Tag Archives: history

From My Shop: “Daisy Flower” Prints and Products

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New Design: Abstract Iris Products & Gifts from Douglas E. Welch Design and Photography

How cool is this Iris? I love getting up close to flowers to see all the crazy details you usually miss. This bearded iris has these intense, deep burgundy petals with super intricate white and violet veining.

But the best part is definitely that fuzzy, golden-yellow “beard” right in the center—it almost glows! The soft, blurred background makes the flower really pop. It’s a moody, dramatic, and beautiful piece of nature that’s perfect if you love unique florals that make a statement

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Master of Claude de France’s Book of Flower Studies (ca. 1510–1515) via The Public Domain Review [Shared]

Master of Claude de France’s Book of Flower Studies (ca. 1510–1515) via The Public Domain Review

 The image features a detailed illustration of a blue dragonfly perched on a green stem of a flower. The dragonfly has a long, slender body with a blue and green coloration, and its wings are transparent with a delicate pattern. The flower has white petals with a red edge and a yellow center, resembling a daisy. There are three flowers in total, with one fully bloomed, one partially bloomed, and one in bud form. The background is a plain, off-white color, which contrasts with the vibrant colors of the dragonfly and flowers. The illustration is done in a style that suggests it could be from a natural history book or a botanical illustration, with careful attention to the details of the insects and plants.

Despite being full of blooms, this book of floral illustrations marks an autumn in aesthetic history: it was composed during “‘the last flowering’ of northern European manuscript illumination in the medieval tradition”, write curators at the MET. Created in the workshop of the Master of Claude de France, one of the most renowned ateliers in Tours during the early sixteenth century, it takes the form of a model book — and indeed several subsequent commissions linked to Queen Claude drew inspiration from this work. Yet its relative lack of wear and tear has led historians like Jörn Günther to wonder if the manuscript was primarily intended by the Master of Claude de France to be a collection of botanical art in its own right. Having trained with Jean Bourdichon and possibly Jean Poyer, the Master’s true identity remains anonymous in art history, but he and his workshop have been credited with books of hours and books of prayers — generally employing extremely small formats, which fit comfortably into the palm of a hand.

View this entire manuscript

The Magic Spells That Herded Medieval Bees via Gastro Obscura [Shared]

The Magic Spells That Herded Medieval Bees via Gastro Obscura

The image depicts a medieval manuscript illustration, featuring a detailed scene of bees and a beehive. The illustration is framed by a gold border with a decorative pattern. On the left side, a cluster of green plants with small flowers is shown, with several bees depicted in various positions, some hovering and others landing on the flowers. The bees are illustrated with brown bodies and blue wings, adding a sense of movement to the scene. On the right side, a green beehive with a conical shape is depicted, with bees flying around it, suggesting activity and interaction. The background is a plain, off-white color, typical of medieval manuscripts. The text above the illustration is in Latin, written in a Gothic script, with the first letter of the text block highlighted in blue. The overall composition is balanced, with the plants and bees on the left and the beehive on the right, creating a harmonious and naturalistic scene.

IF YOU HAD A PROBLEM in Early Medieval Europe, chances were good that there was a spell for it. “Metrical charms” were sets of magical instructions for addressing dilemmas with spoken words and actions that combined herbal medicine, prayer, and ritual. Many dealt with the challenges of agriculture, with Old English examples having titles like “For Unfruitful Land,” “For Lost Cattle,” and Wiþ Ymbe, meaning “For a Swarm of Bees.”

Read this entire article – The Magic Spells That Herded Medieval Bees via Gastro Obscura

New Design: Garden View, Theodore Payne Foundation, Sun Valley, California [Merch]

Garden View, Theodore Payne Foundation, Sun Valley, California [Merch]

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NEW DESIGN – Daisy Sidewall c.1880 Attire, Totes, Laptop Sleeves, and Much More! [Products]

 The video begins with a close-up of a square pillow featuring a botanical pattern with leaves and daisy-like flowers in shades of green and beige, placed on a light-colored couch. The text DOUGLAS E. WELCH DESIGN AND PHOTOGRAPHY is visible in the top left corner. The scene transitions to include additional items with the same pattern: a sleeveless dress, a mug, and a tote bag, all displayed in circular insets to the right of the pillow. The text Daisy Sidewall c1880 appears at the bottom, along with the website DOUGLASEWELCH.COM/SHOP/770 for further information. The video emphasizes the versatility of the design across different products.</p>

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New Design: Trichocereus Cactus Flower Products [Shopping]

New Design: Trichocereus Cactus Flower Products [Shopping]

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NEW DESIGN: Vintage Seed Catalog Cover (1911) Products from Douglas E. Welch Design and Photography [Shopping & Gifts]

NEW DESIGN: Vintage Seed Catalog Cover (1911) Products from Douglas E. Welch Design and Photography [Shopping & Gifts]

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A Botanical Mystery Solved, After 146 Years via Atlas Obscura [Shared]

Yet another example of how archives can continue to educate even a century after their contents were created. – Douglas

A Botanical Mystery Solved, After 146 Years – Atlas Obscura

A Botanical Mystery Solved, After 146 Years via Atlas Obscura [Shared]

Something about the painting made Tianyi Yu pause. The artwork, depicting tropical plants crowded together in a riot of color, had been painted in 1876 by prolific botanical illustrator Marianne North. The wealthy Victorian woman had traveled the world, usually on her own, documenting in bold oils the plants and landscapes she saw.

During a trip to Borneo, North had filled this canvas with plants from a particular spot in the forests of the island’s northwest corner. The viewer’s eye might be drawn to oblong yellow fruits from one plant, or pink buds from another, or the rounded leaves cascading down one side of the painting, one of them apparently nibbled by an insect. But Yu, a botanical illustrator who was working at London’s Kew Gardens while pursuing a masters degree, was drawn to clusters of berries, some green and unripe but others black or a bold blue. These berries would solve a botanical cold case more than a century in the making, and connect both illustrators forever.

Read A Botanical Mystery Solved, After 146 Years – Atlas Obscura

NEW DESIGN: Vintage Miss C.H. Lippincott Seed Catalog (1903) Products from Douglas E. Welch Design and Photography [Shopping & Gifts]

NEW DESIGN: Vintage Miss C.H. Lippincott Seed Catalog (1903) Products from Douglas E. Welch Design and Photography [Shopping & Gifts]

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