The Latest Journal of Screenwriting is HERE!

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It was quite satisfying to receive my copy of The Journal of Screenwriting yesterday (Issue 8.2) with my first efforts as the Book Reviews Editor.

The issue also contains the conference report I co-wrote on the 9th Annual Conference, held in Leeds last year. I really enjoyed participating in the writing of that report because it gave me a chance to mention the many wonderful paper presentations that I saw. It also happens to include a wonderful article by my friend Rose Ferrell from Australia (who just completed her Phd thesis which you can access here) about the concept of National voice and how much of our national voice filters into our writers voice

Of course my mind is already rolling with ideas about how to write about this most recent conference at a Otago University. Right now I will enjoy this copy of the Journal looking at the book reviews and the articles with a new kind of focus. The new goal is to find reasons to bring students to read these types of academic journals and discuss them in class — and to find more college libraries that will subscribe so they can have the Journal on hand for their screenwriting students!

If you work for a university – give The Journal of Screenwriting a read!

Dr. Rosanne Welch Moderates “Freaks, Geeks, And Queen Bees: Crafting The Teenage Voice For TV” – WGAw Los Angeles – Oct 23 at 730pm

On Mon, October 23, 2017 (7:30 PM – 9:00 PM) I’ll be moderating another panel for the WGA Foundation. This one is near and dear to my heart as it’s on writing with the teenage voice: Freaks, Geeks, And Queen Bees: Crafting The Teenage Voice For TV.

Chuck Rosin of Beverly Hills, 90210 has agreed to join the panel and invites are out to folks on other iconic teen shows – I’ll update you as I know. General Admission is $25 / WGA or SAG members and Student tickets are $20.

Get tickets here

FREAKS, GEEKS, AND QUEEN BEES: CRAFTING THE TEENAGE VOICE FOR TV

Mon, October 23, 2017
7:30 PM – 9:00 PM

Beverly Hills 90210 Season 2 250x250

From BEVERLY HILLS, 90210 and DAWSON’S CREEK to GOSSIP GIRL and RIVERDALE, television shows set in the world of teenagers have evolved through the years but still tackle the myriad issues young people face in this period of awkwardness and angst. 

On this special evening, our panel discusses the craft behind writing with the teenage voice in mind, how they develop characters and refresh tried-and-true plots, and how writers are reinventing and reimagining the genre. 

Panelists

Charles Rosin (SOUTH OF NOWHERE, DAWSON’S CREEK, BEVERLY HILLS, 90210)
Stay tuned for more panelist announcements!

Moderated by Dr. Rosanne Welch (TOUCHED BY AN ANGEL, BEVERLY HILLS, 90210)

Doors open at 7:00pm. Event starts at 7:30pm.

All events advertised on our “Events” page are open to anyone who wants to buy a ticket – not just WGA members!

In the case the event is sold out, we will have a first come, first serve stand-by line at the event. The stand-by line does not guarantee entry into the event.

Proceeds benefit the Foundation’s library and archive and other outreach programs.

Get tickets here

Women in American History : A Social, Political and Cultural Encyclopedia and Document Collection

My ABC-CLIO catalog arrived while we were off in New Zealand at the Screenwriting Research Network Conference and inside it was this page for my latest encyclopedia — which is now available for purchase. Please take am moment to recommend it to your local librarian.

Women in American History : A Social, Political and Cultural Encyclopedia and Document Collection

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Purchase from ABC-CLIO Web SIte

Purchase from Amazon.com

 

Dr. Rosanne Welch’s Latest Essay Appears in “OUTSIDE IN MAKES IT SO: 174 New Perspectives on 174 Star Trek TNG Stories by 174 Writers”

Dr. Rosanne Welch’s Latest Essay Appears in “OUTSIDE IN MAKES IT SO: 174 New Perspectives on 174 Star Trek TNG Stories by 174 Writers”

My essay is on the 3rd Season, premiere episode “Evolution” by Michael Piller – because I was his script typist when he wrote that as a freelancer and it became his path into getting the job and eventually running the show. But I also get to comment on Beverly Crusher as part of the evolution of working moms on TV – and Will Wheaton as an example of evolving his brand over the course of a long career. — Rosanne

Dr. Rosanne Welch's Latest Essay Appears in

This item will be released on September 28, 2017.

PRE-ORDER NOW

Celebrating 30 years of Star Trek: The Next Generation, Outside In Makes It So is a collection of 174 reviews, one for every story of the show, the four movies and a few bonus extras. Well, we say “reviews,” but we mean that loosely: within these pages, you’ll find scripts, recipes, a Monty Python sketch, a psych test, gossip columns, newspaper ads, a sitcom, a eulogy and a daily log from Riker’s beard, not to mention insightful and thoughtful articles examining Picard-era Star Trek from just about every angle imaginable…and then some!

 

Dr. Rosanne Welch with her WGA Panel Participants from “Crafting Strong Female Characters”

One attendee comment made my evening, “This panel was both inspirational and aspirational!”

Dr. Rosanne Welch Moderates WGA Panel: Women Warriors: Writing Strong Female Protagonists – August 16, 2017

I’m so honored to have been asked to moderate this exciting panel coming up next Wednesday August 16, 2017: WOMEN WARRIORS: WRITING STRONG FEMALE PROTAGONISTS with a panel that includes Allan Heinberg (WONDER WOMAN), and Moira Walley-Beckett (ANNE WITH AN E), Amy Berg (COUNTERPART), Liz Flahive (GLOW), Carly Mensch (GLOW).

Dr. Rosanne Welch Moderates WGA Panel: Women Warriors: Writing Strong Female Protagonists - August 16, 2017

Unfortunately, this event is sold out.

‘Featuring a Strong Female Lead’ is more than just a Netflix category; it marks an evolution of film and television characters that have shown us the world from varied female perspectives. From Scarlett O’Hara and Norma Desmond to Maude Findlay, Buffy Summers and Wonder Woman, our favorite female heroines (and anti-heroines) have paved the way for modern explorations of the female experience.

On this special evening, our panel of writers explores the process of crafting strong female protagonists, how they navigate through archetypes and stereotypes, and how writers are challenging (and changing) the way female characters are depicted on TV and film.

Panelists:

Amy Berg – Amy is a writer and executive producer for film and television. She’s written for a multitude of shows including DA VINCI’S DEMONS, PERSON OF INTEREST, EUREKA, LEVERAGE, and THE 4400. She also created the award-winning digital series CAPER. Along with her feature work, she’s currently co-showrunning the upcoming Starz series COUNTERPART starring J.K. Simmons and consulting on a series for Hulu.

Liz Flahive & Carly Mensch – Creators of Netflix Original Series GLOW

Allan Heinberg – Allan is the screenwriter of the film Wonder Woman, directed by Patty Jenkins. His television writing and producing credits include The Naked Truth, Party Of Five, Sex And The City, Gilmore Girls, The O.C., Grey’s Anatomy, Looking, and Scandal. Most recently, Heinberg developed, wrote, and ran ABC’s The Catch, starring Mireille Enos and Peter Krause. For Marvel Comics, Heinberg created and wrote Young Avengers and its sequel, Avengers: The Children’s Crusade with co-creator/artist Jim Cheung. For DC Comics, Heinberg co-wrote JLA: Crisis Of Conscience with Geoff Johns (art by Chris Batista), and re-launched Wonder Woman with artists Terry and Rachel Dodson.

Moira Walley-Beckett – Moira is a multiple award winning screenwriter. She is currently the Series Creator and Executive Producer of the Netflix drama “ANNE (with an E).”

Recently, Moira created “Flesh and Bone,” a critically acclaimed Limited Series for STARZ. The drama received multiple nominations (including a GOLDEN GLOBE and a WGA nod) and won a SATELLITE AWARD, a GRACIE AWARD, and a WOMEN’S IMAGE (WIN) Award. Before creating “Flesh and Bone,” Moira spent six years as a writer and Co-Executive Producer on the critically acclaimed AMC series “Breaking Bad.” For her work on that show, Moira has won a total of three EMMY AWARDS, three WRITERS’ GUILD AWARDS, three AFI AWARDS, three SATURN AWARDS, two PGA AWARDS, a GOLDEN GLOBE, a PEABODY, and received a PEN LITERARY AWARD nomination. Before her tenure as a writer on “Breaking Bad,” Ms. Walley-Beckett wrote on the NBC dramas “Raines” and “Eli Stone,” and “Pan Am” for ABC.

Currently, Moira has a feature film, The Grizzlies, in post-production with Kennedy/Marshall and Northwood Productions. Ms. Walley-Beckett hails from Vancouver, Canada but resides in Los Angeles.

Rosanne Welch talks “The Invention of the Teenager” on Pop!: The Pop Culture Podcast

Rosanne Welch talks “The Invention of the Teenager” on Pop!: The Pop Culture Podcast

I had quite a good time when Ken Mills interviewed me about the ‘invention’ of the teenager – something I teach in my classes and spent a whole chapter on in my book, Why The Monkees Matter!

Marketers created teenagers in the same way The Disney Channel and Nickelodeon helped spread the term Tweeners for their shows.

The whole episode is fun – I really like the coverage of Anne Moses and her time editing Tiger Beat Magazine (but if you’re pressed for time my interview starts at 18:22).

Rosanne Welch talks

Listen to this show


Buy “Why The Monkees Matter” Today!

Why The Monkees Matter: Teenagers, Television and American Pop Culture

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

“Honey, You Know I Can’t Hear You When You Aren’t in the Room: Now free online from Gender and the Screenplay Journal

“Honey, You Know I Can’t Hear You When You Aren’t in the Room: Now free online from Gender and the Screenplay Journal

My article “Honey, You Know I Can’t Hear You When You Aren’t in the Room: Key Female Filmmakers Prove the Importance of Having a Female in the Writing Room” published today in a special issue called Gender and the Screenplay: Processes, Practices, Perspectives in the journal: Networking Knowledge: Journal of the MeCCSA Postgraduate Network (Vol 10 No 2 (2017). 

“Honey, You Know I Can’t Hear You When You Aren’t in the Room PDF Version

The article provides a quick historical survey of the work of several prominent female screenwriters across the first century of filmmaking, including Anita Loos, Dorothy Parker, Frances Goodrich and Joan Didion. In all of their memoirs and other writings about working on screenplays, each mentioned the importance of (often) being the lone woman in the room during pitches and during the development of a screenplay. Goodrich summarized all their experiences concisely when she wrote, ‘I’m always the only woman working on the picture and I hold the fate of the women [characters] in my hand… I’ll fight for what the gal will or will not do, and I can be completely unfeminine about it.’ Also, the rise of female directors, such as Barbra Streisand or female production executives, such as Kathleen Kennedy, prove that one of the greatest assets to having a female voice in the room is the ability to invite other women inside. Therefore, this paper contributes to the scholarship on women in film and to authorship studies.

The title is a riff on a series of one-act plays I worked on in college called “Honey, You Know I Can’t Hear You When the Water’s Running” written by Robert Anderson (author of the plays Tea and Sympathy and was Oscar-nominated for the screenplays A Nun’s Story and I Never Sang for my Father.)

You can read and download the entire journal, edited by Louise Sawtell, Stayci Taylor, which includes other fine articles have a global reach, covering questions of gender in screenwriting practice; reflections on the Irish film industry; Female Screenwriters and Street Films in Weimar Republic; Narrative and Masculinity in The Long Goodbye; How Hollywood Screenplays Inscribe Gender.

The editors had also asked all contributors to create video abstracts for each piece. Thanks to Doug’s help, mine came out pretty good:

 

 

 

 

Why Study The Television We Watch? from Why The Monkees Matter Book Signing [Video] (0:58)

This book signing at Book Soup was wonderful – good people, good conversation (before and after the signing). Just another example of the kind of quality positive people who have been drawn to The Monkees across generations – I even met a former head of publicity for ScreenGems who had some fun stories to tell. — Rosanne

Watch this entire presentation

Why Study The Television We Watch? from Why The Monkees Matter Book Signing

 

Transcript:

I think when we think about the intimacy of what we get from television we learn a lot about why isn’t important and why we should pay attention to the kind of television we’re watching and supporting. For me, obviously, that’s going backward to The Monkees and showing that to students today, so that they can think about what ideas were prevalent in the 60s. I think all the things that we credit to All in the Family and the whole Norman Lear empire, those things appeared on The Monkees long before it happened on those programs. Studying The Monkees, for me, illustrates the history and the evolution of the medium of television and it provides a time capsule of American society at that moment when youth culture was becoming everything and if you think about it, we still look at it that way. Everyone’s still trying to pretend with the botox and whatever that they are still 22. It’s an interesting point. But it was the beginning of teenagers in America in many ways and the films and the television were showing us what teenagers were all about.

Buy “Why The Monkees Matter” Today!

Why The Monkees Matter: Teenagers, Television and American Pop Culture

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

 

Cal Poly Pomona Golden Leaves Presentation to Dr. Rosanne Welch and Dr. Peg Lamphier

Cal Poly Pomona Golden Leaves Presentation to Dr. Rosanne Welch and Dr. Peg Lamphier

Celebrating my 2017 Award-Winning Books 

Here my co-editor (and the funnest office mate ever) Dr. Peg Lamphier are smiling besideLibrary Dean Dr. Ray Wang at the Cal Poly Pomona Golden Leaves Award ceremony celebrating professors who have published in the past year.  

For us it was our 3-years-in-the-making “Women in American History: A Social, Political, and Cultural Encyclopedia” – then I earned a second award for my 2-years-in-the-making Monkees book “Why The Monkees Matter: Teenagers, Television and American Pop Culture”.