Journal of Screenwriting Call For Submissions For A Special Issue Focusing On Female Screenwriters

Journal of Screenwriting Call For Submissions For A Special Issue Focusing On Female Screenwriters

Don’t forget: The Journal of Screenwriting is calling for articles for a special issue with a focus on female screenwriters, to be published in November 2020. I will be co-editing this Special Issue! — Rosanne


Call For Submissions

Special Issue: Female Screenwriters

Download Call for Papers: Female Screenwriters (PDF)Download Note for Contributors (PDF)

The Journal of Screenwriting is calling for articles for a special issue with a focus on female screenwriters, to be published in November 2020.

JOSC wants to emphasize the importance of female screenwriters across eras, genres, mediums. This importance may arise from an analysis of bodies of work, from individual scripts written by women or from case studies where female screenwriters have worked collaboratively to express screen stories. Articles may also include women’s work behind the scenes in advocating for/promoting greater gender equality within screenwriting milieux. Articles on female screenwriters from diverse cultural backgrounds are encouraged. 

Articles may include (but are not limited to) the following topics:

  • Female screenwriters in silent cinema
  • The influence of female writer(-directors) in contemporary culture
  • Case studies on an individual screenwriter’s work, collaborations between women or on how women-centred stories have been brought to the screen
  • Historiography of manuals and screenwriting pedagogy where this reflects the work of female screenwriters
  • National and global tendencies with regard to women within screenwriting – relations, influences, cultural transfers
  • Censorship and women’s stories and women’s writings
  • Biographies of female screenwriters of any era
  • Female screenwriters within writing partnerships
  • The work of female screenwriters within script production (e.g. as showrunners, script editors or consultants)
  • • The question of a female voice within screenwriting
  • In the first instance, please email abstracts of up to 400 words and a short biography, no later than Friday, 4 October 2019 to both of the editors of this special issue: Rosanne Welchrosanne@welchwrite.com Rose Ferrellrosieglow@westnet.com.au Completed articles of between 4000 and 8000 words should be sent by the end of January 2020.

Link to the Journal of Screenwriting and Submission Information

Screenwriting Research Network

Ready to present my talk yesterday at the Screenwriting Research Conference here in Porto, Portugal via Instagram

Ready to present my talk yesterday at the Screenwriting Research Conference here in Porto, Portugal

Ready to present my talk yesterday at the Screenwriting Research Conference here in Porto, Portugal via Instagram

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Screenwriting Research Network Conference 2019, Porto, Portugal, All Sessions

Screenwriting Research Network Conference, Porto, Portugal, All Sessions

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Here’s a look at the program for the Screenwriting Research Network (SRN) conference that just concluded last Saturday in  Porto, Portugal.

Screenwriting Research Network Conference, Porto, Portugal, All Sessions

I deeply enjoyed making my presentation on Writers Rooms in the U.S. but even more I enjoyed the presentations I attended.

SRN Panorama

This program is chock a block full of new international films to learn about (did you know there’s a Portuguese film with the name “Django” in it that has nothing to do with the one by Tarantino?) and new ways to teach writing students how to take in all the (often negative) notes they receive and decide which constructive ones to use to make their scripts stronger? 

Just skimming the schedule shows the breadth of new ideas that are running around in my head right now. — Rosanne


12th SCREENWRITING RESEARCH NETWORK CONFERENCE
Porto, September 11-14, 2019 · School of Arts, Universidade Católica Portuguesa

PROGRAMME

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Theme: Foundation and Crisis of Europe in Screenwriting

Chair: Paolo Russo

Pablo Echart
Savage continent, united continent: the writing of a feature film screenplay about the “founding fathers” of the European Union

María Noguera / Miguel Muñoz-Garnica
Narrative detours in the cinematic representation of Europe in crisis: Ulysses’ Gaze, A Talking Picture and Our Music

Daniel Sierra / Marta Frago
Young Winston and Darkest Hour’s films: Winston Churchill as British Hero in a Changing Europe

Theme: Modes I

Chair: Nelson Zagalo

Ruth Gutiérrez Delgado
Causality is not casual in a film despite it seems to be: A Perfect Day

Paolo Braga
The line between fate and chaos in Collateral

Armando Fumagalli
Order and chaos in the ending of a film

Continue reading “Screenwriting Research Network Conference 2019, Porto, Portugal, All Sessions”

Video games following path of films in their marketing and “Death Stranding” Game Trailer

What’s interesting about this video game trailer (is first of all that they have trailers for video games!) but that at the 5:36 mark they begin giving the credits for all the relatively big name actors in this – including Guillermo del Toro and (for me) Lindsay Wagner (the original Bionic Woman) which shows how this new-ish art form is following the path of films – which originally did not name their actors until they realized actors bring in audience.

Also, that the branding of the creator “Kojima Productions”. The parallels between these arts-turned-businesses are so interesting. — Rosanne

** Notes originally from discussion with Stephens College MFA in TV and Screenwriting students 


Video games following path of films in their marketing and

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On the beach in Foz, Porto, Portugal

On the beach in Foz, Porto, Portugal

Opening reception of the Screenwriting Research Network Conference

Foz porto beach pano

Click for full-sized panorama

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Review of “America’s Forgotten Founding Father” by Dr. Rosanne Welch

I was honored to read this review of my novelization of the life of Filippo Mazzei, which posted on the same day that I am preparing to guest lecture about the book to Dennis Bullock’s AP Government class at Providence High School. 

I’m particularly happy that the reviewer, from the Historical Novel Society recognized all the research work I did on not just Mazzei’s place in American History and the founding of the government – but that I strove to give a full picture of his life from childhood through his later years. I want readers to find him to be an interesting man who worked hard for the privileges we enjoy today – even though his name rarely appears in any celebrations of our 4th of July. Maybe now that can change. — Rosanne

Review of

“But the book has a larger focus than Mazzei’s place in the American Revolution. It covers his early years, travels in Turkey, and relationships with family as well as discussions of religion, the prerogatives of landed gentry versus the rights of ordinary people, even the proper pronunciation of Italian words.

This is an interesting and informative biographical sketch aimed at young readers.”

Read the complete review

Listen to Rosanne’s Interview about “America’s Forgotten Founding Father.”

Mentoris Project Podcast: America's Forgotten Founding Father: A Novel Based on the Life of Filippo Mazzei with Author, Dr. Rosanne Welch

America’s Forgotten Founding Father: A Novel Based on the Life of Filippo Mazzei with Author, Dr. Rosanne Welch

Guest Hosted by Dr. Peg Lamphier

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His loyalty lasted a lifetime…

Surgeon, merchant, vintner, and writer Filippo Mazzei influenced American business, politics, and philosophy. Befriending Benjamin Franklin and Thomas Jefferson, Mazzei was a strong liaison for others in Europe. Mazzei was Jefferson’s inspiration for the most famous line in the Declaration of Independence: “All men are created equal.”


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Also from the Mentoris Project

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Screenplays of hit TV series, films and plays are outselling novels via The Guardian

Seeing the public show such an interest in reading the scripts of their favorite tv shows and films is right in line with the goal of the History of Screenwriting courses in our Stephens College MFA in TV and Screenwriting  program.

People are finally recognizing the work of writers and appreciating how their favorite stories took shape on the page long before they were cast, or filmed, or edited. Screenwriting Rocks! Join us to learn how to write the great American screenplay! — Rosanne


Loved the show, finished the boxset – now devour the script line by line
Screenplays of hit TV series, films and plays are outselling novels

Screenplays of hit TV series, films and plays are outselling novels via The Guardian

For decades they were bought only by drama students, who would anxiously pore over well-thumbed copies trying to memorise audition monologues, and by aspiring screenwriters hoping to learn their craft.

Scripts and screenplays did not sell in huge numbers to the public – until now. Readers are increasingly keen to buy the texts of their favourite films and plays, and some cultural blockbusters are leaving bestselling novels in the dust.

Fleabag: The Scriptures, the collected screenplays of the two seasons of the hit television series spawned by Phoebe Waller-Bridge’s one-woman stage play, will be published in November. Sceptre bought the scripts in an eight-way auction, reportedly for £500,000.

Read this entire article – Loved the show, finished the boxset – now devour the script line by line

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04 More On The Writers of The Monkees from “Why The Monkees Matter: Even 50 Years Later [Video] (1 minute 4 seconds)

Enjoy This Clip? Watch this entire presentation!

From Denver Pop Culture Con 2019.

Wherever you go, you find Monkees fans and the Denver Popular Culture Con was no different.  Amid rooms full of caped crusaders and cosplay creations, I was initially not sure how many folks would attend a talk on a TV show from the 1960s – but happily I was met by a nice, engaged audience for my talk on Why the Monkees Matter  – and afterward they bought books!  What more could an author ask for?

04 MORE ON The Writers of The Monkees from

 

Transcript

Down in the right corner is Peter Meyerson. Clearly from his photograph truly on the hippie train back in the day — had a very interesting life and ended up married to one of Michael Nesmith’s early girlfriends later in life — like his third wife was Nesmith’s first girlfriend or some silly thing like that. Gentlemen the middle is Bernie Ornstein. He was a writer of more mainstream work and had a lot to say about what The Monkees were about, Dave Evans, the gentleman who’s smiling. He’s so adorable He’s the nicest man you would ever want to meet and he had written for Bullwinkle before he came to The Monkees and then Treva Silverman is the woman I was speaking of. The first woman to write on television write comedy without a male partner and so she went on to earn two Emmys in her career writing on The Mary Tyler Moore Show. So all these writers had very good histories coming into and then moving out of The Monkees and again people dismissed the show but it really deserves much more attention. She wrote the particular episode of Mary Tyler Moore where Lou Grant’s wife asked for a divorce which was huge in the early 70s and that’s what she got the Emmy for.



Buy Why The Monkees Matter: Teenagers, Television and American Pop Culture

A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Acheivement in Comedy.

Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined, and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.

This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers.

Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Riderand Five Easy Pieces.

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

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16 Madeleine L’Engle from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (43 seconds)

Watch this entire presentation

The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

16 Madeleine L'Engle from The Sisterhood of Science Fiction - Dr. Rosanne Welch

 

This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

Now, most people know Madeleine L’Engle. So guess what? She gets the put her name on the book is definitely a chick name right? Madeleine L’Engle. Definitely a chick name. And “A Wrinkle In Time.” How many people saw the movie? Two people. Really good movie. Ava Duvernay directed it. Really interesting to think about the fact that the controversy here was switching out the race right and then it was a big deal. You’re gonna change who the child is in the book and thereby change some of who the other characters are that she’s connected with but one of the first movies starring an African-American who that scored over 100 million dollars in the box office right of way kind of thing, right? Then Black Panther is going to come in and score a bajillion, million dollars, but so it’s a trend that Ava Duvernay wanted to get started.



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Quotes from When Women Wrote Hollywood – 43 in a series – “…her name is conspicuously absent.”

Do you know about these women screenwriters? Many don’t. Learn more about them today! 

Buy “When Women Wrote Hollywood” Today!

Quotes from When Women Wrote Hollywood - 43 in a series -

“Clara Beranger is one among many prominent female screenwriters during the Silent Era of film.  Like the other amazing women who wrote at least half of the films produced during that time, very little is known about her, and what information there is, is hard to find.  “It is lamentable that so little is known about Clara Beranger. From the piles of film books, even those devoted to the screenwriter, her name is conspicuously absent.”

Clara Beranger: The Unseen Laborer
by Amanda Stockwell


Buy a signed copy of when Women Write Hollywood or Buy the Book on Amazon

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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library