14 Pat Murphy from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (51 seconds)

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The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

14 Pat Murphy from The Sisterhood of Science Fiction - Dr. Rosanne Welch [Video] (51 seconds)

 

This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

We get around to this point and Pat Murphy. She can have her name on the book because why? (Audience) Her name is unisex. (Welch) Pat is one of those great names. Is it a boy or girl? You don’t know looking at it. So then she has to decide, do you put your picture on the inside cover where it’s the author’s thing or you don’t and then you leave it up to people to assume that Pat must be a boy because you know. This is a pretty kind of interesting book. Must be written by a boy. I think that’s funny. It’s also one of my pet peeves when you’re watching movies or TV shows and there’s a really tough woman character. She’s always got a name that can be a boy’s. She’s always Samantha so she can be Sam right or she’s Patricia so she can see Pat. There’s always that name, seriously I  want Tiffany to be really cool and I want her to do something amazing or Betsy. I don’t want it always to be a name that could be a boy’s name if you want, and that happens all the time.



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** Many of these books may be available from your local library. Check it out! 

Event: Story Structure in Cinematography with Stephens College MFA in TV and Screenwriting alum, Sarah Phillips

Event: Story Structure in Cinematography with Stephens College MFA in TV and Screenwriting alum, Sarah Phillips

Story Structure in Cinematography with Sarah Phillips
Sep 05, 2019 7:00 PM – 9:00 PM PDT
Canon Burbank

Get Free Tickets at Canon

Come join Cinematographer Sarah Phillips (and Stephens College MFA in TV and Screenwriting alum (inaugural class of 2017)) as she talks about how to help (or hurt) your story structure with the way you (as a director, writer, actor, or producer) work with your cinematographer, and the way you craft light and character together. 

Sarah Phillips is a cinematographer (and camera nerd) in Los Angeles who works in many areas of film. She primarily shoots independent films, including scripted features, documentaries, and short films, but also can be found the camera departments of national commercials and music videos, because her passion for writing story with light supersedes that of genre and form. sarahphillipscamera.com

Key Takeaways: 

  • Learn about story Structure as a Cinematographer 
  • Hear how to craft light and character together
  • Discuss working with directors, writers, actors and producers on building story structure

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Stephens College MFA in TV and Screenwriting alum Ilona Rossman Ho (Class of 2019) BAFF Screenplay Award Winner!

 Stephens College MFA in TV and Screenwriting alum Ilona Rossman Ho (Class of 2019) BAFF Screenplay Award Winner!

Major Congratulations to Stephens College MFA in TV and Screenwriting alum Ilona Rossman Ho (Class of 2019) who’s screenplay “Indivisible Mom” has been named a 2019 summer edition BAFF (Big Apple Film Festival) Screenplay Award Winner!

Ilona worked on the script with mentors Niceole Levy and Lisanne Sartor while in the MFA program.

Read more at BAFF site

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16 Sarah Y. Mason from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (1 minute 15 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

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16 Sarah Y. Mason from

 

Transcript:

Sarah Mason had a similar thing happen to her. Sarah Mason worked together with her husband Victor Hermann, They got the first Oscar for adaptation. It was for Little Women which of course has been done and done and done over again. They also worked on Stella Dallas and many films in the early period. Again, Victor Herrmann left writing to become a director and he ended up directing the Marx Brothers so he’s a little he appears in a few more film histories. She disappears out of the film histories though she’s got an Oscar to her name and Victor, who outlived his wife, gave an oral history where he said he did most of the writing when they were a team. The problem is if you look at her IMDB list of movies she wrote before marrying him and after he left the team to become a director, she has about 64 films. He alone has written four. So who’s the writer in that team right? it’s not who he says it was unless that’s all you ever read. So Sarah disappears from history, right? I’ve actually met her grandson and interviewed him. He had no idea that that’s what his grandmother did. All he remembers is she really liked Shakespeare and she made him remember whole quotes from Shakespeare before he could go out and play. He had to recite sections of Shakespeare. So don’t tell me she doesn’t have the heart of a writer right? .

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


Buy a signed copy of when Women Wrote Hollywood

…or via Amazon…

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Stephens College MFA in TV and Screenwriting Tour Warner Bros. Studios and Speak With Michael Lawshe (Sound Supervisor) and Bob Berens (Producer, Supernatural)

On Wednesday the 2nd year Stephens College MFA in TV and Screenwriting candidates were treated to a tour of the backlot of Warner Bros. Studios courtesy of Emmy-winning Sound Supervisor Michael Lawshe…

Stephens College MFA in TV and Screenwriting Tour Warner Bros. Studios and Speak With Michael Lawshe (Sound Supervisor) and Bob Behrens (Producer, Supernatural)

…which culminated with a one-hour Q&A with Supernatural Executive Producer Bob Berens, discussing the crafting of their final season.

Stephens College MFA in TV and Screenwriting Tour Warner Bros. Studios and Speak With Michael Lawshe (Sound Supervisor) and Bob Behrens (Producer, Supernatural)

 

 

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The Big Bang Theory Writer/Producers Eric Kaplan and Tara Hernandez visit with Stephens College MFA in TV and Screenwriting students

It was a double-header for the 2nd year MFA candidates when they were visited by two writers from The Big Bang Theory and Young Sheldon on consecutive nights this week. On the first night, Eric Kaplan (also a former David Letterman staff writer) came at the invitation of student CJ Ehrlich.

On the second night, producer Tara Hernandez sat for an interview with Khanisha Foster for our How I Wrote That podcast.

We thank them both for sharing their expertise (and their humor) with the Stephens College MFA in TV and Screenwriting.

 The Big Bang Theory Writer/Producers Eric Kaplan and Tara Hernandez visit with Stephens College MFA in TV and Screenwriting students

 The Big Bang Theory Writer/Producers Eric Kaplan and Tara Hernandez visit with Stephens College MFA in TV and Screenwriting students

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13 Alice Sheldon and Alice Mary Norton from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (1 minute)

Watch this entire presentation

The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

13 Alice Sheldon and Alice Mary Norton from The Sisterhood of Science Fiction - Dr. Rosanne Welch [Video] (1 minute)

 

This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

So she’s James, right? There there’s your buddy James. This is a marvelous new book about her life. So really gets into the story of what she was doing and why. I really like autobiographies or biographies because it’s fun. You learn so much about a historical period when you read someone’s individual story and how they worked in the world and society as it was allowing them at the time. So this is actually a book about Alice Sheldon. This lady, Alice Mary Norton, had to be Andre because the boy’s name right? Andre is writing all of these books and look at her again, not the face you imagine when you think of a science fiction writer. She looks like somebody’s great aunt. But why shouldn’t your great-aunt write a really good book, right? Why did we not allow those two things to live in our brain at the same time? So I think it’s really interesting and her stuff is really fascinating. You know we’re all into swords and all that sort of thing. She’s doing the whole Game Of Thrones thing long before we get involved in that right? So we need to give her a little more credit.



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out! 

15 Who Tells Your Story? from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (44 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

15 Who Tells Your Story? from

 

Transcript:

Sadly she died early in 1948. He lived another 15 years and when he did an oral history and did interviews about his work, when they brought her up, because the good a good historian would look at the names on the things and ask him — he would say “Oh Jeanne. She wasn’t such a good writer but you know I kept her around because she needed that money. — immediately writing her out of the history of the business she had helped to found right? So this is what happens. This is how women fall out of history so easily. We interview the guys and the guys want you to remember how brilliant they are right and that’s really sad. “Who lives? Who dies?” It matters who tells your story. You have to be in charge of your own story.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


Buy a signed copy of when Women Wrote Hollywood

…or via Amazon…

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Dr. Marissa Stevens consults on Egyptian History with Stephens College MFA in TV and Screenwriting students

On Saturday both Stephens College MFA in TV and Screenwriting cohorts had the chance to work in teams on the concept of rebooting a show from the 1970s that involved the Egyptian goddess.

As any writer does, we invited a technical consultant – Dr. Marissa Stevens – to give the teams some historical background in the culture of ancient Egypt before they broke into groups to brainstorm their new ideas.

Dr. Marissa Stevens consults on Egyptian History with Stephens College MFA in TV and Screenwriting students

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Producer/Screenwriter Cindy Chupack on the “How I Wrote That” Podcast from the Stephens MFA in TV and Screenwriting Program [Podcast]

Producer/Screenwriter Cindy Chupack on the

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Producer/Screenwriter Cindy Chupack on the “How I Wrote That” Podcast from the Stephens MFA in TV and Screenwriting Program [Podcast]

Producer/Screenwriter Cindy Chupack on the

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Cindy Chupack has won two Emmys and three Golden Globes as TV writer/producer whose credits include “Sex and the City,” “Better Things,” “Divorce,” “Modern Family,” “Everybody Loves Raymond,” and most recently Showtime’s darkly comic hour “I’m Dying Up Here.” She is the author of two comic memoirs: the New York Times bestseller The Between Boyfriends Book: A Collection of Cautiously Hopeful Essays, and The Longest Date: Life as a Wife. Last year she directed her first episode of television for “I’m Dying Up Here,” and her first feature, OTHERHOOD, starring Angela Bassett, Patricia Arquette, and Felicity Huffman. OTHERHOOD is a comedy Chupack co-wrote that premiered this week in select theaters and on Netflix.

It feels very paint by numbers so it seems so easy – but it’s not.
As soon as I get good and comfortable I want to take a risk. To challenge myself. 

-Cindy Chupack