Comments On Who Will Win The Streaming Wars?

How many streaming services will you subscribe to before streaming costs as much as that cable cord so many of us have cut?

I predict Netflix will survive based on being early to the game and how they have struck so many co-production deals in major countries all over the world so they are seeding their service with material to please a greater audience.

Yes Disney+ will do well but in my family we cut cable when my son outgrew the Disney Channel – which happens in all families eventually so I don’t think even the core of lifelong Disney fans will be enough to make the service necessary forever. Yes, they have the Marvel and Star Wars worlds now, but I own the films in those franchises already… so subscribing brings me nothing new…But we’ll see, won’t we? — Rosanne

Who will win the streaming wars?

Comments On Who Will Win he Streaming Wars?

An epic battle is brewing in the entertainment industry. In the coming months, most of the biggest media conglomerates will launch their own streaming services in a high-stakes effort to remain relevant by selling movies, TV programming and short-form videos directly to viewers.

While the much-anticipated slugfest between the Walt Disney Co. and Netflix Inc. is sure to garner the most attention, AT&T Inc.’s HBO Max and Comcast Corp.’s Peacock also are getting ready to enter the fray, as are Apple Inc.’s Apple TV+ and Jeffrey Katzenberg and Meg Whitman’s Quibi.

The competition for subscription and advertising dollars has already led to disruption and anxiety. Studios are spending heavily to lock up prolific showrunners and popular older shows that they hope will get viewers to subscribe. Recently, tensions flared as Disney began rejecting Netflix ads on its TV channels.

Read the entire article – Who will win the streaming wars?

My New Screenwriting Friends In Sao Paolo via Instagram

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My New Screenwriting Friends In Sao Paolo

My New Screenwriting Friends In Sao Paolo via Instagram

My New Screenwriting Friends In Sao Paolo via Instagram

Many, many thanks to Glaucia Davino for inviting me to Mackenzie Presbyterian Institute in Sao Paolo to speak to her conference, but especially for arranging for me to meet many of her dedicated doctoral students, including Livia, who gave me a wonderful walking tour of the campus before my talk yesterday. There is a deep and genuine interest in analyzing screenwriting among these students and of building the film and television industry here. In the years to come I believe the energy these students bring to their research will achieve that dream.



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Live Stream Today: “Why Researching Screenwriters (has Always) Mattered” with Dr. Rosanne Welch – 630pm EDT/330pm PDT – Sao Paolo, Brazil

You can watch the live stream of my talk today at 630pm EDT/330pm PDT using the link below.

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Brazil 10th Screenwriters´ hi Stories Seminar 1

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The presentation will also air on their campus TV station Wednesday and Thursday this week. 


10th Screenwriters´(hi)Stories Seminar 

Rosanne Is Keynote Speaker at 10th Screenwriters´(hi)Stories Seminar in São Paulo, Brazil - October 15-17, 2019

Click through for more information in Portuguese and English

It’s all thanks to my friend and colleague from the Screenwriting Research Network (who is actually the president of the network this year) Carmen Sofia Brenes who suggested me to the committee planning the seminar.

I’ll be speaking on “Why Researching Screenwriters (has Always) Mattered” which will be focused on the importance of storytellers in all cultures, and how screenwriters have become this last century’s most powerful storytellers thanks to the reach of technology. 

It’s a daunting thing to be asked to be a keynote speaker and I’ve been writing my speech for a few weeks now, still in a bit of a fog that such a fun thing should happen – but the tickets came today so now it’s a reality. I have to finish this speech (and the Google Slides that goes with it) – and PACK!

Here is a summary of my talk. I hope to have it recorded, too. Watch this space for information on a possible live stream of this event.

SUMMARY

​To understand the world we have to understand its stories and to understand the world’s stories we must understand the world’s storytellers.

A century ago and longer those people would have been the novelists of any particular country but since the invention of film, the storytellers who reach the most people with their ideas and their lessons have been the screenwriters. My teaching philosophy is that: Words matter, Writers matter and Women writers matter. Therefore women writers shall be my focus. Why? Because they have been the far less researched and yet they are over half the population. We cannot tell the stories of the people until we know what stories the mothers have passed down to their children. Those are the stories that last. Now is the time to research screenwriters of all cultures and the stories they tell because people are finally recognizing the work of writers and appreciating how their favorite stories took shape on the page long before they were cast, or filmed, or edited. But also because streaming services make the stories of many cultures now available to a much wider world than ever before.

Hello Sao Paolo! via Instagram

Hello Sao Paolo!

I have arrived and met my wonderful hosts who have already taken me to lunch and walked me around to show off their city.

Hello Sao Paolo! via Instagram

I’m so excited to have been invited to be the keynote speaker at the 10th Screenwriters´(hi)Stories Seminar being held on the campus of the Universidade Presbiteriana Mackenzie in São Paulo, Brazil – NEXT WEEK!

Rosanne Is Keynote Speaker at 10th Screenwriters´(hi)Stories Seminar in São Paulo, Brazil - October 15-17, 2019

Click through for more information in Portuguese and English

It’s all thanks to my friend and colleague from the Screenwriting Research Network (who is actually the president of the network this year) Carmen Sofia Brenes who suggested me to the committee planning the seminar.

I’ll be speaking on “Why Researching Screenwriters (has Always) Mattered” which will be focused on the importance of storytellers in all cultures, and how screenwriters have become this last century’s most powerful storytellers thanks to the reach of technology. 



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

23 Even More On Anita Loos from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (37 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

23 Even More On Anita Loos from

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Transcript:

She is still known though because she was smart and wrote her own book about her own life. She wrote her own autobiography, which is when I learned about her when I was about 10 years old at my local library in Bedford Ohio. All right, I’d go down there and want to read everything about Hollywood and there she was and I thought “Oh, who is this cool lady?” and she was still alive. She was doing talk shows like Merv Griffin and stuff like that. She wrote her own stuff. This is one of her funny, witty, check it out sort of quotes right? You get a sense of who she was. You start to go hey what’s wrong with her and then you’re like oh yeah. Very witty. Very smart lady. Really cool lady. She’s very worth reading about.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


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08 Politics, War, And The Monkees from “Why The Monkees Matter: Even 50 Years Later [Video] (1 minute 3 seconds)

Enjoy This Clip? Watch this entire presentation and Buy Why The Monkees Matter: Teenagers, Television and American Pop Culture

From Denver Pop Culture Con 2019.

Wherever you go, you find Monkees fans and the Denver Popular Culture Con was no different.  Amid rooms full of caped crusaders and cosplay creations, I was initially not sure how many folks would attend a talk on a TV show from the 1960s – but happily I was met by a nice, engaged audience for my talk on Why the Monkees Matter  – and afterward they bought books!  What more could an author ask for?

08 Politics, War, And The Monkees from

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Transcript

In this case obviously you’ve read the lyrics. It’s some pretty amazing stuff to be on mainstream television in the middle of what was the beginning I should say of the Vietnam War and how it was affecting everybody. That’s very bold thing for anybody have to say which i think is amazing. Then there was actually a movement to not draft Davy Jones. So Girls wrote letters and that sort of thing which I think is adorable. He was an Englishman but he was here in the country working and so therefore could have been drafted and so that was interesting. Micky received a draft notice. Mike had been in the military. So they couldn’t draft him back and Peter, as well, also received one. Peter pretended to be crazy when he went to his interview and they believed it. So this is the line from one of the episodes that was written by Coslough Johnson about politics and the idea that you know what was going on with teenagers — “They’re the ones doing all the fighting” but we didn’t say where they would fight, right? We were sending them to fight. So there’s a lot happening about politics in this early day.



Buy Why The Monkees Matter: Teenagers, Television and American Pop Culture

A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Acheivement in Comedy.

Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined, and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.

This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers.

Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Riderand Five Easy Pieces.

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Want to use “Why The Monkees Matter” in your classroom?

Order Examination Copies, Library and Campus Bookstore orders directly from McFarland

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Quotes from When Women Wrote Hollywood – 47 in a series – Dorothy Parker

Do you know about these women screenwriters? Many don’t. Learn more about them today! 

Buy “When Women Wrote Hollywood” Today!

Quotes from When Women Wrote Hollywood - 47 in a series - Dorothy Parker

Oh, life is a glorious cycle of song,
A medley of extemporanea;
And love is a thing that can never go wrong,
And I am Marie of Romania.

The charming and sarcastic little poem seen above, Comment, is the perfect introduction to Dorothy Parker for any teenage girl. Reading that poem in high school made me feel an instant affinity to Parker and her writing.

The Intimately Unknowable Dorothy Parker
A Study of her Life and Art
by Elizabeth Maud Dwyer Sandlin

 


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** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

How The Chaos Of Collaboration in the Writers Room Created Golden Age Television, Dr. Rosanne Welch [Video] (22 Minutes)

A full recording of my presentation at this year’s Screenwriting Research Network conference (at the lovely Universidade Católica Portuguesa) in Porto, Portugal.

“How The Chaos Of Collaboration in the Writers Room Created Golden Age Television”

How The Chaos Of Collaboration in the Writers Room Created Golden Age Television, Dr. Rosanne Welch [Video] (22 Minutes)

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When the folks hosting the conference announced their theme as “Screen Narratives: Chaos and Order” the word ‘chaos’ immediately brought to mind writers rooms. I offered a quick history of writers rooms (the presentations are only 20 minutes long) and then quoted several current showrunners on how they compose their rooms and how they run them.

For more information on the Screenwriting Research Network, visit

Screenwriting Research Network Conference, Porto, Portugal, All Sessions


Ready to present my talk yesterday at the Screenwriting Research Conference here in Porto, Portugal via Instagram

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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

Dr. Rosanne Welch Named As The New Executive Director Of Stephens College MFA In TV And Screenwriting Program

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From Stephens College Office of Academic Affairs…

I am pleased to share with you the following announcement about an exciting change of leadership for the Stephens College MFA in TV and Screenwriting program. Congratulations to the team and thank you for all of your hard work building an amazing program.
– Dr. Leslie Willey, Stephens College Vice President for Academic Affairs

Rmw profile 2019The Stephens College MFA in TV and Screenwriting  established in 2014, has named Dr. Rosanne Welch as the new executive director. Program founder and former director Ken LaZebnik will serve as Writer-in-Residence, while Khanisha Foster ’17, a graduate of the M.F.A. program, will serve as associate director. The program also features 15 faculty mentors and a rotating group of guest lecturers, all working writers, members of the Writers Guild and successful industry professionals.

Welch has served as a faculty member in the M.F.A. program since its start, creating a set of courses around the history of screenwriting, and teaching courses in one-hour drama. Her television writing credits include “Beverly Hills 90210,” “Picket Fences,” “ABC News: Nightline” and “Touched by an Angel.”

She edited “When Women Wrote Hollywood,” a book of essays published in 2018 that was named runner-up for the Susan Koppelman Award honoring the best anthology, multi-authored or edited book in feminist studies by the Popular Culture Association. She co-edited “Women in American History: A Social, Political, and Cultural Encyclopedia,” which was named to both the 2018 Outstanding References Sources List and the list of Best Historical Materials by the American Library Association, and authored “Why the Monkees Matter: Teenagers, Television and American Popular Culture.”

Welch serves as book reviews editor for the Journal of Screenwriting and on the editorial board for Written By magazine. She was elected to the executive committee of the International Screenwriting Research Network this year for a two-year term.

Sarah Phillips, Stephens College MFA in TV and Screenwriting alumni, Wins Founder’s Circle Award at the Louisiana Film Prize

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Congratulations to Stephens College MFA in TV and Screenwriting alumni Sarah Phillips (IMDB) for winning the Founder’s Circle Award at the Louisiana Film Prize for her film Supplements!

Sarah Phillips, Stephens College MFA in TV and Screenwriting alumni, Wins Founder's Circle Award at the Louisiana Film Prize

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Sarah Phillips, Stephens College MFA in TV and Screenwriting alumni, Wins Founder's Circle Award at the Louisiana Film Prize

The year is 2289, and all that’s left on Planet Earth is the domed city Old Centauri, roaming sun flares that scorch the land, and the nomadic tribes that mitigate the two. Kiirke comes from one such tribe, and she must travel to Old Centauri, along with her stowaway younger brother, to seek a small fortune to save her family – But the only way to make money as a newcomer to the city is to enroll in Supplements Labs as what the locals call a “lab rat”.


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