Why (and How) I Created a History of Screenwriting Course and NOT a History of Film Course with Rosanne Welch, Ph.D [Video] (17:15)

Here is my recent presentation at the 11th Annual Screenwriting Research Network conference. Held on the campus of the beautiful Università Cattolica del Sacro Cuore in Milan.

In the presentation, I covered the reasons writers have been marginalized – and the reasons they oughtn’t to be so disrespected. Then I talked about how my course works, what books I assign, what guest speakers I invite, what research the students do – and ended on a high note by introducing ‘When Women Wrote Hollywood’ – the book of essays from our inaugural class which has now been published by McFarland.

Why (and How) I Created a History of Screenwriting Course and NOT a History of Film Course with Rosanne Welch, Ph.D

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Buy a signed copy of when Women Wrote Hollywood

 

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

“When Women Wrote Hollywood” is at the Citizen Jane Film Festival – November 1-4, 2018, Columbia, Missouri

When Women Wrote Hollywood is a collection of 23 essays focused on the lives of female screenwriters of Golden Age Hollywood.

Celebrate the work of these female screenwriters by meeting the authors!

Buy the book, listen to the authors share about their subjects, and get your book signed!

* Citizen Jane Film Festival Badge Not Required – This is a FREE Event!

Join the “When Women Wrote Hollywood” Facebook Event


Buy a signed copy of when Women Wrote Hollywood

 

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

17 More Intelligent Women from How The Monkees Changed Television [Video] (0:54)

What this entire presentation — How The Monkees Changed Television with Rosanne Welch, PhD (Complete Presentation and Q&A) [Video] (45:06)

17 More Intelligent Women from How The Monkees Changed Television [Video] (0:54)

Rosanne Welch, PhD, Author of Why The Monkees Matter, presents “How The Monkees Changed Television” at a Cal State Fullerton Lunch Lecture on May 8, 2018.

In this talk, she shows how The Monkees, and specifically their presence on television, set the stage for large changes to come in the late 1960s.

 

Transcript

Later in the series, we’re going to meet girls who are reporters for newspapers and who are working in television studios. Every time we meet a girl she’s defined by her job first and that’s how the boys get involved with her. So to me, that’s a pretty feminist statement in the 1960s. This, if you were a Batman fan from the TV show back in the day, that’s Julie Newmar and she guests on the show playing April who runs a laundromat and she’s getting a Ph.D. in laundry — I’m not really sure what that’s all about — kind of funny — but she’s getting a Ph.D. and she’s the girl that all four of them fall in love with. The whole episode is all four of them trying to be what she wants them to be and when they define what it is “The fastest way to a woman’s heart is through her mind.” Her mind. That’s what matters in a woman. Whoa. That’s a really bold statement for back in the day.


 Why The Monkees Matter: Teenagers, Television and American Pop Culture

    

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Want to use “Why The Monkees Matter” in your classroom?

Order Examination Copies, Library and Campus Bookstore orders directly from McFarland

McFarland Company logo


About Rosanne Welch, PhD

Rosanne Welch, PhD is a writer, producer and university professor with credits that include Beverly Hills 90210, Picket Fences, Touched by an Angel and ABC NEWS/Nightline. Other books include Why The Monkees Matter: Teenagers, Television and American Pop Culture (McFarland, 2017) and Women in American History: A Social, Political, and Cultural Encyclopedia and Document Collection (ABC-CLIO, 2017), named to the 2018 Outstanding References Sources List, by the Reference and User Services Association (RUSA), a division of the American Library Association. Welch has also published chapters in Torchwood Declassified: Investigating Mainstream Cult Television (I.B.Tauris) and The American Civil War on Film and TV: Blue and Gray in Black and White and Color (Lexington Books, 2018) and essays in Doctor Who and Race: An Anthology and Outside In Makes it So, and Outside in Boldly Goes (both edited by Robert Smith). By day she teaches courses on the history of screenwriting and on television writing for the Stephens College MFA in Screenwriting programs. Her talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP is available on YouTube.

28 Amy Pond from Gender Diversity in the Who-niverse with Rosanne Welch Ph.D [Video] (0:59)

Watch this entire presentation: Gender Diversity in the Who-niverse: Paving the Way for a Lady Doctor with Dr. Rosanne Welch [Video] (36:58)

28 Amy Pond from Gender Diversity in the Who-niverse

For her 5th Doctor Who lecture to the CPP community, Dr. Rosanne Welch discusses how society – and the show’s writing staff – prepared the audience for a major change in this 50-year franchise – the creation of the first Lady Doctor!

Transcript:

Then she has to deal with finding out that her baby gets stolen. I mean that’s a long, epic adventure for poor Amy. It’s a lot to put one woman through. At the very end, though, I think the coolest thing in the world is — as much as people wanted to try to say she was going to fall for The Doctor — she and Rory were the first married couple to travel with The Doctor and to leave your husband for another guy would have been cheesy of her and she didn’t think of her Doctor friend in that way. She never stopped loving her husband. Spoiler alert, if you haven’t seen this. At the end of their time with The Doctor we lose Rory to the Weeping Angels who were a cool invention of Steven Moffat and when she finds out that all she has to do is allow herself to be taken by them as well and she’ll end up in the past with him, she gives up her adventuring, exciting life with The Doctor to go with her husband because that’s who she loves and she was going to take that chance and that’s hugely strong. Really, really, hugely strong, I think.

Follow Dr. Welch on Twitter and Instagram
https://twitter.com/rosannewelchhttp://instagram.com/drrosannewelch

 

Rosanne Welch, PhD

Rosanne Welch PhD teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.

Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.

Watch Dr. Welch’s talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP.

16 Princess Rescuing The Princes from How The Monkees Changed Television [Video] (0:54)

What this entire presentation — How The Monkees Changed Television with Rosanne Welch, PhD (Complete Presentation and Q&A) [Video] (45:06)

Princess Rescuing The Princes from How The Monkees Changed Television [Video] (0:54)

Rosanne Welch, PhD, Author of Why The Monkees Matter, presents “How The Monkees Changed Television” at a Cal State Fullerton Lunch Lecture on May 8, 2018.

In this talk, she shows how The Monkees, and specifically their presence on television, set the stage for large changes to come in the late 1960s.

 

Transcript

She turns down the cute boy to do her job. Her job and her responsibility is being queen. Right? That’s what she’s become/ It’s not about can I get the cute boy? And I’m like Wow! Every girl in America would have said yes to the cute boy. So that was an interesting, to me, feminist thought that you should think about your position and what you’re there to do in the world. It’s not just to make some boy happy. Right? And then she invites him to come and it’s kind of cute because he says “No. What I have to do is here with the guys and our music. We have to spread our message through the world in music.” So even he is led by his purpose in the world not by “Who am I going to have sex with this week.” So I think that’s really kind of a big statement for a TV show that I was watching as a kid. My thesis at the end of the book is, if you were a girl watching in 1966, you learned that to get a Monkee you didn’t want to be a cheerleader. You wanted to be a woman of value.


 Why The Monkees Matter: Teenagers, Television and American Pop Culture

    

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Want to use “Why The Monkees Matter” in your classroom?

Order Examination Copies, Library and Campus Bookstore orders directly from McFarland

McFarland Company logo


About Rosanne Welch, PhD

Rosanne Welch, PhD is a writer, producer and university professor with credits that include Beverly Hills 90210, Picket Fences, Touched by an Angel and ABC NEWS/Nightline. Other books include Why The Monkees Matter: Teenagers, Television and American Pop Culture (McFarland, 2017) and Women in American History: A Social, Political, and Cultural Encyclopedia and Document Collection (ABC-CLIO, 2017), named to the 2018 Outstanding References Sources List, by the Reference and User Services Association (RUSA), a division of the American Library Association. Welch has also published chapters in Torchwood Declassified: Investigating Mainstream Cult Television (I.B.Tauris) and The American Civil War on Film and TV: Blue and Gray in Black and White and Color (Lexington Books, 2018) and essays in Doctor Who and Race: An Anthology and Outside In Makes it So, and Outside in Boldly Goes (both edited by Robert Smith). By day she teaches courses on the history of screenwriting and on television writing for the Stephens College MFA in Screenwriting programs. Her talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP is available on YouTube.

Lauren Elizabeth Smith, Author of “Fearless and Fierce: June Mathis” from “When Women Wrote Hollywood” [Video] (4:02)

Watch the complete When Women Wrote Hollywood Book Launch Event

Lauren Elizabeth Smith, Author of

Lauren Elizabeth Smith, Author of “Fearless and Fierce: June Mathis” from “When Women Wrote Hollywood”

When Women Wrote Hollywood Book Launch Event
August 11, 2018 at the Jim Henson Studios, where the Stephens College MFA in TV and Screenwriting program resides.

These 23 essays cover a range of female screenwriters from the early years of film through the 1940s, women whose work helped create the unforgettable stories and characters beloved generations of audiences but whose names have been left out of most film histories. Not this one. This collection is dedicated to those women and written by a group of women grateful to stand on the shoulders of those who came before – as a beacon to those who will come after.

Many thanks to the essay contributors who joined us and spoke so eloquently about the women writers they had researched: Toni Anita Hull, Laura Kirk, Amelia Phillips, Sarah Phillips, Julie Berkobien, Khanisha Foster, Lauren Smith, and to Cari Beauchamp, who wrote the Forward to the collection.


Buy a signed copy of when Women Wrote Hollywood

or Buy the Book on Amazon

 

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Khanisha Foster, Author of “The Nature and Genius of Alice Guy Blaché” from “When Women Wrote Hollywood” [Video] (2:56)

Watch the complete When Women Wrote Hollywood Book Launch Event

Khanisha Foster, Author of

Khanisha Foster, Author of “The Nature and Genius of Alice Guy Blaché” from “When Women Wrote Hollywood”

When Women Wrote Hollywood Book Launch Event
August 11, 2018 at the Jim Henson Studios, where the Stephens College MFA in TV and Screenwriting program resides.

These 23 essays cover a range of female screenwriters from the early years of film through the 1940s, women whose work helped create the unforgettable stories and characters beloved generations of audiences but whose names have been left out of most film histories. Not this one. This collection is dedicated to those women and written by a group of women grateful to stand on the shoulders of those who came before – as a beacon to those who will come after.

Many thanks to the essay contributors who joined us and spoke so eloquently about the women writers they had researched: Toni Anita Hull, Laura Kirk, Amelia Phillips, Sarah Phillips, Julie Berkobien, Khanisha Foster, Lauren Smith, and to Cari Beauchamp, who wrote the Forward to the collection.


Buy a signed copy of when Women Wrote Hollywood

or Buy the Book on Amazon

 

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

27 River Song from Gender Diversity in the Who-niverse [Video] (0:33)

Watch this entire presentation: Gender Diversity in the Who-niverse: Paving the Way for a Lady Doctor with Dr. Rosanne Welch [Video] (36:58)

River Song from Gender Diversity in the Who-niverse [Video] (0:33)

For her 5th Doctor Who lecture to the CPP community, Dr. Rosanne Welch discusses how society – and the show’s writing staff – prepared the audience for a major change in this 50-year franchise – the creation of the first Lady Doctor!

Transcript:

River Song is, of course, an invention of Steven Moffat. Right? and she’s super strong. She died twice — well, she dies once completely to help save The Doctor and the second time she gives all her regeneration power to Matt Smith’s Doctor, so he won’t die. Literally sacrifices her own chance to regenerate ten more times so that he won’t die. You can’t get much stronger than that. That is coming to Prince Charmings rescue. That’s the Princess coming to the rescue of the guy. I mean that’s huge and that’s written by Steven Moffat. So I think that’s worth noting.

Follow Dr. Welch on Twitter and Instagram
https://twitter.com/rosannewelchhttp://instagram.com/drrosannewelch

 

Rosanne Welch, PhD

Rosanne Welch PhD teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.

Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.

Watch Dr. Welch’s talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP.

Julie Berkobien, Author of “Frances Goodrich and Albert Hackett: The Most Beloved Couple in Hollywood” from “When Women Wrote Hollywood” [Video] (2:40)

Watch the complete When Women Wrote Hollywood Book Launch Event

Julie Berkobien, Author of

Julie Berkobien, Author of “Frances Goodrich and Albert Hackett: The Most Beloved Couple in Hollywood” from “When Women Wrote Hollywood”

When Women Wrote Hollywood Book Launch Event
August 11, 2018 at the Jim Henson Studios, where the Stephens College MFA in TV and Screenwriting program resides.

These 23 essays cover a range of female screenwriters from the early years of film through the 1940s, women whose work helped create the unforgettable stories and characters beloved generations of audiences but whose names have been left out of most film histories. Not this one. This collection is dedicated to those women and written by a group of women grateful to stand on the shoulders of those who came before – as a beacon to those who will come after.

Many thanks to the essay contributors who joined us and spoke so eloquently about the women writers they had researched: Toni Anita Hull, Laura Kirk, Amelia Phillips, Sarah Phillips, Julie Berkobien, Khanisha Foster, Lauren Smith, and to Cari Beauchamp, who wrote the Forward to the collection.


Buy a signed copy of when Women Wrote Hollywood

or Buy the Book on Amazon

 

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Sarah Phillips, Author of “Screenwriter, Producer, and Director: Marion Fairfax” from “When Women Wrote Hollywood” [Video] (3:04)

Watch the complete When Women Wrote Hollywood Book Launch Event

Sarah Phillips, Author of

Sarah Phillips, Author of “Screenwriter, Producer, and Director: Marion Fairfax” from “When Women Wrote Hollywood”

When Women Wrote Hollywood Book Launch Event
August 11, 2018 at the Jim Henson Studios, where the Stephens College MFA in TV and Screenwriting program resides.

These 23 essays cover a range of female screenwriters from the early years of film through the 1940s, women whose work helped create the unforgettable stories and characters beloved generations of audiences but whose names have been left out of most film histories. Not this one. This collection is dedicated to those women and written by a group of women grateful to stand on the shoulders of those who came before – as a beacon to those who will come after.

Many thanks to the essay contributors who joined us and spoke so eloquently about the women writers they had researched: Toni Anita Hull, Laura Kirk, Amelia Phillips, Sarah Phillips, Julie Berkobien, Khanisha Foster, Lauren Smith, and to Cari Beauchamp, who wrote the Forward to the collection.


Buy a signed copy of when Women Wrote Hollywood

or Buy the Book on Amazon

 

Paperback Edition | Kindle Edition | Google Play Edition

 

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library