07 Terry Nation, Doctor Who and MacGyver from Gender Diversity in the Who-niverse [Video] (0:50)

Watch this entire presentation: Gender Diversity in the Who-niverse: Paving the Way for a Lady Doctor with Dr. Rosanne Welch [Video] (36:58)

07 Terry Nation, Doctor Who and MacGyver from Gender Diversity in the Who-niverse

For her 5th Doctor Who lecture to the CPP community, Dr. Rosanne Welch discusses how society – and the show’s writing staff – prepared the audience for a major change in this 50-year franchise – the creation of the first Lady Doctor!

Transcript:

Later in the era of Doctor Who we get Terry Nation and Terry Nation is a really cool writer. He invented the Daleks. So without him, we wouldn’t have the world’s coolest villains, right? We wouldn’t be able to “Exterminate” any time we wanted. So I think that’s really cool, but what’s excellently interesting to me about Terry Nation as a writer is that he also invented this character, Sara Kingdom and she’s a secret agent who changes sides to work with the Doctor. She’s a bad girl who uses her badness to help the good guy. So that was a concoction of Terry Nation’s in the early days of the show and then you’re asking yourself “why is this old picture of MacGyver up there?” How did this one thing affect another, exactly? Terry Nation came from England and over to the states to work in America in television and he helped create MacGyver.

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Dr. Rosanne Welch

Dr. Rosanne Welch teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.

Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.

Watch Dr. Welch’s talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP.

Display in Special Collections at Cal Poly Pomona Library via My Instagram

Display in Special Collections at Cal Poly Pomona Library via My Instagram

Display on myself, my editing partner, Peg Lamphier and other women doing important work in Special Collections at Cal Poly Pomona Library.

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06 Barbara Is 1st Strong Female Character from Gender Diversity in the Who-niverse [Video] (0:25)

Watch this entire presentation: Gender Diversity in the Who-niverse: Paving the Way for a Lady Doctor with Dr. Rosanne Welch [Video] (36:58)

06 Barbara Is 1st Strong Female Character from Gender Diversity in the Who-niverse [Video] (0:25)

For her 5th Doctor Who lecture to the CPP community, Dr. Rosanne Welch discusses how society – and the show’s writing staff – prepared the audience for a major change in this 50-year franchise – the creation of the first Lady Doctor!

Transcript:

So this was their invention, and I think it’s important to recognize that from the very beginning barbara is not a housewife

She’s not passive. She’s not boring

She’s a teacher who is very excited about these adventures she chooses to go on them

And she learns along the way she often lectures the doctor the older man

About how he should be behaving in the other worlds that they visit so we started with a strong woman. Let’s just remember that

Follow Dr. Welch on Twitter and Instagram
https://twitter.com/rosannewelchhttp://instagram.com/drrosannewelch

 

Dr. Rosanne Welch

Dr. Rosanne Welch teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.

Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.

Watch Dr. Welch’s talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP.

A History of Screenwriting 58 – Smilin’ Through starring Norma Talmadge, Written by Alan Langdon Martin (aka Jane Murfin and Jane Cowl) (original play), James Ashmore Creelman (scenario), Sidney Franklin (scenario) – 1922

A History of Screenwriting 58 – Smilin’ Through starring Norma Talmadge, Written by Alan Langdon Martin (aka Jane Murfin and Jane Cowl) (original play),
James Ashmore Creelman (scenario), Sidney Franklin (scenario) – 1922

A History of Screenwriting 58 - Smilin' Through starring Norma Talmadge, Written by Alan Langdon Martin (aka Jane Murfin and Jane Cowl) (original play), 
James Ashmore Creelman (scenario), Sidney Franklin (scenario) - 1922

Smilin’ Through is a 1922 silent film based on the 1919 play of the same name, written by Jane Cowl and Jane Murfin (together under the pseudonym Alan Langdon Martin). The film starred Norma Talmadge, Harrison Ford, and Wyndham Standing. It was co-written and directed by Sidney Franklin, who also directed the more famous 1932 remake at MGM. The film was produced by Talmadge and her husband Joseph M. Schenck for her company, the Norma Talmadge Film Corporation. It was released by First National Pictures. Popular character actor Gene Lockhart made his screen debut in this film.[3][4]

The story is essentially the same as the popular Jane Cowl play, with Talmadge in the dual role of Kathleen and Moonyean. Kathleen, a young Irish woman, is in love with Kenneth Wayne but is prevented from marrying him by her guardian John Carteret. John is haunted by memories of his thwarted love for Kathleen’s aunt, Moonyean.

The story was an especially popular one and was filmed twice more by MGM: in 1932 with Norma Shearer and 1941 with Jeanette MacDonald. – Wikipedia


Learn More About Norma Talmadge with these books

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A History of Screenwriting 57 – New York Nights starring Norma Talmadge, Written by Hugh Stanislaus Stange and Jules Furthman – 1929

A History of Screenwriting 57 – New York Nights starring Norma Talmadge, Written by Hugh Stanislaus Stange and Jules Furthman – 1929

A History of Screenwriting 57 - New York Nights starring Norma Talmadge, Written by Hugh Stanislaus Stange and Jules Furthman - 1929

Poster - New York Nights (1929) 01.jpg
By Employee(s) of United Artists – http://doctormacro.com/Movie%20Summaries/N/New%20York%20Nights%20%281929%29.htm, Public Domain, Link

New York Nights is a 1929 American pre-Code crime film, directed by Lewis Milestone, and based on 1928 play Tin Pan Alley by Hugh Stanislaus Stange.[2] The film is known for being leading actress Norma Talmadge’s first sound film.

Jill Deverne is a chorus girl married to alcoholic composer Fred. She wants to show Fred’s latest song, A Year From Today, to racketeer Joe Prividi. Prividi is the producer of the musical show in which she is working, and agrees to use his song. Fred, however, refuses any favors and rejects Prividi’s offer. When Prividi uses the song anyway, Fred and his friend Johnny Dolan become drunk and show up at a nightclub.

In a raid, the police discover Fred with chorus girl Ruthie. Jill is disgusted with his behavior and dumps him. She is soon courted by Prividi, who is very overprotective. At a private party, a gambler forces himself on her and is shot by Prividi. Prividi is arrested and sent to jail. Jill does not want to be left behind, and plans a future with Fred. Prividi becomes jealous and sends gunmen to shoot and kill Fred. He is eventually stopped and put in jail, while Jill and Fred ride off in a train to start a new life. – Wikipedia


Learn More About Norma Talmadge with these books

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** Many of these books may be available from your local library. Check it out!
† Available at the LA Public Library

A History of Screenwriting 56 – Male and Female starring Gloria Swanson – Written by Jeanie Macpherson – 1919

A History of Screenwriting 56 – Male and Female starring Gloria Swanson – Written by Jeanie Macpherson – 1919

A History of Screenwriting 56 - Male and Female starring Gloria Swanson - Written by Jeanie Macpherson - 1919

A History of Screenwriting 56 - Male and Female starring Gloria Swanson - Written by Jeanie Macpherson - 1919

 

Male and Female is a 1919 American silent adventure/drama film directed by Cecil B. DeMille and starring Gloria Swanson and Thomas Meighan.[2] Its main themes are gender relations and social class. The film is based on the J. M. Barrie play The Admirable Crichton.[1]

A previous version was filmed the year before in England as The Admirable Crichton

The film centers on the relationship between Lady Mary Loam (Swanson), a British aristocrat, and her butler, Crichton (Meighan). Crichton fancies a romance with Mary, but she disdains him because of his lower social class. When the two and some others are shipwrecked on a deserted island, they are left to fend for themselves in a state of nature.

The aristocrats’ abilities to survive are far worse than those of Crichton, and a role reversal ensues, with the butler becoming a king among the stranded group. Crichton and Mary are about to wed on the island when the group is rescued. Upon returning to Britain, Crichton chooses not to marry Mary; instead, he asks a maid, Tweeny (who was attracted to Crichton throughout the film), to marry him, and the two move to the United States– Wikipedia

 


Learn More About Gloria Swanson with these books

 

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** Many of these books may be available from your local library. Check it out!
† Available at the LA Public Library

A History of Screenwriting 55 – The Trespasser starring Gloria Swanson – Written by Edmund Goulding – 1929

A History of Screenwriting 55 – The Trespasser starring Gloria Swanson – Written by Edmund Goulding – 1929

A History of Screenwriting 55 - The Trespasser starring Gloria Swanson - Written by Edmund Goulding - 1929

The Trespasser is a 1929 American pre-Code film directed and written by Edmund Goulding, starring Gloria Swanson, Robert Ames, Purnell Pratt, Henry B. Walthall, and Wally Albright. The film was released by United Artists in both silent and talkie versions.

A humble woman (Swanson) marries a wealthy man (Ames). Their marriage is annulled by the man’s father (Holden), who considers her a fortune-hunter, and she is left alone to raise her child. She later becomes a “kept woman” for an older, married man. When the man dies, leaving Swanson a $500,000 inheritance, the press is quick to cast doubts upon the paternity of Swanson’s child. Her ex-husband has since remarried, and now comes back into Swanson’s life. For the sake of her child, she sends the boy to live with her ex and his wife. The wife dies and the film ends happily (if improbably) with Swanson reunited with her ex-husband.

The Trespasser was produced as both a silent and sound version for a total negative cost of $725,000.[1] The film earned an Academy Award nomination for (Gloria Swanson) in her talkie debut. It was written and directed by Edmund Goulding and was first filmed as a silent film. A talkie version was quickly made and was a smash hit for its star, Gloria Swanson. Goulding remade the film as That Certain Woman (1937) with Bette Davis and Henry Fonda. .- Wikipedia


Learn More About Gloria Swanson with these books

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** Many of these books may be available from your local library. Check it out!
† Available at the LA Public Library

Encyclopedia of Women in American History named to the 2018 Outstanding References Sources List by Reference and User Services Association (RUSA), a division of the American Library Association

More great news for our ABC-CLIO Encyclopedia on Women in American History — Rosanne

Encyclopedia of Women in American History named to the 2018 Outstanding References Sources List by Reference and User Services Association (RUSA), a division of the American Library Association

Encyclopedia of Women in American History, edited by Dr. Rosanne Welch and Dr. Peg Lamphier, has been named to the 2018 Outstanding References Sources List, an annual list selected by experts of the Collection Development and Evaluation Section (CODES) of the Reference and User Services Association (RUSA), a division of the American Library Association.

The Outstanding Reference Sources Committee was established in 1958 to recommend the most outstanding reference publications published the previous year for small and medium-sized public and academic libraries. The selected titles are valuable reference resources and are highly recommended for inclusion in any library’s reference collections.

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Find it on Amazon.com

Dr. Rosanne Welch and Dr. Peg Lamphier

A History of Screenwriting 54 – Ninotchka Starring Greta Garbo – Written by Melchior Lengyel, Charles Brackett, Billy Wilder, Walter Reisch – 1939

A History of Screenwriting 54 – Ninotchka Starring Greta Garbo – Written by Melchior Lengyel, Charles Brackett, Billy Wilder, Walter Reisch – 1939

Ninotchka (1939) trailer 3.jpg
By trailer screenshot (MGM) – Ninotchka trailer, Public Domain, Link

The Trailer from Ninotchka/em>

Ninotchka is a 1939 American film made for Metro-Goldwyn-Mayer by producer and director Ernst Lubitsch and starring Greta Garbo and Melvyn Douglas.[1] It is written by Billy Wilder, Charles Brackett, and Walter Reisch,[1] based on a screen story by Melchior Lengyel. Ninotchka is Greta Garbo’s first full comedy, and her penultimate film. It is one of the first American movies which, under the cover of a satirical, light romance, depicted the Soviet Union under Joseph Stalin as being rigid and gray, in this instance comparing it with the free and sunny Parisian society of pre-war years.- Wikipedia


Learn More About Greta Garbo with these books

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** Many of these books may be available from your local library. Check it out!
† Available at the LA Public Library

Rosanne Welch and Peg Lamphier perform in The Vagina Monologues at Cal Poly Pomona

For our 3rd year participating in the Cal Poly Pomona Women’s Center’s production of The Vagina Monologues, Peg and I were given My Angry Vagina – and we milked it for all the laughs we could. What is it about college students who laugh every time a professor uses colorful language?

Rosanne Welch and Peg Lamphier perform in The Vagina Monologues at Cal Poly Pomona

Rosanne Welch and Peg Lamphier perform in The Vagina Monologues at Cal Poly Pomona