Video: A Presentation to the Orange County Podcasters

Wednesday night I spoke at the regular monthly meeting of the Orange County Podcasters on “What’s Next and What Needs to be Next in Podcasting.

As is typical with podcasters, they were a great group of people and I had a great time, both during the meeting and later at some after-meeting time at the local WingNuts. Below is a link to the audio from my presentation and the following Q & A session.

Click the small TV icon to view full screen

Watch: A Presentation to the Orange County Podcasters (MPEG 4)

Presentation to the OC Podcasters – December 12, 2007

Last night I spoke at the regular monthly meeting of the Orange County Podcasters on “What’s Next and What Needs to be Next in Podcasting.

As is typical with podcasters, they were a great group of people and I had a great time, both during the meeting and later at some after-meeting time at the local WingNuts. Below is a link to the audio from my presentation and the following Q & A session. Video should be available by tomorrow.

Listen : Douglas E. Welch presents to the Orange County Podcasters
[audio:http://welchwrite.com/cip/audio/2007/cip-ocpodcasters.mp3]

Douglas E. Welch presenting to the OC Podcasters

Photo by Jason Tucker

Start Podcasting in Minutes using Utterz.com

Utterz Screen ShotI have been playing around with a new, free service called Utterz.com and I quickly realized that it can be used to create an instant podcast by anyone who wants to try a podcast without jumping through a lot of hoops. Here’s what to do:

  • Create an account at Utterz.com and follow the instructions to connect it to your cell phone or landline
  • Call in and make your first post
  • After you make you first post you can upload text, video or pictures from your phone or the web site to annotate your post
  • People can subscribe to your Utterz, either though the web site or using iTunes by subscribing to the RSS feed listed at the top of your MyUtterz page

What could be simpler than that?

Of course, if you already have a web site, or accounts on social networking sites, like Facebook, you can have Utterz post your Utterz automatically, so all your friends can find them wherever it is convenient for them.

If you have ever wanted to try out podcasting, for free, take a look at Utterz and have fun!

Douglas E. Welch on “The Struggling Entrepreneur”

Frank Castaneda had me on his show, The Struggling Entrepreneur, this week. We talk about working as an independent in high-tech, writing and new media.


The Struggling Entrepreneur artworkStruggling Entrepreneur
15- Doug Welch- From Writer to High Tech to New Media Entrepreneu
r

Listen this episode

In this episode of The Struggling Entrepreneur, we have an interview with Douglas Welch. I had the opportuntity to meet him in person at the Podcamp Arizona unconference in November, 2007. Doug is a high-tech consultant and recent New Media Entrepreneur. Coming from a corporate IT environment and also being a writer, Doug shares with us his road to becoming a successful entrepreneur. As a family man, he does this in concert with his wife and her career, as well. What is interesting are 2 areas that are mentioned in this 40-minute interview:

1. The need for the entrepreneur to be aware of the obstacles with affordable health care; and

2. How being a successful entrepreneur can enrich your personal and family life by “buying yourself time” for a quality life.

Elsewhere Online: Creativity to Spare – Episode 13 – Avoiding Bad Audio

Great video podcast on how to improve your podcast (and other production) sound in some very basic ways.

Episode 13 – Avoiding Bad Audio

How many videos and short movies are ruined every day from bad audio? People will forgive mediocre video. If it is slightly out of focus, handheld, dim lit or whatever. But they will hit the stop button, change the channel, or grit through their teeth with bad audio. How important is it?

(Continues on web site)

(Via Creativity to Spare.)

Julie Daman and Sarah Atwood of Nontourage


Video thumbnail. Click to play
Click to Play

An intervierw with Julie Daman and Sarah Atwood of Nontourage for my UCLA Extension class, Podcasting and New Media for Writers.

This video was originally shared on blip.tv by dewelch with a No license (All rights reserved) license.

Is the WGA Strike the tipping point for New Media and Podcasting?

The WGA Strike is only a few days old, but the LA Times has already published a number of stories about how new media could effect, and be effected, by the strike. As I was walking up to get some coffee today it struck me…hard! This could be the tipping point for new media happening right here. right now.

During the last strike in 1988, there were few alternatives to network television. Cable was there, as was PBS, but my own television watching started a steady decline during that strike. I began to realize how little there was that I truly appreciated or respected on mainstream television…even though my wife was soon to be a writer/producer for a top 10 show. We instituted a new rule soon after, as well. We didn’t turn the TV on unless there was something we actually wanted to watch. No more turning it on just for noise in the background. The viewing decline continued.

Today, the only television I watched was not television at all! I plugged my laptop into my office TV and watched podcasts and videos from other online video sources. I have my own private television and radio station, which I program, right in my computer or on my iPod. You know what? I don’t really CARE what’s on network or cable TV anymore and I think there are a horde of others progressively feeling the same way.

Sure, I’m an early adopter as they say, but it is only going to take a few weeks of entertainment depravation before people start looking for alternatives…and we, as new media producers, are right here waiting for them. In fact, we should be reaching out to them right now. We should be showing them just how easy it is to get new media on their televisions, on their computers and on their portable players.

It seems clear that the Producers Guild wanted this strike to happen. It appears that they think that this is the time when they will finally break the guilds once and for all. Instead, they might be sowing the seeds of their own demise. The stranglehold they once had over production and distribution has ended. For the first time in history, writers, actors, directors and other creatives don’t need their services anymore. They can talk directly with their audiences. Why should a creative sign away all rights to their product, taking pennies on the dollar, when they can take their product directly to the masses (and the niches)? Why shouldn’t they fight to regain their fair share of the profits?

My own philosophy, stated here many times before is this, the creator of a work deserves the larger share of control and profits generated by their work…period. We have lived in a world of 90/10 for the last century, with traditional media companies getting a progressively larger share. The model has changed, though. Today creatives deserve the 90%. They are doing the work and taking the risk (a claim once used by producers to demand higher percentages). They are creating their projects out of whole cloth and should be rewarded for their work.

Bob Dylan might have said it decades ago, the “the times they are a-changin'” — I think in the best way possible. Instead of allowing traditional media to bust the guilds, I think there is an equal chance that traditional media might just end up destroying their own industry in a fireball of traditional thinking. The emperor has no clothes and everyone is about to see it.

Agree? Disagree? Comment using the link below or call the listener line at 818-804-5049 and let me know what you think!

Video: Generating ideas and content for a weekly show from PodCampAZ 2007

pocampaz-2007-welch


Douglas, writer and host of Career Opportunities — a weekly print column for ComputorEdge magazine in San Diego, and pioneer podcast — presents this session on developing content to keep your show humming from week to week.

Topics covered will include:

* Knowing what you’re getting into
* Collecting ideas, no matter where you are or what you’re doing
* Using your own life experiences to drive your show
* Using series to provide on-going material
* Using co-hosts to share the load
* “The Beast Must Be Fed!” and other truisms from journalism
* It’s like writing a novel….every year!

Douglas is now in his 12th year of publication with the print edition of Career Opportunities and recently celebrated the 3rd Anniversary (Est. September 24, 2004) of the Career Opportunities podcast.

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Audio: Developing ideas and content for a weekly show with Douglas E. Welch

PodCampAZ LogoThis is my talk from PodCampAZ on November 3rd, 2007 in Phoenix, Arizona.

Video coming soon!


Developing ideas and content for a weekly show with Douglas E. Welch
Listen to this talk

[audio:http://welchwrite.com/cip/audio/2007/cip-podcampaz-20071103.mp3]

Douglas, writer and host of Career Opportunities — a weekly print column for ComputorEdge magazine in San Diego, and pioneer podcast — presents this session on developing content to keep your show humming from week to week.

Topics covered will include:

* Knowing what your gettng into
* Collecting ideas, no matter where you are or what you’re doing
* Using your own life experiences to drive your show
* Using series to provide on-going material
* Using co-hosts to share the load
* “The Beast Must Be Fed!” and other truisms from journalism
* It’s like writing a novel….every year!

Douglas is now in his 12th year of publication with the print edition of Career Opportunities and recently celebrated the 3rd Anniversary (Est. September 24, 2004) of the Career Opportunities podcast.

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PodCampAZ was cool!

Sitting in the last session at PodCampAZ and wishing I had been able to see more of the sessions. I am going to be spending hours catching up on any of the sessions that have been recorded.

My session will be up in audio and video format as soon as I can get it out of the camera and the iRiver.

As always, met some great folks who I hope to talk to much more in the future.

What is the stigma of new media?

One only has to talk about new media, with someone deeply involved in traditional media, to understand the stigma that is involved. The strong reactions I receive to new media project proposal border on those you would receive if you asked someone to do porn. Typically this involves a nose wrinkle and a universal dismissal – ewww, new media? Surely, never! Some cannot conceive working in any different environment, despite the writing that is on the wall about traditional media. The new media genie is out of the bottle, never to be returned. The traditional media market will never be the same again. To ignore this fact seems the height of folly. Yet even my closest friends do just that. 

You only have to look at history to see the absurdity of this thinking. When the sound film was invented, those working in silent movies (an amazing art form in their own right) dismissed “talkies” as a fad that would never amount to anything. When television was first invented, movie stars would never think of appearing on “the idiot box.” How demeaning! How below them? Yet in both cases, monetary reality and common sense soon dictated the adoption of these new media models. The talkies and televison could dramatically enhance their careers, while ignoring them could severely damage it. Why do we have to repeat history? Why can’t we see that today’s new media is exactly the same? Why must we fight this century old bias?

The fact is, traditional media workers see new media as “not real” – a hobby – a plaything. This is much like how traditional filmmakers used to look down on  “indie” producers. We’ve all seen how that has worked out. Today, indie producers are gaining more “cred” than their studio counterparts – to the point where once indie production companies are being bought by the larger studios and budgets are reaching heights never imagined in an independent production. 

The biggest problem I see is that this stigma is being passed down by the traditional media moguls to the average traditional media worker – those who have the most to gain by using new media. Of course, the main reason for this is that traditional media stars don’t want people to understand the power of new media. It directly assaults their power base as gatekeepers and the arbiters of the public taste. It strips them of the power to control creative people by controlling the scarce resource that is the public airwaves. To paraphrase and old song, “We can’t keep them down on the farm after they’ve seen Paris.”

I have close friends who could make great use of new media to further their careers, but they have been infected with the belief that there is only one way to succeed in the entertainment business – the method that everyone has followed for the last century. What they don’t realize though is that the game has changed – dramatically – and almost overnight. They are denying themselves access to the biggest resource they might ever have to showcase their talent. 

I can understand why they might be reticent. They have been told for years that the only way to succeed was to beg producers to use their talent. They held no power in the typical Hollywood environment. They always worked at the pleasure of the person holding the purse strings. To not achieve success in the traditional market is seen as failure – a failure that is heightened by being “forced” to fall back on new media. The fact is, though, new media isn’t a step back – it is a dramatic step forward. The media world will never be the same and it only makes sense to take advantage of that fact. Why do you need traditional media gatekeepers to deem you worthy when you can take your talent, your creativity, your product directly to your audience?

Of course, pursuing new media doesn’t mean they have to abandon all hope of “the big score” in traditional media. Heck, if they can score a movie or television contract, good for them! I tell them, though, don’t stop pursuing the smaller, yet more meaningful, successes in new media that will bring their message to the people, while they’re waiting for someone to “deem them worthy” for prime time. The fact is, they are worthy and always have been. They simply lacked the distribution method that allowed them to bypass all the gatekeepers.

Creative people, you have nothing to lose but your traditional media chains. New media has given you the method of showcasing your talent and/or delivering your message directly to your audience. Don’t squander this amazing resource based solely on your experience in traditional media. Don’t let anyone tell you you can’t produce excellent, entertaining content. What these traditional media types mean is…you can’t produce it…without us – which isn’t true any longer.

Douglas is speaking at PodCampAZ – November 3rd

PodCampAZ LogoI will speaking at PodCampAZ on November 3rd, 2007 in Phoenix, Arizona.

I posted a few possible topics, but this is the one that seemed to garner the most response from attendees..


Developing ideas and content for a weekly show with Douglas E. Welch

Douglas, writer and host of Career Opportunities — a weekly print column for ComputorEdge magazine in San Diego, and pioneer podcast — presents this session on developing content to keep your show humming from week to week.

Topics covered will include:

* Knowing what your gettng into
* Collecting ideas, no matter where you are or what you’re doing
* Using your own life experiences to drive your show
* Using series to provide on-going material
* Using co-hosts to share the load
* “The Beast Must Be Fed!” and other truisms from journalism
* It’s like writing a novel….every year!

Douglas is now in his 12th year of publication with the print edition of Career Opportunities and recently celebrated the 3rd Anniversary (Est. September 24, 2004) of the Career Opportunities podcast.

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Amateur vs. Professional Podcasters

I wrote this message in response to students questions during my Podcasting and New Media for Writers course that is on-going at UCLA Extension. It seemed like it would also be a good item to share here. — Douglas


Oh, Oh…I knew this topic would rear its ugly head sooner or later…

As an early podcaster once said, “Amateur means you do it for love.” Another show I listen to describes a professional podcaster as someone who has made $1 from podcasting. The times they are a-changin’!

The need…nay…the requirement to declare your standing…to stick your amateur or professional flag into the ground is a hold over from the world of traditional media. The fact is there are all types of people engaged in new media with a thousand different reasons for doing it and this amateur vs. professional issue is always a sticky wicket.

As a podcaster myself, I really dislike when someone tells another podcaster what they “must” do. Yes, we would love to see and hear everyone have television quality production values, but maybe they aren’t doing it for that reason. Maybe the show is to feed their own personal fandom or hobby. The fact is, the freedom of podcasting is to do what you want. Sure, you can say they could build a bigger audience, get advertising, etc, etc., but it may be that these aren’t their major concerns or interests. Maybe they are just out there to have fun. If so, they should be able to do that without people constantly telling them they “must” do this, or “must” do that.

Riffing off the top of my head here…in the closed world of traditional media, professional meant that you were someone allowed to access the limited resource of mainstream radio or television, while amateur meant you had no access to these tools and had to content yourself with sharing tapes with friends and family.

Today, though, when everyone has access to a distribution channel like podcasting, etc. this definition breaks down. You can have an amateur with an audience bigger than some small cable networks and professionals with small niche audiences that advertisers love.

Amateur and professional have lost their traditional meanings and only time will tell how it sorts out. I say, “Open up the tent flap and let everyone in, no matter what they call themselves!”

Open advertising market needed, not podcast networks

Over the last three years I have been involved in several podcasting “networks” of various types and I spent quite a bit of time at the last Podcasting and New Media Expo discussing them with a variety of people. Thinking back over my experiences I see now that podcast networks are an anachronism…a concept meant for another age and another technology. I have often said that in podcasting, we need to take the best of the television and radio business and leave the rest behind. I think the concept of “broadcast networks” should be left on the scrap pile and new concepts should be developed that better reflect the realities of podcasting and new media.

Podcast networks sprung up over the last several years to fill one particular need. It was thought that by collecting a quorum of quality shows, these networks would be able to negotiate advertising deals and then this revenue could be shared among the members of the network. In some small ways, this has worked. I have made several hundred dollars over the years from networks such as these, but I think there are some significant issues that limit their effectiveness. In fact, I think we, as new media producers are suffering from a great lack of vision.

New media, new world

First, unlike traditional television and radio, podcasting offers diversity never before seen. Even within genres, the shows vary wildly in content, tone and quality. Today, we are engaged in the great “nichification” of entertainment and any attempt to apply traditional ideas of mass market advertising is doomed to failure. The world has changed and advertising needs to change with it.

Next, one large effect of applying these traditional advertising methods to podcasting is the producer’s loss of control over the content of their show. I am not talking about copyright issues or stealing content, rather I am talking about the inability for producers to decide what advertisements appear in their shows.

During the Podcast and New Media Expo, I spoke with several network-related people. To each of them I posed the questions, ‘What if I don’t want to run a particular network advertisement?” Almost universally, I was met with roadblocks. Any attempt to control advertising content in my show was said to jeopardize their attempts to sell network-wide advertising. I had to give up my control, so they could do their deals. For me, this is simply unacceptable and an artifact of applying old ideas to new media.

Producers must have the right and ability to opt-in or opt-out of any particular advertisement or any particular advertiser or they run the risk of losing their audience. I know for certain that running the wrong type of ad in my podcast could significant damage my audience. To enter into any network that has no opt-out policy, or frowns on opt-out, would be working against my own best interests.

The fact is, there are three sides to the advertising equation and all need to be given equal respect in the process. First, the advertiser supposedly knows what types of ads are most adept at selling their products, the podcast network supposedly knows which shows would be the best fit for any given campaign, but only the producer knows what is right for their audience. If any one of these elements tries to override the other, the system falls apart. As I often explain to advertisers and network people I talk with, “If I take an advertisement that destroys my show, you have fewer add impressions to sell and we both end up losing.” Of course, the producer has much more at stake. The network might lose one show of many, but the producer has lost their only, once successful property. The risk is not equally shared.

Technology, not networks

So, if not podcasting networks, then what. Technology opened up this new entertainment horizon for us and it can provide the answer for advertising across individual podcasts without the need for networks.

Instead of expending all this effort developing networks and acting as the middleman between advertisers and producers, we need to expend time, energy and money on creating an open advertising marketplace where individual producers and individual advertisers can match needs. We have the skills and we have the technology and, I believe, someone could make a great deal of money facilitating these advertising transactions, rather than trying to work traditional advertising deals in a new media market.

The basics of such an advertising market would allow individual podcasters to report their demographics in an industry-standard way into the system, listing subscriber numbers, age, sex, income, etc. Advertisers would then be able to place an “ad buy” into the system using this demographic data across the entire new media realm instead of trying to deal with thousands of individual producers or hundreds of podcast network salespeople. Producers, conversely, would have the ability to accept or decline any ad buy request based on the nature of the ad or the terms of payment. This allows advertisers to make the best use of their advertising dollars by targeting their ads more closely to a niche and allows the producers to make decisions about what is best for their shows. Each party has a level of control that protects their message.

In fact, the Feedburner Ad Network provides part of this model right now. Feedburner collects advertisers and their individual ads. As a content provider, I am then presented with an ad, in all its forms, and can make a one-click decision to Approve or Decline it — no recriminations from the network — no pressure to run an ad for a product or company that I feel doesn’t meet my listeners/readers needs or worse, insults them. I think a system like this, expanded to audio and video advertising would be a great place to start.

Creating an open market for new media advertising would best serve the needs of everyone involved and help to turn new media into a more legitimate market for advertisers. As a new media producer I neither want, nor need, a middle man between me and my advertisers. I need to deal with advertisers directly through an open market so that both they and I can succeed in this new media world.

When podcasting is your job – An interview with Kevin Devin

[audio:http://welchwrite.com/cip/audio/2007/cip-kevin-devin.mp3]
Listen to this show

Careers in Podcasting and New LogoIn this interview, I talk with Kevin Devin, founder of Friends in Tech and former co-host of In The Trenches: The Podcast for Sys Admins.

When faced with the outsourcing of his traditional IT position, Kevin was able to use his podcasting skills to create a new position for himself in the company.


Join me on these networks:

Douglas on MySpace | Douglas on Facebook | Douglas on LinkedIn


Support Careers in Podcasting and New Media:


iTunes Review | Call the Reader/Listener Line @ 818-804-5049

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New Media Producers need to get their shows “On TV”

[audio:http://welchwrite.com/cip/audio/2007/cip-on-tv-20071009.mp3]
Listen to this show

The most critical factor in building the success of podcasts and other new media shows is to get them “On TV.” Now, let me be clear, I am not talking about trying to sell your shows to a big television or radio network, get them on cable TV or sell them as DVDs. Instead, when I say “On TV” I mean getting them on the physical device that nearly every American has sitting in their living room — or kitchen, or bedroom –right now. We need to do everything we can to divorce new media from its computer origins and place it on the technology that everyone already knows how to operate…the television set.

The television is one of the most ubiquitous electronic devices in a home, whether in the U.S. or in places usually described as “developing” counaa
tries. To be without a television or a radio is seen as the height of disconnecting from today’s modern society. Just watch people’s reactions the next time that someone announces that they don’t own a television. The expression of surprise is almost universal. Every new media producer should be using this common device to spread their message, but how?

I was quite excited when Apple announced and released its Apple TV product. Finally, I thought, here is a device that makes listening and watching podcasts as easy as watching TV. Well, it might not be perfect – it still requires a computer, iTunes and some computer knowledge – it is definitely a step in the right direction. Here is a box you control with a small white remote, and the entertainment flows right into the television, which everyone in the household – from the toddler to the teen to the octogenarian knows how to operate.

Of course, Apple has failed the new media world by treating the Apple TV as the ugly and unloved stepchild of their product line. Sure, you might find one on display in your local Apple store, but you see no advertising, no push to sell the devices. I don’t really expect the box to remain on the product line much longer unless someone steps up to champion it among the hype and excitement of the iPhone and new Macs.

Still, the Apple TV has pointed the way to new media success. We only have to find someone who can deliver the device to bring this new media to the old world. When I am in a more reflective mood, I can see televisions all over the world that can view online content as easily as they view NBC, CBS and ABC. They can automatically download online shows the way that TiVOs turned us into a nation of high-tech time shifters. Even more, these same devices could use flash drives as the VCR of the 2010s. Imagine a friend being able to give you a show on a memory stick and you only have to insert into your television to watch it. Imagine no more “format wars” over some physical object. No more Beta vs. VHS – BlueRay vs. HD-DVD.

Of course, while we are waiting for television technology to catch up with us, there are other ways to get our shows “on TV”. Several traditional networks are collecting shorts and shows and packaging them as traditional half-hour fodder we all grew up with. The YouTube Show can’t be far off. Instead of relying on these traditional media providers to “deem us worthy” though, we need free, unfettered access to our audiences.

One overlooked opportunity is the local public access channels provided, by law, by every cable operator in the country, over a certain size. When I have mentioned this opportunity to new media producers in the past, I have met with almost universal disdain. They look at the current, quirky, offerings of their local public access channel and don’t want to be associated with them. Of course, most podcasts are dramatically higher quality than anything you see on the typical public access channel. Simply getting a few podcasts placed on public access would change the reputation of those channels overnight and give us exactly what we need – television exposure with the freedom to say and do what we want.

Take heart, new media producers, you don’t have to sell your show to a television, radio or podcast network for pennies of what they are truly worth. With a bit of the technological ingenuity and initiative that got us here, we could all go on to be television stars.


Join me on these networks:

Douglas on MySpace | Douglas on Facebook | Douglas on LinkedIn


Support Careers in Podcasting and New Media:


iTunes Review | Call the Reader/Listener Line @ 818-804-5049

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Audio: Friends in Tech at the Podcast and New Media Expo 2007

Friends in Tech at the Podcast and New Media Expo 2007

[audio:http://media.libsyn.com/media/fit/fit-pnme-2007.mp3]
Click to Listen

Hear and see what my fellow Friends in Tech members had to say about podcasting at this year’s Podcast and New Media Expo. What is there take on my recent article, “I am not a podcaster. I am a producer.

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Douglas on STP’s Monday Night Tech – Podcast and New Media Expo and Podcasting

I sat in on the SoHo Tech Podcast’s Monday Night Tech again, talking about the Podcast and New Media Expo and about podcasting in general. Check it out using the links below — Douglas


Click to Listen
[audio:http://media.libsyn.com/media/sohotechpodcast/MondayNightTech006-10-01-2007.mp3]

STP’s Monday Night Tech – PNME and Podcasting

Introduction

Member of the Tech Podcast Network at http://www.techpodcasts.com
Member of  the Blubrry Network – http://www.blubrry.com

GoDaddy Sponsorship 

For a discount on web hosting plans use the code pod64
For 10% off any order use the code: blu64

Live Recording from Talkshoe

On this edition of Monday Night Tech, I talked with Douglas Welch from http://www.welchwrite.com,
Michael King, Jeff and others that joined me in the Talkshoe chatroom.
 We talked about the Podcast and New Media Expo, the future of
podcasting and how to get into podcasting.

Links from the show:

Podcast and New Media Expo
http://www.newmediaexpo.com
Podrunner – http://www.djsteveboy.com/podrunner.html
Friends in Tech – http://www.friendsintech.com
Chuck Tomasi – http://www.chuckchat.com
Association for Downloadable Media – http://downloadablemedia.org
Scouta – http://www.scouta.com

Contact Me

Email Address: SOHOTechPodcast@gmail.com
Voice Mail: (651) 204-6612
Mailing List: http://groups.google.com/group/SOHOTechPodcast

Direct Download

Click to download

(Via SOHO Technology Podcast.)

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Video: Friends in Tech at the Podcast and New Media Expo 2007

Friends in Tech at the Podcast and New Media Expo 2007

Click to play video

Hear and see what my fellow Friends in Tech members had to say about podcasting at this year’s Podcast and New Media Expo. What is there take on my recent article, “I am not a podcaster. I am a producer.

This video only captures part of the talk. You can hear the entire panel when I release the audio show, coming soon!

Event: PodCamp Socal – Sept 27 – Ontario, CA

PodCamp SoCalPodCamp SoCal

Thursday, September 27, 2007
10a-5p

Ontario Convention Center
2000 Convention Center Way
Ontario, CA 91764

PodCamp is a FREE UN-CONFERENCE for people who create, enjoy or are interested in learning more about blogs, vlogs, audio podcasts, web video, content networks, new and social media. Show up, meet people, make connections it’s that simple!

PodcampSoCal will be held in the “Keynote” room at the Ontario Convention center. There is plenty of room for smaller groups to be formed. Full AV equipment will be available: Mic & projector for larger presentations.