13 Alice Sheldon and Alice Mary Norton from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (1 minute)

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The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

13 Alice Sheldon and Alice Mary Norton from The Sisterhood of Science Fiction - Dr. Rosanne Welch [Video] (1 minute)

 

This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

So she’s James, right? There there’s your buddy James. This is a marvelous new book about her life. So really gets into the story of what she was doing and why. I really like autobiographies or biographies because it’s fun. You learn so much about a historical period when you read someone’s individual story and how they worked in the world and society as it was allowing them at the time. So this is actually a book about Alice Sheldon. This lady, Alice Mary Norton, had to be Andre because the boy’s name right? Andre is writing all of these books and look at her again, not the face you imagine when you think of a science fiction writer. She looks like somebody’s great aunt. But why shouldn’t your great-aunt write a really good book, right? Why did we not allow those two things to live in our brain at the same time? So I think it’s really interesting and her stuff is really fascinating. You know we’re all into swords and all that sort of thing. She’s doing the whole Game Of Thrones thing long before we get involved in that right? So we need to give her a little more credit.



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15 Who Tells Your Story? from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (44 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

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15 Who Tells Your Story? from

 

Transcript:

Sadly she died early in 1948. He lived another 15 years and when he did an oral history and did interviews about his work, when they brought her up, because the good a good historian would look at the names on the things and ask him — he would say “Oh Jeanne. She wasn’t such a good writer but you know I kept her around because she needed that money. — immediately writing her out of the history of the business she had helped to found right? So this is what happens. This is how women fall out of history so easily. We interview the guys and the guys want you to remember how brilliant they are right and that’s really sad. “Who lives? Who dies?” It matters who tells your story. You have to be in charge of your own story.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


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Dr. Marissa Stevens consults on Egyptian History with Stephens College MFA in TV and Screenwriting students

On Saturday both Stephens College MFA in TV and Screenwriting cohorts had the chance to work in teams on the concept of rebooting a show from the 1970s that involved the Egyptian goddess.

As any writer does, we invited a technical consultant – Dr. Marissa Stevens – to give the teams some historical background in the culture of ancient Egypt before they broke into groups to brainstorm their new ideas.

Dr. Marissa Stevens consults on Egyptian History with Stephens College MFA in TV and Screenwriting students

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Producer/Screenwriter Cindy Chupack on the “How I Wrote That” Podcast from the Stephens MFA in TV and Screenwriting Program [Podcast]

Producer/Screenwriter Cindy Chupack on the

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Producer/Screenwriter Cindy Chupack on the “How I Wrote That” Podcast from the Stephens MFA in TV and Screenwriting Program [Podcast]

Producer/Screenwriter Cindy Chupack on the

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Cindy Chupack has won two Emmys and three Golden Globes as TV writer/producer whose credits include “Sex and the City,” “Better Things,” “Divorce,” “Modern Family,” “Everybody Loves Raymond,” and most recently Showtime’s darkly comic hour “I’m Dying Up Here.” She is the author of two comic memoirs: the New York Times bestseller The Between Boyfriends Book: A Collection of Cautiously Hopeful Essays, and The Longest Date: Life as a Wife. Last year she directed her first episode of television for “I’m Dying Up Here,” and her first feature, OTHERHOOD, starring Angela Bassett, Patricia Arquette, and Felicity Huffman. OTHERHOOD is a comedy Chupack co-wrote that premiered this week in select theaters and on Netflix.

It feels very paint by numbers so it seems so easy – but it’s not.
As soon as I get good and comfortable I want to take a risk. To challenge myself. 

-Cindy Chupack

01 Introduction From “Why The Monkees Matter: Even 50 Years Later” with Dr. Rosanne Welch – Denver Pop Culture Con 2019 [Video] (1 Minute)

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From Denver Pop Culture Con 2019.

Wherever you go, you find Monkees fans and the Denver Popular Culture Con was no different.  Amid rooms full of caped crusaders and cosplay creations, I was initially not sure how many folks would attend a talk on a TV show from the 1960s – but happily I was met by a nice, engaged audience for my talk on Why the Monkees Matter  – and afterward they bought books!  What more could an author ask for?

01 Introduction From

 


Buy Why The Monkees Matter: Teenagers, Television and American Pop Culture

A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Acheivement in Comedy.

Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined, and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.

This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers.

Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Riderand Five Easy Pieces.

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Want to use “Why The Monkees Matter” in your classroom?

Order Examination Copies, Library and Campus Bookstore orders directly from McFarland

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“Write Like A Mother” Panel with the Stephens College MFA in TV and Screenwriting and hosted by the Writers Guild Foundation

On Friday, August 9th, I had the great pleasure of moderating a panel on working mom screenwriters for the Stephens College MFA in TV and Screenwriting and hosted by Writers Guild Foundation.

I thank them for being so honest and real about describing the way they balance the lives they love and the work they love.  It’s never easy for any of us and sometimes that’s the best lesson of all. Though each of the writers talked about how the skills of being a mother are so perfectly attuned to the nurturing and multitasking required of showrunners in television.

We also learned about offices that have nurseries provided for their writing staff and the fact that, as with all things in life, moms have to make tough decisions between being on set when your pilot is filming or catching your 2nd grader’s talent show… But we also all admitted that it’s a privilege to make the stories that are watched by other people’s children – and to share stories with your own children all their lives. — Rosanne

From the Writers Guild Foundation

Talking TV writing and motherhood with writers/producers and working moms Julia Brownell (THIS IS US), @jamiedenbo (AMERICAN PRINCESS), Valentina Garza @totalvaligirl (JANE THE VIRGIN), and moderator @RosanneWelch.

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Stephens College MFA in TV and Screenwriting Workshop visits producer/writer Rob LaZebnik and The Simpsons writer’s room

A field trip to the writers room of The Simpsons served as yesterday’s highlight for the Stephens College MFA in TV and Screenwriting Class of 2021.

Thanks to producer/writer Rob Lazebnik for showing our students around and explaining what makes a good Simpsons script – a story that involves the whole family, which is hard to come by after being on the air so many wonderful years…

 Stephens College MFA in TV and Screenwriting visit producer/writer Rob LaZebnik and The Simpsons writer's room

 Stephens College MFA in TV and Screenwriting visit producer/writer Rob LaZebnik and The Simpsons writer's room

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Quotes from When Women Wrote Hollywood – 39 in a series – Cinema 360

Do you know about these women screenwriters? Many don’t. Learn more about them today! 

Quotes from When Women Wrote Hollywood - 39 in a series - Cinema 360

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June Mathis, one of the most prolific screenwriters of the Silent Era, not only wrote cinema, she lived it. Mathis traumatically passed away at the young age of 40 in the same place she began her career as an entertainer, the stage. The New York Times reported her dramatic demise in a front-page headline: “June Mathis Heart Victim” after Mathis died suddenly of a heart attack while attending a play at a New York theatre. Mathis lived out what cinephile critics would later coin “cinema 360”.

Fearless and Fierce: June Mathis
by Lauren E. Smith


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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Alumni Screenwriter Sahar Jahani returns to share her screenwriting journey with Stephens College MFA in TV and Screenwriting Workshop

Last night the Class of 2021 shared a treat – a visit by alum Sahar Jahani (Class of 2018)

Since graduation she has written episodes for Ramy on Hulu and landed on the staff of season 4 of 13 Reasons Why, while also adapting a YA novel into a film.

She credited the spec script she wrote under the mentorship of Jon Vandergriff for helping open doors. 

Thanks, Sahar, for sharing your journey with us!

 Alumni Screenwriter Sahar Jahani returns to share her screenwriting journey with Stephens College MFA in TV and Screenwriting Workshop

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Screenwriter/Producer Cindy Chupack Interviewed at Stephens College MFA in TV and Screenwriting Workshop for “How I Wrote That” Podcast

How much would you love to learn about the writing of an iconic episode of “Sex and the City”?

The Class of 2021 was treated to just that when guest Cindy Chupack, who has won two Emmys and three Golden Globes as a TV writer/producer, was interviewed in front of our students for the Stephens College MFA in TV and Screenwriting program’s “How I Wrote That” podcast, hosted by Khanisha Foster. (Episode coming soon!)

Screenwriter/Producer Cindy Chupack Interviewed at Stephens College MFA in TV and Screenwriting Workshop for
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