Alumni Screenwriter Sahar Jahani returns to share her screenwriting journey with Stephens College MFA in TV and Screenwriting Workshop

Last night the Class of 2021 shared a treat – a visit by alum Sahar Jahani (Class of 2018)

Since graduation she has written episodes for Ramy on Hulu and landed on the staff of season 4 of 13 Reasons Why, while also adapting a YA novel into a film.

She credited the spec script she wrote under the mentorship of Jon Vandergriff for helping open doors. 

Thanks, Sahar, for sharing your journey with us!

 Alumni Screenwriter Sahar Jahani returns to share her screenwriting journey with Stephens College MFA in TV and Screenwriting Workshop

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Screenwriter/Producer Cindy Chupack Interviewed at Stephens College MFA in TV and Screenwriting Workshop for “How I Wrote That” Podcast

How much would you love to learn about the writing of an iconic episode of “Sex and the City”?

The Class of 2021 was treated to just that when guest Cindy Chupack, who has won two Emmys and three Golden Globes as a TV writer/producer, was interviewed in front of our students for the Stephens College MFA in TV and Screenwriting program’s “How I Wrote That” podcast, hosted by Khanisha Foster. (Episode coming soon!)

Screenwriter/Producer Cindy Chupack Interviewed at Stephens College MFA in TV and Screenwriting Workshop for
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Cari Beauchamp, Author of “Without Lying Down” at Stephens College MFA in TV and Screenwriting

Can you name the first woman to win two Oscars for her writing?

The students of the newest cohort of our Stephens College MFA know the answer – Frances Marion – because the highlight of Day 2 of the Stephens College MFA in TV and Screenwriting workshop August Workshop was a visit by Cari Beauchamp, who wrote Marion’s biography: “Without Lying Down” and graciously contributed the Forward to “When Women Wrote Hollywood”.

Cari Beauchamp, Author of

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Who’s Who in the TV Writer’s Room? – Stephens College MFA in TV and Screenwriting

When you watch the credits of your favorite television shows go by, do you know the difference between a Staff Writer, a Story Editor, or a Supervising Producer?

If not, we wish you could’ve been with us on our first full day of the Stephens College MFA in TV and Screenwriting workshop with the Class of 2021. Valerie Woods, mentor and Co-Executive Producer of Queen Sugar, gave a talk explaining exactly that.

Who's Who in the TV Writer's Room? - Stephens College MFA in TV and Screenwriting

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14 Quimby and MacPherson from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (1 minute 2 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

14 Quimby and MacPherson from

 

Transcript:

Some people recognize or have heard if you know anything about aviation history, Harriet Quimby was the first pilot — female pilot — licensed in the United States. To pay for her flying lessons she wrote screenplays for the Biograph Company. So there was a new world. A new place to make money and women were jumping in that world if it was possible. So I always thought was pretty cool. Jeanie MacPherson is probably one of my favorite early film screenwriters and she is the perfect example of how women get left behind. Everybody who does film history has heard about Cecil B. DeMille over and over and over again. Brilliant. Brilliant. Brilliant. If you look at his films, all the films he made, that made a profit, were written by Jeanie MacPherson. When they stopped working together, he never made a profitable film again. So are they Cecil B. DeMille films or are they Jeanie MacPherson films or are they Macpherson/DeMille films?

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


Buy a signed copy of when Women Wrote Hollywood

…or via Amazon…

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Quotes from When Women Wrote Hollywood – 38 in a series – “The nuances of high society and high language…”

Do you know about these women screenwriters? Many don’t. Learn more about them today! 

Quotes from When Women Wrote Hollywood - 38 in a series -

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Glyn’s experiences as an English barrister and landowner’s (Mrs. Clayton Louis Glyn) wife, I believe, form the basis of much of her work. The nuances of high society and high language associated with a life of pleasure and wealth are a recurrent theme through her available works.

The Glorious Ms. Glyn
by Amy Banks


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Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

A New Stephens College MFA in TV And Screenwriting Session Begins Today!

Wow – these pictures show my first lecture with our first Stephens MFA cohort – who all became contributors to our first book!

Wonderful memories and a wonderful foundation on which to build the program as tonight we welcome the 5th cohort – the MFA candidates of the Class of 2021! — Rosanne

A New Stephens College MFA in TV And Screenwriting Session Begins Today!

13 Alice Guy Blaché & Fictional Filmmaking from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (52 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

13 Alice Guy Blaché & Fictional Filmmaking from

 

Transcript:

She starts all of this and her theme was “Be natural.” That’s what she was teaching actors because they came to film with that theatricality that you can’t do on film. Be natural. Be a little more normal. That’s what we want to see. so, it’s really Alice that we credit now with getting fictional filmmaking started. She came to America and started the Solax Company and they were doing films here and started to distribute them. They were starting to make some good money. The problem is her husband became the President of the company and her husband had a gambling problem and the profits of the company started to go away and then they got a reputation for not finishing things on time because they ran out of money and that pretty much destroyed her career, but she is — in film histories now — being credited more and more. There’s a new documentary coming out about her shortly.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


Buy a signed copy of when Women Wrote Hollywood

…or via Amazon…

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Quotes from When Women Wrote Hollywood – 37 in a series – Women can take charge of Hollywood again

Do you know about these women screenwriters? Many don’t. Learn more about them today! 

Quotes from When Women Wrote Hollywood - 37 in a series -  Women can take charge of Hollywood again

Get “When Women Wrote Hollywood” Today!

During these formative years, women dominated the film industry. By studying Unsell’s career one can gain perspective of how women navigated a rapidly changing field due to evolving formats and distribution comparable to today’s demand for content due to multiple platform engagement by audiences.Only by direct confrontation and examination of the business of film armed with the knowledge of history can women take charge again.

Smart Girl In Charge: Eve Unsell
by Laura Kirk


Buy a signed copy of when Women Write Hollywood or Buy the Book on Amazon

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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

12 Alice Guy Blaché from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (58 Seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

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12 Alice Guy Blaché from

 

Transcript:

This lady is someone who’s just now getting more known in film histories. Alice Guy Blaché. She was the Secretary to the Lumiere brothers in France. So we’re moving away from America and moving back to France right? They were filming dudes walking out of a factory. They were filming guys standing on a train platform smoking. Whatever they felt like. Reality basically. They weren’t fictionalizing. They weren’t looking at film as a place to tell stories and she was their secretary and she said you know I’d like to do something else with the cameras and they said “Oh, on your lunch break you can do whatever you want. Just make sure you’re back at your desk on time to type the things we need typed” right? So she started making silent films obviously in 1896. Her first film, which you can find on YouTube, is called “The Cabbage Fairy.” It’s literally just her picking babies out of a field behind cabbages right in the fictionalization of how do we find children — how are children brought into the world. Very short but that’s what we were doing in that era.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


Buy a signed copy of when Women Wrote Hollywood

…or via Amazon…

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library