Gardens are ephemeral things. Left to their own devices, they can quickly be subsumed by nature once again with natives and weeds running wild through the once-carefully managed beds. In this case, though, Sunnie-Holme was actually destroyed by its owner, who declared the that house and grounds should be removed when she died. Very little remains today to mark where this garden and home once stood. You can see some current photos in this article, Economic Disaster: Have’s and Have-Not’s – Fairfield, CT Patch.

In it’s prime in the photo below, the garden looks to be a wonderful combination of exuberant (and somewhat wild-looking) beds contrasted with manicured lawns and the sharp edge of the pond which lacks any sort of plants at all. I think the addition of some water lies or cattails might have added an interesting note there. Still, this photo does show how contrasting elements can bring a certain excitement and interest to a garden. As with writing, contrast, comparison and conflict are which bring energy to the story and I think the same items can be brought to a garden, too.

Sunnie-Holme

From the Smithsonian Institution…

Miss Annie Burr Jennings, daughter of a founder of Standard Oil Company, built Sunnie-Holme in 1909-1910. For thirty years, the house was the social center of the town during the summer months. It is unclear who designed the original parterre gardens; Miss Jennings later re-designed the gardens with herbaceous perennials, roses, and flowering shrubs. Her gardens were designed to be at their peak during the summer, when she resided in the house. Over thirty gardeners kept the extensive plantings maintained. Each of the three parallel paths leading from the main house south toward the sound were bordered with perennials in various color schemes or a vine-covered arbor. The designs were influenced by the writings of Gertrude Jekyll, whom whe met a Munstead wood in 1926, and from whom she commissioned the design for a garden at the Old Glebe House in Woodbury, Connecticut.

Located in the center of the garden was a formal rose garden, designed by Herbert Kellaway and rosarian, Mrs. Harriet Risley Foote, which had as its focal point an Italianate pool anchored by surrounding pergolas. Other garden “rooms” included “Irish,” evergreen, white, and an herb garden. A wild garden with Indian totem poles and a rustic lodge, was situated at the end of the property. In her will, Miss Jennings forbade that the gardens become a town park. Although she encouraged her heirs to continue the gardens, the property was sold. Sunnie-Holme was dismantled on the eve of World War II.

Persons associated with the property and garden include: Annie Burr jennings (former owner, 1909-1939); Herbert Kellaway (rose garden designer); and Harriett Risley Foote (rosarian). — http://siris-archives.si.edu/ipac20/ipac.jsp?uri=full=3100001~!243975!0

Further Information on Sunnie-Holme:

Photographer: Scott, John Duer

Type: Projected media

Date: 1930
[1930?]

Topic: Ponds
     Lawns
     Bulbs
     Trees
     Trellises
     Roses
     Gardens

Local number: CT004001

Physical description: 1 slide: glass lantern, col.; 3 x 5 in

Notes: See also Glebe House Museum, Woodbury, CT. The house was dismantled in 1940

Place: Connecticut
Fairfield
Sunnie-Holme (Fairfield, Connecticut)

Persistent URL:http://siris-archives.si.edu/ipac20/ipac.jsp?&profile=all&sour ce=~!siarchives&uri=full=3100001~!181529~!0#focus

Repository:Archives of American Gardens

View more collections from the Smithsonian Institution.

Previously in Garden History: