15 More On Pat Murphy from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (25 seconds)

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The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

15 More On Pat Murphy from The Sisterhood of Science Fiction - Dr. Rosanne Welch

 

This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

So and this is a really brilliant interesting book because basically, she’s talking about Indiana Jones — that character — what if someone who did that archaeological work could commune with the spirit of the people who own the things that you’re digging up and what would happen if you could connect to them and learn about their world? I think that’s it’s a really fascinating book and written by Pat Murphy, which is pretty cool.

Winner of the Nebula Award: “A lovely and literate exploration of the dark moment where myth and science meet” (Samuel R. Delany).

When night falls over the Yucatan, the archaeologists lay down their tools. But while her colleagues relax, Elizabeth Butler searches for shadows. A famous scientist with a reputation for eccentricity, she carries a strange secret. Where others see nothing but dirt and bones and fragments of pottery, Elizabeth sees shades of the men and women who walked this ground thousands of years before. She can speak to the past—and the past is beginning to speak back.

As Elizabeth communes with ghosts, the daughter she abandoned flies to Mexico hoping for a reunion. She finds a mother embroiled in the supernatural, on a quest for the true reason for the Mayans’ disappearance. To dig up the truth, the archaeologist who talks to the dead must learn a far more difficult skill: speaking to her daughter.



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Quotes from When Women Wrote Hollywood – 42 in a series – “…“badly-behaved” women…”

Do you know about these women screenwriters? Many don’t. Learn more about them today! 

Quotes from When Women Wrote Hollywood - 42 in a series -

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Any number of “badly-behaved” women preceded Lorna Moon, and a great many more will follow her. As Laurel Thatcher Ulrich noted in her academic paper, published in the journal “American Quarterly” in 1976 (and often misattributed later on), “Well-behaved women seldom make history.” In fact, with the exception of Frances Marion, most of the women who made it onto the pages of early cinematic history were on the unruly side of the coin.

Lorna Moon: A Woman of a Certain
by Dwyer Sandlin


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Fall 2019 Written By Magazine Features Transgender Writers (And On The Cover!); Entry- Or Mid-Level Writers; LGBTQIA+ Writers; Female Writers; And Writers Of Color

January 2019 Written By Magazine Features Transgender Writers (And On The Cover!); Entry- Or Mid-Level Writers; LGBTQIA+ Writers; Female Writers; And Writers Of Color

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Just on time for your Labor Day Reading! The Fall 2019 issue of Written By magazine, the magazine of the Writers Guild of America, West is now available online. 

Stephens College MFA in TV and Screenwriting Executive Director Dr. Rosanne Welch, who serves on the Editorial Board of the magazine (along with program friend Glen Mazzara) is proud of this truly groundbreaking issue: it’s the first issue featuring transgender writers (and on the cover!); entry- or mid-level writers; LGBTQIA writers; female writers; and writers of color in every story.

CSUF lecturer, author shines light on lost legacies of Hollywood’s female screenwriters: Rosanne Welch tells her students: Make your voices heard

It’s always wonderful to be given another chance to talk about “When Women Wrote Hollywood” – the book of essays on female screenwriters who deserve to be much more famous and spoken of much more often in modern day film history courses. 

Women writers are fascinated to know how many women blazed the trail for them and more than happy to help make their names more well known. So this interview with Susan Gil Vardon of the OC Register turned into an hour and a half chat between two new friends. — Rosanne


CSUF lecturer, author shines light on lost legacies of Hollywood’s female screenwriters
Rosanne Welch tells her students: Make your voices heard

By SUSAN GILL VARDON | sgvardon@scng.com | Orange County Register

CSUF lecturer, author shines light on lost legacies of Hollywood’s female screenwriters: Rosanne Welch tells her students: Make your voices heard

Rosanne Welch has advice for female students who want to get their screenplays noticed: Speak up.

A lecturer in screenwriting at Cal State Fullerton, Welch says she has seen a pattern — even in her master’s classes. When she asks her students to pitch their scripts, the men start talking while the women sit quietly, as if they’re waiting their turn.

“They’re so polite,” Welch said about the women. “I say, Hollywood will never give you a turn. Open your mouth, overspeak the boy. You gotta be loud and proud of what you do.”

Welch did it. Leaving Cleveland, Ohio, with a degree in secondary education, she worked her way up in television from a job as a receptionist for a production company to writing for the shows “Beverly Hills 90210,” “Picket Fences,” ABC’s “Nightline” and “Touched by an Angel.”

In recent years she has focused on writing books, including several on women whose achievements and legacies have been sidelined or lost to history.

Her latest is “When Women Wrote Hollywood: Essays on Female Screenwriters in the Early Film Industry.” The book, which she edited, features 24 essays her students wrote in a master’s of fine arts class at Stephens College in Missouri on such pioneering women writers as Adela Rogers St. Johns, Anita Loos, Lillian Hellman and Dorothy Parker.

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Listen to the latest “How I Wrote That” Podcast with Screenwriter/Producer Tara Hernandez of The Big Bang Theory [Audio]

Listen to the latest How I Wrote That Podcast with Tera Hernandez of The Big Bang Theory [Audio]

Listen to the latest How I Wrote That Podcast with Tera Hernandez of The Big Bang Theory [Audio]

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Tara Hernandez started working on The Big Bang Theory as an assistant to the executive producer in season 4, and became a staff writer in the middle of season 5. From there she rose in the ranks to be a co-executive producer, helping to craft the series finale before moving to work on the show’s spin-off Young Sheldon.

The key to pitching sitcoms – there’s the event and then there’s the story.  The event is the thing that happens but the story is her emotional realization that comes from the event… So for my first story that sold on Big Bang Theory was about the time Bernadette was getting married and Amy was going overboard so the girls decide to go dress shopping without Amy.  That was the event that happened and then, because she was so devastated, Sheldon had to step up as a boyfriend and comfort her and it lead to their first cuddle. – Tara Hernandez

 

Stephens College MFA in TV and Screenwriting alum Jackie Perez (2017) becomes semi-finalist in the 2019 ScreenCraft Public Domain Screenplay Contest

Congrats to Stephens College MFA in TV and Screenwriting alum Jackie Perez (2017) for having her STEM-centric screenplay – AMAZING GRACE (based on the life of Grace Hopper) move from quarter-finalist to semi-finalist in the 2019 ScreenCraft Public Domain Screenplay Contest.

“It wouldn’t be in the shape it’s in without the insightful notes and feedback from Julie Berkobien, Sarah Amble Whorton, Amelia Phillips, and Amy Banks. Really appreciate all the Stephens’ MFA love and encouragement,” says Perez.

Stephens College MFA in TV and Screenwriting alum Jackie Perez (2017) becomes semi-finalist in the 2019 ScreenCraft Public Domain Screenplay Contest

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17 Tressie Souders from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (49 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

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17 Tressie Souders from

 

Transcript:

The hardest thing to do now — we’re having trouble reviving some of these female names but it is far more worse reviving African-American female names because these folks have had no paperwork left about them and even the men they worked with haven’t been cataloged in a way that we can look to them for information. Tressi Souders, we only have through newspaper accounts of films of hers that were opening in African-American neighborhoods. So we can see advertisements that she had product but the product doesn’t exist. You can’t find it even on — most of the women I’m gonna mention, the Caucasian women — the European women — and you could find some of their movies on YouTube because stuff has been kept in the Library of Congress. Sadly some has been saved because of men it’s connected to but at least it’s been saved. These women, none of their work exists anymore and that’s one of the most depressing things.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


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Stephens College MFA in TV and Screenwriting Alum Sarah Phillips (2017) among the Top Films for the Louisiana Film Prize!

Congratulations to alum Sarah Phillips (Stephens College MFA in TV and Screenwriting Inaugural class of 2017) for her film “Supplements” (which she wrote, directed and produced) being chosen among the 2019 Top Films for the Louisiana Film Prize!

Stephens College MFA in TV and Screenwriting Alum Sarah Phillips (2017) among the Top Films for the Louisiana Film Prize!

Supplements” was created by Phileon Productions, a female-led production company located in Los Angeles.

In the film the year is 2289 and all that’s left on Planet Earth is the domed city of Old Centauri, roaming sun flares that scorch the land, and the nomadic tribes that mitigate the two. Kiirke comes from one such tribe, and she must travel to Old Centauri, along with her brother, to seek a small fortune to save her family.⁣ (Now if THAT doesn’t draw you in, we are at a total loss for what will!)⁣

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02 Rosanne’s Writing History from “Why The Monkees Matter: Even 50 Years Later – Dr. Rosanne Welch [Video] (1 minute)

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From Denver Pop Culture Con 2019.

Wherever you go, you find Monkees fans and the Denver Popular Culture Con was no different.  Amid rooms full of caped crusaders and cosplay creations, I was initially not sure how many folks would attend a talk on a TV show from the 1960s – but happily I was met by a nice, engaged audience for my talk on Why the Monkees Matter  – and afterward they bought books!  What more could an author ask for?

Rosanne's Writing History from

 

Transcript

First thing is a little bit of who I am. On television I wrote for Touched By An Angel, Beverly Hills 90210, and Picket Fences and ABC’s News Nightline. When I decided to get into academia and start writing first of all the Monkees book obviously but then I’ve written a lot of stuff about women in history, women in popular culture, very interested in that and you’ll be hopefully interested in finding out but there is some things to be said about feminism on The Monkees in the 60s which nobody would have expected until I studied it. I also do book reviews for the Journal of Screenwriting. I’m their book review editor and I work on Written By magazine on the editorial board. That’s a magazine for members of the Writers Guild. So my deep focus is generally — words matter — writers matter — and women writers matter and we’re gonna find out that on The Monkees, there was the first female television writer who didn’t need a male partner in order to be have job which is sounds a little crazy to us today but was true back in the day.



Buy Why The Monkees Matter: Teenagers, Television and American Pop Culture

A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Acheivement in Comedy.

Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined, and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.

This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers.

Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Riderand Five Easy Pieces.

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

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Quotes from When Women Wrote Hollywood – 41 in a series – “Men have largely run the film industry from the start…”

Do you know about these women screenwriters? Many don’t. Learn more about them today! 

Quotes from When Women Wrote Hollywood - 41 in a series - “Men have largely run the film industry from the start...

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Despite this body of work, Gauntier is largely unknown in texts on screenwriting used in major universities today. She does appear in Cari Beauchamp’s Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood. In an interview with Beauchamp, David Sterritt posits that “Men have largely run the film industry from the start, allowing little power or prestige to their female counterparts. Men have also dominated the film-history field, writing books that take male privilege in Hollywood for granted.

Gene Gauntier: Ascending by Drowning
by Yasser Shahin


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