TEDxCPP Features Two CEIS Professors via Cal Poly Pomona Web Site

The Cal Poly Pomona Web Site has a feature article today on the two College of Education and Integrative Studies professors (including myself) who will be presenting at this week’s TEDxCPP. — Rosanne

TEDxCPP Features Two CEIS Professors

Two professors from the College of Education & Integrative Studies will explore persistent stigmas in society at the second TEDxCPP.

Shayda Kafai and Roseanne Welch will be among eight speakers who will discuss topics ranging from sex to education to gender to religion on Thursday, April 7, from 5 to 8 p.m. at Kellogg West. The theme of this year’s TEDxCPP is “The Ripple Effect.”

As a lecturer in the ethnic and women’s studies department by day and a writer by night, Kafai seeks to spread awareness of the oppression caused by words and phrases used to describe people with mental health disabilities.

Kafai aims to change perspectives on mental health stigmas in her speech titled “The Language of Madness.”

“I am going to be exploring the stigmatic ways we socially frame psychiatric disabilities,” Kafai says. “Through the use of personal narrative, I will share reasons why we must collectively unlearn totalizing language.”

Welch has taken her writing and professional experiences from mainstream television to the classroom by teaching humanities in the interdisciplinary general education department. She holds a doctorate in American social history of the 21st century.

Welch’s speech, titled “The Importance of Having a Female Voice in the Writer’s Room,” will address issues with “othering,” which occurs when one group takes another group’s differences and uses that against them.

“Based on my previous career as a television writer, I’ll be speaking about moments when new perspectives in the writer’s room can help influence thousands of viewers,” Welch says.

Kafai and Welch have a common goal: broadening perspectives on stigmas that persist in society.

To learn more about these speakers and to get tickets, visit the TEDxCPP website.

Rosanne speaks in Cal Poly article, “Vagina Monologues’ Seeks to Empower Women and Inform Campus”

Come one!  Come all – (if you live near Cal Poly Pomona) and see my colleague Peg Lamphier and I perform in this year’s Vagina Monologues tomorrow (Tuesday the 16th) at 7pm on campus.  Tickets are $10.

Click below for an article about the event – and our participation – with quotes.  Support a student journalist and give it a read!  And, yes, some video will be posted after the show is over..

“Auditions were open not only to students, but to staff and faculty as well. After noticing that on a poster, Professor Rosanne Welch, who holds a doctorate degree in American social history of the 21st century, was inspired to audition.

“Peg Lampher and I are really big feminists and we talk a lot about it with our students,” she says. “I went over to her and said, ‘We should put our money where our mouth is.’ ”

After auditioning, the pair was cast in one of the last monologues of the show. Welch says it is perfect for them because the topic is childbirth, and they are both mothers.

Throughout the experience, Welch’s favorite part has been watching the students take control.

“I was proud to watch them, but I was also a little bit sad because a certain number of them have had things happen to them in their past which brought them to work with the Women’s Resource Center,” she says. “The fact that they are able to put on this presentation and take control of the night is a beautiful gesture.””

Read the entire article, Vagina Monologues’ Seeks to Empower Women and Inform Campus

Women in American History: A Social, Political, and Cultural Encyclopedia and Document Collection [Book]

Women in History Cover ImageI’m excited to announce that the 4-volume encyclopedia I’ve been working on with my friend and colleague Peg Lamphier for the last two years — Women in American History: A Social, Political, and Cultural Encyclopedia and Document Collection has now appeared in the ABC-CLIO Spring Catalog.

We’d like to thank the many colleagues too numerous to mention who contributed to the research and writing!

Ask your local public or university library to order a set!

Link: Women in American History: A Social, Political, and Cultural Encyclopedia and Document Collection

Amazon.com: Women in American History: A Social, Political, and Cultural Encyclopedia and Document Collection

Dr. Rosanne Welch Cameo in Cal Poly IGE Program video along with her students

I have a small cameo in this video about the Cal Poly IGE (Interdisciplinary General Education) Program where I teach. Almost everyone you see here is or has been a student of mine. Check it out!

Dr. Rosanne Welch Cameo in Cal Poly IGE Program video along with her students

Dr, Rosanne Welch and her class read Gilgamesh out loud at the “rock circle” on campus

Watch the entire 3.5 min video here

Find out more information on the IGE Department

Dr. Rosanne Welch on Panel for Redlands Film and Beer festival – Oct. 22-25, 2015

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I will be part of this panel discussion at the Redlands Film and Beer festival, October 22-25, 2015 with Daniel Petrie, Jr.. Join us as we use Star Wars to discuss a host of screenwriting concepts and how this movie, and it’s writer, Lawrence Kasdan, changed screenwriting forever.


‘Beverly Hills Cop’ writer will return to Redlands for Film and Beer fest
By Tabetha Wittenmyer, Correspondent

For more information or to sign up for the Redlands Film and Beer festival, email info@slate-inc.org or go to http://slate-inc.org.

REDLANDS >> Redlands nonprofit SLATE Inc. (Supporting Local Artists of Film Through Empowerment), has announced the first panel discussion leader for this year’s Film and Beer festival: the “Beverly Hills Cop” writer.

Daniel Petrie Jr., best known for writing and producing such popular ’80s films as “Beverly Hills Cop,” “Beverly Hills Cop II” and “Turner and Hooch,” will be on hand to answer questions in the first panel discussion.

The 2015 festival will use the theme “Star Wars” to help stimulate film industry discussions among festival attendees.

“The first industry panel we are doing is about how ‘Star Wars’ changed filmmaking and impacted the industry,” said SLATE Inc. founder Lucas Cuny. “Petrie is an industry insider who has served twice as the president of the screenwriters guild. He will be a great addition to the discussion.”

Petrie graduated from the University of Redlands in 1975. Cuny said Petrie’s industry experience and ties to Redlands make him an ideal addition to the festival.

“People can relate to someone who spent time here and has gone on to big things in the film world,” Cuny said. “He is an old friend. We were discussing the first Slate festival while I was very early in the planning stages. He said to me, ‘Everyone has a film festival. What is going to make yours different?’ That’s when I thought let’s get some beer involved, especially being in an area with craft breweries and a great food scene.”

Rosanne Welch, a radio, TV and film department adjunct professor at Cal State Fullerton will also serve on a panel discussion. Welch was a professor of Cuny’s while he was working toward his master’s degree at CSUF over the past few years.

Proceeds from the Redlands Film and Beer Festival will be used for ongoing efforts to benefit local film and media artists.

Two Screenwriting MFA programs I’m Involved with are in Written By Magazine this Month!

Check out page 50-51 for a marvelous piece by my friend Jule Selbo about the MFA in Screenwriting she created for Cal State Fullerton! And page 56-57 for the great piece by other friend Ken Lazebnik on the new Stephens College MFA in Screenwriting!  Each of the directors of these two programs care deeply about their students — and about the quality of the craft — so it’s a pleasure working with them!  (And read the rest of the issue because it has a great piece on the writers behind GRIMM which really takes you inside the creative brain as it conjures up a new world of characters worth visiting each week!)  

Written by selbo

Written by lazebnik

Rosanne moderates Talkback Tuesday panel on “The Whipping Man” at the Pasadena Playhouse

On Tuesday February 24th, I had the great pleasure of moderating a Talkback Tuesday panel at the Pasadena Playhouse that followed a performance of The Whipping Man by Matt Lopez.

Joining me for the discussion “Writing Race for Television and the Stage” were Walter Allen Bennett, Jr., whose credits include writing for The Cosby Show and 704 Hauser Street, and executive producing The Steve Harvey Show and Ralph Remington, a director-producer who has served as a Director at the National Endowment for the Arts and an Assistant Executive Director of Actors’ Equity who also founded the Pillsbury House Theatre in Minneapolis where he staged such shows as The Sign in Sidney Brustein’s Window (by Lorraine Hansberry) and Streetcar Named Desire (by Tennessee Williams).

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(L-R: Victor Vasquez, Dr. Rosanne Welch, Walter Allen Bennett, Jr, Ralph Remington)

We discussed the lack of variety in the types of African American characters who populate our stages and screens and the need for more and more unique stories to be told so that the stereotypes can be broken in the next generation. We also tried to address the ways writers of all colors can write about characters of all colors respectfully. The audience was highly moved by the spirituality of the play and wanted to know more about the small number of Jewish slaveholders in the south –what happened to their slaves and their faith after the Civil War ended and, particularly, why people who praised Moses for bringing their ancestors out of slavery would ever maintain the practice themselves. That’s when I knew that our education system is failing in this area because no one realized the deep financial need for accepting and adapting to that labor system if one wanted to be wealthy as a Southerner.

Later in the discussion the cast joined us on stage as well. With Charlie Robinson, who played Simon (and once guest starred on Touched by an Angel) we discussed the deep research he conducted to create the role of a slave steeped in Judaism and the quality of roles available to African Americans and the difficulty in choosing well to build a career. He made some jokes about his earlier work in Night Court and we ran out of time before I could remind him that on that program all the characters were equally comical so his clerk was not merely there to create laughs. I then asked Adam Hass Hunter, who played Caleb the Jewish Confederate soldier dying of gangrene how much true history of slavery had been taught to him in his K-12 public school education as a child in Kentucky. As expected, he had no real memories of ever being taught the truth about slavery and had to conduct similar research.

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(L-R: Walter Allen Bennett, Jr, Dr. Rosanne Welch, Ralph Remington, Victor Vazquez)

 

Before the play we all met with the Associate Artistic Director of the Playhouse, Seema Sueko and had a great time discussing the status of the industry (television) and our individual histories of involvement with the play A Raisin in the Sun, which we had all worked on at some point in our careers. We also chatted about how ‘white’ writers can avoid knowing anything about African American history and still survive in an artistic world but African Americans must know about mainstream history in order to work. I was reminded of the TED Talk by Chimimanda Adiche on “The Dangers of a Single Story” that I share with my MFA screenwriting students.

Thanks to Victor Vasquez, the Community Organizer, for inviting me and to my various students who came out to attend the show and join in the discussion.

News: University Library Divulges Rhyme and Reason for Diverse Speakers from Cal Poly PolyCentric

University Library Divulges Rhyme and Reason for Diverse Speakers from Cal Poly PolyCentric

University Library Divulges Rhyme and Reason for Diverse Speakers from Cal Poly PolyCentric

IGE Professor Rosanne Welch gives a lecture on “Doctor Who” at the University Library, which is hosting a lecture series on a variety of topics this quarter.

[…]

Professor Rosanne Welch’s previous two talks on the television show “Dr. Who” were so popular that the library brought her back last month to a packed room for a third lecture. Welch, who teaches in the Interdisciplinary General Education Department, is a television writer and producer and a longtime fan of the BBC show.

[…]

Read the entire article

 

Q&A on Television with Dr. Rosanne Welch from PolyTrends Magazine – Summer 2014 Issue

Q&A with Dr. Rosanne Welch from PolyTrends Magazine - Summer 2014

Download the PDF version of PolyTrends Summer 1014


Campus Perspective Q&A with Dr. Rosanne Welch By Esther Chou Tanaka

Rosanne Welch is a professor, television writer and producer, and a longtime fan of “Doctor Who.” She’s given numerous presentations and written articles about the show. Welch sat down with PolyTrends to talk about TV, storytelling and the importance of diversity in the entertainment industry.

Why is “Doctor Who” a good show to discuss race and culture?

It’s an excellent example to talk about race because the Doctor travels through time and space. He meets an assortment of people, sometimes on other planets but largely on Earth. Science fiction works best when it highlights to human beings what they’re doing wrong in their humanity. That’s what “Doctor Who” does very well.

For example, there was an episode in which we discover an alien race that once owned Earth, and they all cryogenically froze themselves. When they come back to life, they realize that humans have taken over. Now there’s this clash of how these two creatures can inhabit the same place. Of course they’re talking about the Palestinian and Israeli conflict. But you can do it with fish creatures and humans.

Why is it important to show diversity on television?

People who watch TV are living in the real world. The nicest thing I read about TV once was from a kid who was from a racist family in the South. He said that TV was the only time he saw African Americans as human beings. He never would have heard that message if he hadn’t seen African Americans on television shows. The same thing can be said about the show “Will and Grace.” Gay rights has moved forward in our country largely because of that program. TV lets people into your home that perhaps your own culture would not have let enter. And that’s a huge responsibility.

When books or real-life stories are made into movies, the minority characters are often replaced with white actors. Why?

The problem is that films are made on large budgets, and they expect to make a lot of money. So the first thing they want is Tom Cruise or Harrison Ford or someone who is guaranteed to bring in an audience. Because fewer films have been made with minority leads, they don’t have a track record of proving they can do that. To make the movie more profitable, they tend to whitewash the lead characters.

What can viewers do to change this?

We have to support the shows that give us a diverse cast. That’s why the success of “Grey’s Anatomy” is so important. Shonda Rhimes, the writer/producer, does blind casting. That literally means that when you write a character, you never say what their ethnicity
is. You ask casting directors to send any good actor to the audition. When you look at that show, you have African Americans, Asian Americans, Native Americans. They’re all blended together in one place, which is what a real hospital would look like.

It sounds like you have high standards for television. Does television have a responsibility to teach?

TV doesn’t have to teach per se any specific thing. But a good, well-written story, like a good episode of “Doctor Who,” will teach empathy, will teach communications skills, and will teach how people should relate to one another.

My husband and I sit with my son and talk about “Doctor Who,” and we’ve done that since he was 8. He’s met Dickens and Shakespeare through the show. When his high school performed “A Midsummer Night’s Dream,” he already had an understanding of Shakespeare. When we visited England, we went to Stonehenge. My son had a deeper connection to it because of the show. I think you should use television and films as a steppingstone to get into stories they claim to represent. See the movie, then read the book.

Talks on Doctor Who covered in Poly Post from Cal Poly Pomona

The Poly Post, student newspaper of Cal Poly Pomona had write-ups on both of my Doctor Who talks. Click through to see the complete articles.

“Dr. Who” presentation attracts many CPP fans

Doctor Who Presentation attract many CPP fans

Doctors aren’t known for fighting aliens or time traveling. However, Doctor Who is.

Perhaps that is why so many students crowded the library to hear a presentation on the TV series and novels called “Dr. Who.”

The event that took place Wednesday afternoon was put together in celebration of National Library Week. The fandom behind the books and TV show was the deciding factor in focusing solely on the Dr. Who series.

TV scriptwriter and Cal Poly Pomona faculty for the Department of Interdisciplinary General Education, Rosanne Welch conducted the presentation and spoke not only about the characters of the show, but the shows impact on British and American culture.

She used the popularity of the series to highlight various points on character development, sexism, American culture and racism.

Read the entire article

 

The Doctor will see you now

The Doctor will see you now

“Doctor Who” fans, otherwise known as Whovians, gathered in the third floor of the University Library for “Doctor Who Regenerated” on May 13.

Rosanne Welch, interdisciplinary general education professor at Cal Poly Pomona and avid “Doctor Who” fan, spoke to guests about two of the show’s writers: Russel T. Davies and Steven Moffat, and compared the themes each writer has brought to the popular British television series.

Both writers were involved with the screenwriting for the show since its revival in 2005, with Davies taking charge from 2006-2008, and Moffat following in 2010.

According to Welch, both writers brought different themes that steered the show in different directions. Davies, who worked on the popular British series “Queer as Folk,” continued to portray “Doctor Who” as the “cheesy” children’s program it was during the 1960s while discreetly creating “deep” and “mature” themes for children to grasp.

Read the entire article