Capture the intricate beauty of the natural world with this exquisite botanical illustration, “The Blue Passion Flower.” Originally published in 1800 by Dr. Thornton, this vintage print features a lush, climbing vine of passion flowers in various stages of bloom.
The artwork highlights the unique, complex anatomy of the blossoms—star-shaped white petals surrounding a dramatic, fringed corona of deep blue and purple. Set against a moody, dark background with detailed green foliage and delicate curling tendrils, this piece brings a touch of classic Enlightenment-era science and timeless elegance to any product. It is a perfect choice for lovers of vintage art, botany enthusiasts, or anyone who appreciates the intersection of science and fine art.
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THIS elegant but hardy perennial is, as its name implies, a native of Canada, where it usually grows about nine inches high ; but in this country, however, it generally attains the same size as the common Columbine, which it greatly resembles in the appearance of its leaves, though it differs in having its flowers of a different form and colour. It may be easily propagated by dividing the roots either in the autumn or the spring ; or it may be raised from seed, which it ripens in great abundance. In the latter case, however, the seeds should be sown as soon as they are ripe, as otherwise they will be a long time before they germinate. The very graceful, nodding, scarlet and orange flowers, which appear in April and. May, are nearly two inches in length, and on each pedicel there are two bracts, so near the flower as to have almost the appearance of a distinct green calyx.
Despite being full of blooms, this book of floral illustrations marks an autumn in aesthetic history: it was composed during “‘the last flowering’ of northern European manuscript illumination in the medieval tradition”, write curators at the MET. Created in the workshop of the Master of Claude de France, one of the most renowned ateliers in Tours during the early sixteenth century, it takes the form of a model book — and indeed several subsequent commissions linked to Queen Claude drew inspiration from this work. Yet its relative lack of wear and tear has led historians like Jörn Günther to wonder if the manuscript was primarily intended by the Master of Claude de France to be a collection of botanical art in its own right. Having trained with Jean Bourdichon and possibly Jean Poyer, the Master’s true identity remains anonymous in art history, but he and his workshop have been credited with books of hours and books of prayers — generally employing extremely small formats, which fit comfortably into the palm of a hand.
At age 72, Mary Delany (1700-1788) devoted herself to her art practice, taking up a form of decoupage to create an exquisite collection of botanical collages from dyed and cut paper. She interpreted many of the delicate specimens she encountered in Buckinghamshire while staying with her friend, the Duchess of Portland, through layered pieces on black backdrops. From the wispy clover-like leaves of an oxalis plant to the wildly splayed petals of the daffodil, the realistic works are both stunning for their beauty and faithfulness to the original lifeforms.
I often come across gardening terms I don’t know, so I always make a point to use that as a learning opportunity. I came across “fastigiate” in some magazine article and immediately looked it up. While I understood that there were trees with columnar growth habits I had never heard them described with this more technical term. Like every division of science, botany has its own specific terminology that more closely describes elements than the typical common names or typical English words might. This is one major reason I try to learn the Latin names of plants so that I can refer specifically to one plant and differentiate it from others that might share its common name. – Douglas
Is there a difference between columnar and fastigiate?
While these two growth forms are often treated as synonyms, they are in reality variations on a theme. Columnar trees usually have a height-to-width ratio of 5-to-1 while fastigiate plants are closer to 10-to-1. Think of columnar plants as having the shape of a stovepipe while fastigiate plants take on the form of a power pole.
This narrow, upright growth habit is caused by the inability of some seedlings to develop normal, broad-spreading side branches. With these plants, the main branches grow straight up instead of spreading sideways so they can better position themselves to intercept more light. For some reason – probably centered around the response of cells in the apical meristem to the level of a natural growth hormone called auxin – the balance between verticality and photosynthesis is swayed in favor of narrowness. Nurserymen, ever on the lookout for something different, select these natural variants and maintain the form by grafting.
This very distinct and showy species of Solanum, with a bell-shaped corolla (an unusual form for a Solanum), will doubtless form an interesting addition to those at present in cultivation. It grows about 2^ feet high (such at least was the height of the plant from which our drawing was taken), and is covered on all sides with sharp setaceous prickles, the greater portion of which are confined to the stem and the calyx. We are doubtful whether this plant be the same which Dr. Brown has described in his Prodromus, and on that account we have not altered the specific name ” campanulatum;”” we should however rather expect it to be different, as he has described the stem of his plant ” caule herbaceo,” and states it to be an annual, whilst ours is certainly suffruticose.
Orange Sherbet Magasin för Blomster-Älskare och Idkare av Trägårds-Skötsel. – Author: PFEIFFER, August (1777-1842) Pfeiffer’s “Magazine for Lovers of Flowers” is the first and only flower book in Sweden with hand-coloured plates presenting cultivated decorative flowers and fruit. It is a beautifully hand-coloured flower-book with most of the plates drawn and engraved by Pfeiffer, who also coloured the plates himself.