When Women Wrote Hollywood – 27 in a series – “Dr. Jekyll and Mr. Hyde” (1920), Wr: Clara Beranger

To highlight the wonderful yet largely forgotten work of a collection of female screenwriters from the early years of Hollywood (and as a companion to the book, When Women Wrote Hollywood) we will be posting quick bits about the many films they wrote along with links to further information and clips from their works which are still accessible online. Take a few moments once or twice a week to become familiar with their names and their stories. I think you’ll be surprised at how much bold material these writers tackled at the birth of this new medium. — Rosanne Welch


When Women Wrote Hollywood – 27 in a series – “Dr. Jekyll and Mr. Hyde” (1920), Wr: Clara Beranger

When Women Wrote Hollywood - 27 in a series -

Dr. Jekyll and Mr. Hyde is a 1920 horror silent film, produced by Famous Players-Lasky and released through Paramount/Artcraft. The film is based upon Robert Louis Stevenson’s novella The Strange Case of Dr Jekyll and Mr Hyde and starring actor John Barrymore.

The film was directed by John S. Robertson and co-starred Nita Naldi. The scenario was by Clara Beranger and the film is now in the public domain.

Dr. Jekyll, a kind and charitable man, believes that everyone has two sides, one good and one evil, otherwise considered a split personality. Using a potion that he concocted, Dr. Jekykll becomes Mr. Hyde, creating havoc throughout his town.[1][2]

The early part of Jekyll’s initial transformation into Hyde was achieved with no makeup, instead relying solely on Barrymore’s ability to contort his face.[4] In one scene, as Hyde reverts to Jekyll, one of Hyde’s prosthetic fingers can be seen to fly across the screen, having been shaken loose by Barrymore’s convulsions. The character of Millicent Carew does not appear in Stevenson’s original story, but in the 1887 stage version by Thomas Russell Sullivan starring Richard Mansfield. This 1920 film version used the play’s concept of Jekyll being engaged to Carew’s daughter, and Hyde beginning a dalliance with a dance-hall girl. — Wikipedia 

Watch Dr. Jekyll and Mr. Hyde

More about Dr. Jekyll and Mr Hyde (1920)

More about Clare Beranger


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Quotes from When Women Wrote Hollywood – 5 in a series – Satirizing sex and love

Quotes from When Women Wrote Hollywood - 5 in a series - Satirizing sex and love

“Best known for writing ‘Gentlemen Prefer Blondes’, Anita Loos is a great American author, playwright, and screenwriter.  In the silent era, Loos shaped the integral role that intertitles played, and is known for her title work for some of the most acclaimed of movies of the day. She was a master of satirizing sex and love, and was capable of writing rich, multi-faceted females who drove the action in their films.”

Anita Loos: A Girl Like Her

Toni Anita Hull 


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From The Research Vault: Zilch: The Podcast Full of The Monkees – Final Entry In This Series

From The Research Vault: Zilch: The Podcast Full of The Monkees

From The Research Vault: Zilch:  The Podcast Full of The Monkees

We discuss all things Monkees and enjoy Monkee-ing around! Any member can post, and the only rules here are to be nice to each other and to keep the content PG(-ish)!

* I am now a regular contributor to this podcast, too!

Listen to Zilch: The Podcast Full of The Monkees


 

Why The Monkees Matter: Teenagers, Television and American Pop Culture

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“When Women Wrote Hollywood” is at the Citizen Jane Film Festival – November 1-4, 2018, Columbia, Missouri

When Women Wrote Hollywood is a collection of 23 essays focused on the lives of female screenwriters of Golden Age Hollywood.

Celebrate the work of these female screenwriters by meeting the authors!

Buy the book, listen to the authors share about their subjects, and get your book signed!

* Citizen Jane Film Festival Badge Not Required – This is a FREE Event!

Join the “When Women Wrote Hollywood” Facebook Event


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** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

28 Amy Pond from Gender Diversity in the Who-niverse with Rosanne Welch Ph.D [Video] (0:59)

Watch this entire presentation: Gender Diversity in the Who-niverse: Paving the Way for a Lady Doctor with Dr. Rosanne Welch [Video] (36:58)

28 Amy Pond from Gender Diversity in the Who-niverse

For her 5th Doctor Who lecture to the CPP community, Dr. Rosanne Welch discusses how society – and the show’s writing staff – prepared the audience for a major change in this 50-year franchise – the creation of the first Lady Doctor!

Transcript:

Then she has to deal with finding out that her baby gets stolen. I mean that’s a long, epic adventure for poor Amy. It’s a lot to put one woman through. At the very end, though, I think the coolest thing in the world is — as much as people wanted to try to say she was going to fall for The Doctor — she and Rory were the first married couple to travel with The Doctor and to leave your husband for another guy would have been cheesy of her and she didn’t think of her Doctor friend in that way. She never stopped loving her husband. Spoiler alert, if you haven’t seen this. At the end of their time with The Doctor we lose Rory to the Weeping Angels who were a cool invention of Steven Moffat and when she finds out that all she has to do is allow herself to be taken by them as well and she’ll end up in the past with him, she gives up her adventuring, exciting life with The Doctor to go with her husband because that’s who she loves and she was going to take that chance and that’s hugely strong. Really, really, hugely strong, I think.

Follow Dr. Welch on Twitter and Instagram
https://twitter.com/rosannewelchhttp://instagram.com/drrosannewelch

 

Rosanne Welch, PhD

Rosanne Welch PhD teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.

Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.

Watch Dr. Welch’s talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP.

Lauren Elizabeth Smith, Author of “Fearless and Fierce: June Mathis” from “When Women Wrote Hollywood” [Video] (4:02)

Watch the complete When Women Wrote Hollywood Book Launch Event

Lauren Elizabeth Smith, Author of

Lauren Elizabeth Smith, Author of “Fearless and Fierce: June Mathis” from “When Women Wrote Hollywood”

When Women Wrote Hollywood Book Launch Event
August 11, 2018 at the Jim Henson Studios, where the Stephens College MFA in TV and Screenwriting program resides.

These 23 essays cover a range of female screenwriters from the early years of film through the 1940s, women whose work helped create the unforgettable stories and characters beloved generations of audiences but whose names have been left out of most film histories. Not this one. This collection is dedicated to those women and written by a group of women grateful to stand on the shoulders of those who came before – as a beacon to those who will come after.

Many thanks to the essay contributors who joined us and spoke so eloquently about the women writers they had researched: Toni Anita Hull, Laura Kirk, Amelia Phillips, Sarah Phillips, Julie Berkobien, Khanisha Foster, Lauren Smith, and to Cari Beauchamp, who wrote the Forward to the collection.


Buy a signed copy of when Women Wrote Hollywood

or Buy the Book on Amazon

 

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

When Women Wrote Hollywood – 26 in a series – Clara Beranger

To highlight the wonderful yet largely forgotten work of a collection of female screenwriters from the early years of Hollywood (and as a companion to the book, When Women Wrote Hollywood) we will be posting quick bits about the many films they wrote along with links to further information and clips from their works which are still accessible online. Take a few moments once or twice a week to become familiar with their names and their stories. I think you’ll be surprised at how much bold material these writers tackled at the birth of this new medium. — Rosanne Welch


When Women Wrote Hollywood – 26 in a series – Clara Beranger

When Women Wrote Hollywood - 26 in a series - Clare Beranger

Clara Beranger (also Berenger, née Strouse, January 14, 1886 – September 10, 1956) was an American screenwriter of the silent film era and a member of the original faculty of the USC School of Cinematic Arts.

Using the pseudonym of Charles S. Beranger, her first screen employment was as a freelancer, writing for the Edison, Vitagraph and Kalem companies, to whom she furnished many originals as well as continuities. Her success attracted some attention and she was appointed as a staff writer for the Fox Corporation. She wrote several scripts for the popular child star Baby Marie Osborne as well as a much-praised adaptation of A Tale of Two Cities. Beranger also wrote The Interloper for Kitty Gordon, The Bluffer for June Elvidge and The Mirror for Marjorie Rambeau, though many of these films are considered lost.[3] With Forrest Halsey, Beranger wrote the stage play, His Chinese Wife, which received good reviews and became one of the successes of the 1919–1920 season.[3]

In 1921, Clara took Frances, then twelve, and migrated to Hollywood to write for motion pictures,[1] where she signed a long contract with Cecil B. DeMille’s Famous Players-Lasky; the outfit with whom she is most associated. She wrote or contributed to more than 24 DeMille productions, and produced both Come Out of the Kitchen and Girls for Marguerite Clark; Sadie Love and Wanted: A Husband for Billie Burke; Judy of Rogue’s Harbor for Mary Miles Minter; The Fear Market for Alice Brady; The Cost for Violet Heming; Half an Hour for Dorothy Dalton; Civilian Clothes for Thomas Meighan, Notoriety for Bebe Daniels and the long-lasting classic Dr. Jekyll and Mr. Hyde for John Barrymore.[3] — Wikipedia 

Watch a movie by Clara Beranger

More about Clara Beranger


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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Khanisha Foster, Author of “The Nature and Genius of Alice Guy Blaché” from “When Women Wrote Hollywood” [Video] (2:56)

Watch the complete When Women Wrote Hollywood Book Launch Event

Khanisha Foster, Author of

Khanisha Foster, Author of “The Nature and Genius of Alice Guy Blaché” from “When Women Wrote Hollywood”

When Women Wrote Hollywood Book Launch Event
August 11, 2018 at the Jim Henson Studios, where the Stephens College MFA in TV and Screenwriting program resides.

These 23 essays cover a range of female screenwriters from the early years of film through the 1940s, women whose work helped create the unforgettable stories and characters beloved generations of audiences but whose names have been left out of most film histories. Not this one. This collection is dedicated to those women and written by a group of women grateful to stand on the shoulders of those who came before – as a beacon to those who will come after.

Many thanks to the essay contributors who joined us and spoke so eloquently about the women writers they had researched: Toni Anita Hull, Laura Kirk, Amelia Phillips, Sarah Phillips, Julie Berkobien, Khanisha Foster, Lauren Smith, and to Cari Beauchamp, who wrote the Forward to the collection.


Buy a signed copy of when Women Wrote Hollywood

or Buy the Book on Amazon

 

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

27 River Song from Gender Diversity in the Who-niverse [Video] (0:33)

Watch this entire presentation: Gender Diversity in the Who-niverse: Paving the Way for a Lady Doctor with Dr. Rosanne Welch [Video] (36:58)

River Song from Gender Diversity in the Who-niverse [Video] (0:33)

For her 5th Doctor Who lecture to the CPP community, Dr. Rosanne Welch discusses how society – and the show’s writing staff – prepared the audience for a major change in this 50-year franchise – the creation of the first Lady Doctor!

Transcript:

River Song is, of course, an invention of Steven Moffat. Right? and she’s super strong. She died twice — well, she dies once completely to help save The Doctor and the second time she gives all her regeneration power to Matt Smith’s Doctor, so he won’t die. Literally sacrifices her own chance to regenerate ten more times so that he won’t die. You can’t get much stronger than that. That is coming to Prince Charmings rescue. That’s the Princess coming to the rescue of the guy. I mean that’s huge and that’s written by Steven Moffat. So I think that’s worth noting.

Follow Dr. Welch on Twitter and Instagram
https://twitter.com/rosannewelchhttp://instagram.com/drrosannewelch

 

Rosanne Welch, PhD

Rosanne Welch PhD teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.

Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.

Watch Dr. Welch’s talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP.

Julie Berkobien, Author of “Frances Goodrich and Albert Hackett: The Most Beloved Couple in Hollywood” from “When Women Wrote Hollywood” [Video] (2:40)

Watch the complete When Women Wrote Hollywood Book Launch Event

Julie Berkobien, Author of

Julie Berkobien, Author of “Frances Goodrich and Albert Hackett: The Most Beloved Couple in Hollywood” from “When Women Wrote Hollywood”

When Women Wrote Hollywood Book Launch Event
August 11, 2018 at the Jim Henson Studios, where the Stephens College MFA in TV and Screenwriting program resides.

These 23 essays cover a range of female screenwriters from the early years of film through the 1940s, women whose work helped create the unforgettable stories and characters beloved generations of audiences but whose names have been left out of most film histories. Not this one. This collection is dedicated to those women and written by a group of women grateful to stand on the shoulders of those who came before – as a beacon to those who will come after.

Many thanks to the essay contributors who joined us and spoke so eloquently about the women writers they had researched: Toni Anita Hull, Laura Kirk, Amelia Phillips, Sarah Phillips, Julie Berkobien, Khanisha Foster, Lauren Smith, and to Cari Beauchamp, who wrote the Forward to the collection.


Buy a signed copy of when Women Wrote Hollywood

or Buy the Book on Amazon

 

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library