Dr. Rosanne Welch Appears Twice at Denver Pop Culture Con, May 31, 2019 – June 2, 2019

Dr. Rosanne Welch Appears Twice at Denver Popular Culture Con, May 31, 2019 - June 2, 2019

I’m happy to announce that I will be appearing on two panels at next month’s Denver Pop Culture Con in Denver.  

For the 1st session, I’ll be moderating a panel of contributors to When Women Wrote Hollywood covering female screenwriters of Hollywood’s early days.  

For the 2nd session, I’ll be discussing the subjects of my first book,  Why the Monkees Matter.

Hope to see you there!  RMW PHD signature 2015


DENVER POP CULTURE CON

Friday-Sunday May 31-June 2, 2019
Colorado Convention Center
Denver, Colorado

Saturday June 1, 2019 :: 12:30 pm to 1:20 pm

When Women Wrote Hollywood: A History of Female Screenwriters in the Early Film Industry
ROOM 504 – Reel Heroes (sm) 
Dr. Rosanne Welch, Amy Banks, Mikayla Daniels, Toni Hull, Laura Kirk, Kelley Zinge

Did you know that in the early days of Hollywood there were more women writers than men?  And they made more money than most men while essentially inventing the iconic stories that have filled our movie screens ever since? Many of them ran their own production companies but their names have been left out of the textbooks.  Help us bring their names back into the conversation by joining Dr. Rosanne Welch as she moderates a panel of writers – Amy Banks, Mikayla Daniels, Toni Hull, Laura Kirk, Kelley Zinge – who researched the lives of these creative female writers you need to know.  

Sunday June 2, 2019 :: 2:30 pm to 3:20 pm

Why the Monkees Matter – Even 50 Years Later
ROOM 504 – Reel Heroes
Dr. Rosanne Welch

Whether you’re a fan of The Monkees as a television show or a band – or both – come join Dr. Rosanne Welch as she discusses how they changed television by bringing new ideas about identity, celebrity and popular culture to the teenagers of their day – and all the generations that followed  — all in the span of the 2 season run of their wildly influential program.

Denver Popular Culture Con – Complete Schedule

Denver Popular Culture Con Tickets

Dr. Rosanne Welch Appears Twice at Denver Popular Culture Con, May 31, 2019 - June 2, 2019

11 Guest Speakers Home & Away from Why (and How) I Created a History of Screenwriting Course [Video] (51 seconds)

A clip from my presentation at the 11th Annual Screenwriting Research Network conference. Held on the campus of the beautiful Università Cattolica del Sacro Cuore in Milan.

Watch the entire presentation 

Guest Speakers Home & Away from Why (and How) I Created a History of Screenwriting Course [Video] (51 seconds)

In the presentation, I covered the reasons writers have been marginalized – and the reasons they oughtn’t to be so disrespected. Then I talked about how my course works, what books I assign, what guest speakers I invite, what research the students do – and ended on a high note by introducing ‘When Women Wrote Hollywood’ – the book of essays from our inaugural class which has now been published by McFarland.

Transcript:

What’s interesting about video game companies is they’re not just doing the games. They’re doing the cinematics you can look up online little five and six minute movies based on the characters and their games. Those are entirely written by film and television writers They do digital comic books and they do novels. They do an entire world built around these games. That is very successful. They told us in the meeting that when a movie in Hollywood opens and 100 million dollars is a big deal. When they drop a new game, it’s five hundred million so why aren’t we looking at this business and where our students can go, so it’s great. Now y’all aren’t from Los Angeles. That’s no fun but you’re can have guest speakers all the time on skype. So many people are willing to come in. We brought in English writers who were willing to sit at slightly 2:00 in the morning and talk to my students you know in our time. So I highly recommend you look around and do that.

Books mentioned in this clip

Watch the entire presentation

Subscribe to Rosanne Welch, Ph.D on YouTube

 

Buy a signed copy of when Women Wrote Hollywood

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

10 More Textbooks and Writing For Video Games from Why I Created a History of Screenwriting Course [Video] (46 seconds)

A clip from my presentation at the 11th Annual Screenwriting Research Network conference. Held on the campus of the beautiful Università Cattolica del Sacro Cuore in Milan.

Watch the entire presentation 

10 More Textbooks and Writing For Video Games from Why I Created a History of Screenwriting Course [Video] (46 seconds)q

In the presentation, I covered the reasons writers have been marginalized – and the reasons they oughtn’t to be so disrespected. Then I talked about how my course works, what books I assign, what guest speakers I invite, what research the students do – and ended on a high note by introducing ‘When Women Wrote Hollywood’ – the book of essays from our inaugural class which has now been published by McFarland.

Transcript:

Cari Beauchamp wrote “Without Lying Down” which was one of the first books to have covered entirely the career of Frances Marion and all these women I’m speaking of. This textbook does not appear in any film history course that I have found in Los Angeles or around the United States and yet it covers all these important women. Cari comes in as well. She lives in Los Angeles. So I am lucky. I’ve also expanded recently to invite the writers of video games because that is a whole new area for our students to move into. A very important area. These gentlemen were early writers of half-hour children’s shows and they moved into video games and now they run the development for Blizzard which is a very major video game company. They do Overwatch.

Books mentioned in this clip

Watch the entire presentation

Subscribe to Rosanne Welch, Ph.D on YouTube

 

Buy a signed copy of when Women Wrote Hollywood

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

09 First Year Textbooks from Why I Created a History of Screenwriting Course [Video] (49 seconds)

A clip from my presentation at the 11th Annual Screenwriting Research Network conference. Held on the campus of the beautiful Università Cattolica del Sacro Cuore in Milan.

Watch the entire presentation 

09 First Year Textbooks from Why I Created a History of Screenwriting Course [Video] (49 seconds)

In the presentation, I covered the reasons writers have been marginalized – and the reasons they oughtn’t to be so disrespected. Then I talked about how my course works, what books I assign, what guest speakers I invite, what research the students do – and ended on a high note by introducing ‘When Women Wrote Hollywood’ – the book of essays from our inaugural class which has now been published by McFarland.

Transcript:

I also love what you guys said about early film — the music — that we have to study the visual. So we do go back to the silence and talk about them from the very start. We chronologically do this course so you understand the visual is as important as the verbal. In the first year, I used several textbooks. This one I learned about through the Journal of Screenwriting, yea, so it is a very handy thing to have as the teacher. I also use Writers in Hollywood and this lovely book of Anita Loos’ early screenplays as they were first written. They’re written mostly in prose. You can read the stories and why should she stood out back in the day. So that’s a set of them. Then I also use Framework which we mentioned the other day and one of the keynotes and I’m also lucky that I am in Los Angeles so we can have guest speakers come in and this of course is Thomas Stemple we mentioned the other day.

Books mentioned in this clip

Watch the entire presentation

Subscribe to Rosanne Welch, Ph.D on YouTube

 

Buy a signed copy of when Women Wrote Hollywood

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

08 Why Female Focused from Why I Created a History of Screenwriting Course [Video] (1 minute, 9 seconds)

A clip from my presentation at the 11th Annual Screenwriting Research Network conference. Held on the campus of the beautiful Università Cattolica del Sacro Cuore in Milan.

Watch the entire presentation 

08 Why Female Focused from Why I Created a History of Screenwriting Course

In the presentation, I covered the reasons writers have been marginalized – and the reasons they oughtn’t to be so disrespected. Then I talked about how my course works, what books I assign, what guest speakers I invite, what research the students do – and ended on a high note by introducing ‘When Women Wrote Hollywood’ – the book of essays from our inaugural class which has now been published by McFarland.

Transcript:

So how I teach it. That’s why I teach I want respect to come back to writers. That seems simple right? How I do it. I start in the very beginning when women were the major writers of Hollywood films. There were 50 percent of the films are in by women if not more and they made more money. This is Gene Gauntier from Ireland, this is Anita Loos and Jeannie Macpherson working with Cecil B. DeMille. She wrote every one of his financially successful films and when they stopped working together, his movies stopped making money. That’s the end of Cecil B. DeMille. How I teach it. I start by asking students very quick questions. What are your first five favourite films? Who directed those films? They always know. Who wrote those films? and the look of humiliation on their faces when they sit in a screenwriting class and cannot name the people who wrote their favorite films is ridiculous to me.

Watch the entire presentation

Subscribe to Rosanne Welch, Ph.D on YouTube

 

Buy a signed copy of when Women Wrote Hollywood

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Adam Parker Presents On June Mathis via Instagram

Adam Parker Presents On June Mathis via Instagram

Adam Parker Presents On June Mathis via Instagram

Watching several current and alumni students of the Stephens College MFA in TV and Screenwriting who shared their research on female screenwriters with professional presentations at the Citizen Jane Film Festival in a panel titled: “Frank and Funny Female Screenwriters Who Should Be More Famous”

Instagram and Follow

07 Begin at the Beginning from Why I Created a History of Screenwriting Course [Video] (49 seconds)

A clip from my presentation at the 11th Annual Screenwriting Research Network conference. Held on the campus of the beautiful Università Cattolica del Sacro Cuore in Milan.

Watch the entire presentation 

07 Begin at the Beginning from Why I Created a History of Screenwriting Course

In the presentation, I covered the reasons writers have been marginalized – and the reasons they oughtn’t to be so disrespected. Then I talked about how my course works, what books I assign, what guest speakers I invite, what research the students do – and ended on a high note by introducing ‘When Women Wrote Hollywood’ – the book of essays from our inaugural class which has now been published by McFarland.

Transcript:

So how I teach it. That’s why I teach I want respect to come back to writers. That seems simple right? How I do it. I start in the very beginning when women were the major writers of Hollywood films. There were 50 percent of the films are in by women if not more and they made more money. This is Gene Gauntier from Ireland, this is Anita Loos and Jeannie Macpherson working with Cecil B. DeMille. She wrote every one of his financially successful films and when they stopped working together, his movies stopped making money. That’s the end of Cecil B. DeMille. How I teach it. I start by asking students very quick questions. What are your first five favourite films? Who directed those films? They always know. Who wrote those films? and the look of humiliation on their faces when they sit in a screenwriting class and cannot name the people who wrote their favorite films is ridiculous to me.

Watch the entire presentation

Subscribe to Rosanne Welch, Ph.D on YouTube

 

Buy a signed copy of when Women Wrote Hollywood

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

06 Who Tells Your Story? from Why I Created a History of Screenwriting Course [Video] (50 seconds)

A clip from my presentation at the 11th Annual Screenwriting Research Network conference. Held on the campus of the beautiful Università Cattolica del Sacro Cuore in Milan.

Watch the entire presentation 

06 Who Tells Your Story? from Why I Created a History of Screenwriting Course [Video] (50 seconds)

In the presentation, I covered the reasons writers have been marginalized – and the reasons they oughtn’t to be so disrespected. Then I talked about how my course works, what books I assign, what guest speakers I invite, what research the students do – and ended on a high note by introducing ‘When Women Wrote Hollywood’ – the book of essays from our inaugural class which has now been published by McFarland.

Transcript:

Again why teach screenwriting history.

* Music from Hamilton — Who lives? Who Dies? Who Tells Your Story?”*

“His financial system is a work of genius. I couldn’t undo if I tried and I tried.”

Also a piece very famous for the writer Lin-Manuel Miranda more so than anyone else. Historiography is something we teach in masters programs that we don’t really teach in undergrad and they have to understand who wrote these books and why do we know who why do we have that. I want to teach the history screenwriting these all artists stand on the shoulders of those who came before them be they men or women and we should know who those people were and how they created what we have.

Watch the entire presentation

Subscribe to Rosanne Welch, Ph.D on YouTube

 

Buy a signed copy of when Women Wrote Hollywood

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Laura Kirk Presents at “When Women Wrote Hollywood” Book Signing via Instagram

Laura Kirk Presents at

Laura Kirk Presents

How Women Wrote Hollywood Book Reading and Signing, Skylark Bookshop @skylarkbookshop , Columbia, Missouri during the Citizen Jane Film Festival 


When Women Wrote Hollywood Book Reading and Signing, Skylark Bookshop, Columbia, Missouri

On Saturday, November 3rd, 2018 several of the contributors to When Women Wrote Hollywood gathered at the Skylark Bookshop in Columbia, Missouri for a signing and launch party that functioned like a mini-reunion of the Stephens College MFA in TV and Screenwriting Class of 2017.

Many thanks to all who came to hear them each speak with passion about the research subjects who became whole chapters in this book of essays on female screenwriters from the Silent Era into the 1940s.

Check it out!

Video: When Women Wrote Hollywood Book Reading and Signing, Skylark Bookshop, Columbia, Missouri

 

Buy a signed copy of when Women Wrote Hollywood

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library.
Check it out! † Available from the LA Public Library

05 Writing and Directing from Why I Created a History of Screenwriting Course [Video] (0:44)

A clip from my presentation at the 11th Annual Screenwriting Research Network conference. Held on the campus of the beautiful Università Cattolica del Sacro Cuore in Milan.

Watch the entire presentation 

05 Writing and Directing from Why I Created a History of Screenwriting Course [Video] (0:44)

In the presentation, I covered the reasons writers have been marginalized – and the reasons they oughtn’t to be so disrespected. Then I talked about how my course works, what books I assign, what guest speakers I invite, what research the students do – and ended on a high note by introducing ‘When Women Wrote Hollywood’ – the book of essays from our inaugural class which has now been published by McFarland.

Transcript:

Spike Lee is, of course, famous for that. Spike Lee wrote this film — his first film alone but every film after he’s had a co-writer and those co-writers names barely appear on the poster yet obviously they’re necessary to process. Same is true here for Black KKKlansman his new film. The producer Jordan Peel has a bigger credit than Kevin Willmott who co-wrote the film. No one even knows who Kevin Willmott is and he’s written two of Spike Lee’s most important films. Jordan Peele we know and look at his own poster written directed by very big so we are used crediting directors. Some directors are kind enough to tell us, it’s collaborative effort all I can take credit for is the directing. So this is the attitude that I’m trying to instill in my students.

Watch the entire presentation

Subscribe to Rosanne Welch, Ph.D on YouTube

 

Buy a signed copy of when Women Wrote Hollywood

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library