BarCampLA-5 is This Weekend – March 1 & 2

(Updated 2/26/08 217pm: (from BarCampLA Twitter) – While a more formal announcement is coming later tonight, we’ve upped the number of attendees to 250 people. http://icanhaz.com/bcla5-guests)


The latest installment of BarCampLA is coming this weekend and I will be there. You should be, too. Check out the web site at BarCampLA.org

BarCamp is an unconference, which means the program is developed entirely by those attending. Everyone who comes is also a presenter. Come listen to sessions on business, technology, PR…whatever strikes our fancy and then give others the benefit of your expertise.

I am hoping to present 2 sessions at this BarCamp:

A Year of Visibility 2.0 – You need to let people know what you do, and how well you do it, if you want to take your life and career to a new level. I will show you how to go about raising your visibility in whatever realm you wish and the tools that can help make it happen.

Podcasting Now! – Using free Internet tools, you can be podcasting within minutes. I will give you step-by-step instructions on how to start podcasting right from BarCamp itself. No need to take weeks getting set up. Pick up you cell phone or camera and start podcasting TODAY!

Openings to attend BarCampLA-5 are filling up fast. Get your name in today or, at least, get on the waiting list. You don’t want to miss it.

Elsewhere Online: Twitter background guidelines – Croncast

template size Twitter background guidelines – Croncast

Twitter background guidelines

Ever wanted to make an interesting Twitter background? Here’s how I did it.

Side note: This post comes to you straight from an email reply to fellow long-time podcaster Michael Geoghegan in regards to my Twitter background.

Also of note, this layout works best on higher res monitor settings. I imagine that most active Twitter users that are going to be viewing the site as opposed to sms or mobile versions are on high res settings. That said, let’s roll.

(Continues on web site)

(Via CRONCAST.)

Writers, don’t abandon new media in face of a contract deal

Since last weekend there has been a lot of talk about a possible end to the on-going WGA strike against the AMPTP. While it will certainly be great to get everyone back to work, I wonder if the writer’s new found interest in New Media will be one of the first casualties of any agreement. I would hate to see writers slip back into the “same old, same old” world that existed before the strike. Writers have so much to gain from new media and abandoning it now will stunt their ability to take control of their own careers and creativity and allow the producers to maintain much the same power they had before the strike.

I would hate to see writers slip back into the “same old, same old” world that existed before the strike.

New media matters to writers, because:

  • It seems unlikely that producers will ever agree to a plan which allows the majority of profits to come to the creators of television and movies. New Media understands that those directly involved in the creation of media both deserve and require the bulk of the rewards from their creations.
  • Writers gain the freedom to engage directly with their audience without any pre-filtering such as occurs with network television and mainstream films.
  • Writers gain the ability to engage viewers and listeners around the world and not artificially limited by current distribution agreements
  • Writer take their rightful place as the founding creative of their works, without which no subsequent product could be produced. Writers are not necessary evils, they are the fountain from which media products flow

The end of the WGA strike does not mean the end of New Media. In fact, the New Media genii is out of the bottle and no amount of wishful thinking will stuff it back in. The entertainment world is changing and will continues to do so with, or without, you. If you don’t seize the opportunities that New Media provides, I can guarantee you that someone else will.

Super Happy vlog House in Ojai on weekend of Feb 16

Just got this via the BarCampLA mailing list. It sounds like a great way to spend President’s Day weekend and work on your audio and video projects.

Lan Bui and the OC’ers suggested another Super Happy Vlog House

We’re on for weekend of Feb 16th (bring your valentine for an Ojai getaway)

http://superhappyvloghouse.pbwiki.com/OjaiDigitalDojo

make media, make a vlog*, flickr walk in the los padres forrest next door, relax in the spa, whatever.

hope you can join us.

(* drupal and wordpress geeks especially welcomed)

http://digitaldojo.blogspot.com/

Monitor your virtual personalities

I have been using Twitter for a while now and watching my over 200 “friends” twittering away I began to see a definite “personality” associated with each individual, myself included.There was one, fairly well-known, podcaster who I began following as I have enjoyed his shows, his writing and his talks at the annual Podcast Expos. After a week or so of following him, though, I began to see a side to his online personality that was quite disagreeable. Despite my previous good experiences with him, I found his Twitterstream to be angry, depressed and combative. If you judged him only on what you saw in his Twitterstream, you would probably have avoided him, had you ever met him in person. After about 2 weeks, I finally stopped following him.Did her ever hear from others how he was perceived? Did he notice himself the personality he was projecting through his stream? I don’t know, but it made it very clear that everyone needs to monitor what they saying, and how they are saying it, online and make sure their online personality fits with their “real world” personality. Otherwise, they may be making very difficult for others to understand them.

 

…it made it very clear that everyone needs to monitor what they saying, and how they are saying it, online and make sure their online personality fits with their “real world” personality.

 

Using Twitter as an example, you can go back and review pages and pages of your own messages, isolated from the surrounding conversation. A quick trip through your archives can be very illuminating. You can very quickly get an overview of the tone of your messages and the content. Are you replying a little or a lot? Are the messages clear or filled with jargon? While your tone will vary from day to day, do you see a tendency to be nasty, dismissive, mean? If that is your usual personality, so be it. There is, at least, a consistency between you online and offline personalities. It is when the personalities don’t agree that things get weird and followers get confused. Much like my example above.Now, repeat this exercise for your other social network communications and even your email. What are you really saying about yourself online? What impression (especially the all-important first impression) are you making on folks who first meet you online?

Set my FLVs free!

As you can see from my recent blog posts, I am using a wide variety of online video tools to capture classes, comments and conversation whenever I can. One concern has cropped up recently, though. Most of these services record the video in FLV (Flash Video) format. This means I can embed the videos in my web pages, but I cannot send them out to my podcast subscribers.

As I have mentioned in past, for the largest effect, videos should be available both on a web page and for automatic delivery via podcast. In order to create some podcast ready videos, I figured I would simply convert the FLV videos into MPEG-4 videos and then release them in my podcast feed. Unfortunately, this has proven to be very difficult. Despite trying 5-6 different pieces of software, the closest I have come is a converted video, but no audio. No go!

You can check out some of the conversation about this in my Twitter stream.

I have been talking with a number of people about this issue and some have suggested simply recording everything locally, so I had my own copy of everything I did. While this would work, the additional work would defeat the purpose of easy, ad hoc, recordings like those from Seesmic and uStream. My goal is to use the ad hoc recording tools to capture content that might otherwise be missed and then use that content in as many places as possible. The content has already been recorded, I should be able to use it anywhere.

“The heavy use of FLV formatted video online has started to cause me some concern. I am beginning to feel that my content is being locked into a particular service and format with very little opportunity to re-use it elsewhere.”

The heavy use of FLV formatted video online has started to cause me some concern. I am beginning to feel that my content is being locked into a particular service and format with very little opportunity to re-use it elsewhere. The advantages to using quick, ad hoc, video capture are great, but I wonder what I am losing by using these services.

Got any hints on how to reliably convery FLV videos to MPEG-4? Let me know in the comments! I really need to find an answer.

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DGA/AMPTP Agreement “same old, same old”

A lot of people are crowing about the DGA/AMPTP agreement today. Looking over the details of agreement, though, it looks like the “same old, same old” to me.

For me, New Media requires that the bulk of monies generated by creative products belongs to the creator of those products. When I see figures like sub-one percent payments I can only be reminded about how little creatives have received for their work when sold on cable networks, VHS and DVD. You would think after being squeezed out of substantial revenue when these media appeared, everyone would be very careful about the same types of deals when applied to new media. Any system that uses flat rate payments virtually guarantees that creatives will not be fairly compensated for their work.

The AMPTP keeps touting “we don’t know how successful this will be”, but one only has to look at the explosive success of DVD sales to see exactly where online distribution is headed. In fact, since the costs for online distribution are significantly lower, and the global nature of online distribution, the potential earnings could skyrocket. One only has to look at the overall success of the Internet to understand where the world is headed. In my mind, there is no doubt that online distribution will become the default method for delivering entertainment in the next 5 years. This isn’t some unproven method. Millions of people have been distributing millions of hours of entertainment over the Internet for the last 10 years.

Finally, why are the DGA accepting fractions of a penny for their work when, if they produced their own material, and distributed it online, they could retain the bulk of any monies, as well as control, over their own work. Just what are the producers providing these days that justifies the huge percentage of profits they take?

The entertainment world is changing and the current DGAagreement shows no effort to understand that fact. It is more of the same. As the old adage goes, “Fool me once, shame on you. Fool me twice, shame on me.” What does it mean when guild members accept being “fooled” a millions times over?

Above all, New Media requires action

I am involved a wide variety of new media projects these days, both large and small, but one important point is quickly being “brought home” to me. In traditional media, projects that required millions of dollars, but held promise to earn even more, could take months, year or even decades to come to fruition. In most cases, this wasn’t a problem, as the potential earnings were so great and the financial stability of the players so well established. If a producer or director had made $10 million on their last movie, they could go a considerable time before directing the next, without adversely effecting their lifestyle.

In new media, though, we are under no allusions of big, lump sum, payoffs or multi-million dollar budgets. Instead, the powers that new media producers wield is action and speed. Even with limited sums of money, new media producers can launch a product and begin bringing in income via advertising, sponsorship or premium content almost immediately. They can, if only they will act.

Even with limited sums of money, new media producers can launch a product and begin bringing in income via advertising, sponsorship or premium content almost immediately. They can, if only they will act.

With many of my contacts coming from the traditional media world, there is an almost overwhelming “big budget” mentality. Most don’t want to move forward until all the financing, content and personalities are lined up. They can’t imagine budgets in the thousands, after working with millions, even though the costs of producing new media are dramatically lower.

Unfortunately, this often prevents the project from ever moving forward. The principals talk and talk and talk and produce nothing. It is a dark trap left for those traditional media producers when they enter the new media world. While some rules are the same, many of the basic beliefs are different. Unless they can reach beyond the “truths” of the traditional media industry, there is a danger that they may never enter the new media industry.

When I am working with people, I consul them to take some immediate, direct, physical action on the project — film an interview, design a logo, set up web hosting or blog, record a sample 5 minute podcast, even if the final project calls for a full hour. Do something! Regardless of what the final project might look like, these direct, active steps help to make the project real and provide substantial momentum. Otherwise, projects can get bogged down in their own inertia.

The truth is, at the beginning, new media projects often require nothing more than time and action. While a potter might study book after book on pottery, it is only when they hands to clay that something special begins to happen. If you are serious about producing new media, you need to sit down and create. Otherwise, you might simply talk forever.

Doug’s Neat Friends 01 – John Braheny – from Seesmic

Doug’s Neat Friends is a new concept I wanted to try out using the Seesmic.com Video Chat/Conversation service. On Seesmic you can make a video post and other members can reply and then you reply..and so on. Since I have so many neat friends, I wanted to bring them into the conversation and share their knowledge and information with everyone on Seesmic and, also here on the blog.

Don’t be afraid to play with new services and new technologies or new uses for older technologies when it comes to new media. You never know just what you might create.

My first “neat friend” today was John Braheny, author of The Craft and Business of Songwriting. John is a highly respected member of the music industry community and has taught me everything I know about the music business and songwriting.

Below, you will see a video player for my initial message from John and then links below that which allow you to view the entire conversation, held over the course of an hour or so.

Please let me know your comments using the comments link below. I’d love to hear what you think of this method of “interview” and how it might be improved or expanded.

Question: What does collaboration mean to you?

Answer from John

Question: How would you collaborate on a product advertising jingle?

Answer from John

Question: More on collaboration

Answer from John

Question: How do I buy rights to use music?

Answer from John – Part 1

Answer from John – Part 2 and Closing

Closing note from Frieda

Getting started with podcasting equipment – from Seesmic

3-1/2 Advantages to Podcasting — from Seeesmic

I had a great conversation on Seesmic tonight about podcasting and this particular piece has some great information on the 3 1/2 big advantages of podcasting.

Douglas talks New Media at Strike TV

Douglas speaks on New Media during the founding meeting of StrikeTV: Adventures in New Media at the WGA Theater on January 9, 2008.

This is a question and answer session touching on a wide variety of podcasting, new media and social networking topics.

[audio:http://welchwrite.com/cip/audio/2008/cip-striketv.mp3]

Listen: Talking New Media at Strike TV

What is needed to grow New Media into a true competitor?

This piece was written in response to an email discussion I am having with a friend who is working on a major new media project. Our discussion got me thinking, rather deeply about what new media projects need to do in order to compete with the traditional media behemoth.

By its very name, New Media is “new” and should make use of as many new ideas as possible. It includes equal parts online video (YouTube), podcasting (which provides a method for developing , monetizing and interacting with a audience of “subscribers”) and social media like Facebook, MySpace, etc.

Podcasting is a part of this equation as an alternative delivery method that allows content to be delivered automatically to the users computer/media center, much like the TiVo provides its “season pass” functionality. Online video sites, like YouTube, Hulu, etc don’t, as yet, provide any mechanism to automatically deliver this content. Viewers still have to go to the web site to view it. I am a firm believer that delivering content automatically is critical to drive adoption by your “average” entertainment viewer. Furthermore, such delivery allows for moving media files directly to iPods and other portable media players, where YouTube and others does not. This allows viewers to watch even when they are away from their television sets and Internet connections.

I am a firm believer that delivering content automatically is critical to drive adoption by your “average” entertainment viewer.

I have been preaching for the last several months that new media isn’t an either/or proposition. All three of these elements (and more) should be combined to fully realize the benefits of new media. Any one of them is useful, but it is in combination that they really provide a full-featured set of tools for developing large new media viewership.

One thought that jumps to mind is for new media producers to do a deal with Apple to provide Apple TV units for a wholesale price and get them in the hands of consumers, so that people can subscribe directly to the content they want and simply have it appear on their television, just as they are familiar with today. I have written a blog post on how new media need to get “On TV” — meaning, on the box that most people already have in their living rooms.

…so that people can subscribe directly to the content they want and simply have it appear on their television, just as they are familiar with today.

If you haven’t checked out an Apple TV, stop by the Apple store and take a look. Imagine any podcast, audio or video, automatically being available on your television via a small box and even smaller white, 4 button remote control. I think that this is definitely the future, even if Apple’s particular product doesn’t find market success. Others are coming and even Tivo has experimented with automatic download of podcasts directly to your Tivo.

On another note, I would also suggest working with Joost (http://joost.com) to get new media content on their system. They are a free Internet-delivered provider who use standard ads as well as integrated new media ads to support their services. I can imagine that they would be very grateful to content providers who could bring them high-quality content, along with the advertisers to support that content. It seems a powerful combination.

Finally, podcasting as a delivery method could provide a very high profile within the, already successful, iTunes store, where millions of people are already buying media. I could foresee a method where a podcast version, with advertising, was free for a given number of days and then would automatically roll over into the iTunes Store, where viewers could purchase the episodes, without commercials, for a standard fee.

I would urge you to do everything you can to prevent going down the “big money” route of building entire systems to deliver content. As an IT professional, I can tell you that no project is as easy as it might seem, especially when dealing with technology. It would be very easy to burn through millions of dollars, with very little to show for it, if you try to re-invent the wheel. Even worse, it could delay the launch of this new media content by months.

My advice is to start slowly, using systems already in place and working (YouTube, Blip.tv, Veoh, etc) to deliver material and place advertising to get started. These companies are all already doing what you need, albeit on a smaller scale. Then, as your content become more successful, you can develop your own systems and services in a slow, careful manner. There is no need to re-invent the wheel, at least not at the the beginning of it all. I think it is more a matter of connecting up these existing services with the advertisers you are courting and then using the early revenues to develop more complicated systems later.

Finally, I would advise you that new media requires new thinking. Simply applying the “rules” of old media to new media will not obtain the results you are looking for. The market has changed. What was once a scarce market of networks now must compete with every Tom, Dick and Harry on the Internet. (Myself included – SMILE) You have to go out and meet this audience on their terms and not think that simply providing traditional media through a new distribution method is going to be wildly successful. New deals, with new terms and new ideas are going to have to be crafted to cope with the new media challenge. Most important, everyone involved is going to expect to be rewarded appropriately for their contribution. Just as writers deserve a fair share of the revenues of their work, others will also expect a fair share as well.

If we truly want New Media to grow into a true competitor for traditional media, we must developed content, systems and business plans that deserve the name “new media.”

Elsewhere Online: Accidental Creative #90 – Unnecessary

A great show from The Accidental Creative on how we need to regularly create for ourselves if we want to be able to create for others, on demand.

Accidental Creative LogoAccidental Creative #90 – Unnecessary

Unnecessary creating is the source of brilliant “create-on-demand” work.

(Via The Accidental Creative.)


Benefiting from the “New Media Multiplier”

I was out preaching the new media gospel today to some clients and I got talking about this concept – the New Media Multiplier.

In a pinball game, you can increase your score dramatically by hitting various multipliers on the playing field – 2x, 3x, 5x. Each hit and each bonus gained is worth more and more. New Media is like that for your work and life. New Media can easily multiply the effect you have on the world, if you cultivate it just a little bit.

How does this work? First, you need to start capturing all the content that you are already creating – every day – whether you realize it or not. Giving a talk to the Boy Scouts? – record it. Working up an excellent presentation at work? – record it. Have a good (or bad) experience at a shop, a restaurant, a park? — record it. Have neat friends with cool ideas? — interview them and record it. Get the picture?

“First, you need to start capturing all the content that you are already creating – every day – whether you realize it or not.”

Some people will complain, of course, that this is a lot of extra work. Why? If you are already talking to the Boy Scouts, and you are going to do it anyway, how much more work is it to record it? If you are going to got the restaurant, how much more work is it to make a little videoblog? If you already have cool friends, how difficult is it to get them on tape (or memory chip)? The fact is, with very little effort you can apply a multiplier to everything you are already doing. Each one of these scenarios produces content for a blog, videoblog, web site, podcast, whatever. Too many people think that producing new media requires too much work, but really it is simply about capturing, and using, the content you are creating every single day. Suddenly, everything you do is being used 2, 3 4 different way, reaching 4 different audiences and raising your profile around the world.

How do you think I create all the content for WelchWrite.com? If I had to go out and dream up all this stuff, I would be buried. It would take more time than a typical 40 hour job. Instead, I have integrated new media into my life and continually mine my life for things to share on the web. I was going to bake cookies for my big Christmas Party anyway. Why not record a quick videoblog each day to share with friends, family and the Internet as a whole? I was going to go to a park anyway. Why not record a quick Places LA segment to share with others. I was thinking about the New Media Multiplier and how it effects my own life. Why wouldn’t I type up my thoughts and share them here for you and others to read?

Instead of having an experience and then letting it disappear, why not share it with others. Why not multiply the effect of your experiences 2, 10 or 100 times over. This is the “Year of Visibility” and you need to show people the interesting things you are engaged in. You need to share your life so people can get to know you better – both personally and professionally. Using the New Media Multiplier is one great way of doing just that.

What content could you be capturing today? What thoughts could you be sharing? What great ideas go you be developing with the help of others? The truth is, all of us have some amazing ideas, if only we let people know they exist.

Most popular posts and pages for 2007

I took a few moments with my statistics today and pulled out the most popular blog posts and pages at WelchWrite.com. Did you miss any of these?

Most popular blog posts and pages on WelchWrite.com for 2007

My Word: Elsewhere Online: 10 Ways to Add Variety to Your Digital Photography
My Word: Norton Internet Security Problems
Career Opportunities: The Right Way to Resign
Career Opportunities: Leave Voicemail Feedback for Free
My Word: California Wildfire Viewer
Career Opportunities: Time for you
My Word: Total Lunar Eclipse – March 3
Career Opportunities: Zoom In
How-To: LAN Server Rooms
A Gardener’s Notebook: Preparing your garden for a vacation
My Word: Computer Tip: Don’t lose your CDs
Career Opportunities: When Opportunity Knocks
Photo: Leaving the dock
A Gardener’s Notebook: Guest Post: Beneficial Wild Creatures in Your Garden
My Word: A Chat with Nolan Bushnell
Elsewhere Online: 100+ Ways to Write a Great Resume Cover Letter
The Ultimate Paper Airplane
Casting concrete leaves from/for the garden
Book Review: Book: The Lost Gardens by Anthony Eglin
My Word: A rare warning – Avoid 1and1.com web hosting
Career Opportunities: Who are you talking too?
My Word: YUM! – Ferrero Rocher reviewed on CandyBlog
My Word: Make a desktop trebuchet

WordPress Automatic Upgrade plugin

Wow! This plugin steps you through the entire process of upgrading your WordPress installs — from checking and backing up the database to downloading the latest version from WordPress to putting everything back together. It made my day a whole lot simpler than I ever thought it could be.

WordPress Automatic Upgrade plugin

WordPress Automatic Upgrade is a plugin that automatically upgrades your wordpress version to the latest files provided by wordpress.org using the 5 steps provided in the wordpress upgrade instructions.

WPAU as I call it helps you easily upgrading you to easily upgrade your wordpress installation to the latest version provided by wordpress, without having to download or upload any files.

In addition to this it automatically backups your current file and database and provides you with a link to download those. De-activates your plugins and remembers them so that after upgrading files it will re-activate those without you having to make any notes for which plugins you de-activated and the biggest saves you headaches of upgrading your wordpress installation.

(Via Techie-Buzz.com.)

Audio: 2nd Annual LIVE Reading of A Christmas Carol by Charles Dickens

A grand time was had by all as we read A Christmas Carol and sent it out, live, over both Talkshoe.com and uStream.tv. Below is the audio version for your listening pleasure. If you would like to see a partial video if the reading, you can watch it on my uStream.tv page.

[audio:http://recordings.talkshoe.com/TC-10848/TS-61014.mp3]

Listen:
2nd Annual LIVE Reading of A Christmas Carol by Charles Dickens

A LIVE Reading of a Christmas Carol – Tonight!

Click here to chat with other listeners