– and then I found the window dedicated to his Narnia books inside – it’s etched (not stained) so it’s hard to see but Aslan’s face is in the upper left with the Dawn Treader below it and the castle of Cair Paravel on the bottom right. Imagine being a writer who wrote something so lovely that the churchyard has to place location signs from your grave…and other writers would seek you out all these years hence.
Paolo Russo, Senior Lecturer in Film Studies, has twice spent a week as a guest lecturer here in Los Angeles and now I get a chance to spend a week with his students. This Master Class is just one part of my activities there. I’ll be working closely with his screenwriting students individually and also get a chance to visit some important research locations like the Bodleian Library.
These days it is usually just Rosanne and me at the dining room table or occasionally 2 friends for dinner. Back in December, though, we hosted 6 members of our Sicilian family and the dining room was almost standing room only.
This was their first day in town, so we greeted them with the quintessential LA meal of In-n-Out. 😀
Every other meal at home, though, looked more like our Italian meals when visiting them. They might have experienced the US and LA when we went out, but evenings cocooned them in a sense of normal home life.
On Saturday, November 3rd, 2018 several of the contributors to When Women Wrote Hollywood gathered at the Skylark Bookshop in Columbia, Missouri for a signing and launch party that functioned like a mini-reunion of the Stephens College MFA in TV and Screenwriting Class of 2017.
Many thanks to all who came to hear them each speak with passion about the research subjects who became whole chapters in this book of essays on female screenwriters from the Silent Era into the 1940s.
Many, many thanks to the soon-to-be-graduating Class of 2019 from the Stephens College MFA in TV and Screenwriting who presented me with a marvelous photo of them all posed in front of the mural that adorns the conference room where we hold so many of our classes. It was a great final week of workshop for this low residency program, topped off with excellent Q&A sessions with producer Karen Loop (“On the Basis of Sex”), executive producer Aaron Thomas (SWAT), producer (and current mentor) Valerie Woods (Queen Sugar), writer (and alum) Sahar Jahani (Ramy) — and lectures on Italian neorealism from visiting professor Dr. Paolo Russo (Oxford-Brookes).
I look forward to working with all our future alums as they move forward in their own exciting careers!