From the Index… The B’s – “Why The Monkees Matter”

Wonder what and who I mentioned in “Why The Monkees Matter”? Check out these index entries!

Bachelor and the Bobby Soxer, The  13

Bacon, Kevin  130, 151

Ballantine, Carl  21

Balmuth, Bernard  98

Barnes, Ken  69

Batman  7, 90, 116

Baywatch  22

Beach Blanket Bingo  15, 21

Beach Boys, The  14, 146

Beatles, The  3, 7, 23, 32, 34, 46, 83-84, 101, 121, 123, 125, 135, 146, 149, 151, 154

Beatty, Warren  17

Bechdel, Alison  65

Bechdel Test  65-66

Beck, Vincent  78-79

Bellah, Ross  105

Ben Casey  97, 131

Ben Stiller Show, The  153-154

Benet, Stephen Vincent  29-30

Bennett, Phillip  105

Bennett, Tony  156

Benny, Jack  121

Bergman, Andrew  91

Bergman, Ingrid  148

Beverly Hillbillies, The  116

Beverly Hills, 90210  13, 22

Bewitched  7-8, 45, 104, 148

Big  38, 53

Big Bang Theory, The  54, 69, 109-110

Big Time Rush  142

Bikini Beach  94

Birds, The Bees and the Monkees, The  130, 132

Blackboard Jungle  13

Blauner, Steve  96, 146

Blazing Saddles  91

Blue Bloods  119

Blue Moo  133

Bob & Carol & Ted & Alice  27

Bob Newhart Show, The  96

Bogart, Humphrey  105

Bonnie and Clyde  17, 74

Bodroghkozy, Aniko  14

Bonanza  8, 16, 59, 107, 114, 116

Bond, Jame  46, 113, 115

Bowery Boys, The  124, 135

Bowie, David  149

Boy Meets World  120, 144-145, 155

Boyce, Tommy  27, 80, 88, 156

Boynton, Sandra  133

Brady Bunch, The  108, 131, 144, 155

Brady Bunch Movie, The  131

Brady, Marsha  108, 131

Bramley, William  21

Breaking Bad  144, 145

Brooks, Mel  91

Brothers, Dr. Joyce  61

Brown, James  69

Buckley, Tim  20, 148

Buddha  25, 33, 45, 75

Buffalo Springfield  36, 148

Bullwinkle  47

Buffy the Vampire Slayer  22

Burns, Edd “Kookie”  15-16

Burns, George  9, 11, 93, 97, 121, 123

Burns, Ronnie  11

Burnett, Carol  51  

Burstyn, Neil  117

Buzzi, Ruth  37, 80

Byrds, The  14, 34, 139, 146, 148


from Why The Monkees Mattered by Dr. Rosanne Welch —  Buy your Copy today!

 Why The Monkees Matter: Teenagers, Television and American Pop Culture

  

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

How Did You Become A Fan Of The Monkees? from An Interview with Dr. Rosanne Welch, Author of “Why The Monkees Matter” on the Zilch Podcast [Audio]

A clip of an interview with Dr. Rosanne Welch, author of “Why The Monkees Matter” from Zilch: A Monkee’s Podcast: Episode 48.

Listen to this clip

Zilch48

Listen to the complete Zilch Podcast: Episode 48


Buy “Why The Monkees Matter” Today!

 Why The Monkees Matter: Teenagers, Television and American Pop Culture

 

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

 

Psychobabble reviews “Why The Monkees Matter”

As an author, it is both exciting and frightening to begin reading the review of a book you have spent several years of your life researching and writing. But you also appreciate when a reviewer sees both the good and the perhaps not so perfect points of your work. That’s how I feel about Mike Segretto’s coverage. He doesn’t completely agree with my feminist bent on the show, but does agree with my glass-half-empty/glass-half-full take on the way the show handled ethnicity in the midst of the Civil Rights Movement. I smiled when he rated the book “a fine piece of cultural analysis” and an “atypically readable and fun one”. That was my goal all along – to make some cultural points about The Monkees and their impact while entertaining the fans who have known they mattered all these years. — Rosanne

Review: ‘Why The Monkees Matter: Teenagers, Television, and American Pop Culture’
by Mike Segretto from Psychobabble, July 17, 2016


The question of whether or not some artifact of the twentieth century still “matters” has become a trendy question among pop-culture writers. The annoying implication is that the writer’s judgment holds some sort of weight, and if it is decided that, say, The Beatles get the thumbs down, they no longer “matter”—whatever that means. Instead of asking questions, Rosanne Welch’s new book Why The Monkees Matter: Teenagers, Television, and American Pop Culture makes an emphatic statement, and unlike a lot of these other “does this matter?” pieces, there is a special point behind her statement since The Monkees spent so much of their fifty-year career having critics tell them they most certainly do not matter.

As Welch points out, that attitude really began to change in the wake of Davy Jones’s death in 2012, as critical consensus started moving toward the judgment that The Monkees were actually really great. The point of Why The Monkees Matter is to articulate that judgment, and she does so by focusing exclusively on their TV show, which she notes was artistically, narratively, and politically progressive.

Welch organizes her book as a series of stand-alone topical essays. She deals with the state of the teenager on American TV prior to The Monkees arrival; how The Monkees contemporized depictions of young people by voicing anti-war, anti-consumerist philosophies (some scripted, some not); the radical inventiveness of the series’ design and writing (“The Monkees” was that rare sixties show that went out of its way to hire young writers); it’s pop-cultural legacy; etc.

Welch also deals with how women and non-American ethnicities were handled on the show. This is where “The Monkees” didn’t always live up to its Aquarian ideals, though the author cuts the series a lot of slack regarding its treatment of women. Yes, we do see an unusual number of female characters in respectable positions on the show—judges, royalty, PH.D. students, rock musicians—but some of Welch’s arguments that the series was generally feminist are weak. She contends that Davy’s weekly girlfriends weren’t sex objects because they never actually spend the night at The Monkees’ pad. Well, how many women on sixties sitcoms spent the night at a man’s pad? Zero? She suggests that Micky values intelligence more than sexuality because he describes Brenda from “99 ½ Pound Weakling” as “brilliant and intelligent” when this is clearly a joke on her stoned inarticulateness. While Welch notes the demotion of the all-female band The Westminster Abbeys to go-go dancers at the end of “Some Like It Lukewarm”, she unconvincingly suggests that other elements in the episode balance out the sexist way the writers chose to end it.

Welch is less forgiving when analyzing how non-American ethnicities are handled on “The Monkees”, focusing on how Asians, Italians, Gypsies, and Russians are stereotyped on the series. She misses a great opportunity to discuss the character of Thursday in “Monkees Marooned”, who very effectively sends up the “black native” stereotype with his eloquence, intelligence, ability to take control of situations, and hipness.

Aside from the weaknesses in these two chapters, Why The Monkees Matter is not only a fine piece of cultural analysis overall but also an atypically readable and fun one. It’s filled with historical tidbits about the series’ filming and writing and Mike, Micky, Davy, and Peter, so even if you need no convincing that The Monkees matter, you may still find much to interest you on its pages.

 

A Lesson in the Power of One Line – Leigh Brackett [Essay]

Watching a rerun of The Rockford Files the other day I noted 2 interesting things – things that came up in conversations with writers, producers and development execs who gave guest lectures at our Stephens College MFA in Screenwriting over our last workshop session. Particularly, what came up was the idea of what execs and showrunners look for when they read a spec script. Several producers and show runners said they look for solid scenes and one or two spectacular lines of dialogue – lines that stood out as well-written and never strayed away from character.

So watching a first season Rockford episode called “The Four Pound Brick” I noted a line of dialogue that stuck with me over a few days. An older woman was walking away from the cemetery plot for her 26 year old son. She was commenting on the (then new) policy of not allowing headstones in favor of flat stones that allowed lawnmowers to ride over and therefore keep the whole area neater. She said, “I think cemeteries ought to be a bit messy. Like lives.” A very nice line that struck me as something that would make me want to read more of that writer.

Then I used IMDB to get the writer’s name: Leigh Brackett. You might (or so I say you should) recognize her name from a number of successful hard-boiled, manly-man detective and western films such as The Big Sleep, El Dorado, and Rio Bravo. She also wrote a slew of science-fiction/fantasy books and often collaborated with Ray Bradbury.

Brackett 2 Brackett 1

I don’t like the fact that this is a compliment, but it was then and still is: Director Howard Hawks thought Leigh Brackett was a good writer because – according to him – she wrote “like a man”.

Lorelei sphere parchment2

For my fellow Star Wars fans, you will recognize Brackett for her co-screenwriting credit (shared with Lawrence Kasdan) for Star Wars: The Empire Strikes Back. Long-time fan of her writing, George Lucas, wanted her and only her to write the sequel to his blockbuster film once he’d figured out he liked directing and world-building more than the nuts and bolts of executing those big dreams on the big screen. He wanted Han Solo to be a combination of Humphrey Bogart and John Wayne – a manly man with a sensitive side – and hired the woman who could do that. But she died of cancer after writing the first version of the script so Lucas did some work on her draft before asking Lawrence Kasdan to finish the screenplay. Both men respected and admired Brackett so much – and kept so much of her characterizations and structure – that her name remains on the final script. Apparently, there was only one copy of her version at an archive but eventually it made its way onto the internet where you can read it:

The Empire Strikes Back – Brackett Draft (PDF)

Empire strikes back style a

I like Han Solo’s line about Hoth: “I doubt if God even remembers where he hung this star.” I wonder how many rewrite drafts it survived until either Lucas or Kasdan decided not to mention gods of any kind in their alternate universe…

But it was interesting to see that the advice of current showrunners helped me pick out a quality writer in the midst of her career. I haven’t researched how she came to write a Rockford episode but many screenwriters of the 40s and 50s turned to television for a while since it was such a lucrative market.

As a final note, the IMDB trivia page tells us that the character “Sheriff Leigh Brackett” in John Carpenter’s independent horror film Halloween (1978) was named after her. It’s a nice tribute, but a nicer one would be that more of us recognize her name more often.

Leigh Brackett on Wikipedia

Leigh Brackett on IMDB

Books by Leigh Brackett at Amazon.com

Quotes from “Why The Monkees Matter” by Dr. Rosanne Welch – 23 in a series

** Buy “Why The Monkees Matter” Today **

Quotes from

Young people were seeing themselves taken seriously and hearing about other young people on a weekly basis due to The Monkees, often in the program but also in those end-of-show interviews scattered across the seasons.  

from Why The Monkees Mattered by Dr. Rosanne Welch —  Buy your Copy today!

 Why The Monkees Matter: Teenagers, Television and American Pop Culture

  

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

From Breakfast at Tiffany’s to In Cold Blood from A History of the Art of Adaptation [Video] (0:26)

You Can Please Some of the People Some of the Time… None of the People All of the Time: A History of the Art of Adaptation in Movies like Dune, The Godfather, Harry Potter and More!

Dr. Rosanne Welch speaks on A History of the Art of Adaptation in Movies like Dune, The Godfather, Harry Potter and More! at the California State University, Fullerton Library

Part of the program series for Dune by Frank Herbert: A 50th Anniversary Celebration.

Watch this entire presentation

From Breakfast at Tiffany's to In Cold Blood from A History of the Art of Adaptation

 

Transcript:

the one they adapted much better is “In Cold Blood” which is one of those books that if I start reading the first page I have to shut up and go read the rest of the book. It’s quite a brilliant book and this one they followed almost to the letter. Obviously you can’t include everything in an adaptation, but they didn’t make any real changes because the story was so well known and it was based on a true serial murder. So, he (Capote) was happy with that and he actually got very involved with the actors in that. He hated this movie (Breakfast at Tiffany’s).    

About this talk

Dr. Rosanne Welch (RTVF) speaks on the craft of history of film adaptations from the controversy of the silent film Birth of a Nation (protested by the National Association for the Advancement of Colored People in 1915) to Breakfast at Tiffany’s (to which author Truman Capote famously said, “The only thing left from the book is the title”) to The Godfather . Naturally, the behemoth in adaptation – Harry Potter (which depended on the relationship created by adapter Steve Kloves and author J.K. Rowling) will be discussed, as will the subject of this month’s celebration: Dune.

Date: Wednesday, October 14, 2015 Time: 1:00pm – 2:00pm

About Dr. Rosanne Welch

Dr. Rosanne Welch is a professor in the Low Residency MFA in Screenwriting Program from Stephens College, California State University, Fullerton, Mount San Antonio Community College and Cal Poly Pomona.  In 2007, she graduated with her Ph.D. in 20th Century U.S./Film History from Claremont Graduate University.  She graduated with her M.A. in 20th Century United States History from California State University, Northridge in 2004.

Welch is also a television writer/producer with credits for Beverly Hills 90210 , CBS’s Emmy winning Picket Fences and Touched By An Angel . She also writes and hosts her own podcasts on 3rdPass.media, her first one titled “Mindful(I) Media with Dr. Rosanne Welch.”

Her upcoming book, “Why The Monkees Matter: Teenagers, Television and American Pop Culture” will be published in Fall 2016

Three Ring Circus: How Real Couples Balance Marriage, Work and Kids and The Encyclopedia of Women in Aviation and Space are two books she has written. Los Angeles Times and the Journal of Screenwriting hold some of her published articles.

Dr. Rosanne Welch Web Site and Blog

Follow Dr. Welch on Twitter

Dr. Rosanne Welch on YouTube

Daniela and I pose with amazing ceramic painting at Athena Ceramiche in S. Maria Di Licodia #sicily #italy #art #rmwblog #travel #family

“Why The Monkees Matter” – From the Index… The A’s

Wonder what and who I mentioned in “Why The Monkees Matter”? Check out these index entries!

“A Coffin Too Frequent”  16, 37, 80, 96, 103, 114

A Hard Day’s Night  83, 101

“A Nice Place to Visit”  70, 91

ABC  90

Able, Lenny  104

Addams Family, The  90, 97

Adventures of Ozzie and Harriet, The  7, 18, 121

Aida  120, 128

Albert, Eddie  91

Albom, Mitch  131

Ali, Muhammad  70

“Alias Micky Dolenz”  73, 97, 115

Alias Smith and Jones  105

All My Children  17

Allen, Gracie  9, 11, 121

Ally McBeal  95, 148

American Bandstand  19, 86

American Graffiti  123

Anderson, Jon  31, 97

Andy Griffith Show, The  108, 128, 148

Arnold, Jeanne  78

“Art for Monkees Sake”  19, 21, 45

“As We Go Along”  148

Ashman, Gene  104

Askin, Leon  79

Astor, David  73

“The Audition”  21

Avalon, Frankie  15, 21

 

from Why The Monkees Mattered by Dr. Rosanne Welch —  Buy your Copy today!

 Why The Monkees Matter: Teenagers, Television and American Pop Culture

  

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Critical Studies and The Monkees from An Interview with Dr. Rosanne Welch, Author of “Why The Monkees Matter” on the Zilch Podcast [Audio]

A clip of an interview with Dr. Rosanne Welch, author of “Why The Monkees Matter” from Zilch: A Monkee’s Podcast: Episode 48.

Listen to this clip

Zilch48

Listen to the complete Zilch Podcast: Episode 48


Buy “Why The Monkees Matter” Today!

 Why The Monkees Matter: Teenagers, Television and American Pop Culture

 

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

 

Presenting “Why The Monkees Matter” to Micky Dolenz and Dave Evans, Writer of many Monkees episodes [Photos]

Last night I attended American Cinematheque’s “50th Anniversary of the Monkees” event at the Egyptian Theater in Hollywood and had the opportunity to present copies of “Why The Monkees Matter” to writer, Dave Evans and Micky Dolenz. This is the culmination of a long path in writing the book and I was very happy that I could put a copy directly into the hands of 2 people who played such a fundamental role in the creation of “The Monkees” television show — and therefore, my book.

Wmm dolenz

Presenting “Why The Monkees Matter” to Micky Dolenz

Wmm evans

Presenting “Why The Monkees Matter” to writer, Dave Evans

 Presenting