Final Book Cover! – Why The Monkees Matter by Rosanne Welch

So exciting to share the cover art that the McFarland graphics team has put together for my book!  It makes everything start to feel more and more real.

Even though it won’t be available until Fall (the better to coordinate with the premiere of the show!) I enjoy seeing each step in the process.

Guess it’s time to make up some bookmarks with this to hand out at events!

 

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Why The Monkees Matter: Teenagers, Television and American Pop Culture by Rosanne Welch

Read more about “Why The Monkees Matter”, including chapter titles and more

Rory Williams – Family Man Part 3 from How Doctor Who Redefined Masculinity [Video Clip] (1:14)

Dr. Rosanne Welch presents “How Doctor Who Redefined Masculinity: A Study of the Doctors and their Male Companions at the Cal Poly Pomona University Library. Dr. Welch teaches in the IGE (Interdisciplinary General Education) program.

Watch the entire presentation here

Rory Williams - Family Man Part 3 from How Doctor Who Redefined Masculinity

 

Transcript:

So Rory is a reflection of modern day fathers and what women are looking for ina modern man, if they’re going to spend the rest of their life. You want somebody else who’s going to help you clean the toilet. Right? When you get married, it’s not just you cooking dinner every night. It’s a shared job. It didn’t use to be. I had a friend who would go to work, her husband got home an hour before she did. He would sit on the couch and wait for her to get home and start making dinner, ’cause dinner was her job. Yeah, yeah. So things have switched around and the show is reflective of that. I think that’s really beautiful. And, of course, we know who the baby grew up to be. River Song! Who allows us a family of “Ponds”, even though they were stripped of the chance to raise her. We now have a Pond family as part of The Doctor’s story and again Rory overlooking all of that. He had to deal with his feelings of losing his chance to raise his child. That was something that harmed him, more than all the danger. How many times did Rory die. Really now. All those deaths didn’t bother him nearly as much as being denied the chance to raise his own child. So, I think that defines him much more deeply as a family man above all other things.  

A clip from this 5th talk on various aspects of Doctor Who presented by Dr. Welch. You can find Dr. Welch’s other Doctor Who talks using the links below.

Dr. Rosanne Welch

Follow Dr. Rosanne Welch on the Web and via social media at:

Happy Birthday, Micky Dolenz!

In honor of Micky Dolenz 71st birthday here’s my opinion of his best natural smile, displayed in a moment from Monkee Mother (written by Peter Meyerson and Bob Schlitt).

monkee-mother

The episode involves guest star Rose Marie (from the recently ended Dick Van Dyke Show) as Millie, a woman who moves into the Monkees’ beach house when they can’t pay rent.  As a way of highlighting each Monkees’ niceness (in a time when all long-haired boys were bad ones) Millie has a moment with each boy where she asks him to do a household chore and then declares each ‘a nice boy’.

From 7:40-8:09 she asks Micky to fix a leaky faucet.

Another highlight is at 9:06 when Peter asks Millie if she likes music and then they go into Micky’s lead vocals on “Sometime in the Morning”, perhaps the finest of Carole King and Gerry Goffin’s songs written for the show.

We all know he’s done great work behind the cameras and on the Broadway stage since the show – but today we’re wishing Happy Birthday to the Voice of The Monkees. 

 

Who Wrote The Monkees? – “Monkees in a Ghost Town” by Robert Schlitt and Peter Meyerson

Who wrote The Monkees? – “Monkees in a Ghost Town” by Robert Schlitt and Peter Meyerson  Part 2 of an on-going series

The second Monkees episode Antenna TV is airing this weekend is “Monkees in a Ghost Town”, by the writing team of Robert Schlitt and Peter Meyerson.  The partnership ended shortly after their work on The Monkees with Schmitt moving into one-hour dramas such as The Father Dowling Mysteries and, eventually, Matlock while Meyerson teamed up with fellow Monkees writer Treva Silverman on an episode of That Girl and a Buck Henry series called Captain Nice before eventually co-creating Welcome Back, Kotter.

Who Wrote The Monkees? – “Monkees in a Ghost Town

Monkees credit s1e7



I was lucky enough to interview Mr. Meyerson several months before he passed away and he regaled me with several stories about his time on the show and socializing with the actors, particularly at parties at Peter’s house, as Meyerson himself was quite the hippie, so their philosophies were well matched.

A few of the other writers I interviewed kept referring to Mr. Meyerson as their ‘college guy’ and in “Ghost Town” we see his homage to that perennial of literature courses –  Of Mice and Men.

Yes, that is veteran actor, Lon Chaney, Jr. on the right. 

More information on The Monkees:

Previously in Who Write The Monkees?:

Walking the Los Angeles River with friends on Saturday #losangeles #la #california #walk #nature #outdoors #friends

Waking the Los Angeles River with friends on Saturday #losangeles #la #california #walk #nature #outdoors #friends

Walking the Los Angeles River with friends on Saturday #losangeles#la #california #walk #nature #outdoors#friends

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My Favorite Book of Letters Between Writers, Cheever’s Glad Tidings

glad-tidings

Answering another friend’s Facebook post reminded me today of one of my favorite books of letters between writers is between Cheever and John Weaver.

I stumbled upon Glad Tidings: A Friendship in Letters : The Correspondence of John Cheever and John D. Weaver, 1945-1982 many years ago at a used bookstore and deeply enjoyed reading how these two writers discussed their work and the origins of their most famous projects.

Of course, Cheever was also writing to Harriet Weaver but the editors left her name off the title, so it’s also a good look at how the Weaver marriage operated (in the same way The Letters of S.J. Perlemnan became a look at the marriage of Dorothy Parker and Alan Campbell since he wrote so often to them).

What I enjoyed most was the inside look Cheever gave of coming to Hollywood when a studio adapted his story The Swimmer into a film – Weaver had much more experience living in Los Angeles as a writer of local histories so he helped Cheever navigate La-La-Land.

If you don’t know either of these writers, a selection of Cheever’s short stories, The Stories of John Cheever, won the 1979 Pulitzer Prize for Fiction (not too shabby) and John D. Weaver’s obituary in the Los Angeles Times tells you how important he was: “Weaver wrote two novels and eight nonfiction books, including one that helped change history: “The Brownsville Raid,” a 1970 book that led to the exoneration of 167 black soldiers who had been discharged without honor 64 years earlier.”

Both are well worth reading – as is Glad Tidings. Check them out.

Who wrote The Monkees? – “Success Story” by Bernie Orenstein

Who wrote The Monkees? – “Success Story” by Bernie Orenstein  Part 1 of an on-going series

The Monkees episode Antenna TV will air this weekend is “Success Story” – written by Bernie Orenstein, a freelancer who wrote two other episodes:  “Dance, Monkee, Dance” and “Monkees à la Carte”.

monkees-success-story-2 monkees-success-story-1

This 5 minute interview  focuses on his memories of writing for The Monkees .  

His more full time writing was on the variety show The Hollywood Palace which showcased Hollywood talent such as Frank Sinatra and Bing Crosby.  He later produced Sanford and Son.  In our interview I asked Mr. Orenstein if he was part of the youth culture and he said with a laugh, “My wife accuses me of missing the sixties entirely, and I’m afraid she’s right. I avoided the ‘emerging counter-culture scene’ mostly because I didn’t know there was one going on.” He has taught in the MFA program for Writing and Producing Television at Long Island University in Brooklyn. 

Read more about the writers of “The Monkees” own this article for Written By Magazine – Hey, Hey They Wrote the Monkees!

Writtenby monkees

Rory Williams – Family Man Part 2 from How Doctor Who Redefined Masculinity [Video Clip] (1:08)

Dr. Rosanne Welch presents “How Doctor Who Redefined Masculinity: A Study of the Doctors and their Male Companions at the Cal Poly Pomona University Library. Dr. Welch teaches in the IGE (Interdisciplinary General Education) program.

Watch the entire presentation here

Rory Williams - Family Man Part 2 from How Doctor Who Redefined Masculinity

 

Transcript:

Of course, along the way, he gets to be a full family man because…he and Amy have a baby! I think it’s very important. There’s a photography of him holding his child. It’s not just her always holding the baby and taking care of it, this is a shared parenting which is part of the modern generation. You all are probably lucky. Your Dad’s were probably more involved, but if you get back to my generation’s Dad, there the folks that went to work, came home, had dinner, watched TV qnd never talked to their kids and that was what men did. Right? And over the course of a couple of generations, parenting has become a co-job and you can see a Dad just as easily taking his kid to the doctor or going to a school function and helping out. it’s become a definition of men in this new generation to be family caretakers — to be involved — to go to the soccer games even if their not coaching , right? And to go to the birthday parties at school when you have to hand out little cupcakes with candles in them. That’s become a new definition, right? You  all are probably more used to that, but it’s not something that happened in the past. 

A clip from this 5th talk on various aspects of Doctor Who presented by Dr. Welch. You can find Dr. Welch’s other Doctor Who talks using the links below.

Dr. Rosanne Welch

Follow Dr. Rosanne Welch on the Web and via social media at:

Diane Sawyer’s Obituary to Davy Jones 2012 [Video]

In memory of the anniversary of the loss of Davy Jones in 2012 I wanted to post this newscast by Diane Sawyer where she spoke of the news as “startling bulletin” which came across her desk in the newsroom that day (February 29, 2012).  Sawyer then proclaimed “He is still that forever young and sunny singer from The Monkees who made more than one generation want to sing along.”

davey-jones-abc

The question I ask in the book is why would a serious journalist (not merely an entertainment reporter) consider news of the death of a former teen idol ‘startling’ unless she, too, had once been among his fans? To me it speaks volumes about how he – and The Monkees – effected all our lives.

You can join The Monkees Discussion on my Why The Monkees Mattered Facebook Page

Finding Diversity in Television History in the David Dortort Archive at the Autry Museum

Today we thank Shonda Rhimes for bringing color blind casting to television when she casts a diverse array of ethnicities in lead roles on her shows.  But she didn’t invent the idea.  On our visit to the Autry Museum of the American West I was reminded of a show I used to watch on television but that disappeared too quickly (I didn’t then know why) and didn’t reappear in reruns as much as the more successful, longer-running program also created by the same writer (Bonanza).

1968-TV-099-TheHighChaparral

 

The show I only vaguely remembered was The High Chaparral – the story of a Mexican woman married to a man of European descent (then controversially considered an inter-racial marriage) who owned a rancho in the West post the Civil War.  I remembered it for its diverse cast and honest portrayal of the discrimination played out against minorities in the West.

Special Projects Archivist Mallory Furnier wrote the blog post, “Casting Actors as People” highlighting the archives of The High Chaparral in the David Dortort Archive, where she noted:

“Though The High Chaparral faced untimely cancellation, its four seasons embodied a step away from tired, inaccurate stereotypes and a movement toward greater respect for actors and characters, regardless of race. As a June 16, 1970 NBC memo instructed, “let’s cast actors to play people and, in so doing, give the ‘minorities’ a break.”

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In a second blog post, “Finding Aids and Places”,  Furnier discussed her trip to the Old Tuscon Studios in Arizona, site of some of the exterior filming of the show.

As always, I found it fascinating to wander around in the papers (old, handwritten first drafts of scripts, typed rewrites ready for production meetings, cast lists, shooting schedules, etc) and see the inside ideas of a show I had only seen from the outside all those years ago.

One of the papers was even a 1971 letter to Dortort from then U.N. Representative George H. W. Bush saying he sympathized with the producer over the cancellation of such a quality show and would do what he could to communicate that to those who had made that decision.  Fascinating.

Listen to the High Chapparal Theme Song.

High Chapparel script cover

High Chaparral Script Cover