby. No matter what I do, I want to do my best AND I want it to have as large an effect as possible. I want the maximum number of people to listen to my podcast and read my columns. I want to share my knowledge and help make the world a (slightly) better place.

Therefore, when my stats are down I do stress a bit. Is there a technical problem preventing people from accessing my podcast? Is my content lacking? Did I offend someone — although some writers consider that if you aren’t offending someone, you aren’t doing your job. What are the stats trying to tell me? What can I learn from this?

Additionally, podcasting stats are simply one way of “keeping score.” When you play pickup basketball, you keep score. When you play fantasy baseball, you keep score. You want to know how you measure up against those around you. While you should always seek to develop a good sense of self-worth, it is simply human nature to compare yourself and your work — and your hobby — against others.

Finally, work should be fun, too. I like to believe that if I ever develop podcasting into a full-time job, I would still have fun doing it. Otherwise, why bother? This is true of any job. If you aren’t having fun in your job, you aren’t doing your best work. You are merely slogging through each day simply so you can get your paycheck at the end of the week and retire at the end of the job. How dreary is that?

So, I’m hoping this proves it’s OK to be concerned with your “hobby.” You should care about the work you do, whether you are being paid for it directly or indirectly.

More podcasting projects…

Something is in the air, and I hope you are catching it, too.

Podcasting opportunities are heating up for me and I am seeing a major change. “Regular” people are starting to discover podcasting, but they don’t necessarily want to deal with all the tech…and they all want some sort of foil or co-host who can help to lead them through their show.

I started production today on another podcast, this one on creativity. I also received a referral for another show from a fellow podcaster and consultant.

What types of projects are you involved in? Are you seeing the same trends that I am? Let me know your thoughts using the comments link below.

New Podcast Project: Mortgages Made Simple with Rick Gundzik

Douglas E. Welch and Rick Gundzik
Podcasting projects are moving forward here at WelchWrite and this weekend I helped launch a new podcast for my close friend, Rick Gundzik.On Sunday, we posted the first episode of Mortgages Made Simple, Rick’s blog and podcast that is designed to help everyone get the best mortgage possible when buying their home or refinancing.

Rick has been instrumental in my own homebuying over the years, leading my wife and I through this somewhat tortuous process and helping me to avoid garbage fees, bad loans and unscrupulous tactics. I have always thought he had a lot of great information to share, so I am very happy to help him share it with others.

I am acting as Rick’s producer and sometimes co-host on this project. We are planning weekly shows on a wide variety of topics, including some LIVE shows via Talkshoe.com where callers and chatters can get their questions answered “on the air.”

If you need help with your home search and mortgage, check out Mortgages Made Simple with Rick Gundzik. I know from personal experience how helpful it can be.

Link: Mortgages Made Simple with Rick GundzikSubscribe

Listen: OptionARMs: Did you get a bad loan? 

[audio:http://recordings.talkshoe.com/TC-32726/TS-25125.mp3]

* You can hear my earlier interview with Rick Gundzik on Career Opportunities

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Amazon is podcasting!

Yet another example of how even the largest companies are using podcasting to talk directly to thier customers — something I recommend for businesses of all sizes, commercial, non-commercial and individuals. If you have a mnessage to share, podcasting is a great way to do it.

Amazon podcasts

Amazon has introduced a set of new podcasts, on topics like upcoming audiobooks, recommended music, celebrity interviews, and more.  These may be good tools to tap if you’re doing collection development in certain formats.  Listen instead of reading about what’s hot!

discovered via ResourceShelf

(Via LibrarianInBlack.)

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Podcasting: The New Radio, The New Television, The New World

TechnologyIQ Logo

(From TechnologyIQ, also on WelchWrite.com)

Learn how to find, play and subscribe to podcasts in this program for those new to podcasting, recorded live on May 26, 2007


Listen to Podcasting: The New Radio, The New Television, The New World
(Listen Backup)

Play this episode
[audio:http://recordings.talkshoe.com/TC-7488/TS-23854.mp3]


Podtrac Player

Support TechnologyIQ:iTunes Review | Digg.com | Podcast Alley | Reader/Listener Line @ 206-338-5832

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Watch what ads you are selling/placing in your podcasts

iPod Old - 100_2471.JPGMark Cuban is addressing traditional networks in his blog post, but his words apply just as strongly to podcasters, especially as more and more of us start to use advertising as a way to monetize our podcasts. The ads you place in your podcast define your podcast, your message and your ethics as much as the content of your show. If you consistently place ads that might look like a rip-off to your viewers, your entire show will suffer. Listener see your show as a whole. They want as much integrity from your advertisers as they get from you and your opinions. Don’t let them down or you will surely lose them.

Link: Previous “On Podcasting” posts

Ripoff Commercials = Stupid TV Stations and Networks (Mark Cuban/Blog Maverick)

Ripoff Commercials = Stupid TV Stations and Networks — Its hard to turn on the TV today and not see commercials for some of the biggest ripoff schemes in existence. From Get Rich Quick schemes around the internet, around trading stocks, around real estate and anything else scam artists can think of …

Source: Blog Maverick

Author: Mark Cuban

(Via Techmeme.)

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Talking with the “old” media

A few months ago, here in the home office, I did a podcasting segment for a new, local TV show. You should see the video below this post.

Those of you who know me, know that I love to talk tech and especially about podcasting. I get knowing chuckles whenever I tell people I have swallowed podcasting hook, line and sinker. I see so many opportunities in podcasting and ways that it can help almost everyone expand their life, their business or their cause.

It was interesting talking to the “old” media about something so new. This September marks only the 3rd anniversary of podcasting, but now it seems like it has been around for much longer. Appearing on television is a great way to spread the word about podcasting, but when you consider that this will only air in Los Angeles, when my podcasts have a global audience, it seems weird. Do television producers ever think about this? Do they wonder why their work can’t be seen by thousands of people all over the world? Does it make them afraid of podcasting, or more intrigued to give it a whirl?

I wish this TV piece could have been a bit more conversational. I do better in that environment, where I can bounce things off another person. Thinking off the top of you head, without a written script and teleprompter can be difficult. I was so tired this afternoon I crashed out on the couch. You always forget things you wanted to say until it is too late. You always worry about the construction of what you are saying. Did you mention RSS feeds before you mentioned web sites? Did you remember to tell them about XYZ? When I am doing my own podcast, I can stop the recording, gather my thoughts and then start again. When people are staring at you waiting to say something profound, it can be a bit intimidating. (SMILE)

So, I will tell you what I told them today. Give podcasting a try…today…tomorrow or soon. Tell people what’s on your mind. You just might find that their are 100’s, if not thousands of people who want to hear what you have to say. How cool is that?!

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Douglas speaks to the IABC on Podcasting

Careers in Podcasting LogoThis edition of On Podcasting is a recording of my presentation to the IABC LA (International Association of Business Communicators, Los Angeles), including a very in-depth question and answer session.

Listen to the Presentation [audio:http://recordings.talkshoe.com/TC-33332/TS-24151.mp3]

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Douglas interviewed by The Red Fence Project

Click the photo to watch the video!

Back on May 20, 2006, myself and Dan Klass, producer and star of The Bitterest Pill were interviewed by the Red Fence Project web site. It has taken a while to appear, but it is great to see this 12 minute video that resulted. We talk about podcasting, and have a little fun while we are at it.

From the Red Fence Project web site…

RedFence is the natural artistic outpouring of a Los Angeles-based community of artists, adventurers and thinkers. They have pooled their considerable talents and modest resources to create www.redfenceproject.com and its printed counterpart RedFence Magazine. Here you will find original works from some of the freshest voices in the creative world. Any medium, from paint to poetry, and film stock to the written word, may find a home among us. You will also discover critiques and reviews of the best creative works our roving minds can unearth, as well a glimpse into our thriving culture of creativity.”

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Douglas talks podcasting on YourLA – September 19, 2006

Video of Douglas E. Welch on YourLA talking about podcasting

This is a segment I recorded for a local NBC television show, YourLA, aired here on KNBC 4.

A Hundred Projects…or more

One of the first things a freelancer learns is to always have projects in the wings. You can never be working on too many projects because projects often take a long time to come to fruition. You might be actively working on 1-5 projects today, but you should have 10 or 20 more in some stage of preparation. Often this means that you are “selling” the projects. This doesn’t mean you are actively creating content, designs or software, only that you are slowly, but surely moving them forward, one incremental step at a time.

What you are trying to create, with this mass of projects, is a solid and regular workflow where one project ends just as another is ready to go into production. It doesn’t always work that way, though. You can sometimes have a number of projects start at the same time. That said, I always find having too many active projects far preferable to having too few.

Podcast productions can take a long time to develop, as the content creators need to be brought up to speed on the creative and technical possibilities. You are adding an entire new facet to their work world and you simply cannot do that overnight. Something as simple as agreeing on the artwork for the MP3 files or the description of the podcast can take weeks. Those new to podcasting think everything is written in stone, much like in older media, instead of the fluid and adaptive way it truly is. Still, it all takes time, education and leadership from you to bring a new show to production…and beyond.

How many projects do you have in the pipeline right now? Are any of them ready to “go live?” Are you ready for them? Are you waiting for something to happen? If so, do all you can to find the next project, and the next, and the next, long before you actually need them.