Peg Lamphier @peglamphier and I working on our next talk, “The Last Lecture”

Peg Lamphier @peglamphier and I working on our next talk, “The Last Lecture”

Peg Lamphier (@peglamphier) and I working on our next talk, “The Last Lecture”

Talk Is open to the public:

Cal Poly Pomona
3801 W Temple Ave, Pomona, CA 91768

Bronco Student Center (BSC)
Ursa Minor Conference Room

November 30, 2017 3pm-5pm

Quotes from “Why The Monkees Matter” by Dr. Rosanne Welch – 80 in a series – Micky The Monkee

** Buy “Why The Monkees Matter” Today **

Quotes from

 In terms of creating the fictional identity of “Micky the Monkee”, Dolenz felt the writers created the character more so than he did: “They were looking for that guy who just jumped off the screen at them. And to say how much of it was me — I don’t know if I can quantify it. They developed that character of the wacky drummer. They gave me the funny voice. I don’t do funny voices all the time and I don’t run backward at a high rate of speed. But it was partly my personality.”  

from Why The Monkees Matter by Dr. Rosanne Welch —  Buy your Copy today!

 Why The Monkees Matter: Teenagers, Television and American Pop Culture

   

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Encyclopedia of Women in American History is a American Book Fest 2017 Award Winner

Encyclopedia of Women in American History is a American Book Fest 2017 Award Winner

I, and my co-editor, Peg Lamphier, were happy to receive notice this morning that our 4-volume encyclopedia set, Women in American History: A Social, Political, and Cultural Encyclopedia and Document Collection was awarded Best Women’s Issues Book for 2017 at the American Book Fest.

Wah encyc cover 1Wah encyc cover 2Wah encyc cover 3Wah encyc cover 4

THE 14TH ANNUAL BEST BOOK AWARDS
ANNOUNCE 2017 AWARD RECIPIENTS

Mainstream & Independent Titles Score Top Honors
in the 14th Annual Best Book Awards

Wiley, McGraw-Hill, Houghton Mifflin Harcourt, St. Martin’s Press, Penguin Random House, Hachette Book Group, Rowman & Littlefield, New American Library, Forge/Tor Books, John Hopkins University Press, MIT Press and hundreds of Independent Houses contribute to this year’s Outstanding Competition!


LOS ANGELES – American Book Fest has announced the winners and finalists of The 2017 Best Book Awards on November 9, 2017. Over 400 winners and finalists were announced in over 90 categories. Awards were presented for titles published in 2015-2017.

Jeffrey Keen, President and CEO of American Book Fest said this year’s contest yielded over 2,000 entries from mainstream and independent publishers, which were then narrowed down to over 400 winners and finalists.

Keen says of the awards, now in their fifteenth year, “The 2017 results represent a phenomenal mix of books from a wide array of publishers throughout the United States. With a full publicity and marketing campaign promoting the results of the Best Book Awards, this year’s winners and finalists will gain additional media coverage for the upcoming holiday retail season.”

Winners and finalists traversed the publishing landscape: Wiley, McGraw-Hill, Houghton Mifflin Harcourt, St. Martin’s Press, Penguin Random House, Hachette Book Group, Rowman & Littlefield, New American Library, Forge/Tor Books, John Hopkins University Press, MIT Press and hundreds of independent houses contributed to this year’s outstanding competition!

Keen adds, “Our success begins with the enthusiastic participation of authors and publishers and continues with our distinguished panel of industry judges who bring to the table their extensive editorial, PR, marketing, and design expertise.”

American Book Fest is an online publication providing coverage for books from mainstream and independent publishers to the world online community.

American Book Fest has an active social media presence with over 96,000 current Facebook fans.

A complete list of the winners and finalists of The 2017 Best Book Awards are available online at American Book Fest.

See a complete list of nominees and award winners here

 

A History of Screenwriting – 45 in a series – The Kid – Charlie Chaplin (1921)

A History of Screenwriting – 45 in a series – The Kid – Charlie Chaplin (1921)

A History of Screenwriting - 45 in a series - The Kid - Charlie Chaplin (1921)

The Kid is a 1921 American silent comedy-drama film written by, produced by, directed by, and starring Charlie Chaplin, and features Jackie Coogan[4] as his adopted son and sidekick. This was Chaplin’s first full-length film as a director (he had been a co-star in 1914’s Tillie’s Punctured Romance). It was a huge success, and was the second-highest-grossing film in 1921, behind The Four Horsemen of the Apocalypse. In 2011, The Kid was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant.” Innovative in its combination of comedic and dramatic elements,[5] The Kid is widely considered one of the greatest films of the silent era.[6] — Wikipedia


Learn More About Charlie Chaplin with these books

 

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available at the LA Public Library

26: Treva Silverman and The Monkees : “Why The Monkees Matter” Interview with Jean Power [Video] (0:58)

Rosanne Welch talks about “Why The Monkees Matter” with Jean Hopkins Power

Watch this entire presentation (45 mins)

Jean Powergirl takes the host reigns and welcomes her guest Rosanne Welch, PhD to the show! They’ll be discussing Roseanne’s book, “Why The Monkees Matter: Teenagers, Television and American Pop Culture.”

26: Treva Silverman and The Monkees : “Why The Monkees Matter” Interview with Jean Power

 

Transcript:

Jean: I love talking about this.

Rosanne: Well, and that’s how it applies to The Monkees because they looked for young writers. Treva Silverman was beginning her career.

Jean: Let’s talk about the writers on The Monkees? So, Treva Silverman’s a woman, right? Woman Writer. All right, let’s talk about Treva.

Rosanne: I love Treva. She’s wonderful. You can look at the Academy of Television Arts. They have a good oral interview with her that goes through The Monkees and Mary Tyler Moore. She’s wonderful.

Jean: Ok, so she’s the only female writer on there.

Rosanne: She was. Many of them came from New York because a lot of TV had still being done in New York and they were also kind of younger — quote/unquote — hipper. She came out here and she really loved it. She admitted to me that it was the first time she had ever smoked pot and she found it fabulous. And her friends back home were still a little too

Jean: Go LA!

Rosanne: — exactly. The things you’re going to learn in LA, but the fact is she could come in with a more feminist attitude and make sure that the female characters were not these crazy, silly nonsense women.

Jean: And she was sought after to go after this demographic — this new demographic.

Rosanne: Yes. Yes, definitely

Get your copy today!

A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Achievement in Comedy. Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.

This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers. Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Rider and Five Easy Pieces.

Rosanne Welch, PhD has written for television (Touched by an Angel, Picket Fences) and print (Three Ring Circus: How Real Couples Balance Marriage, Work and Kids and The Encyclopedia of Women in Aviation and Space). In the documentary world she has written and produced Bill Clinton and the Boys Nation Class of 1963 for ABC NEWS/Nightline and consulted on PBS’s A Prince Among Slaves, the story of a prince from West Africa who was enslaved in the 1780s, freed by order of President John Quincy Adams in the 1820s and returned to his homeland.

From The Research Vault: La Merica: Images Of Italian Greenhorn Experience by Michael La Sorte

 

 Uses diaries, letters, selections from autobiographies, and statistical documents to describe the experiences of Italian immigrants in the United States prior to World War I, and explains how they adapted to their new lives — Amazon

Why The Monkees Matter: Teenagers, Television and American Pop Culture

  

Order Your Copy Now!

Learn the Writers Names from Giving Voice to Silent Films and the Far From Silent Women Who Wrote Them with Dr. Rosanne Welch

Watch this entire presentation

Remember the Ladies from Giving Voice to Silent Films and the Far From Silent Women Who Wrote Them with Dr. Rosanne Welch

Learn the Writers Names from Giving Voice to Silent Films and the Far From Silent Women Who Wrote Them with Dr. Rosanne Welch

 

A recording of my presentation at this year’s University Film and Video Association (UFVA) 2017 conference.

Transcript:

 

This is about strategies in teaching film and television history and current events — which is what David will do when I am done — and so, gee, I’m all about the chicks so we have Dorothy Parker and we have Tina Fey. There is a direct line between those women and if you love Tina Fey then you had better study a little bit of Dorothy Parker or you don’t understand why Tina Fey works today. So, why study screenwriting history? That’s actually the first screen of a lecture that I give on this very topic to my students on opening day because when you mention movies nobody says, “You know I love that shot in… ” They say, “My name is Inigo Montoya.You killed my father. Prepare to Die.” They remember the words in the movies. They remember the screenwriting, but when we look at the history of tv and film, we’re not doing that. We’re teaching directors. Everyone can name their favorite films and they can normally name the director of those films.

 

Books Mentioned In This Presentation

Follow Dr. Rosanne Welch

Twitter: https://twitter.com/rosannewelch
Instagram: https://www.instagram.com/drrosannewelch/

Quotes from “Why The Monkees Matter” by Dr. Rosanne Welch – 79 in a series – Differentiation

** Buy “Why The Monkees Matter” Today **

 Quotes from

Eventually, the band members’ individual personalities were made apparent enough that they could even joke about the earlier confusion. In “Monkees Paw” (episode 51, season two) the show ends with Mike saying, “Well that wraps up another hilarious 30 minute episode. This is Mike Nesmith.” Davy says he’s Peter Tork, Micky says he’s Davy Jones, and Peter says he’s Micky Dolenz.  

from Why The Monkees Matter by Dr. Rosanne Welch —  Buy your Copy today!

 Why The Monkees Matter: Teenagers, Television and American Pop Culture

   

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

A History of Screenwriting – 44 in a series – Framework: A History of Screenwriting in the American Film by Tom Stempel

A History of Screenwriting – 44 in a series – Framework: A History of Screenwriting in the American Film by Tom Stempel

 Updated and expanded for the third edition, this volume combines scholarship with movie lore to present a comprehensive account of the development and influence of the American screenwriter. The text is written in an informal style and includes anecdotes and stories that spotlight writer’s creative work and their struggle to achieve recognition.— Amazon


* A portion of each sale from Amazon.com directly supports our blogs *

** Available at the LA Public Library


I teach several classes for the Stephens College Low-Residency MFA in Screenwriting, including History of Screenwriting. In fact, I created the curriculum for that course from scratch and customized it to this particular MFA in that it covers ‘Screenwriting’ (not directors) and even more specifically, the class has a female-centric focus.  As part History of Screenwriting I, the first course in the four-class series, we focus on the early women screenwriters of the silent film era  who male historians have, for the most part, quietly forgotten in their books. In this series, I share with you some of the screenwriters and films that should be part of any screenwriters education. I believe that in order  to become a great screenwriter, you need to understand the deep history of screenwriting and the amazing people who created the career. — Dr. Rosanne Welch

25: Improv, Writers and The Monkees : “Why The Monkees Matter” Interview with Jean Power [Video] (0:53)

Rosanne Welch talks about “Why The Monkees Matter” with Jean Hopkins Power

Watch this entire presentation (45 mins)

Jean Powergirl takes the host reigns and welcomes her guest Rosanne Welch, PhD to the show! They’ll be discussing Roseanne’s book, “Why The Monkees Matter: Teenagers, Television and American Pop Culture.”

25: Improv, Writers and The Monkees : “Why The Monkees Matter” Interview with Jean Power

 

Transcript:

Rosanne: So you couldn’t be as improv’d as you might think they were. Much of the improvisation was written into the script or, if they made something up on the set, and the directors approved it, it would have to fit it…

Jean: They would work it in. There would be discussion — you’re going to say this. You’re going to say that.

Rosanne: Exactly and so Micky admitted that most of it was scripted and that they did a good job memorizing it and delivering it in a spontaneous way that seemed like they were making it up. So it was really interesting to get his perspective int hat respect and to, of course, credit the writers. One of my missions as a professor of television

Jean:…and a writer…

Rosanne: …is to make sure more credit is given to the writers because if you like a particular writer on a show, you should look at their career on IMDB and look at their previous work. You might find that you like the themes that they bring out and you’re a fan of their writing not necessarily of the person who produces that show.

Get your copy today!

 

 A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Achievement in Comedy. Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.

This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers. Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Rider and Five Easy Pieces.

Rosanne Welch, PhD has written for television (Touched by an Angel, Picket Fences) and print (Three Ring Circus: How Real Couples Balance Marriage, Work and Kids and The Encyclopedia of Women in Aviation and Space). In the documentary world she has written and produced Bill Clinton and the Boys Nation Class of 1963 for ABC NEWS/Nightline and consulted on PBS’s A Prince Among Slaves, the story of a prince from West Africa who was enslaved in the 1780s, freed by order of President John Quincy Adams in the 1820s and returned to his homeland.