02 – Why DID The Monkees Matter?: “Why The Monkees Matter” Interview with Jean Hopkins Power [Video] (1:00)

Rosanne Welch talks about “Why The Monkees Matter” with Jean Hopkins Power

Watch this entire presentation (45 mins)

Jean Powergirl takes the host reigns and welcomes her guest Rosanne Welch, PhD to the show! They’ll be discussing Roseanne’s book, “Why The Monkees Matter: Teenagers, Television and American Pop Culture.”

02 - Why DID The Monkees Matter?: “Why The Monkees Matter” Interview with Jean Hopkins Power

 

Transcript:

Jean: Why The Monkees Matter. Cute kids. Mop Tops. Allowed to talk about controversial things that adults didn’t like talking about back in the 50’s, right? Rosanne is a busy woman. She does it all and actually one of the exciting things about me living here in Los Angeles — I’m a Texan if up can’t tell – is I love people like Rosanne. It’s a different world and it’s a fascinating one that’s I’ve always been interested in. So here we have The Monkees/They introduce touchy subjects like the Vietnam War just by playing a domino game. Things like that. They don’t put it in your face like that. So, The Monkees start to be a popular show among teenagers obviously. Now, Were adults starting to like it, as well?

Rosanne: A little bit, I mean, you know. it did all right but it never made the top 10 for lots of reasons, including that it didn’t air all over the country because there were some southern stations that didn’t take because their long hair — which we would laugh at today, because we wouldn’t consider it long — was so strange and anti-establishment that they immediately dismissed the show for their purposes.

Get your copy today!

A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Achievement in Comedy. Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.

This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers. Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Rider and Five Easy Pieces.

Rosanne Welch, PhD has written for television (Touched by an Angel, Picket Fences) and print (Three Ring Circus: How Real Couples Balance Marriage, Work and Kids and The Encyclopedia of Women in Aviation and Space). In the documentary world she has written and produced Bill Clinton and the Boys Nation Class of 1963 for ABC NEWS/Nightline and consulted on PBS’s A Prince Among Slaves, the story of a prince from West Africa who was enslaved in the 1780s, freed by order of President John Quincy Adams in the 1820s and returned to his homeland.

Dr. Rosanne Welch appears on Zilch Monkees Podcast #89: “Infinite Tuesday” Discussion-“SSB” & More!

Many Thanks to Sarah Clark for inviting me along on this book group discussion of Mike Nesmith’s new “Infinite Tuesday” – which due to his eclectic writing style and his honest look at his life’s successes and failures, turns out to be an interesting testament to how to survive having been young and famous in the 1960s.

Zilch #89 “Infinite Tuesday” Discussion-“SSB” & More!

Zilch #89

Sarah Clark is joined by Rosanne Welch, Ghosty Tmrs, and Music Biographer Andrew Vaughan to dig deep into Infinite Tuesday: an Autobiographical Riff! Hear the panel’s thoughts, some of Sarah’s favorite Nez Songs (not featured on the Infinite Tuesday soundtrack), Then Melanie Mitchell talks Peter Tork “SSB” Pics surface, Monkees News & More!

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From The Research Vault: How to help horses helped by a Monkee, Statesman Journal

How to help horses helped by a Monkee

Carol McAlice Currie and Michael Davis, Statesman Journal

How to help horses helped by a Monkee

With apologies to the songwriting duo of Tommy Boyce and Bobby Hart:

“Here she comes. Walkin’ down the street. She could get the funniest looks from. Ev’ryone she meets.”

But she doesn’t. In fact, rather than monkeying around, Salem author Jerri Keele has been busy writing a book to benefit the Davy Jones Equine Memorial Foundation. (Yes, that Davy Jones, the lead-singing, television heartthrob of ’60s boy band The Monkees).

Read How to help horses helped by a Monkee


Why The Monkees Matter: Teenagers, Television and American Pop Culture

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Quotes from “Why The Monkees Matter” by Dr. Rosanne Welch – 59 in a series – Dean Martin and The Monkees

** Buy “Why The Monkees Matter” Today **

Quotes from

On a side note, there are many connections between The Dean Martin Show and The Monkees, beginning with the connection between his daughter, Deana Martin, and The Monkees.  She guest starred in “Some Like it Lukewarm” which aired as the next episode after “Mind Their Manor”.   

from Why The Monkees Mattered by Dr. Rosanne Welch —  Buy your Copy today!

 Why The Monkees Matter: Teenagers, Television and American Pop Culture

  

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

01 – Introduction: “Why The Monkees Matter” Interview with Jean Hopkins Power [Video] (1:02)

Rosanne Welch talks about “Why The Monkees Matter” with Jean Hopkins Power

Watch this entire presentation (45 mins)

Jean Powergirl takes the host reigns and welcomes her guest Rosanne Welch, PhD to the show! They’ll be discussing Roseanne’s book, “Why The Monkees Matter: Teenagers, Television and American Pop Culture.”

01 - Introduction: “Why The Monkees Matter” Interview with Jean Hopkins Power [Video] (1:02)

 

Transcript:

Hello again, I’m here with Dr. Rosanne Welch. She’s a professor She’s a screenwriter. She’s a producer. She’s this Hollywood lady and she has lots of interesting things to tell us about and I am fascinated. Here’s her book we’re going to talk about today — “Why The Monkees Matter: Teenagers, Television and American Pop Culture.” You can go to Amazon.com to get this book and yea, we have lift off now. Let me go ahead and tell you er credentials again because I’m going to have this memorized. I know all about my friend, Rosanne. Alright, she’s a professor at Cal State Fullerton, Mount San Antonio Community College, and Cal Poly Pomona. She has a Ph.D. in 20th Century United States Film History from Claremont Graduate University and she has a Master of Arts in 20th Century US History from California State University Northridge in 2004. She’s a writer. She’s a producer with credits for Beverly Hills 90210, CBS’ Emmy-winning Picket Fences and Touched by and Angel.

Get your copy today!

A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Achievement in Comedy. Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.

This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers. Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Rider and Five Easy Pieces.

Rosanne Welch, PhD has written for television (Touched by an Angel, Picket Fences) and print (Three Ring Circus: How Real Couples Balance Marriage, Work and Kids and The Encyclopedia of Women in Aviation and Space). In the documentary world she has written and produced Bill Clinton and the Boys Nation Class of 1963 for ABC NEWS/Nightline and consulted on PBS’s A Prince Among Slaves, the story of a prince from West Africa who was enslaved in the 1780s, freed by order of President John Quincy Adams in the 1820s and returned to his homeland.

From The Research Vault: The Invention of Teenagers: LIFE and the Triumph of Youth Culture

The Invention of Teenagers: LIFE and the Triumph of Youth Culture

Ben Cosgrove, Time, September 28. 2013

From The Research Vault: The Invention of Teenagers: LIFE and the Triumph of Youth Culture

Historians and social critics differ on the specifics of the timeline, but most cultural observers agree that the strange and fascinating creature known as the American teenager — as we now understand the species — came into being sometime in the early 1940s. This is not to say that for millennia human beings had somehow passed from childhood to adulthood without enduring the squalls of adolescence. But the modern notion of the teen years as a recognized, quantifiable life stage, complete with its own fashions, behavior, vernacular and arcane rituals, simply did not exist until the post-Depression era.

Here, in the first of a series of galleries on the evolution of LIFE magazine’s — and, by extension, America’s — view of teenagers through the middle part of the 20th century, LIFE.com presents photos that the inimitable Nina Leen shot for a December 1944 article, “Teen-Age Girls: They Live in a Wonderful World of Their Own.”

Read The Invention of Teenagers: LIFE and the Triumph of Youth Culture on Time


Why The Monkees Matter: Teenagers, Television and American Pop Culture

Order Your Copy Now!

Quotes from “Why The Monkees Matter” by Dr. Rosanne Welch – 58 in a series – End of episode interviews

** Buy “Why The Monkees Matter” Today **

Monkees quote 58

As an extra bonus, this episode also contained one of the 19 end-of-show interviews that gave the viewers a chance to see the stars discussing their personal lives. Rafelson found those final moments to be so important he left them raw. “Those interviews are strictly unedited. I don’t touch them. I don’t want to. If I have to edit them, out they go. I can tell you damn well they’re not puppets, they’re sensitive and intelligent–they have opinions on everything–they can speak for themselves.”  

from Why The Monkees Mattered by Dr. Rosanne Welch —  Buy your Copy today!

 Why The Monkees Matter: Teenagers, Television and American Pop Culture

  

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Adapting The Martian and Conclusion from A History of the Art of Adaptation [Video] (2:06)

You Can Please Some of the People Some of the Time… None of the People All of the Time: A History of the Art of Adaptation in Movies like Dune, The Godfather, Harry Potter and More!

Dr. Rosanne Welch speaks on A History of the Art of Adaptation in Movies like Dune, The Godfather, Harry Potter and More! at the California State University, Fullerton Library

Part of the program series for Dune by Frank Herbert: A 50th Anniversary Celebration.

Watch this entire presentation

Adapting The Martian and Conclusion from A History of the Art of Adaptation

 

Transcript:

The latest latest is the Martian which is a really interesting book on several levels. You guys know it was self-published and he would put chapters online one chapter at a time and he would take input from people and then he would add that to the stuff he was writing as he went further and he had so much of a following online he was able to take it to publishing companies. They said “well so many people care about what’s happening we’ll try publishing it.” It became a best-seller now of course it’s become a movie with Matt Damon hugely successful the last two three weeks at the box office. It’s been the number one movie. What have they changed? Well happily not too much. In the book they jump right into him being there you know in the movie they have to show you how stuff exploded so it’s big and exciting. That’s why we know he’s stuck at Mars. That’s a small change no one’s too upset. What bothers me is we have another Argo situation. There’s a character in the book named Mindy Park and she is his connection down at NASA right. If I say the last name Park to you does any ethnicity come to mind? Korean-American that’s who she is in the book. In the movie can’t get much blonder than that. Absolutely every bit of ethnicity has been washed out of that character which is amazing because clearly it’s a very successful and popular character inside the novel. Why they didn’t think that they could allow a Korean-American actress to portray here kind of fascinating but also kind of sad because if you don’t read the book you don’t really get the story. and so frankly the moral of the story which I thought was hilarious is actually a book called the moral of the story. The Morel of the Story, you got to read the books. You can’t just see the movies.You have to read the book so you’re not really having the experience that the person wanted you to have and I think that’s the coolest thing because it lets a movie continue to live with you. If you liked it that much you’re going to love the extra details you get inside the book. That’s it. Thank you very much.

Yea!

About this talk

Dr. Rosanne Welch (RTVF) speaks on the craft of history of film adaptations from the controversy of the silent film Birth of a Nation (protested by the National Association for the Advancement of Colored People in 1915) to Breakfast at Tiffany’s (to which author Truman Capote famously said, “The only thing left from the book is the title”) to The Godfather . Naturally, the behemoth in adaptation – Harry Potter (which depended on the relationship created by adapter Steve Kloves and author J.K. Rowling) will be discussed, as will the subject of this month’s celebration: Dune.

Date: Wednesday, October 14, 2015 Time: 1:00pm – 2:00pm

About Dr. Rosanne Welch

Dr. Rosanne Welch is a professor in the Low Residency MFA in Screenwriting Program from Stephens College, California State University, Fullerton, Mount San Antonio Community College and Cal Poly Pomona.  In 2007, she graduated with her Ph.D. in 20th Century U.S./Film History from Claremont Graduate University.  She graduated with her M.A. in 20th Century United States History from California State University, Northridge in 2004.

Welch is also a television writer/producer with credits for Beverly Hills 90210 , CBS’s Emmy winning Picket Fences and Touched By An Angel . She also writes and hosts her own podcasts on 3rdPass.media, her first one titled “Mindful(I) Media with Dr. Rosanne Welch.”

Her upcoming book, “Why The Monkees Matter: Teenagers, Television and American Pop Culture” will be published in Fall 2016

Three Ring Circus: How Real Couples Balance Marriage, Work and Kids and The Encyclopedia of Women in Aviation and Space are two books she has written. Los Angeles Times and the Journal of Screenwriting hold some of her published articles.

Dr. Rosanne Welch Web Site and Blog

Follow Dr. Welch on Twitter

Dr. Rosanne Welch on YouTube

From The Research Vault: The Hollywood Screenwriters: A Film Comment Book. Richard Corliss

The Hollywood Screenwriters: A Film Comment Book. Richard Corliss, Editor.New York:  The Hearst Corporation/Avon Books, 1970.

From The Research Vault: The Hollywood Screenwriters: A Film Comment Book. Richard Corliss

An essential collection of essays, interviews and filmographies, this was a seminal work (and a precursor to Corliss’s 1974 manifesto, Talking Pictures) in terms of bringing the screenwriter out from under the director’s shadow, following a decade of auteurist criticism run rampant. There are essays on Anita Loos, Jules Furthman, Ben Hecht, Preston Sturges and Dudley Nichols; a memoir by Howard Koch about working with Max Ophuls on LETTER FROM AN UNKNOWN WOMAN; interviews with Ring Lardner Jr., Borden Chase, Dalton Trumbo, James Poe, Eleanor Perry and Penelope Gilliatt; a ” Screenwriters Symposium,” featuring twelve noted screenwriters’ answers to a questionnaire (included are Philip Dunne, Norman Krasna, Ernest Lehman and Michael Wilson); and filmographies of fifty prominent screenwriters. The Foreword is by Carl Foreman.


Why The Monkees Matter: Teenagers, Television and American Pop Culture

Order Your Copy Now!

Quotes from “Why The Monkees Matter” by Dr. Rosanne Welch – 57 in a series – Outtakes

** Buy “Why The Monkees Matter” Today **

Quotes from

New material in the form of Outtakes included in the course of an episode or added to the end in the form of a Tag, often became interjected inside the locked script. These outtakes truly let the audience feel as if they were a part of the whole production, in on the laugh as it were. In the end that is one key to the success of the program, letting the young audience be a part of something at a time they felt they had little say in anything going on around them.  

from Why The Monkees Mattered by Dr. Rosanne Welch —  Buy your Copy today!

 Why The Monkees Matter: Teenagers, Television and American Pop Culture

  

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition