08 Why Female Focused from Why I Created a History of Screenwriting Course [Video] (1 minute, 9 seconds)

A clip from my presentation at the 11th Annual Screenwriting Research Network conference. Held on the campus of the beautiful Università Cattolica del Sacro Cuore in Milan.

Watch the entire presentation 

08 Why Female Focused from Why I Created a History of Screenwriting Course

In the presentation, I covered the reasons writers have been marginalized – and the reasons they oughtn’t to be so disrespected. Then I talked about how my course works, what books I assign, what guest speakers I invite, what research the students do – and ended on a high note by introducing ‘When Women Wrote Hollywood’ – the book of essays from our inaugural class which has now been published by McFarland.

Transcript:

So how I teach it. That’s why I teach I want respect to come back to writers. That seems simple right? How I do it. I start in the very beginning when women were the major writers of Hollywood films. There were 50 percent of the films are in by women if not more and they made more money. This is Gene Gauntier from Ireland, this is Anita Loos and Jeannie Macpherson working with Cecil B. DeMille. She wrote every one of his financially successful films and when they stopped working together, his movies stopped making money. That’s the end of Cecil B. DeMille. How I teach it. I start by asking students very quick questions. What are your first five favourite films? Who directed those films? They always know. Who wrote those films? and the look of humiliation on their faces when they sit in a screenwriting class and cannot name the people who wrote their favorite films is ridiculous to me.

Watch the entire presentation

Subscribe to Rosanne Welch, Ph.D on YouTube

 

Buy a signed copy of when Women Wrote Hollywood

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Adam Parker Presents On June Mathis via Instagram

Adam Parker Presents On June Mathis via Instagram

Adam Parker Presents On June Mathis via Instagram

Watching several current and alumni students of the Stephens College MFA in TV and Screenwriting who shared their research on female screenwriters with professional presentations at the Citizen Jane Film Festival in a panel titled: “Frank and Funny Female Screenwriters Who Should Be More Famous”

Instagram and Follow

07 Begin at the Beginning from Why I Created a History of Screenwriting Course [Video] (49 seconds)

A clip from my presentation at the 11th Annual Screenwriting Research Network conference. Held on the campus of the beautiful Università Cattolica del Sacro Cuore in Milan.

Watch the entire presentation 

07 Begin at the Beginning from Why I Created a History of Screenwriting Course

In the presentation, I covered the reasons writers have been marginalized – and the reasons they oughtn’t to be so disrespected. Then I talked about how my course works, what books I assign, what guest speakers I invite, what research the students do – and ended on a high note by introducing ‘When Women Wrote Hollywood’ – the book of essays from our inaugural class which has now been published by McFarland.

Transcript:

So how I teach it. That’s why I teach I want respect to come back to writers. That seems simple right? How I do it. I start in the very beginning when women were the major writers of Hollywood films. There were 50 percent of the films are in by women if not more and they made more money. This is Gene Gauntier from Ireland, this is Anita Loos and Jeannie Macpherson working with Cecil B. DeMille. She wrote every one of his financially successful films and when they stopped working together, his movies stopped making money. That’s the end of Cecil B. DeMille. How I teach it. I start by asking students very quick questions. What are your first five favourite films? Who directed those films? They always know. Who wrote those films? and the look of humiliation on their faces when they sit in a screenwriting class and cannot name the people who wrote their favorite films is ridiculous to me.

Watch the entire presentation

Subscribe to Rosanne Welch, Ph.D on YouTube

 

Buy a signed copy of when Women Wrote Hollywood

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

06 Who Tells Your Story? from Why I Created a History of Screenwriting Course [Video] (50 seconds)

A clip from my presentation at the 11th Annual Screenwriting Research Network conference. Held on the campus of the beautiful Università Cattolica del Sacro Cuore in Milan.

Watch the entire presentation 

06 Who Tells Your Story? from Why I Created a History of Screenwriting Course [Video] (50 seconds)

In the presentation, I covered the reasons writers have been marginalized – and the reasons they oughtn’t to be so disrespected. Then I talked about how my course works, what books I assign, what guest speakers I invite, what research the students do – and ended on a high note by introducing ‘When Women Wrote Hollywood’ – the book of essays from our inaugural class which has now been published by McFarland.

Transcript:

Again why teach screenwriting history.

* Music from Hamilton — Who lives? Who Dies? Who Tells Your Story?”*

“His financial system is a work of genius. I couldn’t undo if I tried and I tried.”

Also a piece very famous for the writer Lin-Manuel Miranda more so than anyone else. Historiography is something we teach in masters programs that we don’t really teach in undergrad and they have to understand who wrote these books and why do we know who why do we have that. I want to teach the history screenwriting these all artists stand on the shoulders of those who came before them be they men or women and we should know who those people were and how they created what we have.

Watch the entire presentation

Subscribe to Rosanne Welch, Ph.D on YouTube

 

Buy a signed copy of when Women Wrote Hollywood

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Laura Kirk Presents at “When Women Wrote Hollywood” Book Signing via Instagram

Laura Kirk Presents at

Laura Kirk Presents

How Women Wrote Hollywood Book Reading and Signing, Skylark Bookshop @skylarkbookshop , Columbia, Missouri during the Citizen Jane Film Festival 


When Women Wrote Hollywood Book Reading and Signing, Skylark Bookshop, Columbia, Missouri

On Saturday, November 3rd, 2018 several of the contributors to When Women Wrote Hollywood gathered at the Skylark Bookshop in Columbia, Missouri for a signing and launch party that functioned like a mini-reunion of the Stephens College MFA in TV and Screenwriting Class of 2017.

Many thanks to all who came to hear them each speak with passion about the research subjects who became whole chapters in this book of essays on female screenwriters from the Silent Era into the 1940s.

Check it out!

Video: When Women Wrote Hollywood Book Reading and Signing, Skylark Bookshop, Columbia, Missouri

 

Buy a signed copy of when Women Wrote Hollywood

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library.
Check it out! † Available from the LA Public Library

05 Writing and Directing from Why I Created a History of Screenwriting Course [Video] (0:44)

A clip from my presentation at the 11th Annual Screenwriting Research Network conference. Held on the campus of the beautiful Università Cattolica del Sacro Cuore in Milan.

Watch the entire presentation 

05 Writing and Directing from Why I Created a History of Screenwriting Course [Video] (0:44)

In the presentation, I covered the reasons writers have been marginalized – and the reasons they oughtn’t to be so disrespected. Then I talked about how my course works, what books I assign, what guest speakers I invite, what research the students do – and ended on a high note by introducing ‘When Women Wrote Hollywood’ – the book of essays from our inaugural class which has now been published by McFarland.

Transcript:

Spike Lee is, of course, famous for that. Spike Lee wrote this film — his first film alone but every film after he’s had a co-writer and those co-writers names barely appear on the poster yet obviously they’re necessary to process. Same is true here for Black KKKlansman his new film. The producer Jordan Peel has a bigger credit than Kevin Willmott who co-wrote the film. No one even knows who Kevin Willmott is and he’s written two of Spike Lee’s most important films. Jordan Peele we know and look at his own poster written directed by very big so we are used crediting directors. Some directors are kind enough to tell us, it’s collaborative effort all I can take credit for is the directing. So this is the attitude that I’m trying to instill in my students.

Watch the entire presentation

Subscribe to Rosanne Welch, Ph.D on YouTube

 

Buy a signed copy of when Women Wrote Hollywood

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Y’Dhanna Daniels presents on Gina Prince-Bythwood via Instagram

Y’Dhanna Daniels presents on Gina Prince-Bythwood via Instagram

Y’Dhanna Daniels presents on Gina Prince-Bythwood 

Watching several current and alumni students of the Stephens College MFA in TV and Screenwriting who shared their research on female screenwriters with professional presentations at the Citizen Jane Film Festival in a panel titled: Frank and Funny Female Screenwriters Who Should Be More Famous”. @citizenjanefilmfestival 

 

Instagram and Follow

04 The “A Film By” Problem from Why I Created a History of Screenwriting Course [Video] (0:52)

A clip from my presentation at the 11th Annual Screenwriting Research Network conference. Held on the campus of the beautiful Università Cattolica del Sacro Cuore in Milan.

Watch the entire presentation 

04 The

In the presentation, I covered the reasons writers have been marginalized – and the reasons they oughtn’t to be so disrespected. Then I talked about how my course works, what books I assign, what guest speakers I invite, what research the students do – and ended on a high note by introducing ‘When Women Wrote Hollywood’ – the book of essays from our inaugural class which has now been published by McFarland.

Transcript:

You’ll notice in this particular poster it’s Frank Capra’s film and we have to really down here to see who wrote the movie right? Who broke the movie is this marvelous couple Albert Hackett and Frances Goodrich, a married couple who wrote for 50 years together. They wrote the play and the film version of The Diary of Anne Frank. They won a Pulitzer Prize for that. Capra never won a Pulitzer Prize. Why is that Capra’s It’s a Wonderful Life? Explain that to me. I don’t like that. They also adapted the Thin Man films which were highly successful and there’s a book about them which is lovely but much less read than the biography of Frank Capra. There is a Capra story that I tell my students it may be anecdotal but Robert Riskin — who wrote many of Capra’s best films and won Academy Awards in his life — was said to have heard often Frank Capra say “I have the Capra touch”. It makes the movies beautiful and one day Riskin handed in 200 blank pages said put your fucking touch on that! Excuse the Americanism but seriously Riskin in the man who made all those films. Why is it we are not talking about him?

Watch the entire presentation

Subscribe to Rosanne Welch, Ph.D on YouTube

 

Buy a signed copy of when Women Wrote Hollywood

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Jennifer Anne Martin presents on Julie Plec via Instagram

Jennifer Anne Martin presents on Julie Plec via Instagram

Jennifer Anne Martin presents on Julie Plec

Watching several current and alumni students of the Stephens College MFA in TV and Screenwriting who shared their research on female screenwriters with professional presentations at the Citizen Jane Film Festival in a panel titled: Frank and Funny Female Screenwriters Who Should Be More Famous”. @citizenjanefilmfestival 

Instagram and Follow

03 The “Capra Touch” from Why I Created a History of Screenwriting Course [Video] (1:08)

A clip from my presentation at the 11th Annual Screenwriting Research Network conference. Held on the campus of the beautiful Università Cattolica del Sacro Cuore in Milan.

Watch the entire presentation 

03 The

In the presentation, I covered the reasons writers have been marginalized – and the reasons they oughtn’t to be so disrespected. Then I talked about how my course works, what books I assign, what guest speakers I invite, what research the students do – and ended on a high note by introducing ‘When Women Wrote Hollywood’ – the book of essays from our inaugural class which has now been published by McFarland.

Transcript:

You’ll notice in this particular poster it’s Frank Capra’s film and we have to really down here to see who wrote the movie right? Who broke the movie is this marvelous couple Albert Hackett and Frances Goodrich, a married couple who wrote for 50 years together. They wrote the play and the film version of The Diary of Anne Frank. They won a Pulitzer Prize for that. Capra never won a Pulitzer Prize. Why is that Capra’s It’s a Wonderful Life? Explain that to me. I don’t like that. They also adapted the Thin Man films which were highly successful and there’s a book about them which is lovely but much less read than the biography of Frank Capra. There is a Capra story that I tell my students it may be anecdotal but Robert Riskin — who wrote many of Capra’s best films and won Academy Awards in his life — was said to have heard often Frank Capra say “I have the Capra touch”. It makes the movies beautiful and one day Riskin handed in 200 blank pages said put your fucking touch on that! Excuse the Americanism but seriously Riskin in the man who made all those films. Why is it we are not talking about him?

Watch the entire presentation

Subscribe to Rosanne Welch, Ph.D on YouTube

 

Buy a signed copy of when Women Wrote Hollywood

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library