My Events Cancelled Due To COVID19 Concerns

Due to the COVID19 crisis, the following personal events and events the Stephens College MFA in TV and Screenwriting were planning to attend and present athave been cancelled. I will update this list as necessary. We’ll be announcing online events to be held during this time. — Rosanne

CANCELLED

Bad Ass Movie Motherhood: From Leia to Ripley and Back Again

Bad Ass Movie Motherhood: From Leia to Ripley and Back Again
March 24, 2020 — Cal Poly Pomona University Library

CANCELLED

Scms

Society For Cinema and Media Studies (SCMS) Conference
April 1-5, 2020 — Denver, Colorado

CANCELLED

Broadcast Education Association (BEA) Conference with NAB

Broadcast Education Association (BEA) Conference with NAB
April 18-22, 2020 — Las Vegas, Nevada

New Event: Beyond the Books: Writing TV Shows Based on Novels – Writers Guild Foundation – April 7, 2020

Beyond the Books: Writing TV Shows Based on Novels

Tuesday, April 7, 2020
7:30 PM  9:00 PM
The Writers Guild Foundation7000 West 3rd Street, 2nd floor, Los Angeles, CA, 90048

Buy Tickets Now

New Event: Beyond the Books: Writing TV Shows Based on Novels - Writers Guild Foundation - April 7, 2020

What do you do when your series continues beyond the original book upon which the show is based? On this special evening, we join forces with Columbia College Chicago to welcome a panel of TV writers who’ll discuss how they navigate the uncharted territory of writing for a show that has diverged from the original novel.

Panelists:

  • Marissa Jo Cerar – Writer, Supervising Producer, The Handmaid’s Tale, 13 Reasons Why
  • I. Marlene King – Writer, Executive Producer, Pretty Little Liars
  • Stacy Osei-Kuffour – Writer, Watchmen
  • Anthony Sparks – Writer, Executive Producer, Queen Sugar
  • Moderated by Dr. Rosanne Welch.

Event Sponsored By

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Valerie Woods, Stephens College MFA in TV and Screenwriting Mentor, Speaks at the Athena Film Festival

Valerie Woods, Stephens College MFA in TV and Screenwriting Mentor, Speaks at the Athena Film Festival

The Stephens College MFA in TV and Screenwriting is always proud to help sponsor the Athena film festival. This year we were happy to send mentor Valerie Woods to discuss her career and love of writing.

Val’s ability to share that love makes her a treasured mentor in our program.

Valerie Woods, Stephens College MFA in TV and Screenwriting Mentor, Speaks at the Athena Film Festival

Valerie Woods, Stephens College MFA in TV and Screenwriting Mentor, Speaks at the Athena Film Festival

Valerie Woods, Stephens College MFA in TV and Screenwriting Mentor, Speaks at the Athena Film Festival


Questions about the Stephens College MFA in TV and Screenwriting?

Leave a comment here or email me, Executive Director, Dr. Rosanne Welch and I’ll be happy to answer your questions.


Visit Stephens College MFA in TV and Screenwriting for more information.
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Save The Date: Bad Ass Movie Motherhood: From Leia to Ripley and Back Again – March 22, 2020 — Cal Poly Pomona University Library

Save The Date: Bad Ass Movie Motherhood: From Leia to Ripley and Back Again - March 22, 2020 — Cal Poly Pomona University Library

Bad Ass Movie Motherhood: From Leia to Ripley and Back Again
March 24, 2020 — Cal Poly Pomona University Library

with Dr. Rosanne Welch and Dr Peg Lamphier

New Book Arrives April 2020 – The Civil War on Film by Dr. Rosanne Welch and Dr. Peg Lamphier (ABC-CLIO) – Pre-Order Now

New Book Arrives April 2020 - The Civil War on Film by Dr. Rosanne Welch and Dr. Peg Lamphier (ABC-CLIO) - Pre-Order Now

The Civil War on Film will inform high school and college readers interested in Civil War film history on is-sues that arise when film viewers confuse entertainment with historical accuracy.

The nation’s years of civil war were painful, destructive, and unpleasant. Yet war films tend to embrace mythologies that erase that historical reality, romanticizing the Civil War. The editors of this volume have little patience for any argument that implies race-based slavery isn’t an entirely repugnant economic, political, and cultural institution and that the people who fought to preserve slavery were fighting for a glorious and admirable cause.

To that end, The Civil War on Film will open with a timeline and introduction and then explore ten films across decades of cinema history in ten chapters, from Birth of a Nation, which debuted in 1915, to The Free State of Jones, which debuted one hundred and one years later. It will also analyze and critique the myriad of mythologies and ideologies which appear in American Civil War films, including Lost Cause ideation, Black Confederate fictions, Northern Aggression mythologies, and White Savior tropes. It will also suggest the way particular films mirror the time in which they were written and filmed. Further resources will close the volume.

  • Makes clear that depictions of the Civil War on film are often mythologized
  • Analyzes films in a manner that shows students the historical context in which the films were made and viewed
  • Goes beyond just synopses and historical facts, helping students to develop critical thinking skills
  • Stimulates debate over the various ways the war was interpreted and experienced

Mentoris Project Podcast: Relentless Visionary: Alessandro Volta With Author, Michael Berick [Audio]

Mentoris Project Podcast: Relentless Visionary: Alessandro Volta With Author, Michael Berick

Mentoris Project Podcast: Relentless Visionary: Alessandro Volta With Author, Michael Berick [Audio]

Read Relentless Visionary: Alessandro Volta

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If asked to list important inventors, few remember to include Alessandro Volta. Yet, his is a household name more spoken than that of Alexander Graham Bell, the Wright Brothers, or even Thomas Edison. That’s because the terms “volt” and “voltage” can be attributed to Volta, the inventor of the “Voltaic pile,” which is recognized as the first electric battery. A product of the Age of Enlightenment—a time when ideas about reason, science, literature and liberty took center stage—Volta employed a very modern, hands-on approach to his work. Though he had no formal education, he was the first person to identify the gas known as methane, and created the first authoritative list of conducting metals. Alessandro Volta saw things not just as they were, but as what they could be. He was a disrupter, an innovator and a visionary. Above all, he was relentless. Without Volta’s hunger to create and his drive to invent and discover, we might not have electric cars, laptops, cellphones, and hearing aids today.

 


About the Author

Michael Berick is a writer and journalist, whose work has appeared in outlets such as the Los Angeles Times, Entertainment Weekly, LA Weekly, AAA Westways Magazine, and the San Francisco Chronicle. He has written about European chocolate destinations, reviewed artist Ed Ruscha’s retrospective, and penned press material for the Grammy-nominated boxset, Battleground Korea: Songs And Sounds Of America’s Forgotten War. He also might possibly be the only music critic to have voted in both the Fids and Kamily Music Awards and the Village Voice’s annual Pazz & Jop Poll. Hailing from Cleveland, Ohio, Berick currently lives in Los Angeles with wife, playwright/screenwriter Jennifer Maisel, and their daughter and dog.

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Also from the Mentoris Project

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Listen to “Between the Sheets: Writing About Sex on TV” from the Writers Guild Foundation and Stephens College MFA in TV and Screenwriting [Audio]

Between the Sheets: Writing About Sex on Television

Listen: Between the Sheets: Writing About Sex on TV [Audio]

Listen to Between the Sheets: Writing About Sex on TV from the Writers Guild Foundation and Stephens College MFA in TV and Screenwriting

The Stephens College MFA in TV and Screenwriting program teamed up with the Writers Guild Foundation to pull the covers back on a topic that still makes viewers blush: sex. On this special evening, our panel of TV writers and producers share how they approach writing about sex, from intimate scenes to revealing dialogue, and the nuances they consider when crafting stories about sex and sexuality.

Panelists:

  • Michelle Ashford – Masters of Sex, The Pacific
  • Cindy Chupack – I’m Dying Up Here, Divorce, Sex and the City
  • Sahar Jahani – 13 Reasons Why, Ramy
  • Dayna Lynne North – Insecure, Single Ladies, Lincoln Heights
  • Gladys Rodriguez – Vida, Dynasty, Sons of Anarchy
  • Moderated by Dr. Rosanne Welch. 

Writers Guild Foundation@wgfoundation

Visit Stephens.edu/mfa for more information.

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#MentorMonday 8 - Dawn Comer Jefferson - Stephens College MFA in TV and Screenwriting

Mentoris Project Podcast: The Faithful: A Novel Based on the Life of Giuseppe Verdi with Author, Collin Mitchell

Mentoris Project Podcast: The Faithful: A Novel Based on the Life of Giuseppe Verdi with Author, Collin Mitchell

Mentoris Project Podcast: The Faithful: A Novel Based on the Life of Giuseppe Verdi with Author, Collin Mitchell

Read The Faithful: A Novel Based on the Life of Giuseppe Verdi

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The rule of power in Europe is changing… 

Born in Italy at the tumultuous end of France’s influence in Europe, Giuseppe Verdi went on to become the world’s most recognizable name in opera. 

Set against the rise of the Italian states in the middle of the nineteenth century, The Faithful depicts an artist bedeviled by his role not just as a composer, but as an unassuming icon of the Italian Unification and the birth of modern Italy. 

Through chance encounters in gilded Milanese salons and the hushed politics of the Italian opera, we experience the struggles of a man conflicted by his role as an artist and by his commitment to a country yearning for independence.


About the Author

Collin Mitchell is a graduate of UC Santa Barbara, with a degree in Comparative Literature and Film Studies. Originally from the Bay Area, he now resides in Los Angeles.

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Visit the Mentoris Project for more!


Also from the Mentoris Project

Want to use these books in your classroom? Contact the Mentoris Project!`

Mentoris Project Podcast: Saving the Republic: A Novel Based on the Life of Marcus Cicero with Author, Eric D. Martin

Mentoris Project Podcast: Saving the Republic: A Novel Based on the Life of Marcus Cicero with Author, Eric Martin

Read Saving the Republic: A Novel Based on the Life of Marcus Cicero by Eric Martin

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A boy, weak of body, became a pillar of strength.

As the first century approached, a sickly boy was born while the Roman Republic was nearing its ultimate demise. The boy’s life and the country both hung in the balance.  

But the strong and determined young man grew to be the Republic’s fiercest defender. With his dogged determination and towering intellect, Marcus Tullius Cicero became a famed statesman, celebrated orator, and an esteemed philosopher.  

Surviving civil wars, political intrigues, and assassination attempts, Cicero pushed against the grain, standing steadfastly in support of the Republic, even when it threatened his career—or his life.


About the Author

Eric D. Martin is a novelist and screenwriter. He has a BA in film studies from the University of California, Santa Barbara, and an MFA in screen and television writing from Pepperdine University. While studying at Pepperdine, Martin served as president of the student film society, Courier 12, and was a semifinalist for the Academy of Arts and Sciences Nicholl Fellowship. Recently, Martin adapted the novel The Liar’s Chair for the screen and wrote the popular Lifetime thriller, The Other Mother. Currently, he is writing for the premium cable television drama Heels and for Starz, and developing the TV comedy King Elizabeth. 

Follow @mentorisproject on Instagram

Visit the Mentoris Project for more!


Also from the Mentoris Project

Want to use these books in your classroom? Contact the Mentoris Project!`

Save The Date! – Rosanne at SCMS (Society for Cinema and Media Studies) Conference, April 1-5, 2020, Denver Colorado

Save The Date! - SCMS (Society for Cinema and Media Studies), April 1-5, 2020, Denver Colorado

I’m excited to fly to Denver again this year (twice actually – once for the SCMS conference in April and once for SeriesFest in June – more about that in another post!). 

For SCMS (Society for Cinema and Media Studies) I was invited to be part of a panel with 3 other fascinating female academics discussing How Unreliable Narrators harm giving women enough credit in historical research

A great deal of women’s work has gone uncredited. Its documentation or evidence may not exist in predictable places. Conceiving of how this work was conducted, or had impact, or might be theorized often pose more questions than answers. Our panel is interesteded in meeting these challenges through new and alternative forms of storytelling. How might we identify creative or productive approaches to historical writing that address absences, gaps, rumors, contradictions, or suspect information?

This may involve examining how biography has informed the construction of a star image. Vicki Callahan confronts the inability to reconstruct Normand’s filmmaking career and piece together missing parts of her star biography due to a lack of documentation (in addition to the scandals that arise at pivotal moments). In contrast, Eartha Kitt made a concerted effort to represent herself through “self-narrativization,” according to Philana Payton (who will present “Eartha Kitt vs. Eartha Mae”). Kitt wrote multiple autobiographies, scrupulously examining her private identity versus her public self on stage and screen.

The notion of narrator–whether unreliable narrator, storyteller, cryptic voice–proves useful here. For example, Normand serves as an unreliable narrator, leading Callahan to place historical weight on her scripts and performances (and performativity). Kitt, on the other hand, asserted her authority (and made a bid for black feminist resistance) by claiming her narrator role.

Taking a long-range historical view, my presentation will consider how certain male filmmakers have been unreliable narrators in reference to their collaborations with women in the industry. They often fail to credit their female collaborators or mentors, especially in public. A similar dynamic occurred with Joan Harrison; many of her film and TV contributions have been obscured because of the bright spotlight on Hitchcock. For Christina Lane, this (along with major gaps in documentation) fed into the challenges of historicizing her life and career. Sources came from unexpected places—Harrison’s housekeepers and caretakers—which created an opportunity for alternative feminist writing strategies.

Scms logo

About SCMS

The Society for Cinema and Media Studies is the leading scholarly organization in the United States dedicated to promoting a broad understanding of film, television, and related media through research and teaching grounded in the contemporary humanities tradition.

SCMS encourages excellence in scholarship and pedagogy and fosters critical inquiry into the global, national, and local circulation of cinema, television, and other related media. SCMS scholars situate these media in various contexts, including historical, theoretical, cultural, industrial, social, artistic, and psychological.

SCMS seeks to further media study within higher education and the wider cultural sphere, and to serve as a resource for scholars, teachers, administrators, and the public. SCMS works to maintain productive relationships with organizations in other nations, disciplines, and areas of media study; to foster dialogue between media industries and scholars; and to promote the preservation of our film, television, and media heritage. We encourage membership and participation of scholars and those in related positions not only in the US but around the world.