35 Princess Leia – Part 3 from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (58 seconds)

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The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

35 Princess Leia - Part 3 from The Sisterhood of Science Fiction - Dr. Rosanne Welch

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This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

What’s really cool about her is that the series survives into a couple of generations later and now, of course, she gets to be a general. That’s huge. That is a huge step that people didn’t necessarily foresee and, of course, in the new versions we’re surrounded by women in power. However, you have probably seen online much controversy over the fact that when she, who’s a general, didn’t tell dude who has got no rank what she was up to — oh no, it’s all her fault. Trouble happened. She should have told the boy. He’s way lower than her rank. She had no business telling him anything that was being planned at the higher levels, but there was so much discussion about how it was all her fault that things went bad because she should have told the boy and he would have saved the day. He’s not in charge. They are. Right? But our biases — our ideas are that they have to let the boy take over. So I think it’s really, really fascinated where we’re going with this series.



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From The Journal Of Screenwriting V10 Issue 3: Once again into the cabinets of Dr. Caligari: Evil spaces and hidden sources of the Caligari screenplay by Alexandra Ksenofontova

Highlighting the articles in the past editions of the Journal of Screenwriting, of which I am the Book Reviews Editor. Hopefully these abstracts will entice you to did a little deeper into the history and future of screenwriting. — Rosanne


Once again into the cabinets of Dr. Caligari: Evil spaces and hidden sources of the Caligari screenplay by Alexandra Ksenofontova

This article poses a question previously overlooked in the tremendous body of research on Das Cabinet des Dr. Caligari: why does the cabinet take such a prominent place in the title alongside the protagonist? The question is approached through a reading of the Caligari screenplay, which reveals that its narrative can be fruitfully conceived as a struggle of ‘evil spaces’. Pursuing the origins of this original spatial structure, the article uncovers a close connection between the script and the popular fantasy novels of the early twentieth century, in particular the only novel by the Austrian graphic artist Alfred Kubin. It is finally argued that acknowledging this connection to fantasy novels as well as the importance of the spatial structure in the Caligari script allows us to reconsider the crude opposition between the script’s narrative and the film’s set design that is prevalent in the existing research on the film.


The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice. 

Get your copy and subscription to the Journal of Screenwriting Today!


Screenwriting Research Network Conference 2020

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** Many of these books may be available from your local library. Check it out!

37 “Girl Writer” from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (1 minute 6 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

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37

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Transcript:

Then, of course, we were talking about Nora Ephron but before we get Nora Ephron — that’s her mother Phoebe Efron — was a film writer in Hollywood in the 50s with her husband right but she’s the one who gave her daughter the phrase “Everything is copy.” Whatever’s happening in your life write it down that’s gonna be good in a movie someday, right? So Phoebe did all these films we’re looking at here. They did largely adaptations of musicals but they were very — Phoebe and Henry Efrain. This is Nora when she was in college. She got herself a sweatshirt that said Girl Writer because she worked at a newspaper and that’s what they were. They weren’t junior writers. They weren’t journalists. They were the girl writers who wrote the girl stuff for the newspaper, right. Do she just blazoned that on her chest and said fine Then I’ll be a girl writer right? I think it’s cute because you notice when we move into the television world that’s Madeline Pugh who wrote almost all of the I Love Lucy’s together with her male partner Bob Carol who she wasn’t married to and she called herself a girl writer. That’s all you were back in the day even though you invented Lucy for heaven’s sakes.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


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** Many of these books may be available from your local library. Check it out!
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22 The 2000’s and The Monkees from “Why The Monkees Matter: Even 50 Years Later [Video] (36 seconds)

Enjoy This Clip? Watch this entire presentation and Buy Why The Monkees Matter: Teenagers, Television and American Pop Culture

From Denver Pop Culture Con 2019.

Wherever you go, you find Monkees fans and the Denver Popular Culture Con was no different.  Amid rooms full of caped crusaders and cosplay creations, I was initially not sure how many folks would attend a talk on a TV show from the 1960s – but happily I was met by a nice, engaged audience for my talk on Why the Monkees Matter  – and afterward they bought books!  What more could an author ask for?

22 The 2000's and The Monkees from

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Transcript

In our current era The Monkees have suddenly come around in all our popular culture. So many TV shows have referenced them because the people making television now are the people who were little when they were watching the show. Whether it be the sixties and seventies. So they’ve been riffed on — they had music played on Breaking Bad. They’ve been riffed on in Mad Men. There was a marvelous moment in Grace and Frankie where they were discussing dumb things they did when they were younger and Frankie says that she had sex with one of The Monkees. She just can’t remember which one. Turns out to be Micky. So that just came out of nowhere, right?So I think that’s pretty cool.



Buy Why The Monkees Matter: Teenagers, Television and American Pop Culture

A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Acheivement in Comedy.

Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined, and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.

This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers.

Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Riderand Five Easy Pieces.

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Want to use “Why The Monkees Matter” in your classroom?

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From The “When Women Wrote Hollywood” Archives 10: Elinor Glyn as Novelist, Moviemaker, Glamour Icon and Businesswoman by Vincent L. Barnett

Months of research went into the creation of the essays in “When Women Wrote Hollywood.” Here are some of the resources used to enlighten today’s film lovers to the female pioneers who helped create it.

Elinor Glyn as Novelist, Moviemaker, Glamour Icon and Businesswoman by Vincent L. Barnett

The first full-length study of the authorial and cross-media practices of the English novelist Elinor Glyn (1864-1943), Elinor Glyn as Novelist, Moviemaker, Glamour Icon and Businesswoman examines Glyn’s work as a novelist in the United Kingdom followed by her success in Hollywood where she adapted her popular romantic novels into films. Making extensive use of newly available archival materials, Vincent L. Barnett and Alexis Weedon explore Glyn’s experiences from multiple perspectives, including the artistic, legal and financial aspects of the adaptation process. At the same time, they document Glyn’s personal and professional relationships with a number of prominent individuals in the Hollywood studio system, including Louis B. Mayer and Irving Thalberg. The authors contextualize Glyn’s involvement in scenario-writing in relationship to other novelists in Hollywood, such as Edgar Wallace and Arnold Bennett, and also show how Glyn worked across Europe and America to transform her stories into other forms of media such as plays and movies. Providing a new perspective from which to understand the historical development of both British and American media industries in the first half of the twentieth century, this book will appeal to historians working in the fields of cultural and film studies, publishing and business history.


Buy “When Women Wrote Hollywood” Today!

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

34 Princess Leia – Part 2 from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (1 minute 9 seconds)

Watch this entire presentation

The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

34 Princess Leia - Part 2 from The Sisterhood of Science Fiction - Dr. Rosanne Welch

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

My favorite picture of her is always this moment, where she breaks him down with no weapon just her mind and her courage. She’s like screw you dude. I could smell you when I walked in the room. Too bad right? That diplomat. That person who could do it with their voice and their inner strength. That’s the character that I like to remember better but you’re mostly gonna see these pictures and you know I didn’t put up the picture of her in the bikini and Jabba the Hutt because that’s just overdone — overdone and sad to say — much as I like George Lucas — pretty cool in many things he’s done, she does throw out reference in the book when she showed up as a 19-year-old all alone in England to film this movie with a bunch of dudes who are older than her. She’s not wearing a bra under that thing and when she asked George Lucas why he said there are no bras in the 25th century and it wasn’t till later in life she was like these guys just wanted to see me bouncing around without a bra. All the men on the crew just wanted to watch me without a bra. What do you mean there are no bras in the 25th century?! Who are you? You’re not the guy who invented that! So you know that’s kind of sad and kind of bums me out, but this is the Princess Leia that I like to remember. I think she’s powerful.



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out! 

From The Journal Of Screenwriting V10 Issue 3: Die Filmprimadonna (The Film Primadonna, 1913): A case study of the fiction of a screenplay and the process of filmmaking in German early cinema by Jan Henschen

Highlighting the articles in the past editions of the Journal of Screenwriting, of which I am the Book Reviews Editor. Hopefully these abstracts will entice you to did a little deeper into the history and future of screenwriting. — Rosanne


Die Filmprimadonna (The Film Primadonna, 1913): A case study of the fiction of a screenplay and the process of filmmaking in German early cinema by Jan Henschen

A case study on Urban Gad’s German shooting script for Die Filmprimadonna (The Film Primadonna, 1913) reviews the screenplay in the production process shortly after the emergence of multiple-reel feature films. In the dramatic story of the rise and fall of a film prima donna, a fictitious screenplay plays an idiosyncratic function in filmmaking that sketches, for the cinematic audience of that time, a specific idea of how and why an appropriate script has to be made. The article offers an analysis of Gad’s preserved script and demonstrates that this screen-idea contrasts with the value and agency of screenplays in the historic mode of production in 1913. Inasmuch as the plot of the movie simply highlights the function of acting, Die Filmprimadonna as a script itself functions as a complex and highly composed agent in the process of filmmaking – as both a narrative and, equally, a production schedule for the film.


The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice. 

Get your copy and subscription to the Journal of Screenwriting Today!


Screenwriting Research Network Conference 2020

Join me at the Screenwriting Research Network’s Annual Conference in Oxford, UK



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

36 Leigh Brackett from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (47 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

36 Leigh Brackett from

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Transcript:

Then we have this lady who I think is fascinating if you’re a Star Wars fan. Leigh Brackett. She’s mostly did all these kinds of space operas they called them right but she got hired to write the first draft of The Empire Strikes Back because George Lucas wanted her sci-fi brain on his property. The problem is she wrote the script — which there you are — and she died of cancer. So Lawrence Kasdan who I adore was hired to do the next draft in the next draft and Lawrence Kasdan becomes the writer we know from Star Wars but when you think about the Han Solo character, Leigh Brackett made him the cowboy that he is because she did cowboy movies and space operas. That’s the perfect blending of Han Solo. So she gave us that character in the incarnation that we know him in — which i think is cool.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


Buy a signed copy of when Women Wrote Hollywood

…or via Amazon…

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

21 The 80’s, The Present, And The Monkees from “Why The Monkees Matter: Even 50 Years Later [Video] (1 minute 9 seconds)

Enjoy This Clip? Watch this entire presentation and Buy Why The Monkees Matter: Teenagers, Television and American Pop Culture

From Denver Pop Culture Con 2019.

Wherever you go, you find Monkees fans and the Denver Popular Culture Con was no different.  Amid rooms full of caped crusaders and cosplay creations, I was initially not sure how many folks would attend a talk on a TV show from the 1960s – but happily I was met by a nice, engaged audience for my talk on Why the Monkees Matter  – and afterward they bought books!  What more could an author ask for?

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21 The 80's, The Present, And The Monkees from

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

Transcript

In the 80s, they get a star on the Walk of Fame in Hollywood for the television show. Not for the music — which is interesting. You can have a star for or five different things — radio, TV, film, vaudeville — whatnot. So this is pretty cool. So that’s all of them showing up. That’s when they decide to do the re-touring. They’re still obviously famous and this year they just came out with an Archie comic that blended The Monkees into it and, of course, The Archies are big again now because of what TV show? Riverdale! So all of a sudden everything is going in circles and the sixties karma get popular again and I often say to younger audiences when I talk to them. They may never have heard of The Monkees but they know one of The Monkees’ songs by heart because they saw this movie and you start singing it and they all I know it. I didn’t know that it was a Monkees song. Again, who wrote that song? Close. They’re major songwriters for them. Yeah, Neil Diamond. That’s a Neil Diamond song and in concert recently people have asked him to sing it and he says No, that’s Mickey Dolenz’ song. I wrote it but it doesn’t belong to me anymore. Again a musician complimenting another musician. They do take each other seriously.



Buy Why The Monkees Matter: Teenagers, Television and American Pop Culture

A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Acheivement in Comedy.

Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined, and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.

This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers.

Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Riderand Five Easy Pieces.

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Want to use “Why The Monkees Matter” in your classroom?

Order Examination Copies, Library and Campus Bookstore orders directly from McFarland

McFarland Company logo

From The “When Women Wrote Hollywood” Archives 09: “Eve Unsell in New York.” Film Daily 6 August 1936

Months of research went into the creation of the essays in “When Women Wrote Hollywood.” Here are some of the resources used to enlighten today’s film lovers to the female pioneers who helped create it.

From The “When Women Wrote Hollywood Archives 09: “Eve Unsell in New York.” Film Daily 6 August 1936

From The

From The

Read “Eve Unsell in New York.” Film Daily 6 August 1936


Buy “When Women Wrote Hollywood” Today!

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library