eBook Editions Now Available – When Women Wrote Hollywood

eBook Editions Now Available – When Women Wrote Hollywood

When Women Wrote Hollywood eBook Editions Now Available

 

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This collection of 23 new essays focuses on the lives of female screenwriters of Golden Age Hollywood, whose work helped create those unforgettable stories and characters beloved by audiences–but whose names have been left out of most film histories. The contributors trace the careers of such writers as Anita Loos, Adela Rogers St. Johns, Lillian Hellman, Gene Gauntier, Eve Unsell and Ida May Park, and explore themes of their writing in classics like Gentlemen Prefer Blondes, Ben Hur, and It’s a Wonderful Life.

When Women Wrote Hollywood – 20 in a series – Lois Weber

To highlight the wonderful yet largely forgotten work of a collection of female screenwriters from the early years of Hollywood (and as a companion to the book, When Women Wrote Hollywood) we will be posting quick bits about the many films they wrote along with links to further information and clips from their works which are still accessible online. Take a few moments once or twice a week to become familiar with their names and their stories. I think you’ll be surprised at how much bold material these writers tackled at the birth of this new medium. — Rosanne Welch


When Women Wrote Hollywood – 20 in a series – Lois Weber

When Women Wrote Hollywood - 20 in a series - Lois Weber

Lois Weber (June 13, 1879 – November 13, 1939) was an American silent film actress, screenwriter, producer, and director, who is considered “the most important female director the American film industry has known”,[1] and “one of the most important and prolific film directors in the era of silent films”.[2][3] Film historian Anthony Slide asserts that: “Along with D.W. Griffith, Weber was the American cinema’s first genuine auteur, a filmmaker involved in all aspects of production and one who utilized the motion picture to put across her own ideas and philosophies.”[4]

Weber produced an oeuvre which Jennifer Parchesky argues is comparable to Griffith’s in both quantity and quality,[5] and brought to the screen her concerns for humanity and social justice in an estimated 200 to 400 films,[2][6] of which as few as twenty have been preserved,[7][8] and has been credited by IMDb with directing 135 films, writing 114, and acting in 100.[9] Weber was “one of the first directors to come to the attention of the censors in Hollywood’s early years”.[10] Wikipedia 

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A clip from The Blot

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Quote from “America’s Forgotten Founding Father” by Dr. Rosanne Welch – 24 in a series – Monticello

Quote from

The friendship that was to last a lifetime began as the Adams’ carriages rode up the grand driveway of Monticello and Filippo saw at a glance how much Jefferson esteemed all things Italian. The neoclassical design of the main home came from principles described by Italian Renaissance architect Andrea Palladio.

 From America’s Forgotten Founding Father — Get Your Copy Today!


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Also from the Mentoris Project

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Books for Sale! – When Women Wrote Hollywood Book Launch Event via Instagram

Books for Sale! - When Women Wrote Hollywood Book Launch Event via Instagram

Books for Sale! – When Women Wrote Hollywood Book Launch Event

Many thanks to the essay contributors who joined us and spoke so eloquently about the women writers they had researched: Toni Anita Hull, Laura Kirk, Amelia Phillips, Sarah Phillips, Julie Berkobien, Khanisha Foster, Lauren Smith, and to Cari Beauchamp, who wrote the Forward to the collection.

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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

More on Mazzei: Between enlightened pragmatism and censorship resistance: Memorie della vita e delle peregrinazioni del fiorentino Filippo Mazzei

Mazzei cover small 2This series will focus on material I found while researching my book, America’s Forgotten Founding Father: A Novel Based on the Life of Filippo Mazzei.

These next few items come from the Bibliography I submitted when proposing the original book. — Rosanne.


Between enlightened pragmatism and censorship resistance: Memorie della vita e delle peregrinazioni del fiorentino Filippo Mazzei

Abstract

A multi-faceted personality of the European Enlightenment and American Independence, Filippo Mazzei (1730-1816) retraces his wanderings between the Old and the New Worlds in his Memorie, written from 1810 to 1813. This paper argues that the apparent lack of theoretical depth and rhetorical strength of Mazzei’s Memorie represents rather the narrator’s ironic, pragmatic strategy of resistance to various forms of censorship, which he experienced in particular through his interactions with the Tribunal of the Inquisition. We will examine two specific episodes of the Memorie through the lens of Wilhelm Dilthey’s philosophical notion of Erlebnis or ‘lived experience.’ From the perspective of Erlebnis and the inherent interrelation between lived experience, understanding and expression articulated in Dilthey’s The Formation of the Historical World in the Human Sciences of 1910, Mazzei’s autobiographical narrative emerges as a hermeneutic strategy of resistance that weaves together History and histories, universality and individuality.

Between enlightened pragmatism and censorship resistance: Memorie della vita e delle peregrinazioni del fiorentino Filippo Mazzei. Available from: https://www.researchgate.net/publication/272413716_Between_enlightened_pragmatism_and_censorship_resistance_Memorie_della_vita_e_delle_peregrinazioni_del_fiorentino_Filippo_Mazzei [accessed Aug 13 2018].


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Also from the Mentoris Project

 

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When Women Wrote Hollywood Book Launch Event – August 11, 2018 [Photos]

When Women Wrote Hollywood Book Launch Event - August 11, 2018 [Photos]

See the entire collection of photos

In honor of the launch of our book of essays – When Women Wrote Hollywood – Jake Flynn, Communications Director for Councilmember Bob Blumenfield presented us this Certificate of Recognition from the Los Angeles City Council for “bringing students from throughout the country to Los Angeles and pairing them with mentors in the heart of the entertainment business…

The flexibility of the program allows for a diverse student body which in turn promotes the telling of stories that have not been heard before.” One certificate will return home to Stephens College with Dean Gail Humphries Mardirosian, who flew out to attend the launch, and the other two will stay with Ken and I here in Los Angeles.

Many thanks to the essay contributors who joined us and spoke so eloquently about the women writers they had researched: Toni Anita Hull, Laura Kirk, Amelia Phillips, Sarah Phillips, Julie Berkobien, Khanisha Foster, Lauren Smith, and to Cari Beauchamp, who wrote the Forward to the collection.


Buy a signed copy of when Women Write Hollywood

or Buy the Book on Amazon

 

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

More on the Monkees: Dolenz, Jones, Boyce & Hart ~ 1976 TV Special (Part 1) [Video]

More on the Monkees: Dolenz, Jones, Boyce & Hart ~ 1976 TV Special (Part 1)

More on the Monkees: Dolenz, Jones, Boyce & Hart ~ 1976 TV Special (Part 1) [Video] 

 Wikipedia: “Dolenz, Jones, Boyce & Hart starred in their own 1976 TV special called The Great Golden Hits of the Monkees Show, which appeared in syndication. It featured a medley of other Boyce and Hart songs, as well as the songs they had produced for the Monkees. Strangely, it did not include any songs from their new album.”



 Why The Monkees Matter: Teenagers, Television and American Pop Culture

    

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

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In Conversation With Cari Beauchamp, author of Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood via Instagram

In Conversation With Cari Beauchamp, author of Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood via Instagram

In Conversation With Cari Beauchamp, author of Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood

My Stephens College MFA in Screenwriting students are in town for the next 20 days and we are diving into our work.

This is a low-residency program where most of the work is done online but each cohort (1st year and 2nd year) comes to LA twice each year and meets for 10 days of intense workshops and research at the Jim Henson Studio (originally the Chaplin Studio) in the heart of Hollywood.

This week is the first workshop for our new class of 2020. 

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From The Research Vault: Hey, Hey, They Wrote The Monkees: How a few writers changed the hair-length (and face) of television, Written By, November/December 2012

From The Research Vault: Hey, Hey, They Wrote The Monkees: How a few writers changed the hair-length (and face) of television, Written By, November/December 2012

Early 1960s television characters came in a one-size-fits-all,  squeaky-clean-cut style, from Dr. Kildare in his white lab coat,  to Hoss Cartwright in his white Stetson, to Sr. Bertrille in her  white habit. That lasted until 7:30 p.m. Monday, September  12, 1966 when four long-haired teenagers began dancing a Monkeewalk while singing, “Hey, Hey, We’re the Monkees.”

Though it looked simple enough, the comedy was about  more than four struggling musicians living in a beach house  they couldn’t afford, without adult supervision, and hoping for  success while engaging in Marx(Bros)ian humor. According to  star Micky Dolenz, the only actor with previous television series experience: “It brought long hair into the living room and  changed the way teenagers were portrayed on television.”

Dolenz’s opinion is backed up by psychologist and author  Timothy Leary in The Politics of Ecstasy: “While it lasted, it  was a classic Sufi[ism] put-on. An early-Christian electronic  satire. A mystic magic show. A jolly Buddha laugh at hypocrisy. And woven into the fast-moving psychedelic stream of action  were the prophetic, holy, challenging words. Micky was rapping  quickly, dropping literary names, making scholarly references.”

Why The Monkees Matter: Teenagers, Television and American Pop Culture

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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

When Women Wrote Hollywood – 19 in a series – Blood and Sand starring Rudolph Valentino, Written for the screen by June Mathis

To highlight the wonderful yet largely forgotten work of a collection of female screenwriters from the early years of Hollywood (and as a companion to the book, When Women Wrote Hollywood) we will be posting quick bits about the many films they wrote along with links to further information and clips from their works which are still accessible online. Take a few moments once or twice a week to become familiar with their names and their stories. I think you’ll be surprised at how much bold material these writers tackled at the birth of this new medium. — Rosanne Welch


When Women Wrote Hollywood – 19 in a series – Blood and Sand starring Rudolph Valentino, Written for the screen by June Mathis

When Women Wrote Hollywood - 19 in a series - Blood and Sand starring Rudolph Valentino, Written for the screen by June Mathis

Blood and Sand is a 1922 American silent drama film produced by Paramount Pictures, directed by Fred Niblo and starring Rudolph Valentino, Lila Lee and Nita Naldi. It was based on the 1909 Spanish novel Sangre y arena (Blood and Sand) by Vicente Blasco Ibáñez and the play version of the book by Thomas Cushing.

Juan Gallardo (Valentino), a village boy born into poverty, grows up to become one of the greatest matadors in Spain. He marries a friend from his childhood, the beautiful and virtuous Carmen (Lee), but after he achieves fame and fortune he finds himself drawn to Doña Sol (Naldi), a wealthy, seductive widow.

They embark on a torrid affair with rather sadomasochistic overtones, but Juan, feeling guilty over his betrayal of Carmen, tries to free himself of Doña Sol. Furious at being rejected, she exposes their affair to Carmen and Juan’s mother, seemingly destroying his marriage. Growing more and more miserable and dissipated, Juan becomes reckless in the arena. He is eventually killed in a bullfight but does manage to reconcile with Carmen moments before he dies.

There is also a subplot involving a local outlaw whose career is paralleled to Juan’s throughout the film by the village philosopher: Juan’s fatal injury in the bullring comes moments after the outlaw is shot by the police.  Wikipedia  

Watch Blood and Sand

More on Blood and Sand

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

More about June Mathis


Buy a signed copy of when Women Write Hollywood

 

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library