Rocky Mountain Flowers: The Daring Life and Art of Pioneering Plant Ecologist Edith Clements via The Marginalian [Shared]

Rocky Mountain Flowers: The Daring Life and Art of Pioneering Plant Ecologist Edith Clements – The Marginalian

Rocky Mountain Flowers: The Daring Life and Art of Pioneering Plant Ecologist Edith Clements viaThe Marginalian [Shared]

“There is one book that I would rather have produced than all my novels,” Willa Cather rued in her most candid interview about creativity. That book was Rocky Mountain Flowers: An Illustrated Guide For Plant-Lovers and Plant-Users by the pioneering plant ecologist and botanical artist Edith Clements (1874–1971).

Together with her husband, the influential botanist Frederic Clements, she pioneered the science of plant ecology, lending empirical substantiation to her contemporary John Muir’s poetic observation that “when we try to pick out anything by itself, we find it hitched to everything else in the universe.” In her 1960 memoir Adventures in Ecology: Half a Million Miles: From Mud to Macadam , penned shortly before Rachel Carson awakened the modern ecological conscience with Silent Spring and half a century before the climate calamity we are now living, Edith Clements prophesied:

“There seems little doubt that the application of the principles of ecology to human affairs, whether personal, national or world-wide, would go far in solving the problems that beset us.”

Read Rocky Mountain Flowers: The Daring Life and Art of Pioneering Plant Ecologist Edith Clements – The Marginalian

Vintage Botanical Prints – 76 in a series – Cruciaceæ: The Cruciform Tribe from The Natural Order of Plants (1868)

Vintage Botanical Prints - 76 in a series - Cruciaceæ: The Cruciform Tribe from The Natural Order of Plants (1868)

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Herbaceous plants, and a few half shrubs. The leaves are alternate. The flowers are chiefly yellow or white, some are purple, without bracts, generally on branching stalks. The sepals of the calyx are four, falling off before the capsule is enlarged. The petals are four, cruciform, alternate with the sepals, occasionally toothed. The stamens are six, the four longest in pairs, the two short ones single and place between the pairs. On the disk are green honey-glands, between the petals and the stamens and ovary. The ovary is above the calyx and disk, with plates from the edges usually meeting in the centre. The stigmas are two, placed opposite the plate-bearing seeds. The seed-vessel is a silique, a long pod containing many seeds; or a silicule, a short pod with few seeds; opening by two valves separating from the central plate, or remaining close. The seeds are attached by a little cord in a single row to each side of the plate, generally pendulous; they have no albumen.

 


10 Botanic Gardens You Can’t Miss in the U.S. from The Discoverer [Shared]

10 Botanic Gardens You Can’t Miss in the U.S. from The Discoverer

10 Botanic Gardens You Can't Miss in the U.S. from The Discoverer [Shared]

Whether you’re trying to beat the summer heat beneath the leafy shade or escape the winter cold inside tropical greenhouses, botanical gardens are a popular year-round destination for locals and visitors alike. Here are our picks for 10 botanic gardens you can’t miss in the U.S.

Read 10 Botanic Gardens You Can’t Miss in the U.S. | The Discoverer


Vintage Botanical Prints – 75 in a series – Pomona Britannica: No. 33 – Peaches, 1812–17. George Brookshaw

The image features a botanical illustration of peaches and their associated elements. The background is a solid dark brown, providing a stark contrast to the subjects. There are three peaches depicted, each with a distinct coloration and shape. The top peach is predominantly purple with a hint of red, the middle one is a vibrant orange with a yellow base, and the bottom peach is a lighter yellow with red blushes.

Each peach is accompanied by a large green leaf, showcasing detailed veins and a serrated edge. Additionally, there are clusters of pink flowers with five petals each, interspersed among the peaches and leaves. The flowers have a delicate appearance, with green stems and leaves.

The illustration is framed by a thin white border, and at the bottom, there is a rectangular label with a decorative border, though the text is not legible. The overall composition is symmetrical, with the peaches and leaves arranged in a balanced manner.

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id: 380084
accession number: 2020.166
share license status: CC0
url: https://clevelandart.org/art/2020.166
updated: 2022-01-13 10:05:48.513000

Pomona Britannica: No. 33 – Peaches, 1812–17. George Brookshaw (British, 1751-1823). Aquatint and stipple engraving printed in color and hand colored; platemark: 44.9 x 35 cm (17 11/16 x 13 3/4 in.); sheet: 57 x 47 cm (22 7/16 x 18 1/2 in.). The Cleveland Museum of Art, Nancy F. and Joseph P. Keithley Collection Gift 2020.166

 
 
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Vintage Botanical Prints – 74 in a series – Vintage Malus domestica Print from USDA Pomological Watercolors

The image features a detailed illustration of three apples and their leaves. The apples are depicted with a high level of detail, showcasing their textures and colors. The top apple is predominantly red with a brownish base and numerous small red spots. The middle apple is green with a yellowish tint and speckled with small brown spots. The bottom apple is a blend of orange and red, also with small brown spots. The leaves surrounding the apples are green with some brown spots and blemishes, adding to the naturalistic appearance. The background is a plain, off-white color, which contrasts with the vibrant colors of the apples and leaves. The artists signature, Shull, is visible in the bottom right corner of the image.

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Vintage Botanical Prints – 73 in a series – Vintage Malua Rosea Print from Nederlandsch bloemwerk (1794)

The image depicts a botanical illustration of a hollyhock plant, scientifically known as Alcea rosea, with the text Malua rosea a rubro written below it. The illustration features two large, open flowers with deep pink petals and lighter pink veins, attached to a green stem with several smaller buds. The leaves are a light blue-green color, and the stem is a vibrant green. At the bottom of the image, two insects are illustrated: a yellow and black striped beetle labeled 1 on the left and a similar beetle labeled 2 on the right. The background is a plain off-white color, and the image is framed by a thin black border. The overall style is reminiscent of historical botanical illustrations, with detailed and precise depictions of the plant and insects.

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Vintage Botanical Prints – 72 in a series – New Picotees from The florist and pomologist (1879)

Vintage Botanical Prints – 72 in a series – New Picotees from The florist and pomologist (1879)

The image depicts a botanical illustration of three carnations, labeled as Picolées, with the names Morna, Rev. J. B. M. Camm, and Lady Louisa beneath them. The illustration is on a beige background, with the flowers and leaves in vibrant colors. The top flower, labeled 1. Morna, is red with white edges, the middle flower, labeled 2. Rev. J. B. M. Camm, is pink with white edges, and the bottom flower, labeled 3. Lady Louisa, is purple with white edges. Each flower has multiple layers of petals, and the leaves are long and green. The illustration is detailed, with shading and outlines that highlight the texture of the petals and the veins of the leaves. The overall style is reminiscent of 19th-century botanical prints.

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Vintage Botanical Prints – 71 in a series – Delphinium divaricatum. from The floral cabinet and magazine of exotic botany (1837)

The image depicts a botanical illustration of a plant with the scientific name "Delphinium Divaricatum." The illustration features a central stem with several branches, each bearing purple flowers with five petals. The flowers are arranged in a loose cluster, with some buds visible, indicating potential future blooms. The plant has slender, green leaves that are divided into multiple narrow leaflets, giving a feathery appearance. The background is plain white, which highlights the plant's details. The illustration is detailed, with fine lines and shading that suggest texture and depth. The text "Delphinium Divaricatum" is written in a cursive script at the bottom of the image, identifying the plant species.

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D. divaricatum ; caule divaricatissime ramoso, pubescenti ; foliis multipartitis, laciniis linearibus acutis ; floribus pedicellis brevioribus ; petalis integerrimis ; folliculis sericeis. Descr.—Stem very much branched and exceedingly divaricated, somewhat pubescent ;leaves with many divisions divided down to the petiole, divisions linear acute ; flowers shorter than the pedicels ; petals very entire ; follicles covered with silky hairs. Delphinium divaricatum. — Ledebour. T his beautiful annual is a native of Caucasus, on the grassy banks of the River Gandscha, where it was collected in 1834 by Mr. T. F. Hohenacker, Botanical Traveller for the Unio Itineraria. When arrived at a state of maturity, it forms a complete pyramid, upwards of five feet high, its widely spreading lower branches occupying a space of more than two feet in diameter. It will readily be conceived, therefore, that, covered with flowers from the base to the apex, it makes a most attractive appearance; and being perfectly hardy, is highly deserving of cultivation.

Our drawing was made from a plant raised from seeds sent to the Birmingham Botanical and Horticultural Society ; it flowered last summer, and is the only living plant we have at present seen. We have compared it with specimens which we received from the Unio Itineraria, and find them to agree in every particular. It appears to be nearly allied to Delphinium consolida, if we examine the character given by De Candolle in his Prodromus, or that given by the late Sir James Edward Smith in his English Flora ; but, on comparison, there can be no doubt of their being perfectly distinct. From D. consolida it differs in being very much more branched ; in its branches being more slender ; in having flowers shorter than the pedicels, with the petals very entire at the margin, not crenate, as the petals of Consolida are represented in English Botany ; and also in the colour of the flower, which approaches the purple of puniceum rather than the usual colour of the genus.

Of the other annual species of Delphinium, two are to be found in almost every garden; D. Ajacis, or rocket; and D. consolida, or field larkspur. Of the first there are many beautiful double varieties of all colours ; the merits of which are estimated by florists according as they are more or less dwarf in their mode of growth ; and produce flowers more or less double. All tall-growing, as well as single-flowered plants are generally weeded out, in order to insure genuine seeds. The tall, branching larkspurs are also of various colours, some of which produce double flowers, but have not obtained so much notice from florists. Both should be sown where they are to remain ; a portion in August for early, and a portion in March for late flowering : covered with not more than half an inch of soil. Plants of the dwarf rocket should be four inches apart ; the branching varieties should be distant from nine inches to one foot. A rich soil grows them in the greatest perfection. Can a reason be assigned why so many plants in Ranunculacem produce double flowers ?

The natural order Ranunculacece consists of herbs (very rarely shrubs) with alternate or opposite, much divided leaves ; the petiole of which is dilated at the base, and forms a kind of sheath, which half embraces the stem. For the essential botanical characters by which they are distinguished, we beg to refer our readers to Lindley’s Natural System of Botany. As regards the geographical distribution of the order, the largest proportion of them is met with in Europe ; some are found in North America, some in South America, and some in Asia. Very few are found in Africa, except on the shores of the Mediterranean. In New Holland, according to De Candolle, 18 species have been discovered.

The genus Delphinium is divided by De Candolle into four sections ; the first of which contains such species as have but one ovarium or seed-vessel, and four petals united in one, as in our present plant. They are about twelve in number, and are all annuals.

Fig 1, 4 petals united ; 2, the capsule, which (as in all the species of De CandohVs section consolida) is single.



Vintage Botanical Prints – 70 in a series – Cypripediums from The gardener’s assistant (1907)[Prints available]

The image depicts a detailed botanical illustration of three different species of orchids from the genus Cypripedium. The illustration is set against a plain white background, emphasizing the vibrant colors and intricate details of the flowers.

The top flower, labeled as 1, INSIGNE, VAR., is predominantly yellow with a white upper lip and a distinctive pouch-like structure. It has a unique shape with a slightly curved petal and a prominent lip.

The middle flower, labeled as 2, CHAMBERLAINIANUM, features a deep purple pouch with a yellow and green patterned upper lip. It has a more elongated shape with a prominent lip and a unique pattern of spots and stripes.

The bottom flower, labeled as 3, EVENOR, has a yellow and purple patterned pouch with a yellow upper lip. It has a more rounded shape with a prominent lip and a pattern of spots and stripes.

The illustration also includes green leaves with visible veins, adding to the naturalistic representation of the orchids. The text at the bottom of the image reads CYPRIPEDIUMS: 1, INSIGNE, VAR. 2, CHAMBERLAINIANUM. 3, EVENOR.

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CYPRIPEDIUMS

No genus or race of Orchids that has been brought under cultivation has yielded so readily, and we may add, so strikingly, to its influence as Cypripedium. This is not only apparent in the results of hybridization, but also in the species themselves, especially in those that have been longest under the cultivator’s care. The most obvious effects of cultural influence have been the development of more robust foliage of a brighter colour; the normally one-flowered scape occasionally becomes two-flowered; the flowers are often larger and modified in colour (Veitch). Generally they are easily culti¬ vated, they flower freely and may readily be induced to mature seeds from which plants can be raised. The species, with few exceptions, readily intercross, and consequently an enormous number of hybrids have been raised artificially. Two of the three represented in the plate are true species, the third, EVENOR, is a garden hybrid. Recently the genus has been divided by botanists into four, viz.:—Cypripedium, Phragmo- pedilum, Paphiopedilum, and Selenipedium.

 


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Vintage Botanical Prints – 69 in a series – Primula Cortusoides from The botanist’s repository (1797)

The image depicts a botanical illustration of a plant with large, green leaves and pink flowers. The plant has a central stem with a cluster of pink flowers at the top, each with a yellow center. The leaves are broad, with a wavy edge and a pattern of lighter green veins. Below the main illustration, there are three smaller images: a flower cross-section, a stamen, and a pistil, providing a detailed view of the plant's reproductive parts. The background is a light, aged yellow, suggesting an old paper texture. The illustration is detailed and appears to be from a scientific or educational source, possibly a botanical textbook or journal.

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