Between the Sheets: Writing About Sex on Television Photos via Instagram

Between the Sheets: Writing About Sex on Television

Between the Sheets: Writing About Sex on Television Photos via Instagram

The Stephens College MFA in TV and Screenwriting program teamed up with the Writers Guild Foundation to pull the covers back on a topic that still makes viewers blush: sex. On this special evening, our panel of TV writers and producers share how they approach writing about sex, from intimate scenes to revealing dialogue, and the nuances they consider when crafting stories about sex and sexuality.

Panelists:

  • Michelle Ashford – Masters of Sex, The Pacific
  • Cindy Chupack – I’m Dying Up Here, Divorce, Sex and the City
  • Sahar Jahani – 13 Reasons Why, Ramy
  • Dayna Lynne North – Insecure, Single Ladies, Lincoln Heights
  • Gladys Rodriguez – Vida, Dynasty, Sons of Anarchy
  • Moderated by Dr. Rosanne Welch. 

Writers Guild Foundation@wgfoundation

Visit Stephens.edu/mfa for more information.

Follow @StephensMFA on Instagram


Follow and Like the Stephens College MFA in TV and Screenwriting

#MentorMonday 8 - Dawn Comer Jefferson - Stephens College MFA in TV and Screenwriting

Between the Sheets: Writing About Sex on Television Photos via Instagram

Between the Sheets: Writing About Sex on Television

Between the Sheets: Writing About Sex on Television Photos via Instagram

Between the Sheets: Writing About Sex on Television Photos via Instagram
The Stephens College MFA in TV and Screenwriting program teamed up with the Writers Guild Foundation to pull the covers back on a topic that still makes viewers blush: sex. On this special evening, our panel of TV writers and producers share how they approach writing about sex, from intimate scenes to revealing dialogue, and the nuances they consider when crafting stories about sex and sexuality.

Panelists:

  • Michelle Ashford – Masters of Sex, The Pacific
  • Cindy Chupack – I’m Dying Up Here, Divorce, Sex and the City
  • Sahar Jahani – 13 Reasons Why, Ramy
  • Dayna Lynne North – Insecure, Single Ladies, Lincoln Heights
  • Gladys Rodriguez – Vida, Dynasty, Sons of Anarchy
  • Moderated by Dr. Rosanne Welch. 

Writers Guild Foundation@wgfoundation

Visit Stephens.edu/mfa for more information.

Follow @StephensMFA on Instagram


Follow and Like the Stephens College MFA in TV and Screenwriting

#MentorMonday 8 - Dawn Comer Jefferson - Stephens College MFA in TV and Screenwriting

Between the Sheets: Writing About Sex on Television Panel via Instagram

Between the Sheets: Writing About Sex on Television

Between the Sheets: Writing About Sex on Television Panel via Instagram

The Stephens College MFA in TV and Screenwriting program teamed up with the Writers Guild Foundation to pull the covers back on a topic that still makes viewers blush: sex. On this special evening, our panel of TV writers and producers share how they approach writing about sex, from intimate scenes to revealing dialogue, and the nuances they consider when crafting stories about sex and sexuality.

Panelists:

  • Michelle Ashford – Masters of Sex, The Pacific
  • Cindy Chupack – I’m Dying Up Here, Divorce, Sex and the City
  • Sahar Jahani – 13 Reasons Why, Ramy
  • Dayna Lynne North – Insecure, Single Ladies, Lincoln Heights
  • Gladys Rodriguez – Vida, Dynasty, Sons of Anarchy
  • Moderated by Dr. Rosanne Welch.

 

Writers Guild Foundation@wgfoundation

Visit Stephens.edu/mfa for more information.

Follow @StephensMFA on Instagram


Follow and Like the Stephens College MFA in TV and Screenwriting

#MentorMonday 8 - Dawn Comer Jefferson - Stephens College MFA in TV and Screenwriting

Past students at new events via Instagram

Past students at new events

Past students at new events via Instagram

Past students at new events via Instagram

Hosting the WGA events for Stephens allows me to reconnect with students I’ve had and other schools. Here I am chatting with a student from last spring’s one-hour drama class from Columbia College’s Semester in LA program.

Writers Guild Foundation@wgfoundation

Visit Stephens.edu/mfa for more information.

Follow @StephensMFA on Instagram


Follow and Like the Stephens College MFA in TV and Screenwriting

#MentorMonday 8 - Dawn Comer Jefferson - Stephens College MFA in TV and Screenwriting

Chatting after the panel via Instagram

Chatting after  the panel: “Between the Sheets: Writing About Sex on Television” at the Writers Guild of America.

Chatting after the panel via Instagram

After our WGA panel on Writing sex scenes for television, Dr. Rosanne Welch speaks to panelist (and Stephens College MFA alum) Sahar Jahani (Ramy, 13 Reasons Why) speak with Intimacy coordinator Mia Schachter.

Writers Guild Foundation@wgfoundation

Visit Stephens.edu/mfa for more information.

Follow @StephensMFA on Instagram


Follow and Like the Stephens College MFA in TV and Screenwriting

#MentorMonday 8 - Dawn Comer Jefferson - Stephens College MFA in TV and Screenwriting

Panorama before the panel: “Between the Sheets: Writing About Sex on Television” at the Writers Guild of America

Panorama before the panel: “Between the Sheets: Writing About Sex on Television” at the Writers Guild of America.

Click for larger version

Writers Guild Foundation@wgfoundation

Visit Stephens.edu/mfa for more information.

Follow @StephensMFA on Instagram


Follow and Like the Stephens College MFA in TV and Screenwriting

#MentorMonday 8 - Dawn Comer Jefferson - Stephens College MFA in TV and Screenwriting

Dr. Rosanne Welch speaks with writer-producer Dayna Lynne North via Instagram

Dr. Rosanne Welch speaks with writer-producer Dayna Lynne North (ANY DAY NOW, VERONICA MARS, LINCOLN HEIGHTS,
INSECURE) before their panel “Between the Sheets” at the Writers Guild.

Dr. Rosanne Welch speaks with writer-producer Dayna Lynne North via Instagram

Dr. Rosanne Welch speaks with writer-producer Dayna Lynne North via Instagram

Writers Guild Foundation@wgfoundation

Visit Stephens.edu/mfa for more information.

Follow @StephensMFA on Instagram


Follow and Like the Stephens College MFA in TV and Screenwriting

#MentorMonday 8 - Dawn Comer Jefferson - Stephens College MFA in TV and Screenwriting

Save The Date! – Rosanne at SCMS (Society for Cinema and Media Studies) Conference, April 1-5, 2020, Denver Colorado

Save The Date! - SCMS (Society for Cinema and Media Studies), April 1-5, 2020, Denver Colorado

I’m excited to fly to Denver again this year (twice actually – once for the SCMS conference in April and once for SeriesFest in June – more about that in another post!). 

For SCMS (Society for Cinema and Media Studies) I was invited to be part of a panel with 3 other fascinating female academics discussing How Unreliable Narrators harm giving women enough credit in historical research

A great deal of women’s work has gone uncredited. Its documentation or evidence may not exist in predictable places. Conceiving of how this work was conducted, or had impact, or might be theorized often pose more questions than answers. Our panel is interesteded in meeting these challenges through new and alternative forms of storytelling. How might we identify creative or productive approaches to historical writing that address absences, gaps, rumors, contradictions, or suspect information?

This may involve examining how biography has informed the construction of a star image. Vicki Callahan confronts the inability to reconstruct Normand’s filmmaking career and piece together missing parts of her star biography due to a lack of documentation (in addition to the scandals that arise at pivotal moments). In contrast, Eartha Kitt made a concerted effort to represent herself through “self-narrativization,” according to Philana Payton (who will present “Eartha Kitt vs. Eartha Mae”). Kitt wrote multiple autobiographies, scrupulously examining her private identity versus her public self on stage and screen.

The notion of narrator–whether unreliable narrator, storyteller, cryptic voice–proves useful here. For example, Normand serves as an unreliable narrator, leading Callahan to place historical weight on her scripts and performances (and performativity). Kitt, on the other hand, asserted her authority (and made a bid for black feminist resistance) by claiming her narrator role.

Taking a long-range historical view, my presentation will consider how certain male filmmakers have been unreliable narrators in reference to their collaborations with women in the industry. They often fail to credit their female collaborators or mentors, especially in public. A similar dynamic occurred with Joan Harrison; many of her film and TV contributions have been obscured because of the bright spotlight on Hitchcock. For Christina Lane, this (along with major gaps in documentation) fed into the challenges of historicizing her life and career. Sources came from unexpected places—Harrison’s housekeepers and caretakers—which created an opportunity for alternative feminist writing strategies.

Scms logo

About SCMS

The Society for Cinema and Media Studies is the leading scholarly organization in the United States dedicated to promoting a broad understanding of film, television, and related media through research and teaching grounded in the contemporary humanities tradition.

SCMS encourages excellence in scholarship and pedagogy and fosters critical inquiry into the global, national, and local circulation of cinema, television, and other related media. SCMS scholars situate these media in various contexts, including historical, theoretical, cultural, industrial, social, artistic, and psychological.

SCMS seeks to further media study within higher education and the wider cultural sphere, and to serve as a resource for scholars, teachers, administrators, and the public. SCMS works to maintain productive relationships with organizations in other nations, disciplines, and areas of media study; to foster dialogue between media industries and scholars; and to promote the preservation of our film, television, and media heritage. We encourage membership and participation of scholars and those in related positions not only in the US but around the world.

DTLA Film Festival panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting via Instagram

Follow Rosanne on Instagram!

DTLA Film Festival panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting.

DTLA Film Festival panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting via Instagram

The importance of having material on the internet that helps tell people what you do and how well you do it came to my attention again last month.

I received an email invitation to moderate a panel at the Downtown LA Film Festival (DTLA) (https://www.dtlaff.com/) on the subject of “Implicit Bias” and how screenwriters can keep their scripts clear of their own and society’s implicit bias. Happily, I was able to invite one of our favorite Stephens mentors – Maria Escobeda – to be a panelist so we gave them a double-dose of Stephens College MFA in TV and Screenwriting magic.

 

DTLA Film Festival panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting via Instagram

Follow Rosanne on Instagram!

DTLA Film Festival panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting.

DTLA Film Festival panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting via Instagram

Video of this panel coming soon