24 Nyssa from Gender Diversity in the Who-niverse [Video] (0:42)

Watch this entire presentation: Gender Diversity in the Who-niverse: Paving the Way for a Lady Doctor with Dr. Rosanne Welch [Video] (36:58)

24 Nyssa from Gender Diversity in the Who-nivers [Video] (0:42)

For her 5th Doctor Who lecture to the CPP community, Dr. Rosanne Welch discusses how society – and the show’s writing staff – prepared the audience for a major change in this 50-year franchise – the creation of the first Lady Doctor!

Transcript:

Then we had Nyssa who I really enjoyed. Nyssa came in with the Peter Davison era with Teegan — who’s alright. Teegan has her moments. But Nyssa is an alien, super intelligent from her alien race and at the end of her time with The Doctor — thy end up on a planet where there’s a leper colony and nobody is taking care of these people and rather than — again — continuing to travel with The Doctor she chooses to stay and be a caregiver to these people. She’s a doctor so she can take care of them and imagines that she will find a cure for this if she stays behind and he’s like “well maybe this will never be cured” and she’s like “it won’t ever be cured if no one tries.” So she’s willing to give it that time which I think is a beautiful strength being evidenced by a female character. Not that hard.

Follow Dr. Welch on Twitter and Instagram
https://twitter.com/rosannewelchhttp://instagram.com/drrosannewelch

 

Rosanne Welch, PhD

Rosanne Welch PhD teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.

Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.

Watch Dr. Welch’s talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP.

12 Acceptance, Critics and The Monkees from How The Monkees Changed Television [Video] (0:48)

What this entire presentation — How The Monkees Changed Television with Rosanne Welch, PhD (Complete Presentation and Q&A) [Video] (45:06)

12 Acceptance, Critics and The Monkees from How The Monkees Changed Television [Video] (0:48)

Rosanne Welch, PhD, Author of Why The Monkees Matter, presents “How The Monkees Changed Television” at a Cal State Fullerton Lunch Lecture on May 8, 2018.

In this talk, she shows how The Monkees, and specifically their presence on television, set the stage for large changes to come in the late 1960s.

 

Transcript

Peter Tork, who’s pretty brilliant, said they probably got a larger audience for this anti-war point of view than even The Beatles did because TV was free and young kids couldn’t always afford to buy an album and The Beatles weren’t on TV every week, The Monkees were, so their message got through to those kids on a more regular basis.

Who can guess who’s Peter Tork sitting with at the Monterey Pop Festival? Janis Joplin! There’s a whole lot of talk about how nobody took them seriously. People in the music business took them seriously because they were selling millions of records. They hung out together. They played music and jammed at each other’s houses over the weekend. They were all friends. It was the critics who didn’t take their music seriously and as I was discussing before we started their music has legs and is still around so the critics were wrong for once.


 Why The Monkees Matter: Teenagers, Television and American Pop Culture

    

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Want to use “Why The Monkees Matter” in your classroom?

Order Examination Copies, Library and Campus Bookstore orders directly from McFarland

McFarland Company logo


About Rosanne Welch, PhD

Rosanne Welch, PhD is a writer, producer and university professor with credits that include Beverly Hills 90210, Picket Fences, Touched by an Angel and ABC NEWS/Nightline. Other books include Why The Monkees Matter: Teenagers, Television and American Pop Culture (McFarland, 2017) and Women in American History: A Social, Political, and Cultural Encyclopedia and Document Collection (ABC-CLIO, 2017), named to the 2018 Outstanding References Sources List, by the Reference and User Services Association (RUSA), a division of the American Library Association. Welch has also published chapters in Torchwood Declassified: Investigating Mainstream Cult Television (I.B.Tauris) and The American Civil War on Film and TV: Blue and Gray in Black and White and Color (Lexington Books, 2018) and essays in Doctor Who and Race: An Anthology and Outside In Makes it So, and Outside in Boldly Goes (both edited by Robert Smith). By day she teaches courses on the history of screenwriting and on television writing for the Stephens College MFA in Screenwriting programs. Her talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP is available on YouTube.

23 Sarah Jane Smith from Gender Diversity in the Who-niverse [Video] (0:54)

Watch this entire presentation: Gender Diversity in the Who-niverse: Paving the Way for a Lady Doctor with Dr. Rosanne Welch [Video] (36:58)

Sarah Jane Smith from Gender Diversity in the Who-niverse

For her 5th Doctor Who lecture to the CPP community, Dr. Rosanne Welch discusses how society – and the show’s writing staff – prepared the audience for a major change in this 50-year franchise – the creation of the first Lady Doctor!

Transcript:

Sarah Jane is one of my favorite companions. She’s come from the old Who to new Who and then she even had her own program The Sarah Jane Adventures. So what happened was she came into the Third Doctor’s life. She was an investigative reporter so she wasn’t some girl who did nothing and she wasn’t just reporting on fashion and/or celebrities. She was an investigative reporter. She looked for things that were wrong in her society and she highlighted that with being her newspaper writer. So that’s how she came to meet The Doctor. She traveled with him through Tom Baker obviously. Then she left and returned in an episode called School Reunion with David Tennant. So in the new Who era and at that time, of course, time had passed and she was invited to continue traveling and she had the strength and the intelligence to say No. I need to move on with my life. I’ve been thinking of you for too long. I need to have my own life.

Follow Dr. Welch on Twitter and Instagram
https://twitter.com/rosannewelchhttp://instagram.com/drrosannewelch

 

Rosanne Welch, PhD

Rosanne Welch PhD teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.

Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.

Watch Dr. Welch’s talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP.

11 The War and The Monkees from How The Monkees Changed Television [Video] (0:53)

What this entire presentation — How The Monkees Changed Television with Rosanne Welch, PhD (Complete Presentation and Q&A) [Video] (45:06)

11 The War and The Monkees from How The Monkees Changed Television [Video] (0:53)

Rosanne Welch, PhD, Author of Why The Monkees Matter, presents “How The Monkees Changed Television” at a Cal State Fullerton Lunch Lecture on May 8, 2018.

In this talk, she shows how The Monkees, and specifically their presence on television, set the stage for large changes to come in the late 1960s.

 

Transcript

This is a great shot. I love from the Associated Press. All four of the men — three of the men — were drafted while they were on the show because they were all like 18, 19 and 20 years old. Michael Nesmith had already been in the Air Force so he was not but the other 3 guys were and they had to find a way around it. Even Davy Jones who was from England was drafted because he was living and making money in the United States. Thee girls took to the streets and said “If Davy goes, we go too!” The protests against losing them were very huge, but in general they were talking about how this is a bad war.. So if you look at this line I love from one of the episodes…

“They want to put the blame on teenagers. Take the war. Whose fault is it? We’re not fighting. it must be those crazy kids. They’re the ones doing all the fighting.”

Again, if that’s not an anti-war message wrapped up in a funny show. I have not idea how they got away with that, but they did.


 Why The Monkees Matter: Teenagers, Television and American Pop Culture

    

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Want to use “Why The Monkees Matter” in your classroom?

Order Examination Copies, Library and Campus Bookstore orders directly from McFarland

McFarland Company logo


About Rosanne Welch, PhD

Rosanne Welch, PhD is a writer, producer and university professor with credits that include Beverly Hills 90210, Picket Fences, Touched by an Angel and ABC NEWS/Nightline. Other books include Why The Monkees Matter: Teenagers, Television and American Pop Culture (McFarland, 2017) and Women in American History: A Social, Political, and Cultural Encyclopedia and Document Collection (ABC-CLIO, 2017), named to the 2018 Outstanding References Sources List, by the Reference and User Services Association (RUSA), a division of the American Library Association. Welch has also published chapters in Torchwood Declassified: Investigating Mainstream Cult Television (I.B.Tauris) and The American Civil War on Film and TV: Blue and Gray in Black and White and Color (Lexington Books, 2018) and essays in Doctor Who and Race: An Anthology and Outside In Makes it So, and Outside in Boldly Goes (both edited by Robert Smith). By day she teaches courses on the history of screenwriting and on television writing for the Stephens College MFA in Screenwriting programs. Her talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP is available on YouTube.

22 More Strong Female Companions In The Past from Gender Diversity in the Who-niverse [Video] (0:51)

Watch this entire presentation: Gender Diversity in the Who-niverse: Paving the Way for a Lady Doctor with Dr. Rosanne Welch [Video] (36:58)

22 More Strong Female Companions In The Past from Gender Diversity in the Who-niverse [Video] (0:51)

For her 5th Doctor Who lecture to the CPP community, Dr. Rosanne Welch discusses how society – and the show’s writing staff – prepared the audience for a major change in this 50-year franchise – the creation of the first Lady Doctor!

Transcript:

…and I also just jokingly have to say, from a strength standpoint Jean Marsh, the actress who played that character (Sara Kingdom) ended up writing the miniseries “Upstairs, Downstairs” which was the “Downton Abbey” of your parent’s generation. Huge PBS show about the maids and the rich people living in a house. So literally it was a copy — or the predecessor I should say — of “Downton Abbey.” So she moved her career, using this acting career into a writing career where she could write the kind of representations she felt that the world needed. So that is pretty cool. Liz Shaw came up in the John Pertwee era, The third Doctor Who and she was a scientist so she was the equal to any of the men she worked with and sometimes she was smarter than they were, because she had a Ph.D. and she could do science and these guys sometimes weren’t — sometimes just military dudes. So Liz Shaw is a pretty good example of a strong woman we’ve met along the way.

Follow Dr. Welch on Twitter and Instagram
https://twitter.com/rosannewelchhttp://instagram.com/drrosannewelch

 
 

Rosanne Welch, PhD

Rosanne Welch PhD teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.

Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.

Watch Dr. Welch’s talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP.

10 Randy Scouse Git and the War from How The Monkees Changed Television [Video] (0:53)

What this entire presentation — How The Monkees Changed Television with Rosanne Welch, PhD (Complete Presentation and Q&A) [Video] (45:06)

10 Randy Scouse Git and the War from How The Monkees Changed Television

Rosanne Welch, PhD, Author of Why The Monkees Matter, presents “How The Monkees Changed Television” at a Cal State Fullerton Lunch Lecture on May 8, 2018.

In this talk, she shows how The Monkees, and specifically their presence on television, set the stage for large changes to come in the late 1960s.

 

Transcript

This is a song that Mickey’s famous for singing. He wrote it while he was in England. He heard this phrase — Randy Scouse Git — He didn’t know what it meant. He just thought they were funny words. It’s actually — it’s cussing in English. It was from a TV Show that is the TV show that, in America, we based All In The Family on, rights so it was older man yelling at his son-in-law calling him a randy scouse git. Randy means you have too much sex and scouse git are bad words. He just thought they were funny words so he came back and wrote this song, but think about the lyrics…

Why don’t you hate who I hate
Kill who I kill to be free

If that’s not a Vietnam protest war song I don’t know what is and they got away with singing that on broadcast television in their very trippy hippie clothes. So I couldn’t believe how much they got away with frankly in terms of messages.


 Why The Monkees Matter: Teenagers, Television and American Pop Culture

    

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Want to use “Why The Monkees Matter” in your classroom?

Order Examination Copies, Library and Campus Bookstore orders directly from McFarland

McFarland Company logo


About Rosanne Welch, PhD

Rosanne Welch, PhD is a writer, producer and university professor with credits that include Beverly Hills 90210, Picket Fences, Touched by an Angel and ABC NEWS/Nightline. Other books include Why The Monkees Matter: Teenagers, Television and American Pop Culture (McFarland, 2017) and Women in American History: A Social, Political, and Cultural Encyclopedia and Document Collection (ABC-CLIO, 2017), named to the 2018 Outstanding References Sources List, by the Reference and User Services Association (RUSA), a division of the American Library Association. Welch has also published chapters in Torchwood Declassified: Investigating Mainstream Cult Television (I.B.Tauris) and The American Civil War on Film and TV: Blue and Gray in Black and White and Color (Lexington Books, 2018) and essays in Doctor Who and Race: An Anthology and Outside In Makes it So, and Outside in Boldly Goes (both edited by Robert Smith). By day she teaches courses on the history of screenwriting and on television writing for the Stephens College MFA in Screenwriting programs. Her talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP is available on YouTube.

21 Strong Female Companions In The Past from Gender Diversity in the Who-niverse [Video] (0:51)

Watch this entire presentation: Gender Diversity in the Who-niverse: Paving the Way for a Lady Doctor with Dr. Rosanne Welch [Video] (36:58)

21 Strong Female Companions In The Past from Gender Diversity in the Who-niverse

For her 5th Doctor Who lecture to the CPP community, Dr. Rosanne Welch discusses how society – and the show’s writing staff – prepared the audience for a major change in this 50-year franchise – the creation of the first Lady Doctor!

Transcript:

She really wants people, of course not, to be upset or worried about it. Which is important. Now, as far as I’m concerned when you think about gender, females have always been strong characters on Doctor Who. Going back to the early days and all these women have had really important jobs. From the very beginning, Susan, who was the first companion, his granddaughter, left because she wanted to rebuild the planet that she had seen destroyed. So she wanted to put her efforts into helping other people and using her talents for that. Right? She could have continued adventuring and having a party with her grandpa and all that meeting The Mayans, The Aztecs and what have you, but she wanted to do something more important and that’s a strength, right? I think that’s a woman who has active strength being shown. Then, as I mentioned, Agent Sara Kingdom. She switched sides. So she chose the good. So she’s a little bit like Darth Vader flipping at the end finally.

Follow Dr. Welch on Twitter and Instagram
https://twitter.com/rosannewelchhttp://instagram.com/drrosannewelch

 

Rosanne Welch, PhD

Rosanne Welch PhD teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.

Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.

Watch Dr. Welch’s talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP.

New Podcast: Nobody Listens to Paula Poundstone – Check it out!

Check out comedian (and friend to the Stephens College MFA in TV and Screenwriting program) Paula Poundstone’s new podcast Nobody Listens to Paula Poundstone. She’ll be holding entertaining and engaging conversations as she interviews experts in various interesting fields.

New Podcast: Nobody Listen to Paula Poundstone - Sponsored by The Stephens College MFA In Screenwriting Program

GUESTS
Mario Soto- Sports Psychologist
@mariosportsdoc

Melissa Brandzel – Grammarian
@MediaChickEdits

John Grab – Trombone
John doesn’t have a large social media footprint, but he often plays with The Orchestre Surreal

During this inaugural episode at 19:45 you’ll hear a great add for our Stephens College MFA in TV and Screenwriting – between funny conversations first with sports psychiatrist Mario Soto followed by grammarian Melissa Brandzel. In Paula’s typical style she’s funny off the cuff, finding different comic ways to interpret the helpful tips offered by her experts.

I also noticed this fun request on their website…

“We need a theme song!  We launched this show without a theme song, and are turning to YOU, dear listener, to find one. If you have a tune in your head that you think should kick off our show each week, please reach out to us via our website.” So if you’re a local musician, check it out – and leave them a comment if you happen to be an expert in some fun field. Maybe they’ll have you on the show!

Visit the Nobody Listens to Paula Poundstone Web Site to subcribe via iTunes or your favorite Podcast program

Find out more about the Stephens College MFA in TV and Screenwriting

Find out more about the Stephens College MFA in TV and Screenwriting

09 Counterculture and The Monkees from How The Monkees Changed Television [Video] (0:58)

What this entire presentation — How The Monkees Changed Television with Rosanne Welch, PhD (Complete Presentation and Q&A) [Video] (45:06)

09 Counterculture and The Monkees from How The Monkees Changed Television

Rosanne Welch, PhD, Author of Why The Monkees Matter, presents “How The Monkees Changed Television” at a Cal State Fullerton Lunch Lecture on May 8, 2018.

In this talk, she shows how The Monkees, and specifically their presence on television, set the stage for large changes to come in the late 1960s.

 

Transcript

Back in the day — I just mentioned the war — they did have many moments where they referenced the war — the war on poverty — and President Lyndon Johnson and they mentioned particularly — there was a great episode where they were playing dominoes and they dropped all the dominoes and then Davy Jones said to Peter Tork “what do you call this game?” and Peter Tork said “Southeast Asia” and nobody cut that, right, because nobody who is a censor at the network understood what it meant which is pretty shocking if you ask me.

This is Dr. Timothy Leary who was famous back in the day for dropping LSD and whatnot and taking experiments with the psyche and he was watching the program and defining it and recognizing that it was far deeper than anyone else had given it the thought before. So already in the 60s people in the know knew that this was something different and worth paying attention to.


 Why The Monkees Matter: Teenagers, Television and American Pop Culture

    

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Want to use “Why The Monkees Matter” in your classroom?

Order Examination Copies, Library and Campus Bookstore orders directly from McFarland

McFarland Company logo


About Rosanne Welch, PhD

Rosanne Welch, PhD is a writer, producer and university professor with credits that include Beverly Hills 90210, Picket Fences, Touched by an Angel and ABC NEWS/Nightline. Other books include Why The Monkees Matter: Teenagers, Television and American Pop Culture (McFarland, 2017) and Women in American History: A Social, Political, and Cultural Encyclopedia and Document Collection (ABC-CLIO, 2017), named to the 2018 Outstanding References Sources List, by the Reference and User Services Association (RUSA), a division of the American Library Association. Welch has also published chapters in Torchwood Declassified: Investigating Mainstream Cult Television (I.B.Tauris) and The American Civil War on Film and TV: Blue and Gray in Black and White and Color (Lexington Books, 2018) and essays in Doctor Who and Race: An Anthology and Outside In Makes it So, and Outside in Boldly Goes (both edited by Robert Smith). By day she teaches courses on the history of screenwriting and on television writing for the Stephens College MFA in Screenwriting programs. Her talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP is available on YouTube.

20 More Preparations For A Lady Doctor for Lady Doctor from Gender Diversity in the Who-niverse [Video] (1:04)

Watch this entire presentation: Gender Diversity in the Who-niverse: Paving the Way for a Lady Doctor with Dr. Rosanne Welch [Video] (36:58)

20 More Preparations For A Lady Doctor for Lady Doctor from Gender Diversity in the Who-niverse

For her 5th Doctor Who lecture to the CPP community, Dr. Rosanne Welch discusses how society – and the show’s writing staff – prepared the audience for a major change in this 50-year franchise – the creation of the first Lady Doctor!

Transcript:

Then he wrote this lovely short piece called “Night of the Doctor” which blended the movie — that was not very good, back in the day — with the modern story and again gave us the concept that regeneration could change your gender. So they’ve been laying the groundwork. They had to warm us up to get us ready for this and it’s all the writers that did that work. Then, Chris Chibnall took over as I said as Moffat retired and I love what David Tennant said. He really thinks Chris is going to do a good job and I tend to agree because I love the work that Chris Chibnall has done in the past, soi am looking forward to what he might do with this character and he’s the guy who had the guts to say “I’m going to be the one who changes. I’m going to make the full change.” So that’s a big deal. When Jody was chosen, she knew there was some controversy — people back and forth on the idea — turns out it’s about 80 Pro/20% against it so the against people always get the bigger voices. So we have to be louder than them and make sure the show gets really good ratings to prove its a good idea to have switched it into a girl. So we have to have viewing parties on opening night, right. Write about it on your blogs and Twitter and all that.

Follow Dr. Welch on Twitter and Instagram
https://twitter.com/rosannewelchhttp://instagram.com/drrosannewelch

 

Rosanne Welch, PhD

Rosanne Welch PhD teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.

Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.

Watch Dr. Welch’s talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP.