05 Amelia Edwards from When Women Write Horror with Dr. Rosanne Welch [Video] (1 minute 7 seconds)

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05 Amelia Edwards from When Women Write Horror with Dr. Rosanne Welch [Video] (1 minute 7 seconds)

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In honor of Halloween – and in service to my teaching philosophy —

“Words Matter. Writers Matter. Women Writers Matter.”

I presented this holiday lecture “When Women Write Horror” on Tuesday, October 29th, 2019. Researching the many, many women who have written horror stories – in novels, films and television – brought new names to my attention who I am excited to start reading. I hope you will be, too!

Transcript:

Now this woman really fascinated me. Amelia Edwards. She is known again for travel writing. She traveled the world and that was very fascinating. It’s what she published and got more fame for but in fact, she published ghost stories and there’s a whole collection of her supernatural and weird stories that was just put out again in 2009. So we’re having a Renaissance of looking at women as writers and thinking about the material they put out so many years ago. So I think that’s fascinating. What’s double fascinating. Women have been hidden in history as we know. Women have been hidden in the history of literature. Also, LGBTQ people have been hidden in the history of our actual public life and our literature. Turns out Emilia traveled the world with a widowed friend who never bothered to get married a second time and the two women were companions and did not ask for a male escort which was proper in the day for women to travel with a man to protect them and when they died they were buried side by side in this graveyard.

03 About Stephens College MFA from Why Researching Screenwriters (has Always) Mattered [Video] (34 seconds)

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03 About Stephens College MFA from Why Researching Screenwriters (has Always) Mattered

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Transcript:

My college is actually in the state of Missouri but we are what is called low residency. So students come to Los Angeles and the picture on the bottom is the Jim Henson Studio in Los Angeles and this is where the students come for workshops twice a year. You’ll see Kermit standing on top. Before Kermit this was the Charlie Chaplin studio founded in 1917 and was never torn down. So it is the original buildings that Charlie Chaplin did all his work in and now we do it with our students. So I you can see the difference in Missouri is quite far away from California.

A Note About This Presentation

A clip from my keynote speech at the 10th Screenwriters´(hi)Stories Seminar for the interdisciplinary Graduation Program in “Education, Art, and History of Culture”, in Mackenzie Presbyterian University, at São Paulo, SP, Brazil, focused on the topic “Why Researching Screenwriters (has Always) Mattered.” I was especially pleased with the passion these young scholars have toward screenwriting and it’s importance in transmitting culture across the man-made borders of our world.

To understand the world we have to understand its stories and to understand the world’s stories we must understand the world’s storytellers. A century ago and longer those people would have been the novelists of any particular country but since the invention of film, the storytellers who reach the most people with their ideas and their lessons have been the screenwriters. My teaching philosophy is that: Words matter, Writers matter, and Women writers matte, r so women writers are my focus because they have been the far less researched and yet they are over half the population. We cannot tell the stories of the people until we know what stories the mothers have passed down to their children. Those are the stories that last. Now is the time to research screenwriters of all cultures and the stories they tell because people are finally recognizing the work of writers and appreciating how their favorite stories took shape on the page long before they were cast, or filmed, or edited. But also because streaming services make the stories of many cultures now available to a much wider world than ever before.

Many thanks to Glaucia Davino for the invitation.


 

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

04 Elizabeth Gaskell and the Salem Witch Trials from When Women Write Horror with Dr. Rosanne Welch [Video] (1 minute 15 seconds)

Watch this entire presentation

04 Elizabeth Gaskell and the Salem Witch Trials from When Women Write Horror with Dr. Rosanne Welch

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

In honor of Halloween – and in service to my teaching philosophy —

“Words Matter. Writers Matter. Women Writers Matter.”

I presented this holiday lecture “When Women Write Horror” on Tuesday, October 29th, 2019. Researching the many, many women who have written horror stories – in novels, films and television – brought new names to my attention who I am excited to start reading. I hope you will be, too!

Transcript:

I think she’s really interesting because she brings the female gaze — the first female to write about the Salem witch trials right? We hear stories from the male perspective about these crazy bad women who were doing these witchy things and now we have a book from the female perspective. What was this really about and what is being a witch about? Is that about power and is that what scared all the men back in Salem that they didn’t want women to have power right and when we look into the history of the Salem witch trials we know that there are many possibilities for why those women were chosen? Among them, several of them were land-owning women and back of the day women weren’t supposed to own land. Only men were but if your husband died and you had no male kids you inherited it and the funny thing about Salem was the men who sat on the council in the city who decided if you were a witch or not when you were convicted and your land went up for public sale the men on the council got to buy any public sale land first shot half price. Just by accident, they were finding women guilty who happened to own land that was rather lovely for them to buy. So she’s looking at this period through this female gaze which we don’t teach in schools.

02 About Dr. Rosanne Welch from Why Researching Screenwriters (has Always) Mattered – Dr. Rosanne Welch [Video] (1 minute 12 seconds)

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02 About Dr. Rosanne Welch from Why Researching Screenwriters (has Always) Mattered - Dr. Rosanne Welch [Video] (1 minute 12 seconds)

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

Transcript:

Thank you all very much. I apologize that I will speak in English because we do very bad in teaching languages in the United States. So this is the best that I can do, but I appreciate very much the translator who will help us all this evening. So thank you all for coming. We are here to talk about why researching screenwriters is important and I think it’s a very important thing. I’ve been teaching it for a while and I was, in fact, a screenwriter myself for a while. As a writer in Hollywood, I wrote for these television shows. You can see me in the little corner picture there quite a few years ago on “Touched by an Angel”, “Beverly Hills 90210”. These are the kind of programs from the United States that get traveled around the world and I teach my students now how important it is that they are finally being able to take in the stories from other countries and we’ll talk about the importance of streaming media and how that has allowed for that to happen as we move on.

A Note About This Presentation

A clip from my keynote speech at the 10th Screenwriters´(hi)Stories Seminar for the interdisciplinary Graduation Program in “Education, Art, and History of Culture”, in Mackenzie Presbyterian University, at São Paulo, SP, Brazil, focused on the topic “Why Researching Screenwriters (has Always) Mattered.” I was especially pleased with the passion these young scholars have toward screenwriting and it’s importance in transmitting culture across the man-made borders of our world.

To understand the world we have to understand its stories and to understand the world’s stories we must understand the world’s storytellers. A century ago and longer those people would have been the novelists of any particular country but since the invention of film, the storytellers who reach the most people with their ideas and their lessons have been the screenwriters. My teaching philosophy is that: Words matter, Writers matter, and Women writers matte, r so women writers are my focus because they have been the far less researched and yet they are over half the population. We cannot tell the stories of the people until we know what stories the mothers have passed down to their children. Those are the stories that last. Now is the time to research screenwriters of all cultures and the stories they tell because people are finally recognizing the work of writers and appreciating how their favorite stories took shape on the page long before they were cast, or filmed, or edited. But also because streaming services make the stories of many cultures now available to a much wider world than ever before.

Many thanks to Glaucia Davino for the invitation.


 

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

03 Elizabeth Gaskell from When Women Write Horror with Dr. Rosanne Welch [Video] (1 minute 3 seconds)

Watch this entire presentation

 

03 Elizabeth Gaskell from When Women Write Horror with Dr. Rosanne Welch [Video] (1 minute 3 seconds)

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

In honor of Halloween – and in service to my teaching philosophy —

“Words Matter. Writers Matter. Women Writers Matter.”

I presented this holiday lecture “When Women Write Horror” on Tuesday, October 29th, 2019. Researching the many, many women who have written horror stories – in novels, films and television – brought new names to my attention who I am excited to start reading. I hope you will be, too!

Transcript:

In also just a little bit post her period when I was researching this I found it so interesting. There were not many women who we teach in our schools, but here they were living full, professional careers as writers in eras when we don’t even think about women having jobs at all, right? So Elizabeth Gaskell really interested me. I love the fact that you can see full shelves of books written by women and books based on horror stories which again, we don’t really relate to women. So what was that about and why were they getting away with that? I think she’s really cool because we mostly know these women for the drama novels they wrote. The things that were proper books. If you wrote a book at all it was about a proper society. So Cranford is what she’s mostly known for which was turned into a miniseries with some famous ladies who’ve you seen in other sorts of Harry Potter-like stories, but she really wrote all kinds of ghost stories and she began her career by being published by Charles Dickens. So Dickens was doing magazine publishing and he’s publishing a lot of women which I thought was very interesting. I had not equated that with him. So Elizabeth Gaskell is one of the names we should know more.

 

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

01 Introduction from Why Researching Screenwriters (has Always) Mattered – Dr. Rosanne Welch [Video] (1 minute)

Watch this entire presentation

01 Introduction from Why Researching Screenwriters (has Always) Mattered - Dr. Rosanne Welch [Video] (1 minute)

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

Transcript:

Thank you all very much. I apologize that I will speak in English because we do very bad in teaching languages in the United States. So this is the best that I can do, but I appreciate very much the translator who will help us all this evening. So thank you all for coming. We are here to talk about why researching screenwriters is important and I think it’s a very important thing. I’ve been teaching it for a while and I was, in fact, a screenwriter myself for a while. As a writer in Hollywood, I wrote for these television shows. You can see me in the little corner picture there quite a few years ago on “Touched by an Angel”, “Beverly Hills 90210”. These are the kind of programs from the United States that get traveled around the world and I teach my students now how important it is that they are finally being able to take in the stories from other countries and we’ll talk about the importance of streaming media and how that has allowed for that to happen as we move on.

A Note About This Presentation

A clip from my keynote speech at the 10th Screenwriters´(hi)Stories Seminar for the interdisciplinary Graduation Program in “Education, Art, and History of Culture”, in Mackenzie Presbyterian University, at São Paulo, SP, Brazil, focused on the topic “Why Researching Screenwriters (has Always) Mattered.” I was especially pleased with the passion these young scholars have toward screenwriting and it’s importance in transmitting culture across the man-made borders of our world.

To understand the world we have to understand its stories and to understand the world’s stories we must understand the world’s storytellers. A century ago and longer those people would have been the novelists of any particular country but since the invention of film, the storytellers who reach the most people with their ideas and their lessons have been the screenwriters. My teaching philosophy is that: Words matter, Writers matter, and Women writers matte, r so women writers are my focus because they have been the far less researched and yet they are over half the population. We cannot tell the stories of the people until we know what stories the mothers have passed down to their children. Those are the stories that last. Now is the time to research screenwriters of all cultures and the stories they tell because people are finally recognizing the work of writers and appreciating how their favorite stories took shape on the page long before they were cast, or filmed, or edited. But also because streaming services make the stories of many cultures now available to a much wider world than ever before.

Many thanks to Glaucia Davino for the invitation.


 

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

02 Women and Horror Writing from When Women Write Horror with Dr. Rosanne Welch [Video] (45 seconds)

Watch this entire presentation

02 Women and Horror Writing from When Women Write Horror with Dr. Rosanne Welch

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

In honor of Halloween – and in service to my teaching philosophy —

“Words Matter. Writers Matter. Women Writers Matter.”

I presented this holiday lecture “When Women Write Horror” on Tuesday, October 29th, 2019. Researching the many, many women who have written horror stories – in novels, films and television – brought new names to my attention who I am excited to start reading. I hope you will be, too!

Transcript:

The best horror — and I’m gonna come to some examples as we travel through — is stuff that involves social commentary along with the scare because that’s the stuff that sticks with us. So I think Mary is very important. I made a point to mention I think it’s useful we think about women writing. Back in the day, it wasn’t acceptable for women to READ novels because it would rot their brains. So they certainly couldn’t write them. So you’ll notice when the book was first came out there was no author on the book. Nobody bothered to wonder how come there’s no writer there. It was because she could not admit that she had written it and then when it came so ridiculously famous and so profitable then she was able to say “well I’m cool enough that’s fine I’ll take the ding for doing this,” right? So I think it’s really important to think about what women had to go through just to be writers right?


 

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

01 Introduction from When Women Write Horror with Dr. Rosanne Welch [Video] (1 minute 18 seconds)

Watch this entire presentation

01 Introduction from When Women Write Horror with Dr. Rosanne Welch

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

In honor of Halloween – and in service to my teaching philosophy —

“Words Matter. Writers Matter. Women Writers Matter.”

I presented this holiday lecture “When Women Write Horror” on Tuesday, October 29th, 2019. Researching the many, many women who have written horror stories – in novels, films and television – brought new names to my attention who I am excited to start reading. I hope you will be, too!

Transcript:

Alright, so welcome everybody. Today because we’re just two days outside of Halloween, we want to talk about horror but we want to talk about women in horror because you don’t get a lot of that right? When we think about horror we think about a lot of famous male authors. Now we do think about some of the women — both writers and we’re gonna think about some stories that are famous stories that are female focused and how that affects us as we watch these types of things right? What they make us think about. What we should be thinking about? So when I think about horror, I think about this lady first, Guesses? Mary Shelley. Mary Shelley. When we think about Mary Shelley we think about what book she wrote? Frankenstein. Right? Frankenstein does double duty. It’s kind of a double genre piece. It’s science fiction but it’s also horror. When we think about Frankenstein, we think about the monster and the movies that we’ve seen. The costumes people wear for Halloween. A lot of people — until they read Frankenstein — don’t understand that’s not the name of the monster. That’s name of Dr. Frankenstein who made the monster right? So this was all concocted in the brain of a 19 year old young woman and that’s how important her work was. We’re still reading it to this day right and we’re still thinking about what does it mean.


 

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

New Event: Beyond the Books: Writing TV Shows Based on Novels – Writers Guild Foundation – April 7, 2020

Beyond the Books: Writing TV Shows Based on Novels

Tuesday, April 7, 2020
7:30 PM  9:00 PM
The Writers Guild Foundation7000 West 3rd Street, 2nd floor, Los Angeles, CA, 90048

Buy Tickets Now

New Event: Beyond the Books: Writing TV Shows Based on Novels - Writers Guild Foundation - April 7, 2020

What do you do when your series continues beyond the original book upon which the show is based? On this special evening, we join forces with Columbia College Chicago to welcome a panel of TV writers who’ll discuss how they navigate the uncharted territory of writing for a show that has diverged from the original novel.

Panelists:

  • Marissa Jo Cerar – Writer, Supervising Producer, The Handmaid’s Tale, 13 Reasons Why
  • I. Marlene King – Writer, Executive Producer, Pretty Little Liars
  • Stacy Osei-Kuffour – Writer, Watchmen
  • Anthony Sparks – Writer, Executive Producer, Queen Sugar
  • Moderated by Dr. Rosanne Welch.

Event Sponsored By

Columbia College of Chicago Logo

Save The Date: Bad Ass Movie Motherhood: From Leia to Ripley and Back Again – March 22, 2020 — Cal Poly Pomona University Library

Save The Date: Bad Ass Movie Motherhood: From Leia to Ripley and Back Again - March 22, 2020 — Cal Poly Pomona University Library

Bad Ass Movie Motherhood: From Leia to Ripley and Back Again
March 24, 2020 — Cal Poly Pomona University Library

with Dr. Rosanne Welch and Dr Peg Lamphier