Journal of Screenwriting Call For Submissions For A Special Issue Focusing On Female Screenwriters

Journal of Screenwriting Call For Submissions For A Special Issue Focusing On Female Screenwriters

Don’t forget: The Journal of Screenwriting is calling for articles for a special issue with a focus on female screenwriters, to be published in November 2020. I will be co-editing this Special Issue! — Rosanne


Call For Submissions

Special Issue: Female Screenwriters

Download Call for Papers: Female Screenwriters (PDF)Download Note for Contributors (PDF)

The Journal of Screenwriting is calling for articles for a special issue with a focus on female screenwriters, to be published in November 2020.

JOSC wants to emphasize the importance of female screenwriters across eras, genres, mediums. This importance may arise from an analysis of bodies of work, from individual scripts written by women or from case studies where female screenwriters have worked collaboratively to express screen stories. Articles may also include women’s work behind the scenes in advocating for/promoting greater gender equality within screenwriting milieux. Articles on female screenwriters from diverse cultural backgrounds are encouraged. 

Articles may include (but are not limited to) the following topics:

  • Female screenwriters in silent cinema
  • The influence of female writer(-directors) in contemporary culture
  • Case studies on an individual screenwriter’s work, collaborations between women or on how women-centred stories have been brought to the screen
  • Historiography of manuals and screenwriting pedagogy where this reflects the work of female screenwriters
  • National and global tendencies with regard to women within screenwriting – relations, influences, cultural transfers
  • Censorship and women’s stories and women’s writings
  • Biographies of female screenwriters of any era
  • Female screenwriters within writing partnerships
  • The work of female screenwriters within script production (e.g. as showrunners, script editors or consultants)
  • • The question of a female voice within screenwriting
  • In the first instance, please email abstracts of up to 400 words and a short biography, no later than Friday, 4 October 2019 to both of the editors of this special issue: Rosanne Welchrosanne@welchwrite.com Rose Ferrellrosieglow@westnet.com.au Completed articles of between 4000 and 8000 words should be sent by the end of January 2020.

Link to the Journal of Screenwriting and Submission Information

Screenwriting Research Network

Ready to present my talk yesterday at the Screenwriting Research Conference here in Porto, Portugal via Instagram

Ready to present my talk yesterday at the Screenwriting Research Conference here in Porto, Portugal

Ready to present my talk yesterday at the Screenwriting Research Conference here in Porto, Portugal via Instagram

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Screenwriting Research Network Conference 2019, Porto, Portugal, All Sessions

Screenwriting Research Network Conference, Porto, Portugal, All Sessions

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Here’s a look at the program for the Screenwriting Research Network (SRN) conference that just concluded last Saturday in  Porto, Portugal.

Screenwriting Research Network Conference, Porto, Portugal, All Sessions

I deeply enjoyed making my presentation on Writers Rooms in the U.S. but even more I enjoyed the presentations I attended.

SRN Panorama

This program is chock a block full of new international films to learn about (did you know there’s a Portuguese film with the name “Django” in it that has nothing to do with the one by Tarantino?) and new ways to teach writing students how to take in all the (often negative) notes they receive and decide which constructive ones to use to make their scripts stronger? 

Just skimming the schedule shows the breadth of new ideas that are running around in my head right now. — Rosanne


12th SCREENWRITING RESEARCH NETWORK CONFERENCE
Porto, September 11-14, 2019 · School of Arts, Universidade Católica Portuguesa

PROGRAMME

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Theme: Foundation and Crisis of Europe in Screenwriting

Chair: Paolo Russo

Pablo Echart
Savage continent, united continent: the writing of a feature film screenplay about the “founding fathers” of the European Union

María Noguera / Miguel Muñoz-Garnica
Narrative detours in the cinematic representation of Europe in crisis: Ulysses’ Gaze, A Talking Picture and Our Music

Daniel Sierra / Marta Frago
Young Winston and Darkest Hour’s films: Winston Churchill as British Hero in a Changing Europe

Theme: Modes I

Chair: Nelson Zagalo

Ruth Gutiérrez Delgado
Causality is not casual in a film despite it seems to be: A Perfect Day

Paolo Braga
The line between fate and chaos in Collateral

Armando Fumagalli
Order and chaos in the ending of a film

Continue reading “Screenwriting Research Network Conference 2019, Porto, Portugal, All Sessions”

Italian Stories Day Los Angeles 2019

Italian Stories Day Los Angeles 2019

I was pleased to be asked to attend the first Italian Stories Day hosted by the Italian Society of Authors and Publishers and the Istituto Luce Cinecittà and Italian Audiovisual Producers Association at Mr. C in Beverly Hills. The three groups share the mission of helping more Italian authors see their work produced for the international film and television markets. 

I had the pleasure of hearing about new books that we Americans will be able to read once their English translations are complete (within the next year) from authors like Tiziana Triana, author of  Luna Nera – Le Città Perdute (Vol I) (Black Moon – The Lost Cities, Vol 1) which deals with witch hunters of 17th century Italy and how that affected women who yearned to gather knowledge; Stefania Auci, a Sicilian teacher and author of the historical novel Florence, published in 2015 by Baldini e Castoldi; and Edoardo Albinati, author of La Scuola Cattolica (The Catholic School)

Italian Stories Day Los Angeles 2019

I also had the chance to reconnect with Leonilde Callocchia, the Attaché at the Istituto Italiano di Cultura who hosted our Mentoris Book Launch last year, and a few producers I was able to invite to come to our Stephens College MFA workshops this August while we all munched on some marvelous brunch.

“When Women Wrote Hollywood” Panel at Denver Pop Culture Con [Video] (40 minutes 48 seconds)

 

 

On Saturday June 1, 2019 from 12:30 pm to 1:20 pm I had the great joy of hosting a panel at the Denver Popular Culture Con celebrating the work of 4 of the alumni of our Stephens College MFA in TV and Screenwriting – Sydney Haven, Amy Banks,  Mikayla Daniels, Kelley Zinge – who themselves were celebrating the female screenwriters they each researched and wrote about in our book “When Women Wrote Hollywood”

Learn more about the Stephens College Master of Fine Arts in TV and Screenwriting 

 

Learn more about the Stephens College Master of Fine Arts in TV and Screenwriting 

The audience enjoyed the comfortable style of our panel along with the stories they had to tell of women who ran their own studios, wrote/produced/directed and often starred in their own films which all came under the banner of the Con’s “Reel Heroes” track. Women such as Bess Meredyth, Fredericka Sagor Mass, Jane Murfin, and Lillian Hellman are heroes to the many female artists doing that same work today against the ridiculous comments about whether or not studios can risk loaning so much production monies to ‘untried’ talents.  We need to tell these stories over and over so that those comments can be relegated to the historical trash heap on which they belong. 

So enjoy listening to these newly-minted scholars and remember their names – along with the names of the women they honored with their writing.  And many thanks to Sydney Haven for suggesting we submit a panel proposal!  It was a great weekend!


Buy When Women Wrote Hollywood Today!

Paperback Edition | Kindle Edition | Google Play Edition

 

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Dr. Rosanne Welch and writers from “When Women Wrote Hollywood” at the Denver Pop Culture Con bias Instagram

Dr. Rosanne Welch and writers from “When Women Wrote Hollywood” at the Denver Pop Culture Con 

Dr. Rosanne Welch and writers from “When Women Wrote Hollywood” at the Denver Pop Culture Con bias Instagram

Editor/Writer Dr. Rosanne Welch and a few of her fellow writers ((l-r) Sydney Haven, Mikayla Daniels, Kelley Zinge and Amy Banks) discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


Buy a signed copy of when Women Wrote Hollywood

Paperback Edition | Kindle Edition | Google Play Edition

 

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Dr. Rosanne Welch Appears Twice at Denver Pop Culture Con, May 31, 2019 – June 2, 2019

Dr. Rosanne Welch Appears Twice at Denver Popular Culture Con, May 31, 2019 - June 2, 2019

I’m happy to announce that I will be appearing on two panels at next month’s Denver Pop Culture Con in Denver.  

For the 1st session, I’ll be moderating a panel of contributors to When Women Wrote Hollywood covering female screenwriters of Hollywood’s early days.  

For the 2nd session, I’ll be discussing the subjects of my first book,  Why the Monkees Matter.

Hope to see you there!  RMW PHD signature 2015


DENVER POP CULTURE CON

Friday-Sunday May 31-June 2, 2019
Colorado Convention Center
Denver, Colorado

Saturday June 1, 2019 :: 12:30 pm to 1:20 pm

When Women Wrote Hollywood: A History of Female Screenwriters in the Early Film Industry
ROOM 504 – Reel Heroes (sm) 
Dr. Rosanne Welch, Amy Banks, Mikayla Daniels, Toni Hull, Laura Kirk, Kelley Zinge

Did you know that in the early days of Hollywood there were more women writers than men?  And they made more money than most men while essentially inventing the iconic stories that have filled our movie screens ever since? Many of them ran their own production companies but their names have been left out of the textbooks.  Help us bring their names back into the conversation by joining Dr. Rosanne Welch as she moderates a panel of writers – Amy Banks, Mikayla Daniels, Toni Hull, Laura Kirk, Kelley Zinge – who researched the lives of these creative female writers you need to know.  

Sunday June 2, 2019 :: 2:30 pm to 3:20 pm

Why the Monkees Matter – Even 50 Years Later
ROOM 504 – Reel Heroes
Dr. Rosanne Welch

Whether you’re a fan of The Monkees as a television show or a band – or both – come join Dr. Rosanne Welch as she discusses how they changed television by bringing new ideas about identity, celebrity and popular culture to the teenagers of their day – and all the generations that followed  — all in the span of the 2 season run of their wildly influential program.

Denver Popular Culture Con – Complete Schedule

Denver Popular Culture Con Tickets

Dr. Rosanne Welch Appears Twice at Denver Popular Culture Con, May 31, 2019 - June 2, 2019

11 Guest Speakers Home & Away from Why (and How) I Created a History of Screenwriting Course [Video] (51 seconds)

A clip from my presentation at the 11th Annual Screenwriting Research Network conference. Held on the campus of the beautiful Università Cattolica del Sacro Cuore in Milan.

Watch the entire presentation 

Guest Speakers Home & Away from Why (and How) I Created a History of Screenwriting Course [Video] (51 seconds)

In the presentation, I covered the reasons writers have been marginalized – and the reasons they oughtn’t to be so disrespected. Then I talked about how my course works, what books I assign, what guest speakers I invite, what research the students do – and ended on a high note by introducing ‘When Women Wrote Hollywood’ – the book of essays from our inaugural class which has now been published by McFarland.

Transcript:

What’s interesting about video game companies is they’re not just doing the games. They’re doing the cinematics you can look up online little five and six minute movies based on the characters and their games. Those are entirely written by film and television writers They do digital comic books and they do novels. They do an entire world built around these games. That is very successful. They told us in the meeting that when a movie in Hollywood opens and 100 million dollars is a big deal. When they drop a new game, it’s five hundred million so why aren’t we looking at this business and where our students can go, so it’s great. Now y’all aren’t from Los Angeles. That’s no fun but you’re can have guest speakers all the time on skype. So many people are willing to come in. We brought in English writers who were willing to sit at slightly 2:00 in the morning and talk to my students you know in our time. So I highly recommend you look around and do that.

Books mentioned in this clip

Watch the entire presentation

Subscribe to Rosanne Welch, Ph.D on YouTube

 

Buy a signed copy of when Women Wrote Hollywood

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

10 More Textbooks and Writing For Video Games from Why I Created a History of Screenwriting Course [Video] (46 seconds)

A clip from my presentation at the 11th Annual Screenwriting Research Network conference. Held on the campus of the beautiful Università Cattolica del Sacro Cuore in Milan.

Watch the entire presentation 

10 More Textbooks and Writing For Video Games from Why I Created a History of Screenwriting Course [Video] (46 seconds)q

In the presentation, I covered the reasons writers have been marginalized – and the reasons they oughtn’t to be so disrespected. Then I talked about how my course works, what books I assign, what guest speakers I invite, what research the students do – and ended on a high note by introducing ‘When Women Wrote Hollywood’ – the book of essays from our inaugural class which has now been published by McFarland.

Transcript:

Cari Beauchamp wrote “Without Lying Down” which was one of the first books to have covered entirely the career of Frances Marion and all these women I’m speaking of. This textbook does not appear in any film history course that I have found in Los Angeles or around the United States and yet it covers all these important women. Cari comes in as well. She lives in Los Angeles. So I am lucky. I’ve also expanded recently to invite the writers of video games because that is a whole new area for our students to move into. A very important area. These gentlemen were early writers of half-hour children’s shows and they moved into video games and now they run the development for Blizzard which is a very major video game company. They do Overwatch.

Books mentioned in this clip

Watch the entire presentation

Subscribe to Rosanne Welch, Ph.D on YouTube

 

Buy a signed copy of when Women Wrote Hollywood

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

09 First Year Textbooks from Why I Created a History of Screenwriting Course [Video] (49 seconds)

A clip from my presentation at the 11th Annual Screenwriting Research Network conference. Held on the campus of the beautiful Università Cattolica del Sacro Cuore in Milan.

Watch the entire presentation 

09 First Year Textbooks from Why I Created a History of Screenwriting Course [Video] (49 seconds)

In the presentation, I covered the reasons writers have been marginalized – and the reasons they oughtn’t to be so disrespected. Then I talked about how my course works, what books I assign, what guest speakers I invite, what research the students do – and ended on a high note by introducing ‘When Women Wrote Hollywood’ – the book of essays from our inaugural class which has now been published by McFarland.

Transcript:

I also love what you guys said about early film — the music — that we have to study the visual. So we do go back to the silence and talk about them from the very start. We chronologically do this course so you understand the visual is as important as the verbal. In the first year, I used several textbooks. This one I learned about through the Journal of Screenwriting, yea, so it is a very handy thing to have as the teacher. I also use Writers in Hollywood and this lovely book of Anita Loos’ early screenplays as they were first written. They’re written mostly in prose. You can read the stories and why should she stood out back in the day. So that’s a set of them. Then I also use Framework which we mentioned the other day and one of the keynotes and I’m also lucky that I am in Los Angeles so we can have guest speakers come in and this of course is Thomas Stemple we mentioned the other day.

Books mentioned in this clip

Watch the entire presentation

Subscribe to Rosanne Welch, Ph.D on YouTube

 

Buy a signed copy of when Women Wrote Hollywood

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library