From The Journal Of Screenwriting 7: Book Reviews

Highlighting the articles in the latest edition of the Journal of Screenwriting, of which I am the Book Reviews Editor. Hopefully these abstracts will entice you to did a little deeper into the history and future of screenwriting. — Rosanne


Reviews

Authors: Levi Dean, Mikayla Daniels, Yasser O. Shahin, Ilona Rossman Ho

Television Antiheroines: Women Behaving Badly in Crime and Prison Drama, Milly Buonanno (2017) Bristol: Intellect, 285 pp., ISBN-13 978-1-78320-760-2, p/bk, $45k

The Girl Who Knew Too Much: Shadow of a Doubt (1943), Elaine Lennon (2016) Seattle: Amazon Digital Services LLC, 132 pp., ASIN: B01KTWF08U, e-Book, $3.99

Writing for the Screen, Anna Weinstein (ed.) (2017) New York: Routledge, 254 pp., ISBN 978-1-13894-511-1, p/bk, $32.95; ISBN 978-1-31567-157-4, e-Book, $31.30

The Heroine’s Journey: Woman’s Quest For Wholeness, Maureen Murdock (1990) Boulder, CO: Shambhala Publications, 232 pp., ISBN 978-0-87773-485-7, p/bk, $18.95; ISBN 978-0-81356-342-8, e-Book, $10.98

Journal of Screenwriting Cover

The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice. 

Get your copy and subscription to the Journal of Screenwriting Today!



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

From The “When Women Wrote Hollywood Archives: ‘Movie Plots Pushed into Prose’: The Extra Girl, Will Hays, and the Novel of Silent Hollywood by Justin Gautreau

Months of research when into the creation of the essays in “When Women Wrote Hollywood.” Here are some of the resources used to enlighten today’s film lovers to the female pioneers who helped create it.


From The

Read ‘Movie Plots Pushed into Prose’: The Extra Girl, Will Hays, and the Novel of Silent Hollywood by Justin Gautreau


Buy “When Women Wrote Hollywood” Today!

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

26 Dorothy Parker and A Star Is Born from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (55 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

26 Dorothy Parker and A Star Is Born from

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Transcript:

Dorothy and her husband Alan Campbell wrote A Star Is Born which if you know obviously the story is about a marriage where the woman is far more famous than the man. His career is going while hers is rising. That’s Dorothy Parker and her husband’s story. That’s exactly the emotion she was experiencing. She just put it on an actor and actress. It became such a classic it was remade in the 50s with Julia my brain just went dead. Thank you. Judy Garland. I was saying Julianne and that was wrong. Judy Garland. Thank you and it was written this was adapted by Moss Hart who’s a famous name from Broadway. He wrote it himself however he credited several scenes from the original movie he’d just cut and pasted them out of the first script and put them in his and admitted that when he was doing it. So whenever he got notes from the studio that they wanted to change something he would say “No no no. That’s how Parker had it the first time. It’s good enough. We’re not fixing it.” So essentially it’s Moss Hart and Dorothy Parker together right?

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


Buy a signed copy of when Women Wrote Hollywood

…or via Amazon…

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Mackenzie Institute In Sao Paolo via Instagram

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Mackenzie Institute In Sao Paolo.

Mackenzie Institute In Sao Paolo via Instagram

My host for the 10th Screenwriters´(hi)Stories Seminar Keynote.



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

My New Screenwriting Friends In Sao Paolo via Instagram

Follow Rosanne on Instagram!

My New Screenwriting Friends In Sao Paolo

My New Screenwriting Friends In Sao Paolo via Instagram

My New Screenwriting Friends In Sao Paolo via Instagram

Many, many thanks to Glaucia Davino for inviting me to Mackenzie Presbyterian Institute in Sao Paolo to speak to her conference, but especially for arranging for me to meet many of her dedicated doctoral students, including Livia, who gave me a wonderful walking tour of the campus before my talk yesterday. There is a deep and genuine interest in analyzing screenwriting among these students and of building the film and television industry here. In the years to come I believe the energy these students bring to their research will achieve that dream.



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

Presenting my talk “How the chaos of collaboration in the writer’s room created the golden age of television” at the Screenwriting Research Conference in Porto, Portugal

Presenting my talk “How the chaos of collaboration in the writer’s room created the golden age of television” at the Screenwriting Research Conference in Porto, Portugal

Presenting my talk “How the chaos of collaboration in the writer’s room created the golden age of television” at the Screenwriting Research Conference in Porto, Portugal

** We have returned from Porto and I am streaming out our photos over the next few weeks.

Opening Reception, Screenwriting Research Network Conference, Porto, Portugal via Instagram

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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

Chatting with conference attendees before my talk at the Screenwriting Research Conference in Porto, Portugal

Chatting with conference attendees before my talk at the Screenwriting Research Conference in Porto, Portugal

Chatting with conference attendees before my talk at the Screenwriting Research Conference in Porto, Portugal

A great way to encounter these international friends I only see in person once a year at the 2019 Screenwriting Research Conference.

** We have returned from Porto and I am streaming out our photos over the next few weeks.

Opening Reception, Screenwriting Research Network Conference, Porto, Portugal via Instagram

Follow me on Instagram



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

Ready to present my talk yesterday at the Screenwriting Research Conference here in Porto, Portugal via Instagram

Ready to present my talk yesterday at the Screenwriting Research Conference here in Porto, Portugal

Ready to present my talk yesterday at the Screenwriting Research Conference here in Porto, Portugal via Instagram

Follow me on Instagram



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

17 Tressie Souders from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (49 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

17 Tressie Souders from

 

Transcript:

The hardest thing to do now — we’re having trouble reviving some of these female names but it is far more worse reviving African-American female names because these folks have had no paperwork left about them and even the men they worked with haven’t been cataloged in a way that we can look to them for information. Tressi Souders, we only have through newspaper accounts of films of hers that were opening in African-American neighborhoods. So we can see advertisements that she had product but the product doesn’t exist. You can’t find it even on — most of the women I’m gonna mention, the Caucasian women — the European women — and you could find some of their movies on YouTube because stuff has been kept in the Library of Congress. Sadly some has been saved because of men it’s connected to but at least it’s been saved. These women, none of their work exists anymore and that’s one of the most depressing things.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


Buy a signed copy of when Women Wrote Hollywood

…or via Amazon…

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library