09 More Edith Wharton’s Ghost Stories from When Women Write Horror with Dr. Rosanne Welch [Video] (32 seconds)

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09 More Edith Wharton's Ghost Stories from When Women Write Horror with Dr. Rosanne Welch

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In honor of Halloween – and in service to my teaching philosophy —

“Words Matter. Writers Matter. Women Writers Matter.”

I presented this holiday lecture “When Women Write Horror” on Tuesday, October 29th, 2019. Researching the many, many women who have written horror stories – in novels, films and television – brought new names to my attention who I am excited to start reading. I hope you will be, too!

Transcript:

Who has done anything with her ghost stories for Christmas? I think that’d be an excellent thing to check into. Her house is on a haunted home tour, right,, if you go through the UK. You can study her house. That’s her library. When you see libraries like that from the old days, those are usually the rooms that belong to men. Those were the man caves of their day, but this is hers. This room belonged to a woman who was a writer and its haunted by her spirit. So I’m kind of making myself want to go do this tour while I think about it.

07 Storytelling And Unreliable Narrators from Why Researching Screenwriters (has Always) Mattered [Video] (1 minute 30 seconds)

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07 Storytelling And Unreliable Narrators from Why Researching Screenwriters (has Always) Mattered

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Transcript:

Stories have always transmitted culture. If we go far back to the cave paintings of many ancient cultures, to Gilgamesh, to the griots of Africa, we have always used stories to move forward our culture, right, and movies are just the most current version of doing that.

So why do we forget who the storytellers are? That doesn’t make any sense to me, right, and I think there are some reasons that we can fix both in our own casual discussions of films and in the teaching that people might do about what is important, right? One of the first things I discovered in my research is this issue of unreliable narrators. Often we find when people are interviewed to discuss films they chose not to credit anyone who will take away their own fame.So this is one of the most egregious quotes. Alfred Hitchcock, who everyone seems to recognize — you say that you’re watching a Hitchcock film — but he did not write any of his films. He had many other writers who worked for him. This photograph is a woman named Eve Unsell and she’s from the early 1920s in Hollywood. At one point, she was sent to England to work in the studio there and she trained this young man who knew nothing about how films were made and when he wrote about her in his biography, he didn’t mention her name so you could research her. He only said “a middle-aged American woman.” He wrote her out of history as nothing but a middle-aged woman and yet she taught him everything he knows. So, in fact, his movies are Eve Unsell movies but we don’t think that way.

A Note About This Presentation

A clip from my keynote speech at the 10th Screenwriters´(hi)Stories Seminar for the interdisciplinary Graduation Program in “Education, Art, and History of Culture”, in Mackenzie Presbyterian University, at São Paulo, SP, Brazil, focused on the topic “Why Researching Screenwriters (has Always) Mattered.” I was especially pleased with the passion these young scholars have toward screenwriting and it’s importance in transmitting culture across the man-made borders of our world.

To understand the world we have to understand its stories and to understand the world’s stories we must understand the world’s storytellers. A century ago and longer those people would have been the novelists of any particular country but since the invention of film, the storytellers who reach the most people with their ideas and their lessons have been the screenwriters. My teaching philosophy is that: Words matter, Writers matter, and Women writers matte, r so women writers are my focus because they have been the far less researched and yet they are over half the population. We cannot tell the stories of the people until we know what stories the mothers have passed down to their children. Those are the stories that last. Now is the time to research screenwriters of all cultures and the stories they tell because people are finally recognizing the work of writers and appreciating how their favorite stories took shape on the page long before they were cast, or filmed, or edited. But also because streaming services make the stories of many cultures now available to a much wider world than ever before.

Many thanks to Glaucia Davino for the invitation.


 

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

From The “When Women Wrote Hollywood” Archives 23: Satire and Melodrama in a Newspaper Play Entitled “Clear All Wires”, New York Times

Months of research went into the creation of the essays in “When Women Wrote Hollywood.” Here are some of the resources used to enlighten today’s film lovers to the female pioneers who helped create it.

From The “When Women Wrote Hollywood” Archives 23: Satire and Melodrama in a Newspaper Play Entitled “Clear All Wires”, New York Times

From The

With the perspiring assistance of Thomas Mitchell, who acts like a steam locomotive, the Spewacks have tossed another one of those melodramatic lampoons at the newspaper profession in “Clear All Wires,” put on at the Times Square last evening. It is brisk, noisy, extravagant and funny in “The Front Page” and “Broadway” tradition. 


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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

08 Edith Wharton’s Ghost Stories from When Women Write Horror with Dr. Rosanne Welch [Video] (1 minute 3 seconds)

Watch this entire presentation

08 Edith Wharton's Ghost Stories from When Women Write Horror with Dr. Rosanne Welch

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In honor of Halloween – and in service to my teaching philosophy —

“Words Matter. Writers Matter. Women Writers Matter.”

I presented this holiday lecture “When Women Write Horror” on Tuesday, October 29th, 2019. Researching the many, many women who have written horror stories – in novels, films and television – brought new names to my attention who I am excited to start reading. I hope you will be, too!

Transcript:

Now Edith Wharton is somebody people sometimes had to study in high school especially if you did an AP sort of literature class and she’s fascinating because she is the first woman ever to win a Pulitzer Prize. Which is huge for a woman right in 1927 — which I think is great — for The Age Of Innocence which was turned into a film. This is a whole section of her books here. We teach her in schools. Sometimes kids find her boring because the world she writes about was that world of proper manners and all that sort of thing and they have to really work through why this is interesting. I think we should teach some of her ghost stories. If we taught her ghost stories how more interested would an audience be and then maybe they’d want to read the more grown-up world and society that she’s, you know, satirizing. I think it’s really cool that she put out all these ghost stories back in the day. Afterward is her ghost story for Christmas, which is nothing more than what Charles Dickens did with A Christmas Carol. We read him every year. There’s been how many versions of a Christmas carol made into films including The Muppets which is the best one.

06 Stories Are Important! from Why Researching Screenwriters (has Always) Mattered [Video] (51 seconds)

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06 Stories Are Important! from Why Researching Screenwriters (has Always) Mattered

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Transcript:

I apologize for the long quote but I am very appreciative when actors recognize the work of writers and so Frances McDormand said this when she won her Oscar basically she said of the writer Martin McDonagh, He did not sketch a blueprint. That’s an insult to a screenplay. He didn’t string together a few words. He wrote and meticulously crafted a tsunami of a story and then he let the actors play there. So she immediately was crediting the writer in a way that many people do not. I believe the stories are important because they transmit our culture around the world. Again, United States has had a corner on that market for far too many years and now we’re beginning to see other stories permeate our culture and that’s only been a good, beneficial thing for us.

A Note About This Presentation

A clip from my keynote speech at the 10th Screenwriters´(hi)Stories Seminar for the interdisciplinary Graduation Program in “Education, Art, and History of Culture”, in Mackenzie Presbyterian University, at São Paulo, SP, Brazil, focused on the topic “Why Researching Screenwriters (has Always) Mattered.” I was especially pleased with the passion these young scholars have toward screenwriting and it’s importance in transmitting culture across the man-made borders of our world.

To understand the world we have to understand its stories and to understand the world’s stories we must understand the world’s storytellers. A century ago and longer those people would have been the novelists of any particular country but since the invention of film, the storytellers who reach the most people with their ideas and their lessons have been the screenwriters. My teaching philosophy is that: Words matter, Writers matter, and Women writers matte, r so women writers are my focus because they have been the far less researched and yet they are over half the population. We cannot tell the stories of the people until we know what stories the mothers have passed down to their children. Those are the stories that last. Now is the time to research screenwriters of all cultures and the stories they tell because people are finally recognizing the work of writers and appreciating how their favorite stories took shape on the page long before they were cast, or filmed, or edited. But also because streaming services make the stories of many cultures now available to a much wider world than ever before.

Many thanks to Glaucia Davino for the invitation.


 

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

From The “When Women Wrote Hollywood” Archives 22: Latitude in Mass-Produced Culture’s Capital: New Women and Other Players in Hollywood, 1920-1941

Months of research went into the creation of the essays in “When Women Wrote Hollywood.” Here are some of the resources used to enlighten today’s film lovers to the female pioneers who helped create it.

From The “When Women Wrote Hollywood” Archives 22: Latitude in Mass-Produced Culture’s Capital: New Women and Other Players in Hollywood, 1920-1941

From The

When Your Urge’s Mauve, [go to] the Cafe Intemational on Sunset Boulevard. The location offered supper, drinks, and the ability to watch boy-girls who necked and sulked and little girl customers who … look like boys.

The 1940 guidebook How to Sin in Hollywood offered tourists this description of a commercial establishment that they could see when they visited the Holly-wood area. On the opposite page, a cartoon featured two women in tuxedos above the caption “the little girl customers.”‘ One smoked a cigar and both wore prominent lipstick The description and cartoon presented images of women in the Los Angeles area who defied the culture’s gender and sexual norms.


Buy “When Women Wrote Hollywood” Today!

Paperback Edition | Kindle Edition | Google Play Edition

Help Support Local Bookstores — Buy at Bookshop.org

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

07 African-American Writers In History from When Women Write Horror with Dr. Rosanne Welch [Video] (53 seconds)

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07 African-American Writers In History from When Women Write Horror with Dr. Rosanne Welch

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

In honor of Halloween – and in service to my teaching philosophy —

“Words Matter. Writers Matter. Women Writers Matter.”

I presented this holiday lecture “When Women Write Horror” on Tuesday, October 29th, 2019. Researching the many, many women who have written horror stories – in novels, films and television – brought new names to my attention who I am excited to start reading. I hope you will be, too!

Transcript:

We also have difficulty finding African-American successes in the past because those aren’t the stories that were passed forward. When we think about female writers who were African Americans Phyllis Wheatley is who we hear about in this time period right in this earlier time period excuse me. And then we Pauline Hopkins who was publishing ghost stories. She was an African-American woman in the period publishing in the Colored American magazine right? So this is an outlet for writers back in the day and she was publishing all kinds of stories that had to do with the ghosts of slavery. So she’s talking about a real piece of history and essentially what she’s doing is discussing PTSD without giving it that terminology that we’ve given it today. When you think about being haunted by the past — that’s a ghost story and this is what she was doing in the 1880s right? So just 20 years really 15 years past the end of slavery. So she’s a pretty cool person.

05 Do You Know Who Wrote Your Favorite Films? from Why Researching Screenwriters (has Always) Mattered [Video] (51 seconds)

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05 Do You Know Who Wrote Your Favorites? from Why Researching Screenwriters (has Always) Mattered

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Transcript:

I think that’s what we should remember but we don’t and I think we realize it without realizing it because when you talk about movies to your friends you don’t say, “I loved the camera angle in scene seven.” No! You quote dialogue. You quote the lines from your favorite movies whether they’re Pixar or Disney or The Princess Bride. You know the dialogue and that is the work of the writer. That’s the person you should credit but often when I start a class I have students list their two or three favorite films and then who directed those films and then I ask them who wrote that film and they very often cannot name the person who wrote the film they adore. How can you want to be a writer if you don’t remember the writers yourself. So I think that’s a really important thing for us to remember.

A Note About This Presentation

A clip from my keynote speech at the 10th Screenwriters´(hi)Stories Seminar for the interdisciplinary Graduation Program in “Education, Art, and History of Culture”, in Mackenzie Presbyterian University, at São Paulo, SP, Brazil, focused on the topic “Why Researching Screenwriters (has Always) Mattered.” I was especially pleased with the passion these young scholars have toward screenwriting and it’s importance in transmitting culture across the man-made borders of our world.

To understand the world we have to understand its stories and to understand the world’s stories we must understand the world’s storytellers. A century ago and longer those people would have been the novelists of any particular country but since the invention of film, the storytellers who reach the most people with their ideas and their lessons have been the screenwriters. My teaching philosophy is that: Words matter, Writers matter, and Women writers matte, r so women writers are my focus because they have been the far less researched and yet they are over half the population. We cannot tell the stories of the people until we know what stories the mothers have passed down to their children. Those are the stories that last. Now is the time to research screenwriters of all cultures and the stories they tell because people are finally recognizing the work of writers and appreciating how their favorite stories took shape on the page long before they were cast, or filmed, or edited. But also because streaming services make the stories of many cultures now available to a much wider world than ever before.

Many thanks to Glaucia Davino for the invitation.


 

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

From The “When Women Wrote Hollywood” Archives 21: The Progressive Silent Film List

Months of research went into the creation of the essays in “When Women Wrote Hollywood.” Here are some of the resources used to enlighten today’s film lovers to the female pioneers who helped create it.

From The “When Women Wrote Hollywood” Archives 21: The Progressive Silent Film List

From The

The Progressive Silent Film List is a growing online collection of information on more than 23,400 silent and sound films produced from 1888 through the end of 1929. Selected silent films produced in other countries after 1929 are also listed.

The Progressive Silent Film List listings are accessed through the filmographies and indexes provided below, or you may use Google to SEARCH the entire Silent Era website, including the PSFL listings.


Buy “When Women Wrote Hollywood” Today!

Paperback Edition | Kindle Edition | Google Play Edition

Help Support Local Bookstores — Buy at Bookshop.org

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

06 LGBTQ Writers In History from When Women Write Horror with Dr. Rosanne Welch [Video] (1 minute 8 seconds)

Watch this entire presentation

06 LGBTQ Writers In History from When Women Write Horror with Dr. Rosanne Welch

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

In honor of Halloween – and in service to my teaching philosophy —

“Words Matter. Writers Matter. Women Writers Matter.”

I presented this holiday lecture “When Women Write Horror” on Tuesday, October 29th, 2019. Researching the many, many women who have written horror stories – in novels, films and television – brought new names to my attention who I am excited to start reading. I hope you will be, too!

Transcript:

It’s very difficult studying LGBTQ people from the past because we don’t have a definitive “here’s a piece of paper that promises you that I am gay” because it was against the law, right? So nobody did that. So scholars have had to find ways to say ‘Here are some pieces of evidence we can use to generally guess this was probably the story and being buried side by side is kind of one of them. Another is wills. Often people would grant their land to someone who had been their companion for many years rather than inheriting it to a cousin or some far-flung relative if they didn’t have children. So scholars have had to work hard to figure that out but I think it’s really interesting. There’s a thing in the UK called Places Of Pride and it’s a tour you can take of LGBTQ locations and her gravesite is one of them. So I think, she’s a really interesting woman. To read her supernatural stories and see what underlying theme — what was she trying to say about how we’re afraid of different things. People tell you what they really want as a message in their writing and I think that’s somebody we should know.