19 More On Buffy from When Women Write Horror with Dr. Rosanne Welch [Video] (39 seconds)

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19 More On Buffy from When Women Write Horror with Dr. Rosanne Welch [Video] (39 seconds)

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In honor of Halloween – and in service to my teaching philosophy —

“Words Matter. Writers Matter. Women Writers Matter.”

I presented this holiday lecture “When Women Write Horror” on Tuesday, October 29th, 2019. Researching the many, many women who have written horror stories – in novels, films and television – brought new names to my attention who I am excited to start reading. I hope you will be, too!

Transcript:

Importantly, Jane Espenson eventually went on and created Warehouse 13 which is an adorable little show also in the sort of sci-fi world. Really good show. So I think it’s really important to think about everything that Buffy did to throw all the tropes of horror to flip them. So now we have the blonde is saving the world. This rarely happens. The blonde is usually the one who gets dead first right? So not only is she a girl who saves the world she has to be a blonde girl and she has to be a cheerleader because we have to take every single anti-female trope and say “no”, there’s power in who she is.

17 Albert Hackett & Frances Goodrich from Why Researching Screenwriters (has Always) Mattered [Video] (1 minute)

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17 Albert Hackett & Frances Goodrich from Why Researching Screenwriters (has Always) Mattered

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Transcript:

In this case, Frank Capra took a lot of credit for this film, It’s A Wonderful Life. It plays in the United States often, It’s a Christmas film. You can see Frank Capra’s name in big red letters on the bottom over there. It was actually written by this couple — a married couple who wrote for over 50 years together — Albert Hackett and Frances Goodrich. I think they’re quite wonderful because they also wrote the Broadway play and the film production of The Diary of Anne Frank. They won a Pulitzer Prize for that work. Frank Capra has never won a Pulitzer Prize. I believe these are Hackett/Goodrich Films. They are not Frank Capra films. So the unbalance of the credits — the lack of credit — for such incredible work — such incredible craftsmanship, I think is quite sad. They also wrote The Thin Man movies which were adaptations of a book by Dashiell Hammett. There was a book written by this couple by their nephew called The Real Nick and Nora. So they had quite the career.

A Note About This Presentation

A clip from my keynote speech at the 10th Screenwriters´(hi)Stories Seminar for the interdisciplinary Graduation Program in “Education, Art, and History of Culture”, in Mackenzie Presbyterian University, at São Paulo, SP, Brazil, focused on the topic “Why Researching Screenwriters (has Always) Mattered.” I was especially pleased with the passion these young scholars have toward screenwriting and it’s importance in transmitting culture across the man-made borders of our world.

To understand the world we have to understand its stories and to understand the world’s stories we must understand the world’s storytellers. A century ago and longer those people would have been the novelists of any particular country but since the invention of film, the storytellers who reach the most people with their ideas and their lessons have been the screenwriters. My teaching philosophy is that: Words matter, Writers matter, and Women writers matte, r so women writers are my focus because they have been the far less researched and yet they are over half the population. We cannot tell the stories of the people until we know what stories the mothers have passed down to their children. Those are the stories that last. Now is the time to research screenwriters of all cultures and the stories they tell because people are finally recognizing the work of writers and appreciating how their favorite stories took shape on the page long before they were cast, or filmed, or edited. But also because streaming services make the stories of many cultures now available to a much wider world than ever before.

Many thanks to Glaucia Davino for the invitation.


 

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

18 Jane Espenson & Marti Noxon from When Women Write Horror with Dr. Rosanne Welch [Video] (1 minute 9 seconds)

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18 Jane Espenson & Marti Noxon from When Women Write Horror with Dr. Rosanne Welch [Video] (1 minute 9 seconds)

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

In honor of Halloween – and in service to my teaching philosophy —

“Words Matter. Writers Matter. Women Writers Matter.”

I presented this holiday lecture “When Women Write Horror” on Tuesday, October 29th, 2019. Researching the many, many women who have written horror stories – in novels, films and television – brought new names to my attention who I am excited to start reading. I hope you will be, too!

Transcript:

I’m also really excited about TV shows as you can see and because TV affects more people — because more people are exposed to it — and so I like to think about who are the women in television and what stories are they putting out there. This is our modern literature in many ways and these ladies, Jane Espenson and Marti Noxon were pivotal to a show that took horror and used it to flip all the gender stereotypes that could possibly flip in one one-hour program and that program is… Buffy the Vampire Slayer right. So we generally attribute the show to Joss Whedon and that is true and that is fine and he did write the pilot and he did show run and managed the show. We have since come to find that he was a me-too kind of guy and we don’t need to talk about him that much anymore. So then the question is how could the show have been so feminist with that mind behind it? Well, turns out these ladies were on staff and I believe when you look at the episodes they wrote it was the soul of Marti Noxon and Jane Espenson which gave us the true stories that last in the Buffy realm.

16 Robert Riskin from Why Researching Screenwriters (has Always) Mattered [Video] (1 minute)

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16 Robert Riskin rom Why Researching Screenwriters (has Always) Mattered

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Transcript:

This is an anecdotal piece of history. Robert Riskin is a famous American screenwriter. He won an Oscar for It Happened One Night, which is the first movie to win all Oscars in all five of the major categories and there is a story in town — he often worked with the director named Frank Capra, also a gentleman of Italian heritage who I’m not very fond of these days — because in my research I’ve discovered that often he took credit from writers because he wanted it to be a Capra Production. He wanted to be the auteur of all things. So this story, which as I said is anecdotal, is that at one point Robert Riskin was tired of hearing that the Capra Touch made movies beautiful. So one day when he had a deadline on a script, he handed in 200 blank pages of paper and he said “Go ahead. Put your touch on that!” because you cannot direct if there is no material to direct. Alright. So we don’t know if that really happened but it’s a reminder that we have to think about the work of writers.

A Note About This Presentation

A clip from my keynote speech at the 10th Screenwriters´(hi)Stories Seminar for the interdisciplinary Graduation Program in “Education, Art, and History of Culture”, in Mackenzie Presbyterian University, at São Paulo, SP, Brazil, focused on the topic “Why Researching Screenwriters (has Always) Mattered.” I was especially pleased with the passion these young scholars have toward screenwriting and it’s importance in transmitting culture across the man-made borders of our world.

To understand the world we have to understand its stories and to understand the world’s stories we must understand the world’s storytellers. A century ago and longer those people would have been the novelists of any particular country but since the invention of film, the storytellers who reach the most people with their ideas and their lessons have been the screenwriters. My teaching philosophy is that: Words matter, Writers matter, and Women writers matte, r so women writers are my focus because they have been the far less researched and yet they are over half the population. We cannot tell the stories of the people until we know what stories the mothers have passed down to their children. Those are the stories that last. Now is the time to research screenwriters of all cultures and the stories they tell because people are finally recognizing the work of writers and appreciating how their favorite stories took shape on the page long before they were cast, or filmed, or edited. But also because streaming services make the stories of many cultures now available to a much wider world than ever before.

Many thanks to Glaucia Davino for the invitation.


 

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

17 Margaret Atwood from When Women Write Horror with Dr. Rosanne Welch [Video] (58 seconds)

Watch this entire presentation

17 Margaret Atwood from When Women Write Horror with Dr. Rosanne Welch

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

In honor of Halloween – and in service to my teaching philosophy —

“Words Matter. Writers Matter. Women Writers Matter.”

I presented this holiday lecture “When Women Write Horror” on Tuesday, October 29th, 2019. Researching the many, many women who have written horror stories – in novels, films and television – brought new names to my attention who I am excited to start reading. I hope you will be, too!

Transcript:

What works I think best is when you blend horror and social commentary. As I’ve sort of been examining as we go through. Obviously, The Handmaid’s Tale and Margaret Atwood also falls into that world looking at a future that is horrific for one particular gender, which happens to be chicks right? This is not a great world to grow up in and she just, some 25 years later, came up with the sequel, Testaments, which is different from the television show. The TV show stopped –the first season stopped at the end of the book and then the people on the show had to create the rest of that. She’s like “No no no. This is where I thought the story was going.” So, as an author, she has the power to say “No this is where I wanted those characters to be not whatever you guys are doing on a weekly basis. So I think it’s really interesting to compare that to the later seasons of the show. I love her early picture and then her current while the CBS while the Emmys are going on. So Margaret’s been writing for a long time. It’s a very long illustrious career writing horror.

15 More On Charlie Brackett from Why Researching Screenwriters (has Always) Mattered [Video] (57 seconds)

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15 More On Charlie Brackett from Why Researching Screenwriters (has Always) Mattered

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Transcript:

This is the two men. Also now Charlie Brackett working with Billy Wilder. Also a man who’s more famous because he became a director as well. Together they wrote Sunset Boulevard. If you look at this poster, you can see Billy Wilder’s name on the bottom in the middle — very big letters. You can’t see Charles Brackett’s name. He’s not part of that poster, even though he co-wrote this very important film and then also in his diary he had this funny line about how he noticed when his own daughter eloped, he thought the trade papers would say that Billy Wilder was upset because his collaborator’s daughter had disappeared. He already knew that they weren’t going to remember his name. Which is terrible because he had an Oscar for writing the very first version of Titanic. Not the James Cameron one that most people know of today, but the very first. So the man was an Oscar-winning screenplay writer and yet does not appear in too many histories because the directors he co-wrote with overtook that fame.

A Note About This Presentation

A clip from my keynote speech at the 10th Screenwriters´(hi)Stories Seminar for the interdisciplinary Graduation Program in “Education, Art, and History of Culture”, in Mackenzie Presbyterian University, at São Paulo, SP, Brazil, focused on the topic “Why Researching Screenwriters (has Always) Mattered.” I was especially pleased with the passion these young scholars have toward screenwriting and it’s importance in transmitting culture across the man-made borders of our world.

To understand the world we have to understand its stories and to understand the world’s stories we must understand the world’s storytellers. A century ago and longer those people would have been the novelists of any particular country but since the invention of film, the storytellers who reach the most people with their ideas and their lessons have been the screenwriters. My teaching philosophy is that: Words matter, Writers matter, and Women writers matte, r so women writers are my focus because they have been the far less researched and yet they are over half the population. We cannot tell the stories of the people until we know what stories the mothers have passed down to their children. Those are the stories that last. Now is the time to research screenwriters of all cultures and the stories they tell because people are finally recognizing the work of writers and appreciating how their favorite stories took shape on the page long before they were cast, or filmed, or edited. But also because streaming services make the stories of many cultures now available to a much wider world than ever before.

Many thanks to Glaucia Davino for the invitation.


 

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Listen to the latest “How I Wrote That” Podcast with Screenwriter Laura Brennan from Most Likely to Die, and Faux Baby. [Audio]

Listen to the latest How I Wrote That Podcast with Tera Hernandez of The Big Bang Theory [Audio]

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Laura Brennan’s eclectic writing career includes television, film, theater, web series, fiction and news. Behind the scenes, she has helped production companies develop movies, TV pilots and limited series. She has taught pitching workshops to executives at Netflix and Film Victoria, as well as MFA programs and undergraduate classes at universities including Stephens College, University of California, Los Angeles, University of Southern California, Boston University and National University.A graduate of Yale University, Brennan has won awards for journalism, television writing and fiction. Her children’s book, Nana Speaks Nanese, tackles the confusing changes brought on by dementia in a reassuring and straightforward way. She hopes it will help families facing a diagnosis of dementia open up a conversation with their young children. Her web series Faux Baby is also for parents, but it is definitely not for children—or even safe for work.

“You are not everything to everyone. And you shouldn’t try to be.  You should figure out what you do best and double down on it. Learn the stuff that you’re not great at so that you are comfortable and confident but narrow down what it is you really bring to the table ” -Laura Brennan

Presented by Stephens College MFA in TV and Screenwriting


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#MentorMonday 8 - Dawn Comer Jefferson - Stephens College MFA in TV and Screenwriting

Mentoris Project Podcast: Dark Labyrinth: A Novel Based On The Life Of Galileo Galilei With Author, Peter David Myers

Mentoris Project Podcast: Dark Labyrinth: A Novel Based On The Life Of Galileo Galilei With Author, Peter David Myers

Mentoris Project Podcast: Dark Labyrinth: A Novel Based On The Life Of Galileo Galilei With Author, Peter David Myers

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From hero to heretic, would he live to see honor again?

Enchanted by the labyrinth of stars above, Italian professor Galileo Galilei was determined to unearth the mysteries held within. It was 1609 and inspired by the newly invented “perspective glass,” which magnified objects on land up to three times their size, Galileo designed prototype after prototype until he achieved an unheard of 20x magnification. He pointed his invention to the heavens and the world would never be the same.

He was the first to see the moon’s craters, Jupiter’s moons, and Saturn’s rings, but when Galileo dared challenge the commonly held belief that the earth was the center of the solar system, the darling of the Medicis and Italy’s elite salon scene was assailed by the most dangerous men and powerful institution of all time. Swift and ruthless, the Inquisition had Galileo in its sights. His crime? Questioning authority and defending a truth he—the rebel later known as the Father of the Scientific Method—had proven.


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16 More On Toni Morrison and Beloved from When Women Write Horror with Dr. Rosanne Welch [Video] (31 seconds)

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16 More On Toni Morrison and Beloved from When Women Write Horror with Dr. Rosanne Welch [Video] (31 seconds)

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

In honor of Halloween – and in service to my teaching philosophy —

“Words Matter. Writers Matter. Women Writers Matter.”

I presented this holiday lecture “When Women Write Horror” on Tuesday, October 29th, 2019. Researching the many, many women who have written horror stories – in novels, films and television – brought new names to my attention who I am excited to start reading. I hope you will be, too!

Transcript:

This ghost comes back into her life after the Civil War is over, because what an awful thing — I didn’t want my children to live as slaves, so I killed her and then the war ended and then there was no slavery anymore and she could have lived and now that guilt is the haunting that’s in her mind forever. So it a really, really, powerful story. Taking the haunted house from kind of pop culture-y goofy to Oh My God, serious literature. That, as well, won a Pulitzer Prize — which is pretty huge.

14 Charlie Brackett from Why Researching Screenwriters (has Always) Mattered [Video] (54 seconds)

Watch this entire presentation

14 Charlie Brackett from Why Researching Screenwriters (has Always) Mattered

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

Transcript:

Another answer for why we don’t credit writers is that we never really credited them equally. In the very early days of Hollywood, you can see on the bottom of this poster, it says it was written and directed by Preston Sturgis, a very famous director of the 30s and 40s and 50s however, it was co-written by two men. The other man’s name doesn’t appear on the poster because he didn’t also direct it yet he co-wrote the movie and in fact his name was Charlie Brackett and he put out – his family put – out his diary the diaries he kept. They published a couple of years ago and in those diaries he wrote things about how he saw himself being written out of Hollywood and he didn’t know what to do about it right? So, in this case, he’s talking about the poster I just had where it says it’s written and directed by Preston Sturgis and he says “evidently he took out every comma as I expected he would do”, right? So he knew he was being erased.

A Note About This Presentation

A clip from my keynote speech at the 10th Screenwriters´(hi)Stories Seminar for the interdisciplinary Graduation Program in “Education, Art, and History of Culture”, in Mackenzie Presbyterian University, at São Paulo, SP, Brazil, focused on the topic “Why Researching Screenwriters (has Always) Mattered.” I was especially pleased with the passion these young scholars have toward screenwriting and it’s importance in transmitting culture across the man-made borders of our world.

To understand the world we have to understand its stories and to understand the world’s stories we must understand the world’s storytellers. A century ago and longer those people would have been the novelists of any particular country but since the invention of film, the storytellers who reach the most people with their ideas and their lessons have been the screenwriters. My teaching philosophy is that: Words matter, Writers matter, and Women writers matte, r so women writers are my focus because they have been the far less researched and yet they are over half the population. We cannot tell the stories of the people until we know what stories the mothers have passed down to their children. Those are the stories that last. Now is the time to research screenwriters of all cultures and the stories they tell because people are finally recognizing the work of writers and appreciating how their favorite stories took shape on the page long before they were cast, or filmed, or edited. But also because streaming services make the stories of many cultures now available to a much wider world than ever before.

Many thanks to Glaucia Davino for the invitation.


 

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library