Quotes from “Why The Monkees Matter” by Dr. Rosanne Welch – 62 in a series – Costuming

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Keeping them all individual as opposed to forcing them into matching uniforms ala Paul Revere and the Raiders helped the audience distinguish them and possibly helped the band members manage their own personalities on the show and in concert.  

from Why The Monkees Mattered by Dr. Rosanne Welch —  Buy your Copy today!

 Why The Monkees Matter: Teenagers, Television and American Pop Culture

  

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Keeping them all individual as opposed to forcing them into matching uniforms ala Paul Revere and the Raiders helped the audience distinguish them and possibly helped the band members manage their own personalities on the show and in concert.

04 – Monkee Metatexutality: “Why The Monkees Matter” Interview with Jean Hopkins Power [Video] (1:02)

Rosanne Welch talks about “Why The Monkees Matter” with Jean Hopkins Power

Watch this entire presentation (45 mins)

Jean Powergirl takes the host reigns and welcomes her guest Rosanne Welch, PhD to the show! They’ll be discussing Roseanne’s book, “Why The Monkees Matter: Teenagers, Television and American Pop Culture.”

04 - Monkee Metatexutality: “Why The Monkees Matter” Interview with Jean Hopkins Power

 

Transcript:

Rosanne: These techniques weren’t necessarily being used by shows like George Burns and Gracie Allen Show. They would eventually be in things like Dream On and many other shows later would use those kinds of old footage, but now that I bring up George and Gracie. What they did is that they spoke to the audience, which is another thing these guys did.They broke the 4th wall of theater by speaking to the audience and admitting to the audience that we know we’re a show and you’re watching us, which is meta-narrative if you want to get all professorial about it, but it made them — it gave them a chance to get closer to the audience and it connected the kids to them.

Jean: So, by doing that there’s a lot of current shows — and I’m going to kind of nerd out with you on this — like The Office for example or these mockumentary type things where they say they’re aware that we’re going to be watching them the Monkees had already been doing that.

Rosanne: They’d already been doing that. Exactly and it made them very hip and cute to the children watching because they were the generation who hadn’t been paid much attention to yet and now these boys were paying attention to them.

Get your copy today!

A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Achievement in Comedy. Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.

This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers. Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Rider and Five Easy Pieces.

Rosanne Welch, PhD has written for television (Touched by an Angel, Picket Fences) and print (Three Ring Circus: How Real Couples Balance Marriage, Work and Kids and The Encyclopedia of Women in Aviation and Space). In the documentary world she has written and produced Bill Clinton and the Boys Nation Class of 1963 for ABC NEWS/Nightline and consulted on PBS’s A Prince Among Slaves, the story of a prince from West Africa who was enslaved in the 1780s, freed by order of President John Quincy Adams in the 1820s and returned to his homeland.

Quotes from “Why The Monkees Matter” by Dr. Rosanne Welch – 61 in a series – Laugh Tracks

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During the second season of The Monkees, after “A Coffin Too Frequent,” the actors requested the laugh track be eliminated because they felt since their younger, hipper audience had grown up with television, they were in fact the first generation to do so, they were indoctrinated into the style and understood when to laugh.   

from Why The Monkees Mattered by Dr. Rosanne Welch —  Buy your Copy today!

 Why The Monkees Matter: Teenagers, Television and American Pop Culture

  

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

03 – Monkee Emmys and “Romps”: “Why The Monkees Matter” Interview with Jean Hopkins Power [Video] (0:55)

Rosanne Welch talks about “Why The Monkees Matter” with Jean Hopkins Power

Watch this entire presentation (45 mins)

Jean Powergirl takes the host reigns and welcomes her guest Rosanne Welch, PhD to the show! They’ll be discussing Roseanne’s book, “Why The Monkees Matter: Teenagers, Television and American Pop Culture.”

03 - Monkee Emmys and

 

Transcript:

Rosanne: The adults that did take it seriously are the adults who were in the business because they won an Emmy for best Comedy Series in their first season.

Jean: They won 2 Emmys, right?

Rosanne: Yes. They won one for Best Directing as well, And James Frawley who won that had begun his directing career on The Monkees and he grew up to direct The Muppet Movie.

Jean: Awesome. And we love our Muppets. So, in terms of the production and everything The Monkees did some interesting things that — and these are the things that I remember. I remember a lot of little chase scenes that were so cute. Kind of zany. Kind of Groucho Marx-y kind of things, but also they employed the use of what, flashbacks and things like that. Let’s talk about the tools that they used.

Rosanne: They used flashbacks. They would use a lot of old footage whenever they would say something funny, they’d cut to — if I’d say, “The Sky’s falling” they’d cut to a building being dynamited down and that sort of thing and that helps because it saved them money, because they’re using old footage, but it also gave a very frenetic, energetic feel to the show.

Get your copy today!

A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Achievement in Comedy. Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.

This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers. Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Rider and Five Easy Pieces.

Rosanne Welch, PhD has written for television (Touched by an Angel, Picket Fences) and print (Three Ring Circus: How Real Couples Balance Marriage, Work and Kids and The Encyclopedia of Women in Aviation and Space). In the documentary world she has written and produced Bill Clinton and the Boys Nation Class of 1963 for ABC NEWS/Nightline and consulted on PBS’s A Prince Among Slaves, the story of a prince from West Africa who was enslaved in the 1780s, freed by order of President John Quincy Adams in the 1820s and returned to his homeland.

Quotes from “Why The Monkees Matter” by Dr. Rosanne Welch – 60 in a series – Monkee Romps

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Quotes from

Writer Treva Silverman said that for the musical romps the writers were asked to indicate props and sets and specify a few bits but let the actors and the director improvise the rest. This made the prop department the third improvisational collaborator.   

from Why The Monkees Mattered by Dr. Rosanne Welch —  Buy your Copy today!

 Why The Monkees Matter: Teenagers, Television and American Pop Culture

  

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

02 – Why DID The Monkees Matter?: “Why The Monkees Matter” Interview with Jean Hopkins Power [Video] (1:00)

Rosanne Welch talks about “Why The Monkees Matter” with Jean Hopkins Power

Watch this entire presentation (45 mins)

Jean Powergirl takes the host reigns and welcomes her guest Rosanne Welch, PhD to the show! They’ll be discussing Roseanne’s book, “Why The Monkees Matter: Teenagers, Television and American Pop Culture.”

02 - Why DID The Monkees Matter?: “Why The Monkees Matter” Interview with Jean Hopkins Power

 

Transcript:

Jean: Why The Monkees Matter. Cute kids. Mop Tops. Allowed to talk about controversial things that adults didn’t like talking about back in the 50’s, right? Rosanne is a busy woman. She does it all and actually one of the exciting things about me living here in Los Angeles — I’m a Texan if up can’t tell – is I love people like Rosanne. It’s a different world and it’s a fascinating one that’s I’ve always been interested in. So here we have The Monkees/They introduce touchy subjects like the Vietnam War just by playing a domino game. Things like that. They don’t put it in your face like that. So, The Monkees start to be a popular show among teenagers obviously. Now, Were adults starting to like it, as well?

Rosanne: A little bit, I mean, you know. it did all right but it never made the top 10 for lots of reasons, including that it didn’t air all over the country because there were some southern stations that didn’t take because their long hair — which we would laugh at today, because we wouldn’t consider it long — was so strange and anti-establishment that they immediately dismissed the show for their purposes.

Get your copy today!

A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Achievement in Comedy. Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.

This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers. Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Rider and Five Easy Pieces.

Rosanne Welch, PhD has written for television (Touched by an Angel, Picket Fences) and print (Three Ring Circus: How Real Couples Balance Marriage, Work and Kids and The Encyclopedia of Women in Aviation and Space). In the documentary world she has written and produced Bill Clinton and the Boys Nation Class of 1963 for ABC NEWS/Nightline and consulted on PBS’s A Prince Among Slaves, the story of a prince from West Africa who was enslaved in the 1780s, freed by order of President John Quincy Adams in the 1820s and returned to his homeland.

Dr. Rosanne Welch appears on Zilch Monkees Podcast #89: “Infinite Tuesday” Discussion-“SSB” & More!

Many Thanks to Sarah Clark for inviting me along on this book group discussion of Mike Nesmith’s new “Infinite Tuesday” – which due to his eclectic writing style and his honest look at his life’s successes and failures, turns out to be an interesting testament to how to survive having been young and famous in the 1960s.

Zilch #89 “Infinite Tuesday” Discussion-“SSB” & More!

Zilch #89

Sarah Clark is joined by Rosanne Welch, Ghosty Tmrs, and Music Biographer Andrew Vaughan to dig deep into Infinite Tuesday: an Autobiographical Riff! Hear the panel’s thoughts, some of Sarah’s favorite Nez Songs (not featured on the Infinite Tuesday soundtrack), Then Melanie Mitchell talks Peter Tork “SSB” Pics surface, Monkees News & More!

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Quotes from “Why The Monkees Matter” by Dr. Rosanne Welch – 59 in a series – Dean Martin and The Monkees

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Quotes from

On a side note, there are many connections between The Dean Martin Show and The Monkees, beginning with the connection between his daughter, Deana Martin, and The Monkees.  She guest starred in “Some Like it Lukewarm” which aired as the next episode after “Mind Their Manor”.   

from Why The Monkees Mattered by Dr. Rosanne Welch —  Buy your Copy today!

 Why The Monkees Matter: Teenagers, Television and American Pop Culture

  

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

01 – Introduction: “Why The Monkees Matter” Interview with Jean Hopkins Power [Video] (1:02)

Rosanne Welch talks about “Why The Monkees Matter” with Jean Hopkins Power

Watch this entire presentation (45 mins)

Jean Powergirl takes the host reigns and welcomes her guest Rosanne Welch, PhD to the show! They’ll be discussing Roseanne’s book, “Why The Monkees Matter: Teenagers, Television and American Pop Culture.”

01 - Introduction: “Why The Monkees Matter” Interview with Jean Hopkins Power [Video] (1:02)

 

Transcript:

Hello again, I’m here with Dr. Rosanne Welch. She’s a professor She’s a screenwriter. She’s a producer. She’s this Hollywood lady and she has lots of interesting things to tell us about and I am fascinated. Here’s her book we’re going to talk about today — “Why The Monkees Matter: Teenagers, Television and American Pop Culture.” You can go to Amazon.com to get this book and yea, we have lift off now. Let me go ahead and tell you er credentials again because I’m going to have this memorized. I know all about my friend, Rosanne. Alright, she’s a professor at Cal State Fullerton, Mount San Antonio Community College, and Cal Poly Pomona. She has a Ph.D. in 20th Century United States Film History from Claremont Graduate University and she has a Master of Arts in 20th Century US History from California State University Northridge in 2004. She’s a writer. She’s a producer with credits for Beverly Hills 90210, CBS’ Emmy-winning Picket Fences and Touched by and Angel.

Get your copy today!

A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Achievement in Comedy. Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.

This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers. Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Rider and Five Easy Pieces.

Rosanne Welch, PhD has written for television (Touched by an Angel, Picket Fences) and print (Three Ring Circus: How Real Couples Balance Marriage, Work and Kids and The Encyclopedia of Women in Aviation and Space). In the documentary world she has written and produced Bill Clinton and the Boys Nation Class of 1963 for ABC NEWS/Nightline and consulted on PBS’s A Prince Among Slaves, the story of a prince from West Africa who was enslaved in the 1780s, freed by order of President John Quincy Adams in the 1820s and returned to his homeland.

Quotes from “Why The Monkees Matter” by Dr. Rosanne Welch – 58 in a series – End of episode interviews

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Monkees quote 58

As an extra bonus, this episode also contained one of the 19 end-of-show interviews that gave the viewers a chance to see the stars discussing their personal lives. Rafelson found those final moments to be so important he left them raw. “Those interviews are strictly unedited. I don’t touch them. I don’t want to. If I have to edit them, out they go. I can tell you damn well they’re not puppets, they’re sensitive and intelligent–they have opinions on everything–they can speak for themselves.”  

from Why The Monkees Mattered by Dr. Rosanne Welch —  Buy your Copy today!

 Why The Monkees Matter: Teenagers, Television and American Pop Culture

  

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition