My Word with Douglas E. Welch

An amazingly interesting article on the lost treasures of the National Archives and the hunt to return them. — Douglas

 

 

Mitch Yockelson knows what’s missing by heart. There’s an arsenal of diamond-encrusted daggers, swords, and scabbards gifted to Harry Truman by a Saudi prince and the Iranian shah—all stolen from his presidential library in 1978. There’s Franklin Delano Roosevelt’s official White House portrait. It went missing in a move. And there’s a batch of Abraham Lincoln’s telegrams that just up and vanished.

Yockelson, the investigative archivist for the U.S. National Archives, is unlikely to find any of these priceless historical treasures in a fluorescent-lit hall on the Maryland state fairgrounds. The annual Maryland Antique Arms Show brings together hundreds of dealers peddling all types of military antiques and ephemera. There, men toting bayonets for sale peruse table after table of old uniforms, yellowed discharge papers, and bowls of ammunition. Yockelson attends shows like this two or three times a year, in addition to scouring online auctions and following tips, on the hunt for lost Americana that rightfully belongs to the U.S. government.

It’s becoming more and more common for museums to digitize their collections. The latest one to join the trend is The Cleveland Museum of Art. After digitizing its collection, it made it publicly accessible online, with 30,000 images free for download and remix.

The CMA has shared the images from its permanent collection that are in the public domain open access. This means that you can download, share, reproduce, reuse and remix the images for scholarly, non-commercial, but also commercial purposes.

The CMA’s director, William Griswold, said in a statement regarding this project:

The Grolier Club, a redoubt of bibliophiles on Manhattan’s Upper East Side, has no shortage of stately, book-lined interiors that scream — or at least murmur quietly — “serious collectors here.”

But the true spirit of the place might be found in an unassuming closet on the fourth floor containing an alarming, nearly floor-to-ceiling jumble of crumpled papers practically exploding out of weathered wooden crates.

 

In 2014, Getty Publications announced the launch of its Virtual Library, where readers can freely browse and download 325 art books from the publisher’s backlist catalogue. The Virtual Library consists of texts associated with several Getty institutions. Readers can view extensively researched exhibition catalogues from the J. Paul Getty Museum, including Paul Cézanne’s late-life watercolours, when the painter raised the still life to a high art (Cézanne in the Studio: Still Life in Watercolors, 2004), as well as the woefully underappreciated Flemish illustrations of the 15th and 16th centuries (Illuminating the Renaissance: The Triumph of Flemish Manuscript, 2003).

The collection also contains detailed treatises on art conservation from the Getty Conservation Institute, and scholarly works from the Getty Research Institute, both of which include a multitude of books on specialized topics. Fancy reading about the relationship between Peter Paul Rubens and Jan Brueghel the Elder, the two legendary 17th century painters who lived in the Netherlands’ city of Antwerp? There’s a book on that.