A clip from my presentation at the 11th Annual Screenwriting Research Network conference. Held on the campus of the beautiful Università Cattolica del Sacro Cuore in Milan.
In the presentation, I covered the reasons writers have been marginalized – and the reasons they oughtn’t to be so disrespected. Then I talked about how my course works, what books I assign, what guest speakers I invite, what research the students do – and ended on a high note by introducing ‘When Women Wrote Hollywood’ – the book of essays from our inaugural class which has now been published by McFarland.
We also bring in guest lecturers like my friend Paolo who I met coming to an SRN. So he came to town for a week and we did some story work with our students. This is our first class. You can hear about it a little more in a minute. So this was great. He came to lecture about the Global Neorealism because we wanted an Italian expert so there you go. I’m also very fond of the idea that I’ve learned a lot from doing this with my students because I planned the whole thing focusing on women only to realize that I’ve left behind minorities. There were African American filmmakers in the silent era. Oscar Micheaux is one of them. Very famous. Much of their work has been lost so it’s difficult to teach them or to offer students the chance to study them or analyze their work but he has a lot of work out there. So I’ve had to find texts that cover the gaze the focus of African Americans in the film in America through the years. So this one– it turned out it’s mostly about actors — but it gives you a sense and then also my LGBTQ students want to see where they fit in the picture and this is an excellent book on the history of LGBTQ people in Los Angeles — screenwriters, actors, directors — the whole thing. So by them asking me what they want or where they don’t see themselves in the picture, it’s forced me to go outside of my own background and give them more.
Books mentioned in this clip
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