Vintage Botanical Prints – 71 in a series – Delphinium divaricatum. from The floral cabinet and magazine of exotic botany (1837)

The image depicts a botanical illustration of a plant with the scientific name "Delphinium Divaricatum." The illustration features a central stem with several branches, each bearing purple flowers with five petals. The flowers are arranged in a loose cluster, with some buds visible, indicating potential future blooms. The plant has slender, green leaves that are divided into multiple narrow leaflets, giving a feathery appearance. The background is plain white, which highlights the plant's details. The illustration is detailed, with fine lines and shading that suggest texture and depth. The text "Delphinium Divaricatum" is written in a cursive script at the bottom of the image, identifying the plant species.

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D. divaricatum ; caule divaricatissime ramoso, pubescenti ; foliis multipartitis, laciniis linearibus acutis ; floribus pedicellis brevioribus ; petalis integerrimis ; folliculis sericeis. Descr.—Stem very much branched and exceedingly divaricated, somewhat pubescent ;leaves with many divisions divided down to the petiole, divisions linear acute ; flowers shorter than the pedicels ; petals very entire ; follicles covered with silky hairs. Delphinium divaricatum. — Ledebour. T his beautiful annual is a native of Caucasus, on the grassy banks of the River Gandscha, where it was collected in 1834 by Mr. T. F. Hohenacker, Botanical Traveller for the Unio Itineraria. When arrived at a state of maturity, it forms a complete pyramid, upwards of five feet high, its widely spreading lower branches occupying a space of more than two feet in diameter. It will readily be conceived, therefore, that, covered with flowers from the base to the apex, it makes a most attractive appearance; and being perfectly hardy, is highly deserving of cultivation.

Our drawing was made from a plant raised from seeds sent to the Birmingham Botanical and Horticultural Society ; it flowered last summer, and is the only living plant we have at present seen. We have compared it with specimens which we received from the Unio Itineraria, and find them to agree in every particular. It appears to be nearly allied to Delphinium consolida, if we examine the character given by De Candolle in his Prodromus, or that given by the late Sir James Edward Smith in his English Flora ; but, on comparison, there can be no doubt of their being perfectly distinct. From D. consolida it differs in being very much more branched ; in its branches being more slender ; in having flowers shorter than the pedicels, with the petals very entire at the margin, not crenate, as the petals of Consolida are represented in English Botany ; and also in the colour of the flower, which approaches the purple of puniceum rather than the usual colour of the genus.

Of the other annual species of Delphinium, two are to be found in almost every garden; D. Ajacis, or rocket; and D. consolida, or field larkspur. Of the first there are many beautiful double varieties of all colours ; the merits of which are estimated by florists according as they are more or less dwarf in their mode of growth ; and produce flowers more or less double. All tall-growing, as well as single-flowered plants are generally weeded out, in order to insure genuine seeds. The tall, branching larkspurs are also of various colours, some of which produce double flowers, but have not obtained so much notice from florists. Both should be sown where they are to remain ; a portion in August for early, and a portion in March for late flowering : covered with not more than half an inch of soil. Plants of the dwarf rocket should be four inches apart ; the branching varieties should be distant from nine inches to one foot. A rich soil grows them in the greatest perfection. Can a reason be assigned why so many plants in Ranunculacem produce double flowers ?

The natural order Ranunculacece consists of herbs (very rarely shrubs) with alternate or opposite, much divided leaves ; the petiole of which is dilated at the base, and forms a kind of sheath, which half embraces the stem. For the essential botanical characters by which they are distinguished, we beg to refer our readers to Lindley’s Natural System of Botany. As regards the geographical distribution of the order, the largest proportion of them is met with in Europe ; some are found in North America, some in South America, and some in Asia. Very few are found in Africa, except on the shores of the Mediterranean. In New Holland, according to De Candolle, 18 species have been discovered.

The genus Delphinium is divided by De Candolle into four sections ; the first of which contains such species as have but one ovarium or seed-vessel, and four petals united in one, as in our present plant. They are about twelve in number, and are all annuals.

Fig 1, 4 petals united ; 2, the capsule, which (as in all the species of De CandohVs section consolida) is single.



Vintage Botanical Prints – 70 in a series – Cypripediums from The gardener’s assistant (1907)[Prints available]

The image depicts a detailed botanical illustration of three different species of orchids from the genus Cypripedium. The illustration is set against a plain white background, emphasizing the vibrant colors and intricate details of the flowers.

The top flower, labeled as 1, INSIGNE, VAR., is predominantly yellow with a white upper lip and a distinctive pouch-like structure. It has a unique shape with a slightly curved petal and a prominent lip.

The middle flower, labeled as 2, CHAMBERLAINIANUM, features a deep purple pouch with a yellow and green patterned upper lip. It has a more elongated shape with a prominent lip and a unique pattern of spots and stripes.

The bottom flower, labeled as 3, EVENOR, has a yellow and purple patterned pouch with a yellow upper lip. It has a more rounded shape with a prominent lip and a pattern of spots and stripes.

The illustration also includes green leaves with visible veins, adding to the naturalistic representation of the orchids. The text at the bottom of the image reads CYPRIPEDIUMS: 1, INSIGNE, VAR. 2, CHAMBERLAINIANUM. 3, EVENOR.

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CYPRIPEDIUMS

No genus or race of Orchids that has been brought under cultivation has yielded so readily, and we may add, so strikingly, to its influence as Cypripedium. This is not only apparent in the results of hybridization, but also in the species themselves, especially in those that have been longest under the cultivator’s care. The most obvious effects of cultural influence have been the development of more robust foliage of a brighter colour; the normally one-flowered scape occasionally becomes two-flowered; the flowers are often larger and modified in colour (Veitch). Generally they are easily culti¬ vated, they flower freely and may readily be induced to mature seeds from which plants can be raised. The species, with few exceptions, readily intercross, and consequently an enormous number of hybrids have been raised artificially. Two of the three represented in the plate are true species, the third, EVENOR, is a garden hybrid. Recently the genus has been divided by botanists into four, viz.:—Cypripedium, Phragmo- pedilum, Paphiopedilum, and Selenipedium.

 


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Vintage Botanical Prints – 62 in a series – Polyanthus or Cluster Narcissus (1836) from the Cleveland Museum of Art

The image is a botanical illustration of a daffodil plant, framed with a thin gold border. The illustration is detailed and realistic, showcasing the plants structure and features. On the left side, the plants bulb is depicted, with a brownish-purple color and a textured surface. The green, long, and slender leaves emerge from the bulb, extending upwards. The right side of the image features a flowering stem with several yellow daffodils in full bloom, each with a trumpet-shaped corona at the center, surrounded by six petal-like tepals. The flowers are vibrant yellow with orange centers. Below the flowers, a detailed line drawing of the flowers internal structure is visible, including the stamens and pistil. The illustration is signed P. Bessar. in the bottom left corner. The background is a plain, off-white color, which highlights the plants features.

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Historical Garden Books – 147 in a series – American Gardener (1819)

Historical Garden Books – 147 in a series – American Gardener: a treatise on the situation, soil, and laying out of gardens, on the making and managing of hot-beds and green-houses(1819)

American Gardener (1819)
Historical Garden Books - 147 in a series - American Gardener (1819)
Historical Garden Books - 147 in a series - American Gardener (1819)

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PREFACE.

1. The proper uses of a Preface appear to te, tu give the reader information, which may be useful, during the perusal of the work to which it is prefixed ; to explain the nature and object of the work ; to point out the method of the arrangement of its several parts ; and, in short, to afford the means of due preparation for the task the reader is entering upon ; which preparation is always a great advantage to the author as well as to the reader.


The History of Landscape Design in 100 Gardens

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Vintage Botanical Prints – 61 in a series – Malus domestica from Agriculture Pomological Watercolor Collection (1910)

The image depicts a detailed botanical illustration of an apple blossom branch. The branch, with a brownish-brown color, extends horizontally across the center of the image. It is adorned with several green leaves, some of which are broad and oval-shaped, while others are more elongated. The leaves have visible veins and a glossy texture, adding to the realism of the illustration.

The blossoms are the focal point, with several in various stages of bloom. The flowers have five petals, with the inner petals being a soft pink and the outer petals transitioning to a deeper red. The centers of the flowers are yellow, with visible stamens and pistils, indicating the reproductive parts of the flower. Some buds are still closed, suggesting they are yet to bloom.

The background is a plain, off-white color, which contrasts with the vibrant colors of the flowers and leaves, making them stand out. The illustration is signed with the initials SHV in the bottom left corner, indicating the artists signature. The overall style is realistic, with careful attention to detail, capturing the delicate beauty of the apple blossoms.

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Historical Garden Books – 146 in a series – The principles of vegetable-gardening (1901) by L. H. (Liberty Hyde) Bailey

Historical Garden Books – 146 in a series – The principles of vegetable-gardening (1901) by L. H. (Liberty Hyde) Bailey

Historical Garden Books - 146 in a series - The principles of vegetable-gardening (1901) by L. H. (Liberty Hyde) Bailey

Historical Garden Books - 146 in a series - The principles of vegetable-gardening (1901) by L. H. (Liberty Hyde) Bailey
Historical Garden Books - 146 in a series - The principles of vegetable-gardening (1901) by L. H. (Liberty Hyde) Bailey
Historical Garden Books - 146 in a series - The principles of vegetable-gardening (1901) by L. H. (Liberty Hyde) Bailey
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PART I — GENERAL VIEW CHAPTER I THE LAY-OUT OF THE PLANTATION

Vegetable-GARDENING, or olericulture, is the art and business of raising kitchen-garden vegetables, and the applications of the various sciences thereto. The term kitchen-garden vegetable, or “Vegetable” in the gardener’s sense, is impossible of definition. It is approximately true to say that the term applies to the edible part of an annual or at least an herbaceous plant. Vegetables-are not often used in the dessert, and therefore belong more properly to the kitchen than do the fruits. There is exception to this in the melon; and it is significant that this is often included with the fruits by European writers. The only complete idea of the use of the term is to be obtained from a detailed catalogue of the products which are called vegetables, and this inventory will be found on a later page ; in the meantime, it may be well to say that leading vegetables are potatoes, cabbages, onions, tomatoes, asparagus, peas, beans, cucumbers, squashes, celery, lettuce.

Publication date 1901
Topics Vegetable gardening
Publisher New York, The Macmillan company; [etc., etc.]
Collection library_of_congress; biodiversity; americana
Digitizing sponsor The Library of Congress
Contributor The Library of Congress
Language English

The History of Landscape Design in 100 Gardens

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Vintage Botanical Prints – 60 in a series – Anemone and Lilium from Nederlandsch bloemwerk (1794)

The image is a botanical illustration featuring two flowers and a butterfly. The left flower is an Anemone, with deep red petals and a dark purple center, labeled Anemone dicta la Larmoyee. The right flower is a Lilium, with orange and red reflexed petals, labeled Lilium purpureo sanguineum flore reflexo. A butterfly with orange and white wings is perched on the Lilium. The illustration includes a yellow ribbon tied around the stem, adding a decorative element. The background is plain white, and the image is framed with a thin black border. The Roman numeral IX is in the top right corner, indicating its position in a series.

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Historical Garden Books – 145 in a series – The gardener and the cook (1913) by Lucy H. Yates

Historical Garden Books – 145 in a series – The gardener and the cook (1913) by Lucy H. Yates

Historical Garden Books - 145 in a series - The gardener and the cook (1913) by Lucy H. Yates
Historical Cooking Books - 114 in a series - The gardener and the cook (1913) by Lucy H. Yates
Historical Cooking Books - 114 in a series - The gardener and the cook (1913) by Lucy H. Yates
Historical Cooking Books - 114 in a series - The gardener and the cook (1913) by Lucy H. Yates
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Publication date 1913
Topics Vegetable gardening, Cookery (Vegetables), cbk
Publisher New York, McBride, Nast & co
Collection cornell; americana
Digitizing sponsor MSN
Contributor Cornell University Library
Contributor usage rights See terms
Language English

The History of Landscape Design in 100 Gardens

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Vintage Botanical Prints – 59 in a series – Pelargoniums Amethyst and Illuminator from The florist and pomologist (1879)

The image depicts a botanical illustration of two varieties of Pelargonium flowers, labeled as Amethyst and Illuminator. The illustration is detailed and vibrant, showcasing the flowers' intricate structure and color variations. The Amethyst flowers are a deep purple with a velvety texture, while the Illuminator flowers are a bright red with a dark, almost black, center. Both types of flowers have five petals each, with prominent stamens and pistils at the center. The leaves are large, green, and have a serrated edge, adding to the botanical detail. The background is a plain, off-white color, which contrasts with the vivid colors of the flowers. The illustration is signed C.T. Rosenberg del. at the bottom left corner, indicating the artist. The text below the flowers reads Pelargoniums: 1. Amethyst. 2. Illuminator, identifying the species and varieties.

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Historical Garden Books – 144 in a series – The gardener’s assistant : a practical and scientific exposition of the art of gardening in all its branches (1907) by Robert Thompson

Historical Garden Books – 144 in a series – The gardener’s assistant : a practical and scientific exposition of the art of gardening in all its branches (1907) by Robert Thompson

Historical Garden Books - 144 in a series - The gardener's assistant : a practical and scientific exposition of the art of gardening in all its branches (1907) by Robert Thompson

Historical Garden Books - 144 in a series - The gardener's assistant : a practical and scientific exposition of the art of gardening in all its branches (1907) by Robert Thompson

Historical Garden Books - 144 in a series - The gardener's assistant : a practical and scientific exposition of the art of gardening in all its branches (1907) by Robert Thompson

Historical Garden Books - 144 in a series - The gardener's assistant : a practical and scientific exposition of the art of gardening in all its branches (1907) by Robert Thompson

Historical Garden Books - 144 in a series - The gardener's assistant : a practical and scientific exposition of the art of gardening in all its branches (1907) by Robert ThompsonHistorical Garden Books - 144 in a series - The gardener's assistant : a practical and scientific exposition of the art of gardening in all its branches (1907) by Robert Thompson

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Publication date 1907
Topics Dummies (Bookselling) — Specimens, Gardening — Great Britain
Publisher London : The Gresham Publishing Company
Collection biodiversity
Digitizing sponsor Biodiversity Heritage Library
Contributor Smithsonian Libraries
Language English

PREFACE

The original edition of The Gardeners Assistant was issued in 1859, under the editorship of the late Mr. Robert Thompson, Superintendent of the Royal Horticultural Society’s Gardens at Chiswick, an eminent authority on all matters appertaining to- English horticulture. He was assisted by Mr. William Paul, Mr. Cock, Mr. Salter, and Mr. Glendenning, who contributed chapters on the subjects of which they were leading practical exponents. The work was at once welcomed as “ the soundest and best guide to ‘pract ical garden ing that has been published in our times ”, “ the best book on general practical horticulture in the English language ”, &c.

In 1877, and again in 1884, the work was revised and enlarged by Mr. Thomas Moore, F.L.S., Curator of the Chelsea Botanic Gardens, assisted by numerous specialists, including Messrs. W. B. Hemsley, J. C. Niven, F. W. Burbidge, T. Baines, R. Dean, and J. Douglas. The new issue was received with even greater favour than the previous one. Mr. William Tillery, Gardener to His Grace the Duke of Portland, Welbeck, one of the cleverest of English gardeners, wrote concerning it: “I consider this new edition of Thompson’s Gardeners Assistant the most complete work on horticulture and floriculture that has ever been published. Every gardener should have a copy of it, both for its practical and scientific interest, and as a guide to all the duties of the profession.” The Athenceum described it as “A veritable encyclopedia to which all may turn who wish to have the best and soundest information on the practice of gardening ”.

A new edition being again called for, its preparation was commenced under the joint general editorship of Mr. Edward W. Badger and Mr. Archibald F. Barron, but owing to failing health they were compelled to relinquish the task, not, however, before some progress had been made with the work of revision. The duties of general editor were then intrusted to me, and, thanks to the hearty co-operation of numerous specialists, as well as to the sympathetic help and encouragement afforded by the publishers, the work has been completed. The book has been remodelled, revised, and enlarged to such an extent that it is now practically a new work, in which every department of the garden is dealt with in a thoroughly comprehensive manner to meet the requirements of present-day horticulture.

An important feature of this new edition is the illustrations, which in many instances are far more helpful than any words could be. Many of them were specially drawn or photographed for this edition, and I am indebted to numerous friends for the supply of material for the artists to work from. The horticultural press has also been most helpful in this l’espect.

W. WATSON.
Kew, May, 1902.


The History of Landscape Design in 100 Gardens

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