Another Day, Another Video Conference via Instagram

Another Day, Another Video Conference

Another Day, Another Video Conference via Instagram

As a member of the Executive Council of the Screenwriting Research Network (SRN) I have the great pleasure of meeting with colleagues from several continents (Australia, South America, Europe, etc) on a monthly basis to discuss the business of the organization. it continues to amaze me how technology allows us to do this – as it continues to amaze me how lucky I am to have had the chance to meet all of these lovely folks in person at our various conferences. Can’t wait for the next one – in Oxford in 2021!

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From The Journal Of Screenwriting V1 Issue 1: Everybody’s a Writer Theorizing screenwriting as creative labour by Bridget Conor

Highlighting the articles in the past editions of the Journal of Screenwriting, of which I am the Book Reviews Editor. Hopefully these abstracts will entice you to did a little deeper into the history and future of screenwriting. — Rosanne


Everybody’s a Writer Theorizing screenwriting as creative labour by Bridget Conor

This paper offers a theoretical agenda for a labourist analysis of screenwriting, and critically evaluates the marginal status of screenwriting within film production systems. On the one hand, screenwriting offers an exemplary case study of creative work in post-modernized film production industries, work characterized by freelancing and multivalent working patterns, insecurity and hierarchization. Investigating screenwriting as creative labour also offers unique insights into an intensely industrial vocation; this requires a highly particular theorization of the contexts and conditions of writers’ working lives.This paper draws on sociological analyses of creative production and utilizes a Foucauldian understanding of technologies of the self as this concept has been applied in the analysis of creative labour. This approach enables a critical examination of particular aspects of screenwriting labour, including the rigidity of the industrial screenplay form and its pedagogical frameworks, the standardized mechanisms of control over screenwriting labour (such as inequitable collaboration and practices of multiple authorship), and the heady mix of both creative fulfilment and punishment which characterizes this form of work.


The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice. 

Get your copy and subscription to the Journal of Screenwriting Today!


Screenwriting Research Network Conference 2020

Join me at the Screenwriting Research Network’s Annual Conference in Oxford, UK



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

Kitties must come from heaven because they have halos via Instagram

Kitties must come from heaven because they have halos.

Kitties must come from heaven because they have halos via Instagram

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Between the Sheets: Writing About Sex on Television Photos via Instagram

Between the Sheets: Writing About Sex on Television

Between the Sheets: Writing About Sex on Television Photos via Instagram

Between the Sheets: Writing About Sex on Television Photos via Instagram
The Stephens College MFA in TV and Screenwriting program teamed up with the Writers Guild Foundation to pull the covers back on a topic that still makes viewers blush: sex. On this special evening, our panel of TV writers and producers share how they approach writing about sex, from intimate scenes to revealing dialogue, and the nuances they consider when crafting stories about sex and sexuality.

Panelists:

  • Michelle Ashford – Masters of Sex, The Pacific
  • Cindy Chupack – I’m Dying Up Here, Divorce, Sex and the City
  • Sahar Jahani – 13 Reasons Why, Ramy
  • Dayna Lynne North – Insecure, Single Ladies, Lincoln Heights
  • Gladys Rodriguez – Vida, Dynasty, Sons of Anarchy
  • Moderated by Dr. Rosanne Welch. 

Writers Guild Foundation@wgfoundation

Visit Stephens.edu/mfa for more information.

Follow @StephensMFA on Instagram


Follow and Like the Stephens College MFA in TV and Screenwriting

#MentorMonday 8 - Dawn Comer Jefferson - Stephens College MFA in TV and Screenwriting

Between the Sheets: Writing About Sex on Television Panel via Instagram

Between the Sheets: Writing About Sex on Television

Between the Sheets: Writing About Sex on Television Panel via Instagram

The Stephens College MFA in TV and Screenwriting program teamed up with the Writers Guild Foundation to pull the covers back on a topic that still makes viewers blush: sex. On this special evening, our panel of TV writers and producers share how they approach writing about sex, from intimate scenes to revealing dialogue, and the nuances they consider when crafting stories about sex and sexuality.

Panelists:

  • Michelle Ashford – Masters of Sex, The Pacific
  • Cindy Chupack – I’m Dying Up Here, Divorce, Sex and the City
  • Sahar Jahani – 13 Reasons Why, Ramy
  • Dayna Lynne North – Insecure, Single Ladies, Lincoln Heights
  • Gladys Rodriguez – Vida, Dynasty, Sons of Anarchy
  • Moderated by Dr. Rosanne Welch.

 

Writers Guild Foundation@wgfoundation

Visit Stephens.edu/mfa for more information.

Follow @StephensMFA on Instagram


Follow and Like the Stephens College MFA in TV and Screenwriting

#MentorMonday 8 - Dawn Comer Jefferson - Stephens College MFA in TV and Screenwriting

Past students at new events via Instagram

Past students at new events

Past students at new events via Instagram

Past students at new events via Instagram

Hosting the WGA events for Stephens allows me to reconnect with students I’ve had and other schools. Here I am chatting with a student from last spring’s one-hour drama class from Columbia College’s Semester in LA program.

Writers Guild Foundation@wgfoundation

Visit Stephens.edu/mfa for more information.

Follow @StephensMFA on Instagram


Follow and Like the Stephens College MFA in TV and Screenwriting

#MentorMonday 8 - Dawn Comer Jefferson - Stephens College MFA in TV and Screenwriting

Chatting after the panel via Instagram

Chatting after  the panel: “Between the Sheets: Writing About Sex on Television” at the Writers Guild of America.

Chatting after the panel via Instagram

After our WGA panel on Writing sex scenes for television, Dr. Rosanne Welch speaks to panelist (and Stephens College MFA alum) Sahar Jahani (Ramy, 13 Reasons Why) speak with Intimacy coordinator Mia Schachter.

Writers Guild Foundation@wgfoundation

Visit Stephens.edu/mfa for more information.

Follow @StephensMFA on Instagram


Follow and Like the Stephens College MFA in TV and Screenwriting

#MentorMonday 8 - Dawn Comer Jefferson - Stephens College MFA in TV and Screenwriting

It’s not a tree until there’s a kitty sitting under it! via Instagram

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It’s not a tree until there’s a kitty sitting under it!

It's not a tree until there's a kitty sitting under it! via Instagram



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Egret at Cal Poly Pomona via Instagram

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Egret at Cal Poly Pomona

Egret

One of the loveliest things about the campus at Cal Poly Pomona is the duck pond that is home to not only ducks and turtles but this beautiful creature who flies majestically around campus – or sometimes sits so nice and still along the pathway from my parking lot to my office. He or she creates a peaceful start to each new day.

DTLA Film Festival panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting via Instagram

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DTLA Film Festival panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting.

DTLA Film Festival panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting via Instagram

The importance of having material on the internet that helps tell people what you do and how well you do it came to my attention again last month.

I received an email invitation to moderate a panel at the Downtown LA Film Festival (DTLA) (https://www.dtlaff.com/) on the subject of “Implicit Bias” and how screenwriters can keep their scripts clear of their own and society’s implicit bias. Happily, I was able to invite one of our favorite Stephens mentors – Maria Escobeda – to be a panelist so we gave them a double-dose of Stephens College MFA in TV and Screenwriting magic.