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To achieve this amount of material to use in the editing bay, directors would have to manage 78 to 100 camera set ups a day, an unheard of number in an era when 30 set ups were considered a long day. They would also have to be free enough creatively to show the audience the metaphorical wizard behind the curtain.
from Why The Monkees Mattered by Dr. Rosanne Welch — Buy your Copy today!
Why The Monkees Matter: Teenagers, Television and American Pop Culture
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